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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DEAF35 it is the complementary color #2150CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DEAF35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DEAF35 shade: #E3AF30, #F4C143, #FFD356, #FFE569 and #FFF77C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DEAF35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DEAF35 shade: #DEAF35, #CD9D22, #BC8B0F, #AB7900 and #9A6700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DEAF35 shade: #DEAF35, #DE8235, #DE5435 and #DE3535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DEAF35 shade: #DEAF35, #DEDD35, #B2DE35, #84DE35 and #57DE35

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DEAF35 shade matches the following richer shades: #DEAF35 and #F1B822

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DEAF35 shade: #DEAF35, #CBA748, #B89E5B, #A5966E and #928D81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DEAF35 shade: #DE5435, #DE8135, #DEAE35, #DEDB35 and #B4DE35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DEAF35 shade: #A67F1B, #C99A21, #DEAF35, #E4BD59 and #EACB7C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DEAF35 shade: #DEAF35, #43DE35 and #6B35DE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DEAF35 shade: #DEAF35, #35DEAE and #AE35DE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DEAF35 shade: #DEAF35, #43DE35, #3565DE and #D035DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DEAF35 shade: #DEAF35, #35DE5A, #3565DE and #DE35BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 76 / 13

HEX #DEAF35

RGB 222 175 53

HSL 43.31, 0.72%, 0.54%

LAB 73.83, 5.62, 64.94

 

Complementary color

CMYK 84 / 60 / 0 / 21

HEX #2150CA

RGB 33 80 202

HSL 223.31, 0.72%, 0.46%

LAB 38.42, 30.47, -67.48

 

CMYK 0 / 23 / 79 / 11

HEX #E3AF30

RGB 227 175 48

HSL 42.57, 0.76%, 0.54%

LAB 74.32, 7.59, 67.33

 

CMYK 0 / 21 / 73 / 4

HEX #F4C143

RGB 244 193 67

HSL 42.71, 0.89%, 0.61%

LAB 80.62, 6.16, 67

 

CMYK 0 / 17 / 66 / 0

HEX #FFD356

RGB 255 211 86

HSL 44.38, 1%, 0.67%

LAB 86.27, 2.44, 65.47

 

CMYK 0 / 10 / 59 / 0

HEX #FFE569

RGB 255 229 105

HSL 49.6, 1%, 0.71%

LAB 90.93, -5.49, 62.38

 

CMYK 0 / 3 / 51 / 0

HEX #FFF77C

RGB 255 247 124

HSL 56.34, 1%, 0.74%

LAB 95.68, -12.98, 59.34

 

CMYK 0 / 21 / 76 / 13

HEX #DEAF35

RGB 222 175 53

HSL 43.31, 0.72%, 0.54%

LAB 73.83, 5.62, 64.94

 

CMYK 0 / 23 / 83 / 20

HEX #CD9D22

RGB 205 157 34

HSL 43.16, 0.72%, 0.47%

LAB 67.43, 7.17, 64.82

 

CMYK 0 / 26 / 92 / 26

HEX #BC8B0F

RGB 188 139 15

HSL 43.01, 0.85%, 0.4%

LAB 60.95, 8.97, 63.51

 

CMYK 0 / 29 / 100 / 33

HEX #AB7900

RGB 171 121 0

HSL 42.46, 1%, 0.34%

LAB 54.38, 11.05, 60.5

 

CMYK 0 / 33 / 100 / 40

HEX #9A6700

RGB 154 103 0

HSL 40.13, 1%, 0.3%

LAB 47.71, 13.44, 55.05

 

CMYK 0 / 21 / 76 / 13

HEX #DEAF35

RGB 222 175 53

HSL 43.31, 0.72%, 0.54%

LAB 73.83, 5.62, 64.94

 

CMYK 0 / 41 / 76 / 13

HEX #DE8235

RGB 222 130 53

HSL 27.34, 0.72%, 0.54%

LAB 63.14, 29.64, 54.63

 

CMYK 0 / 62 / 76 / 13

HEX #DE5435

RGB 222 84 53

HSL 11.01, 0.72%, 0.54%

LAB 54.16, 52.3, 45.5

 

CMYK 0 / 76 / 76 / 13

HEX #DE3535

RGB 222 53 53

HSL 0, 0.72%, 0.54%

LAB 49.9, 63.94, 40.97

 

CMYK 0 / 21 / 76 / 13

HEX #DEAF35

RGB 222 175 53

HSL 43.31, 0.72%, 0.54%

LAB 73.83, 5.62, 64.94

 

CMYK 0 / 0 / 76 / 13

HEX #DEDD35

RGB 222 221 53

HSL 59.64, 0.72%, 0.54%

LAB 85.76, -17.89, 75.93

 

CMYK 20 / 0 / 76 / 13

HEX #B2DE35

RGB 178 222 53

HSL 75.62, 0.72%, 0.54%

LAB 82.89, -36.21, 72.15

 

CMYK 41 / 0 / 76 / 13

HEX #84DE35

RGB 132 222 53

HSL 91.95, 0.72%, 0.54%

LAB 80.41, -52.85, 68.92

 

CMYK 61 / 0 / 76 / 13

HEX #57DE35

RGB 87 222 53

HSL 107.93, 0.72%, 0.54%

LAB 78.77, -65.44, 66.78

 

CMYK 0 / 21 / 76 / 13

HEX #DEAF35

RGB 222 175 53

HSL 43.31, 0.72%, 0.54%

LAB 73.83, 5.62, 64.94

 

CMYK 0 / 24 / 86 / 5

HEX #F1B822

RGB 241 184 34

HSL 43.48, 0.88%, 0.54%

LAB 77.93, 8.48, 75.05

 

