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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DEB488 it is the complementary color #214B77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DEB488. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DEB488 shade: #E3B483, #F4C696, #FFD8A9, #FFEABC and #FFFCCF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DEB488. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DEB488 shade: #DEB488, #CDA275, #BC9062, #AB7E4F and #9A6C3C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DEB488 shade: #DEB487, #DE9C87 and #DE8787

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DEB488 shade: #DEB487, #DECB87, #DADE87, #C2DE87 and #ABDE87

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DEB488 shade matches the following richer shades: #DEB487, #EAB47B and #F7B46E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DEB488 shade: #DEB487, #D2B393, #C5B3A0, #B9B3AC and #ADB2B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DEB488 shade: #DE878A, #DE9B87, #DEB387, #DECA87 and #DBDE87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DEB488 shade: #CC8B46, #D59F67, #DEB487, #E7C8A7 and #F0DCC8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DEB488 shade: #DEB488, #A1DE87 and #9087DE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DEB488 shade: #DEB488, #87DEB3 and #B387DE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DEB488 shade: #DEB488, #A1DE87, #87B3DE and #C487DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DEB488 shade: #DEB488, #87DE87, #87B3DE and #DE87DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 39 / 13

HEX #DEB488

RGB 222 180 136

HSL 30.7, 0.57%, 0.7%

LAB 76.04, 9.29, 28.18

 

Complementary color

CMYK 72 / 37 / 0 / 53

HEX #214B77

RGB 33 75 119

HSL 210.7, 0.57%, 0.3%

LAB 31.08, 1.24, -29.4

 

CMYK 0 / 21 / 42 / 11

HEX #E3B483

RGB 227 180 131

HSL 30.63, 0.63%, 0.7%

LAB 76.44, 10.73, 31.46

 

CMYK 0 / 19 / 39 / 4

HEX #F4C696

RGB 244 198 150

HSL 30.64, 0.81%, 0.77%

LAB 82.82, 10.02, 30.23

 

CMYK 0 / 15 / 34 / 0

HEX #FFD8A9

RGB 255 216 169

HSL 32.79, 1%, 0.83%

LAB 88.56, 7.11, 28.24

 

CMYK 0 / 8 / 26 / 0

HEX #FFEABC

RGB 255 234 188

HSL 41.19, 1%, 0.87%

LAB 93.34, 0.3, 24.96

 

CMYK 0 / 1 / 19 / 0

HEX #FFFCCF

RGB 255 252 207

HSL 56.25, 1%, 0.91%

LAB 98.19, -6.14, 21.96

 

CMYK 0 / 19 / 39 / 13

HEX #DEB488

RGB 222 180 136

HSL 30.7, 0.57%, 0.7%

LAB 76.04, 9.29, 28.18

 

CMYK 0 / 21 / 43 / 20

HEX #CDA275

RGB 205 162 117

HSL 30.68, 0.47%, 0.63%

LAB 69.54, 10.01, 29.43

 

CMYK 0 / 23 / 48 / 26

HEX #BC9062

RGB 188 144 98

HSL 30.67, 0.4%, 0.56%

LAB 62.94, 10.85, 30.78

 

CMYK 0 / 26 / 54 / 33

HEX #AB7E4F

RGB 171 126 79

HSL 30.65, 0.37%, 0.49%

LAB 56.23, 11.84, 32.23

 

CMYK 0 / 30 / 61 / 40

HEX #9A6C3C

RGB 154 108 60

HSL 30.64, 0.44%, 0.42%

LAB 49.4, 13.02, 33.78

 

CMYK 0 / 19 / 39 / 13

HEX #DEB487

RGB 222 180 135

HSL 31.03, 0.57%, 0.7%

LAB 76.02, 9.18, 28.69

 

CMYK 0 / 30 / 39 / 13

HEX #DE9C87

RGB 222 156 135

HSL 14.48, 0.57%, 0.7%

LAB 70.21, 22.04, 20.86

 

CMYK 0 / 39 / 39 / 13

HEX #DE8787

RGB 222 135 135

HSL 0, 0.57%, 0.7%

LAB 65.44, 33.28, 14.26

 

CMYK 0 / 19 / 39 / 13

HEX #DEB487

RGB 222 180 135

HSL 31.03, 0.57%, 0.7%

LAB 76.02, 9.18, 28.69

 

CMYK 0 / 9 / 39 / 13

HEX #DECB87

RGB 222 203 135

HSL 46.9, 0.57%, 0.7%

LAB 81.83, -2.89, 36.32

 

CMYK 2 / 0 / 39 / 13

HEX #DADE87

RGB 218 222 135

HSL 62.76, 0.57%, 0.7%

LAB 86.45, -14.11, 42.18

 

CMYK 13 / 0 / 39 / 13

HEX #C2DE87

RGB 194 222 135

HSL 79.31, 0.57%, 0.7%

LAB 84.72, -23.27, 39.62

 

CMYK 23 / 0 / 39 / 13

HEX #ABDE87

RGB 171 222 135

HSL 95.17, 0.57%, 0.7%

LAB 83.26, -31.64, 37.44

 

CMYK 0 / 19 / 39 / 13

HEX #DEB487

RGB 222 180 135

HSL 31.03, 0.57%, 0.7%

LAB 76.02, 9.18, 28.69

 

CMYK 0 / 23 / 47 / 8

HEX #EAB47B

RGB 234 180 123

HSL 30.81, 0.73%, 0.7%

LAB 77.02, 12.73, 36.53

 

CMYK 0 / 27 / 55 / 3

HEX #F7B46E

RGB 247 180 110

HSL 30.66, 0.9%, 0.7%

LAB 78.19, 16.85, 44.94

 

