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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DED2DA it is the complementary color #212D25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DED2DA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DED2DA shade: #E3D2D5, #F4E4E8 and #FFF6FB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DED2DA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DED2DA shade: #DED2DA, #CDC0C7, #BCAEB4, #AB9CA1 and #9A8A8E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DED2DA shade: #DED3DA, #DED3D7, #DED3D4 and #DED3D3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DED2DA shade: #DED3DA, #DED3DD, #DCD3DE, #D9D3DE and #D5D3DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DED2DA shade matches the following richer shades: #DED3DA, #E4CCDC, #EAC6DE, #F1C0E0 and #F7BAE2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DED2DA shade: #DED3DA, #D8D9D8, #D2DFD6, #CBE5D4 and #C5EBD2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DED2DA shade: #DCD3DE, #DED3DD, #DED3DA, #DED3D7 and #DED3D4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DED2DA shade: #BBA3B3, #CCBBC7, #DED3DA and #F0EAEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DED2DA shade: #DED2DA, #DED9D3 and #D3DEDD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DED2DA shade: #DED2DA, #DADED3 and #D3DADE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DED2DA shade: #DED2DA, #DED9D3, #D3DED6 and #D3D8DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DED2DA shade: #DED2DA, #DEDCD3, #D3DED6 and #D3D4DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 2 / 13

HEX #DED2DA

RGB 222 210 218

HSL 320, 0.15%, 0.85%

LAB 85.34, 5.54, -2.47

 

Complementary color

CMYK 27 / 0 / 18 / 82

HEX #212D25

RGB 33 45 37

HSL 140, 0.15%, 0.15%

LAB 17.15, -7.2, 3.51

 

CMYK 0 / 7 / 6 / 11

HEX #E3D2D5

RGB 227 210 213

HSL 349.41, 0.23%, 0.86%

LAB 85.62, 6.39, 0.63

 

CMYK 0 / 7 / 5 / 4

HEX #F4E4E8

RGB 244 228 232

HSL 345, 0.42%, 0.93%

LAB 91.93, 6.12, 0

 

CMYK 0 / 4 / 2 / 0

HEX #FFF6FB

RGB 255 246 251

HSL 326.67, 1%, 0.98%

LAB 97.69, 3.87, -1.34

 

CMYK 0 / 5 / 2 / 13

HEX #DED2DA

RGB 222 210 218

HSL 320, 0.15%, 0.85%

LAB 85.34, 5.54, -2.47

 

CMYK 0 / 6 / 3 / 20

HEX #CDC0C7

RGB 205 192 199

HSL 327.69, 0.12%, 0.78%

LAB 78.93, 5.8, -1.88

 

CMYK 0 / 7 / 4 / 26

HEX #BCAEB4

RGB 188 174 180

HSL 334.29, 0.09%, 0.71%

LAB 72.4, 6.08, -1.26

 

CMYK 0 / 9 / 6 / 33

HEX #AB9CA1

RGB 171 156 161

HSL 340, 0.08%, 0.64%

LAB 65.75, 6.39, -0.62

 

CMYK 0 / 10 / 8 / 40

HEX #9A8A8E

RGB 154 138 142

HSL 345, 0.07%, 0.57%

LAB 58.97, 6.72, 0.05

 

CMYK 0 / 5 / 2 / 13

HEX #DED3DA

RGB 222 211 218

HSL 321.82, 0.14%, 0.85%

LAB 85.59, 5.02, -2.1

 

CMYK 0 / 5 / 3 / 13

HEX #DED3D7

RGB 222 211 215

HSL 338.18, 0.14%, 0.85%

LAB 85.52, 4.49, -0.63

 

CMYK 0 / 5 / 5 / 13

HEX #DED3D4

RGB 222 211 212

HSL 354.55, 0.14%, 0.85%

LAB 85.44, 3.96, 0.85

 

