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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DEDA8C it is the complementary color #212573. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DEDA8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DEDA8C shade: #E3DA87, #F4EC9A, #FFFEAD, #FFFFC0 and #FFFFD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DEDA8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DEDA8C shade: #DEDA8C, #CDC879, #BCB666, #ABA453 and #9A9240

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DEDA8C shade: #DDD98C, #DDC38C, #DDAD8C, #DD978C and #DD8C8C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DEDA8C shade: #DDD98C, #CBDD8C, #B5DD8C, #9FDD8C and #8CDD8E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DEDA8C shade matches the following richer shades: #DDD98C, #E9E480 and #F5EF74

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DEDA8C shade: #DDD98C, #D1CE98, #C5C4A4, #B9B9B0 and #ADAEBC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DEDA8C shade: #DDAE8C, #DDC38C, #DDD98C, #CCDD8C and #B6DD8C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DEDA8C shade: #CBC44C, #D4CF6C, #DDD98C, #E7E4AC and #F0EECC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DEDA8C shade: #DEDA8C, #8CDD98 and #B98CDD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DEDA8C shade: #DEDA8C, #8CDDD9 and #D98CDD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DEDA8C shade: #DEDA8C, #8CDD98, #8C90DD and #DD8CD1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DEDA8C shade: #DEDA8C, #8CDDB0, #8C90DD and #DD8CB9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 37 / 13

HEX #DEDA8C

RGB 222 218 140

HSL 57.07, 0.55%, 0.71%

LAB 85.79, -10, 38.89

 

Complementary color

CMYK 71 / 68 / 0 / 55

HEX #212573

RGB 33 37 115

HSL 237.07, 0.55%, 0.29%

LAB 19.57, 25.97, -45.39

 

CMYK 0 / 4 / 41 / 11

HEX #E3DA87

RGB 227 218 135

HSL 54.13, 0.62%, 0.71%

LAB 86.12, -8.59, 41.9

 

CMYK 0 / 3 / 37 / 4

HEX #F4EC9A

RGB 244 236 154

HSL 54.67, 0.8%, 0.78%

LAB 92.38, -8.97, 40.74

 

CMYK 0 / 0 / 32 / 0

HEX #FFFEAD

RGB 255 254 173

HSL 59.27, 1%, 0.84%

LAB 98.1, -11.55, 38.94

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFC0

RGB 255 255 192

HSL 60, 1%, 0.88%

LAB 98.66, -9.68, 30.2

 

CMYK 0 / 0 / 17 / 0

HEX #FFFFD3

RGB 255 255 211

HSL 60, 1%, 0.91%

LAB 99.02, -7.05, 21.08

 

CMYK 0 / 2 / 37 / 13

HEX #DEDA8C

RGB 222 218 140

HSL 57.07, 0.55%, 0.71%

LAB 85.79, -10, 38.89

 

CMYK 0 / 2 / 41 / 20

HEX #CDC879

RGB 205 200 121

HSL 56.43, 0.46%, 0.64%

LAB 79.42, -9.63, 40.07

 

CMYK 0 / 3 / 46 / 26

HEX #BCB666

RGB 188 182 102

HSL 55.81, 0.39%, 0.57%

LAB 72.96, -9.18, 41.28

 

CMYK 0 / 4 / 51 / 33

HEX #ABA453

RGB 171 164 83

HSL 55.23, 0.35%, 0.5%

LAB 66.39, -8.65, 42.49

 

CMYK 0 / 5 / 58 / 40

HEX #9A9240

RGB 154 146 64

HSL 54.67, 0.41%, 0.43%

LAB 59.71, -7.98, 43.65

 

CMYK 0 / 2 / 37 / 13

HEX #DDD98C

RGB 221 217 140

HSL 57.04, 0.54%, 0.71%

LAB 85.45, -9.88, 38.44

 

CMYK 0 / 12 / 37 / 13

HEX #DDC38C

RGB 221 195 140

HSL 40.74, 0.54%, 0.71%

LAB 79.78, 1.44, 31.03

 

