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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DE8D98 it is the complementary color #217267. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DE8D98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DE8D98 shade: #E38D93, #F49FA6, #FFB1B9, #FFC3CC and #FFD5DF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DE8D98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DE8D98 shade: #DE8D98, #CD7B85, #BC6972, #AB575F and #9A454C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DE8D98 shade: #DE8C97 and #DE8C8C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DE8D98 shade: #DE8C97, #DE8CAD, #DE8CC3, #DE8CD9 and #CC8CDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DE8D98 shade matches the following richer shades: #DE8C97, #EA808F and #F67486

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DE8D98 shade: #DE8C97, #D298A0, #C6A4A9, #BAB0B2 and #AEBCBA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DE8D98 shade: #DE8CC4, #DE8CAE, #DE8C99, #DE968C and #DEAC8C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DE8D98 shade: #CB4C5E, #D46C7B, #DE8C97, #E7ACB4 and #F0CCD1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DE8D98 shade: #DE8D98, #DADE8C and #8CB9DE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DE8D98 shade: #DE8D98, #99DE8C and #8C99DE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DE8D98 shade: #DE8D98, #DADE8C, #8CDED2 and #908CDE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DE8D98 shade: #DE8D98, #C1DE8C, #8CDED2 and #A98CDE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 32 / 13

HEX #DE8D98

RGB 222 141 152

HSL 351.85, 0.55%, 0.71%

LAB 67.16, 32.15, 7.13

 

Complementary color

CMYK 71 / 0 / 10 / 55

HEX #217267

RGB 33 114 103

HSL 171.85, 0.55%, 0.29%

LAB 43.27, -26.78, -0.94

 

CMYK 0 / 38 / 35 / 11

HEX #E38D93

RGB 227 141 147

HSL 355.81, 0.61%, 0.72%

LAB 67.64, 33.37, 10.7

 

CMYK 0 / 35 / 32 / 4

HEX #F49FA6

RGB 244 159 166

HSL 355.06, 0.79%, 0.79%

LAB 74.05, 32.48, 9.53

 

CMYK 0 / 31 / 27 / 0

HEX #FFB1B9

RGB 255 177 185

HSL 353.85, 1%, 0.85%

LAB 79.73, 29.5, 7.45

 

CMYK 0 / 24 / 20 / 0

HEX #FFC3CC

RGB 255 195 204

HSL 351, 1%, 0.88%

LAB 84.3, 22.72, 3.82

 

CMYK 0 / 16 / 13 / 0

HEX #FFD5DF

RGB 255 213 223

HSL 345.71, 1%, 0.92%

LAB 89.01, 16.21, 0.57

 

CMYK 0 / 36 / 32 / 13

HEX #DE8D98

RGB 222 141 152

HSL 351.85, 0.55%, 0.71%

LAB 67.16, 32.15, 7.13

 

CMYK 0 / 40 / 35 / 20

HEX #CD7B85

RGB 205 123 133

HSL 352.68, 0.45%, 0.64%

LAB 60.64, 33.07, 8.32

 

CMYK 0 / 44 / 39 / 26

HEX #BC6972

RGB 188 105 114

HSL 353.49, 0.38%, 0.57%

LAB 54.04, 34.06, 9.68

 

CMYK 0 / 49 / 44 / 33

HEX #AB575F

RGB 171 87 95

HSL 354.29, 0.33%, 0.51%

LAB 47.37, 35.11, 11.28

 

CMYK 0 / 55 / 51 / 40

HEX #9A454C

RGB 154 69 76

HSL 355.06, 0.38%, 0.44%

LAB 40.65, 36.19, 13.21

 

CMYK 0 / 37 / 32 / 13

HEX #DE8C97

RGB 222 140 151

HSL 351.95, 0.55%, 0.71%

LAB 66.92, 32.56, 7.34

 

CMYK 0 / 37 / 37 / 13

HEX #DE8C8C

RGB 222 140 140

HSL 0, 0.55%, 0.71%

LAB 66.66, 31.2, 13.15

 

CMYK 0 / 37 / 32 / 13

HEX #DE8C97

RGB 222 140 151

HSL 351.95, 0.55%, 0.71%

LAB 66.92, 32.56, 7.34

 

CMYK 0 / 37 / 22 / 13

HEX #DE8CAD

RGB 222 140 173

HSL 335.85, 0.55%, 0.71%

LAB 67.5, 35.58, -4.18

 

CMYK 0 / 37 / 12 / 13

HEX #DE8CC3

RGB 222 140 195

HSL 319.76, 0.55%, 0.71%

LAB 68.19, 39, -15.48

 

CMYK 0 / 37 / 2 / 13

HEX #DE8CD9

RGB 222 140 217

HSL 303.66, 0.55%, 0.71%

LAB 68.96, 42.78, -26.52

 

CMYK 8 / 37 / 0 / 13

HEX #CC8CDE

RGB 204 140 222

HSL 286.83, 0.55%, 0.71%

LAB 67.18, 38.16, -32.21

 

CMYK 0 / 37 / 32 / 13

HEX #DE8C97

RGB 222 140 151

HSL 351.95, 0.55%, 0.71%

LAB 66.92, 32.56, 7.34

 