CMYK 0 / 21 / 76 / 13

HEX #DEAF35

RGB 222 175 53

HSL 43.31, 0.72%, 0.54%

LAB 73.83, 5.62, 64.94

 

CMYK 0 / 18 / 65 / 20

HEX #CBA748

RGB 203 167 72

HSL 43.51, 0.56%, 0.54%

LAB 70.04, 2.65, 52.67

 

CMYK 0 / 14 / 51 / 28

HEX #B89E5B

RGB 184 158 91

HSL 43.23, 0.4%, 0.54%

LAB 66.06, 0.83, 38.31

 

CMYK 0 / 9 / 33 / 35

HEX #A5966E

RGB 165 150 110

HSL 43.64, 0.23%, 0.54%

LAB 62.46, -0.64, 23.15

 

CMYK 0 / 3 / 12 / 43

HEX #928D81

RGB 146 141 129

HSL 42.35, 0.07%, 0.54%

LAB 58.74, -0.34, 7.05

 

CMYK 0 / 62 / 76 / 13

HEX #DE5435

RGB 222 84 53

HSL 11.01, 0.72%, 0.54%

LAB 54.16, 52.3, 45.5

 

CMYK 0 / 42 / 76 / 13

HEX #DE8135

RGB 222 129 53

HSL 26.98, 0.72%, 0.54%

LAB 62.92, 30.17, 54.41

 

CMYK 0 / 22 / 76 / 13

HEX #DEAE35

RGB 222 174 53

HSL 42.96, 0.72%, 0.54%

LAB 73.58, 6.15, 64.71

 

CMYK 0 / 1 / 76 / 13

HEX #DEDB35

RGB 222 219 53

HSL 58.93, 0.72%, 0.54%

LAB 85.23, -16.9, 75.45

 

CMYK 19 / 0 / 76 / 13

HEX #B4DE35

RGB 180 222 53

HSL 74.91, 0.72%, 0.54%

LAB 83.02, -35.43, 72.32

 

CMYK 0 / 23 / 84 / 35

HEX #A67F1B

RGB 166 127 27

HSL 43.17, 0.72%, 0.38%

LAB 55.45, 5.92, 55.04

 

CMYK 0 / 23 / 84 / 21

HEX #C99A21

RGB 201 154 33

HSL 43.21, 0.72%, 0.46%

LAB 66.24, 6.99, 63.94

 

CMYK 0 / 21 / 76 / 13

HEX #DEAF35

RGB 222 175 53

HSL 43.31, 0.72%, 0.54%

LAB 73.83, 5.62, 64.94

 

CMYK 0 / 17 / 61 / 11

HEX #E4BD59

RGB 228 189 89

HSL 43.17, 0.72%, 0.62%

LAB 78.23, 2.75, 54.65

 

CMYK 0 / 13 / 47 / 8

HEX #EACB7C

RGB 234 203 124

HSL 43.09, 0.72%, 0.7%

LAB 82.73, 0.77, 43.25

 

CMYK 0 / 21 / 76 / 13

HEX #DEAF35

RGB 222 175 53

HSL 43.31, 0.72%, 0.54%

LAB 73.83, 5.62, 64.94

 

CMYK 70 / 0 / 76 / 13

HEX #43DE35

RGB 67 222 53

HSL 115.03, 0.72%, 0.54%

LAB 78.28, -69.48, 66.14

 

CMYK 52 / 76 / 0 / 13

HEX #6B35DE

RGB 107 53 222

HSL 259.17, 0.72%, 0.54%

LAB 39.49, 60.78, -77.06

 

CMYK 0 / 21 / 76 / 13

HEX #DEAF35

RGB 222 175 53

HSL 43.31, 0.72%, 0.54%

LAB 73.83, 5.62, 64.94

 

CMYK 76 / 0 / 22 / 13

HEX #35DEAE

RGB 53 222 174

HSL 162.96, 0.72%, 0.54%

LAB 79.65, -53.1, 11.63

 

CMYK 22 / 76 / 0 / 13

HEX #AE35DE

RGB 174 53 222

HSL 282.96, 0.72%, 0.54%

LAB 48.03, 71.53, -62.77

 

CMYK 0 / 21 / 76 / 13

HEX #DEAF35

RGB 222 175 53

HSL 43.31, 0.72%, 0.54%

LAB 73.83, 5.62, 64.94

 

CMYK 70 / 0 / 76 / 13

HEX #43DE35

RGB 67 222 53

HSL 115.03, 0.72%, 0.54%

LAB 78.28, -69.48, 66.14

 

CMYK 76 / 55 / 0 / 13

HEX #3565DE

RGB 53 101 222

HSL 222.96, 0.72%, 0.54%

LAB 46.09, 26.27, -66.41

 

CMYK 6 / 76 / 0 / 13

HEX #D035DE

RGB 208 53 222

HSL 295.03, 0.72%, 0.54%

LAB 53.2, 77.88, -54.18

 

CMYK 0 / 21 / 76 / 13

HEX #DEAF35

RGB 222 175 53

HSL 43.31, 0.72%, 0.54%

LAB 73.83, 5.62, 64.94

 

CMYK 76 / 0 / 59 / 13

HEX #35DE5A

RGB 53 222 90

HSL 133.14, 0.72%, 0.54%

LAB 78.31, -68.22, 51.84

 

CMYK 76 / 55 / 0 / 13

HEX #3565DE

RGB 53 101 222

HSL 222.96, 0.72%, 0.54%

LAB 46.09, 26.27, -66.41

 

CMYK 0 / 76 / 16 / 13

HEX #DE35BA

RGB 222 53 186

HSL 312.78, 0.72%, 0.54%

LAB 53.62, 75.41, -32.71

 

Description

Color code: HEX #DEAF35 | qconv.com Color code: HEX #DEAF35 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 175 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 175 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 76 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 76% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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