CMYK 0 / 22 / 37 / 13

HEX #DDAD8C

RGB 221 173 140

HSL 24.44, 0.54%, 0.71%

LAB 74.29, 13.1, 23.67

 

CMYK 0 / 32 / 37 / 13

HEX #DD978C

RGB 221 151 140

HSL 8.15, 0.54%, 0.71%

LAB 69.04, 24.93, 16.46

 

CMYK 0 / 37 / 37 / 13

HEX #DD8C8C

RGB 221 140 140

HSL 0, 0.54%, 0.71%

LAB 66.54, 30.82, 12.97

 

CMYK 0 / 2 / 37 / 13

HEX #DDD98C

RGB 221 217 140

HSL 57.04, 0.54%, 0.71%

LAB 85.45, -9.88, 38.44

 

CMYK 8 / 0 / 37 / 13

HEX #CBDD8C

RGB 203 221 140

HSL 73.33, 0.54%, 0.71%

LAB 85.15, -18.79, 37.79

 

CMYK 18 / 0 / 37 / 13

HEX #B5DD8C

RGB 181 221 140

HSL 89.63, 0.54%, 0.71%

LAB 83.67, -26.93, 35.58

 

CMYK 28 / 0 / 37 / 13

HEX #9FDD8C

RGB 159 221 140

HSL 105.93, 0.54%, 0.71%

LAB 82.37, -34.62, 33.63

 

CMYK 37 / 0 / 36 / 13

HEX #8CDD8E

RGB 140 221 142

HSL 121.48, 0.54%, 0.71%

LAB 81.42, -40.45, 31.18

 

CMYK 0 / 2 / 37 / 13

HEX #DDD98C

RGB 221 217 140

HSL 57.04, 0.54%, 0.71%

LAB 85.45, -9.88, 38.44

 

CMYK 0 / 2 / 45 / 9

HEX #E9E480

RGB 233 228 128

HSL 57.14, 0.7%, 0.71%

LAB 89.1, -11.94, 49.15

 

CMYK 0 / 2 / 53 / 4

HEX #F5EF74

RGB 245 239 116

HSL 57.21, 0.87%, 0.71%

LAB 92.75, -13.66, 59.35

 

CMYK 0 / 2 / 37 / 13

HEX #DDD98C

RGB 221 217 140

HSL 57.04, 0.54%, 0.71%

LAB 85.45, -9.88, 38.44

 

CMYK 0 / 1 / 27 / 18

HEX #D1CE98

RGB 209 206 152

HSL 56.84, 0.38%, 0.71%

LAB 81.82, -7.43, 27.31

 

CMYK 0 / 1 / 17 / 23

HEX #C5C4A4

RGB 197 196 164

HSL 58.18, 0.22%, 0.71%

LAB 78.48, -5.05, 16.23

 

CMYK 0 / 0 / 5 / 27

HEX #B9B9B0

RGB 185 185 176

HSL 60, 0.06%, 0.71%

LAB 74.92, -1.63, 4.55

 

CMYK 8 / 7 / 0 / 26

HEX #ADAEBC

RGB 173 174 188

HSL 236, 0.1%, 0.71%

LAB 71.41, 2.39, -7.26

 

CMYK 0 / 21 / 37 / 13

HEX #DDAE8C

RGB 221 174 140

HSL 25.19, 0.54%, 0.71%

LAB 74.53, 12.56, 24

 

CMYK 0 / 12 / 37 / 13

HEX #DDC38C

RGB 221 195 140

HSL 40.74, 0.54%, 0.71%

LAB 79.78, 1.44, 31.03

 

CMYK 0 / 2 / 37 / 13

HEX #DDD98C

RGB 221 217 140

HSL 57.04, 0.54%, 0.71%

LAB 85.45, -9.88, 38.44

 

CMYK 8 / 0 / 37 / 13

HEX #CCDD8C

RGB 204 221 140

HSL 72.59, 0.54%, 0.71%

LAB 85.22, -18.41, 37.9

 