CMYK 0 / 5 / 5 / 13

HEX #DED3D3

RGB 222 211 211

HSL 0, 0.14%, 0.85%

LAB 85.41, 3.79, 1.35

 

CMYK 0 / 5 / 2 / 13

HEX #DED3DA

RGB 222 211 218

HSL 321.82, 0.14%, 0.85%

LAB 85.59, 5.02, -2.1

 

CMYK 0 / 5 / 0 / 13

HEX #DED3DD

RGB 222 211 221

HSL 305.45, 0.14%, 0.85%

LAB 85.67, 5.56, -3.58

 

CMYK 1 / 5 / 0 / 13

HEX #DCD3DE

RGB 220 211 222

HSL 289.09, 0.14%, 0.85%

LAB 85.54, 5.06, -4.32

 

CMYK 2 / 5 / 0 / 13

HEX #D9D3DE

RGB 217 211 222

HSL 272.73, 0.14%, 0.85%

LAB 85.31, 4.05, -4.69

 

CMYK 4 / 5 / 0 / 13

HEX #D5D3DE

RGB 213 211 222

HSL 250.91, 0.14%, 0.85%

LAB 85, 2.71, -5.18

 

CMYK 0 / 5 / 2 / 13

HEX #DED3DA

RGB 222 211 218

HSL 321.82, 0.14%, 0.85%

LAB 85.59, 5.02, -2.1

 

CMYK 0 / 11 / 4 / 11

HEX #E4CCDC

RGB 228 204 220

HSL 320, 0.31%, 0.85%

LAB 84.4, 11.11, -4.86

 

CMYK 0 / 15 / 5 / 8

HEX #EAC6DE

RGB 234 198 222

HSL 320, 0.46%, 0.85%

LAB 83.52, 16.69, -7.17

 

CMYK 0 / 20 / 7 / 5

HEX #F1C0E0

RGB 241 192 224

HSL 320.82, 0.64%, 0.85%

LAB 82.8, 22.61, -9.25

 

CMYK 0 / 25 / 9 / 3

HEX #F7BAE2

RGB 247 186 226

HSL 320.66, 0.79%, 0.85%

LAB 82.05, 28.16, -11.38

 

CMYK 0 / 5 / 2 / 13

HEX #DED3DA

RGB 222 211 218

HSL 321.82, 0.14%, 0.85%

LAB 85.59, 5.02, -2.1

 

CMYK 0 / 0 / 0 / 15

HEX #D8D9D8

RGB 216 217 216

HSL 120, 0.01%, 0.85%

LAB 86.59, -0.52, 0.36

 

CMYK 6 / 0 / 4 / 13

HEX #D2DFD6

RGB 210 223 214

HSL 138.46, 0.17%, 0.85%

LAB 87.65, -6, 2.89

 

CMYK 11 / 0 / 7 / 10

HEX #CBE5D4

RGB 203 229 212

HSL 140.77, 0.33%, 0.85%

LAB 88.68, -11.75, 5.38

 

CMYK 16 / 0 / 11 / 8

HEX #C5EBD2

RGB 197 235 210

HSL 140.53, 0.49%, 0.85%

LAB 89.83, -17.09, 8.03

 

CMYK 1 / 5 / 0 / 13

HEX #DCD3DE

RGB 220 211 222

HSL 289.09, 0.14%, 0.85%

LAB 85.54, 5.06, -4.32

 

CMYK 0 / 5 / 0 / 13

HEX #DED3DD

RGB 222 211 221

HSL 305.45, 0.14%, 0.85%

LAB 85.67, 5.56, -3.58

 

CMYK 0 / 5 / 2 / 13

HEX #DED3DA

RGB 222 211 218

HSL 321.82, 0.14%, 0.85%

LAB 85.59, 5.02, -2.1

 

CMYK 0 / 5 / 3 / 13

HEX #DED3D7

RGB 222 211 215

HSL 338.18, 0.14%, 0.85%

LAB 85.52, 4.49, -0.63

 