CMYK 0 / 19 / 39 / 13

HEX #DEB487

RGB 222 180 135

HSL 31.03, 0.57%, 0.7%

LAB 76.02, 9.18, 28.69

 

CMYK 0 / 15 / 30 / 18

HEX #D2B393

RGB 210 179 147

HSL 30.48, 0.41%, 0.7%

LAB 74.86, 6.46, 20.5

 

CMYK 0 / 9 / 19 / 23

HEX #C5B3A0

RGB 197 179 160

HSL 30.81, 0.24%, 0.7%

LAB 73.96, 3.33, 12.03

 

CMYK 0 / 3 / 7 / 27

HEX #B9B3AC

RGB 185 179 172

HSL 32.31, 0.08%, 0.7%

LAB 73.24, 0.88, 4.32

 

CMYK 6 / 3 / 0 / 28

HEX #ADB2B8

RGB 173 178 184

HSL 212.73, 0.07%, 0.7%

LAB 72.35, -0.58, -3.67

 

CMYK 0 / 39 / 38 / 13

HEX #DE878A

RGB 222 135 138

HSL 357.93, 0.57%, 0.7%

LAB 65.51, 33.62, 12.66

 

CMYK 0 / 30 / 39 / 13

HEX #DE9B87

RGB 222 155 135

HSL 13.79, 0.57%, 0.7%

LAB 69.98, 22.58, 20.54

 

CMYK 0 / 19 / 39 / 13

HEX #DEB387

RGB 222 179 135

HSL 30.34, 0.57%, 0.7%

LAB 75.77, 9.71, 28.36

 

CMYK 0 / 9 / 39 / 13

HEX #DECA87

RGB 222 202 135

HSL 46.21, 0.57%, 0.7%

LAB 81.58, -2.38, 35.99

 

CMYK 1 / 0 / 39 / 13

HEX #DBDE87

RGB 219 222 135

HSL 62.07, 0.57%, 0.7%

LAB 86.53, -13.72, 42.29

 

CMYK 0 / 32 / 66 / 20

HEX #CC8B46

RGB 204 139 70

HSL 30.9, 0.57%, 0.54%

LAB 63.13, 18.12, 46

 

CMYK 0 / 25 / 52 / 16

HEX #D59F67

RGB 213 159 103

HSL 30.55, 0.57%, 0.62%

LAB 69.41, 13.54, 36.87

 

CMYK 0 / 19 / 39 / 13

HEX #DEB487

RGB 222 180 135

HSL 31.03, 0.57%, 0.7%

LAB 76.02, 9.18, 28.69

 

CMYK 0 / 13 / 28 / 9

HEX #E7C8A7

RGB 231 200 167

HSL 30.94, 0.57%, 0.78%

LAB 82.43, 6.06, 20.55

 

CMYK 0 / 8 / 17 / 6

HEX #F0DCC8

RGB 240 220 200

HSL 30, 0.57%, 0.86%

LAB 88.87, 3.68, 12.31

 

CMYK 0 / 19 / 39 / 13

HEX #DEB488

RGB 222 180 136

HSL 30.7, 0.57%, 0.7%

LAB 76.04, 9.29, 28.18

 

CMYK 27 / 0 / 39 / 13

HEX #A1DE87

RGB 161 222 135

HSL 102.07, 0.57%, 0.7%

LAB 82.68, -35.11, 36.59

 

CMYK 35 / 39 / 0 / 13

HEX #9087DE

RGB 144 135 222

HSL 246.21, 0.57%, 0.7%

LAB 60.37, 23.5, -43.27

 

CMYK 0 / 19 / 39 / 13

HEX #DEB488

RGB 222 180 136

HSL 30.7, 0.57%, 0.7%

LAB 76.04, 9.29, 28.18

 

CMYK 39 / 0 / 19 / 13

HEX #87DEB3

RGB 135 222 179

HSL 150.34, 0.57%, 0.7%

LAB 82.19, -35.71, 12.94

 

CMYK 19 / 39 / 0 / 13

HEX #B387DE

RGB 179 135 222

HSL 270.34, 0.57%, 0.7%

LAB 63.5, 33.41, -38.13

 

CMYK 0 / 19 / 39 / 13

HEX #DEB488

RGB 222 180 136

HSL 30.7, 0.57%, 0.7%

LAB 76.04, 9.29, 28.18

 

CMYK 27 / 0 / 39 / 13

HEX #A1DE87

RGB 161 222 135

HSL 102.07, 0.57%, 0.7%

LAB 82.68, -35.11, 36.59

 

CMYK 39 / 19 / 0 / 13

HEX #87B3DE

RGB 135 179 222

HSL 209.66, 0.57%, 0.7%

LAB 71.33, -3.92, -26.28

 

CMYK 12 / 39 / 0 / 13

HEX #C487DE

RGB 196 135 222

HSL 282.07, 0.57%, 0.7%

LAB 65.23, 38.45, -35.3

 

CMYK 0 / 19 / 39 / 13

HEX #DEB488

RGB 222 180 136

HSL 30.7, 0.57%, 0.7%

LAB 76.04, 9.29, 28.18

 

CMYK 39 / 0 / 39 / 13

HEX #87DE87

RGB 135 222 135

HSL 120, 0.57%, 0.7%

LAB 81.37, -43.49, 34.63

 

CMYK 39 / 19 / 0 / 13

HEX #87B3DE

RGB 135 179 222

HSL 209.66, 0.57%, 0.7%

LAB 71.33, -3.92, -26.28

 

CMYK 0 / 39 / 0 / 13

HEX #DE87DE

RGB 222 135 222

HSL 300, 0.57%, 0.7%

LAB 68.12, 46.29, -30.6

 

Description

Color code: HEX #DEB488 | qconv.com Color code: HEX #DEB488 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 180 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 180 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 39 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 39% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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