CMYK 18 / 0 / 37 / 13

HEX #B6DD8C

RGB 182 221 140

HSL 88.89, 0.54%, 0.71%

LAB 83.73, -26.57, 35.67

 

CMYK 0 / 3 / 63 / 20

HEX #CBC44C

RGB 203 196 76

HSL 56.69, 0.55%, 0.55%

LAB 77.7, -12.23, 59.17

 

CMYK 0 / 2 / 49 / 17

HEX #D4CF6C

RGB 212 207 108

HSL 57.12, 0.55%, 0.63%

LAB 81.68, -11.64, 49.36

 

CMYK 0 / 2 / 37 / 13

HEX #DDD98C

RGB 221 217 140

HSL 57.04, 0.54%, 0.71%

LAB 85.45, -9.88, 38.44

 

CMYK 0 / 1 / 26 / 9

HEX #E7E4AC

RGB 231 228 172

HSL 56.95, 0.55%, 0.79%

LAB 89.61, -7.69, 27.78

 

CMYK 0 / 1 / 15 / 6

HEX #F0EECC

RGB 240 238 204

HSL 56.67, 0.55%, 0.87%

LAB 93.47, -4.9, 16.72

 

CMYK 0 / 2 / 37 / 13

HEX #DEDA8C

RGB 222 218 140

HSL 57.07, 0.55%, 0.71%

LAB 85.79, -10, 38.89

 

CMYK 37 / 0 / 31 / 13

HEX #8CDD98

RGB 140 221 152

HSL 128.89, 0.54%, 0.71%

LAB 81.6, -38.81, 26.27

 

CMYK 16 / 37 / 0 / 13

HEX #B98CDD

RGB 185 140 221

HSL 273.33, 0.54%, 0.71%

LAB 65.19, 32.18, -34.89

 

CMYK 0 / 2 / 37 / 13

HEX #DEDA8C

RGB 222 218 140

HSL 57.07, 0.55%, 0.71%

LAB 85.79, -10, 38.89

 

CMYK 37 / 0 / 2 / 13

HEX #8CDDD9

RGB 140 221 217

HSL 177.04, 0.54%, 0.71%

LAB 83.07, -25.58, -5.88

 

CMYK 2 / 37 / 0 / 13

HEX #D98CDD

RGB 217 140 221

HSL 297.04, 0.54%, 0.71%

LAB 68.55, 41.96, -29.42

 

CMYK 0 / 2 / 37 / 13

HEX #DEDA8C

RGB 222 218 140

HSL 57.07, 0.55%, 0.71%

LAB 85.79, -10, 38.89

 

CMYK 37 / 0 / 31 / 13

HEX #8CDD98

RGB 140 221 152

HSL 128.89, 0.54%, 0.71%

LAB 81.6, -38.81, 26.27

 

CMYK 37 / 35 / 0 / 13

HEX #8C90DD

RGB 140 144 221

HSL 237.04, 0.54%, 0.71%

LAB 62.29, 16.92, -39.71

 

CMYK 0 / 37 / 5 / 13

HEX #DD8CD1

RGB 221 140 209

HSL 308.89, 0.54%, 0.71%

LAB 68.56, 41.05, -22.72

 

CMYK 0 / 2 / 37 / 13

HEX #DEDA8C

RGB 222 218 140

HSL 57.07, 0.55%, 0.71%

LAB 85.79, -10, 38.89

 

CMYK 37 / 0 / 20 / 13

HEX #8CDDB0

RGB 140 221 176

HSL 146.67, 0.54%, 0.71%

LAB 82.07, -34.43, 14.38

 

CMYK 37 / 35 / 0 / 13

HEX #8C90DD

RGB 140 144 221

HSL 237.04, 0.54%, 0.71%

LAB 62.29, 16.92, -39.71

 

CMYK 0 / 37 / 16 / 13

HEX #DD8CB9

RGB 221 140 185

HSL 326.67, 0.54%, 0.71%

LAB 67.75, 37.06, -10.56

 

Description

Color code: HEX #DEDA8C | qconv.com Color code: HEX #DEDA8C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 218 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 218 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 37 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 37% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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