CMYK 0 / 5 / 5 / 13

HEX #DED3D4

RGB 222 211 212

HSL 354.55, 0.14%, 0.85%

LAB 85.44, 3.96, 0.85

 

CMYK 0 / 13 / 4 / 27

HEX #BBA3B3

RGB 187 163 179

HSL 320, 0.15%, 0.69%

LAB 69.48, 11.57, -5.02

 

CMYK 0 / 8 / 2 / 20

HEX #CCBBC7

RGB 204 187 199

HSL 317.65, 0.14%, 0.77%

LAB 77.58, 8.13, -3.87

 

CMYK 0 / 5 / 2 / 13

HEX #DED3DA

RGB 222 211 218

HSL 321.82, 0.14%, 0.85%

LAB 85.59, 5.02, -2.1

 

CMYK 0 / 3 / 1 / 6

HEX #F0EAEE

RGB 240 234 238

HSL 320, 0.17%, 0.93%

LAB 93.25, 2.72, -1.23

 

CMYK 0 / 5 / 2 / 13

HEX #DED2DA

RGB 222 210 218

HSL 320, 0.15%, 0.85%

LAB 85.34, 5.54, -2.47

 

CMYK 0 / 2 / 5 / 13

HEX #DED9D3

RGB 222 217 211

HSL 32.73, 0.14%, 0.85%

LAB 86.93, 0.66, 3.54

 

CMYK 5 / 0 / 0 / 13

HEX #D3DEDD

RGB 211 222 221

HSL 174.55, 0.14%, 0.85%

LAB 87.64, -3.86, -0.8

 

CMYK 0 / 5 / 2 / 13

HEX #DED2DA

RGB 222 210 218

HSL 320, 0.15%, 0.85%

LAB 85.34, 5.54, -2.47

 

CMYK 2 / 0 / 5 / 13

HEX #DADED3

RGB 218 222 211

HSL 81.82, 0.14%, 0.85%

LAB 87.9, -3.3, 4.91

 

CMYK 5 / 2 / 0 / 13

HEX #D3DADE

RGB 211 218 222

HSL 201.82, 0.14%, 0.85%

LAB 86.64, -1.61, -2.79

 

CMYK 0 / 5 / 2 / 13

HEX #DED2DA

RGB 222 210 218

HSL 320, 0.15%, 0.85%

LAB 85.34, 5.54, -2.47

 

CMYK 0 / 2 / 5 / 13

HEX #DED9D3

RGB 222 217 211

HSL 32.73, 0.14%, 0.85%

LAB 86.93, 0.66, 3.54

 

CMYK 5 / 0 / 4 / 13

HEX #D3DED6

RGB 211 222 214

HSL 136.36, 0.14%, 0.85%

LAB 87.46, -5.15, 2.63

 

CMYK 5 / 3 / 0 / 13

HEX #D3D8DE

RGB 211 216 222

HSL 212.73, 0.14%, 0.85%

LAB 86.12, -0.57, -3.54

 

CMYK 0 / 5 / 2 / 13

HEX #DED2DA

RGB 222 210 218

HSL 320, 0.15%, 0.85%

LAB 85.34, 5.54, -2.47

 

CMYK 0 / 1 / 5 / 13

HEX #DEDCD3

RGB 222 220 211

HSL 49.09, 0.14%, 0.85%

LAB 87.69, -0.89, 4.65

 

CMYK 5 / 0 / 4 / 13

HEX #D3DED6

RGB 211 222 214

HSL 136.36, 0.14%, 0.85%

LAB 87.46, -5.15, 2.63

 

CMYK 5 / 5 / 0 / 13

HEX #D3D4DE

RGB 211 212 222

HSL 234.55, 0.14%, 0.85%

LAB 85.1, 1.52, -5.05

 

Description

Color code: HEX #DED2DA | qconv.com Color code: HEX #DED2DA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 210 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 210 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 2 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 2% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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