CMYK 0 / 45 / 39 / 8

HEX #EA808F

RGB 234 128 143

HSL 351.51, 0.72%, 0.71%

LAB 65.68, 42.21, 10.3

 

CMYK 0 / 53 / 46 / 4

HEX #F67486

RGB 246 116 134

HSL 351.69, 0.88%, 0.71%

LAB 64.81, 51.39, 14.42

 

CMYK 0 / 37 / 32 / 13

HEX #DE8C97

RGB 222 140 151

HSL 351.95, 0.55%, 0.71%

LAB 66.92, 32.56, 7.34

 

CMYK 0 / 28 / 24 / 18

HEX #D298A0

RGB 210 152 160

HSL 351.72, 0.39%, 0.71%

LAB 68.53, 22.88, 4.44

 

CMYK 0 / 17 / 15 / 22

HEX #C6A4A9

RGB 198 164 169

HSL 351.18, 0.23%, 0.71%

LAB 70.47, 13.27, 2.09

 

CMYK 0 / 5 / 4 / 27

HEX #BAB0B2

RGB 186 176 178

HSL 348, 0.07%, 0.71%

LAB 72.7, 3.92, 0.25

 

CMYK 7 / 0 / 1 / 26

HEX #AEBCBA

RGB 174 188 186

HSL 171.43, 0.09%, 0.71%

LAB 75.15, -5.2, -0.66

 

CMYK 0 / 37 / 12 / 13

HEX #DE8CC4

RGB 222 140 196

HSL 319.02, 0.55%, 0.71%

LAB 68.22, 39.17, -15.99

 

CMYK 0 / 37 / 22 / 13

HEX #DE8CAE

RGB 222 140 174

HSL 335.12, 0.55%, 0.71%

LAB 67.53, 35.73, -4.7

 

CMYK 0 / 37 / 31 / 13

HEX #DE8C99

RGB 222 140 153

HSL 350.49, 0.55%, 0.71%

LAB 66.97, 32.82, 6.28

 

CMYK 0 / 32 / 37 / 13

HEX #DE968C

RGB 222 150 140

HSL 7.32, 0.55%, 0.71%

LAB 68.92, 25.85, 16.32

 

CMYK 0 / 23 / 37 / 13

HEX #DEAC8C

RGB 222 172 140

HSL 23.41, 0.55%, 0.71%

LAB 74.14, 14.03, 23.49

 

CMYK 0 / 63 / 54 / 20

HEX #CB4C5E

RGB 203 76 94

HSL 351.5, 0.55%, 0.55%

LAB 50.3, 51.72, 16.72

 

CMYK 0 / 49 / 42 / 17

HEX #D46C7B

RGB 212 108 123

HSL 351.35, 0.55%, 0.63%

LAB 58.18, 42.31, 10.74

 

CMYK 0 / 37 / 32 / 13

HEX #DE8C97

RGB 222 140 151

HSL 351.95, 0.55%, 0.71%

LAB 66.92, 32.56, 7.34

 

CMYK 0 / 26 / 22 / 9

HEX #E7ACB4

RGB 231 172 180

HSL 351.86, 0.55%, 0.79%

LAB 75.94, 22.74, 4.38

 

CMYK 0 / 15 / 13 / 6

HEX #F0CCD1

RGB 240 204 209

HSL 351.67, 0.55%, 0.87%

LAB 85.16, 13.43, 2.22

 

CMYK 0 / 36 / 32 / 13

HEX #DE8D98

RGB 222 141 152

HSL 351.85, 0.55%, 0.71%

LAB 67.16, 32.15, 7.13

 

CMYK 2 / 0 / 37 / 13

HEX #DADE8C

RGB 218 222 140

HSL 62.93, 0.55%, 0.71%

LAB 86.52, -13.55, 39.78

 

CMYK 37 / 17 / 0 / 13

HEX #8CB9DE

RGB 140 185 222

HSL 207.07, 0.55%, 0.71%

LAB 73.25, -5.84, -23.31

 

CMYK 0 / 36 / 32 / 13

HEX #DE8D98

RGB 222 141 152

HSL 351.85, 0.55%, 0.71%

LAB 67.16, 32.15, 7.13

 

CMYK 31 / 0 / 37 / 13

HEX #99DE8C

RGB 153 222 140

HSL 110.49, 0.55%, 0.71%

LAB 82.33, -37.07, 33.52

 

CMYK 37 / 31 / 0 / 13

HEX #8C99DE

RGB 140 153 222

HSL 230.49, 0.55%, 0.71%

LAB 64.67, 12, -36.54

 

CMYK 0 / 36 / 32 / 13

HEX #DE8D98

RGB 222 141 152

HSL 351.85, 0.55%, 0.71%

LAB 67.16, 32.15, 7.13

 

CMYK 2 / 0 / 37 / 13

HEX #DADE8C

RGB 218 222 140

HSL 62.93, 0.55%, 0.71%

LAB 86.52, -13.55, 39.78

 

CMYK 37 / 0 / 5 / 13

HEX #8CDED2

RGB 140 222 210

HSL 171.22, 0.55%, 0.71%

LAB 83.16, -27.69, -2.03

 

CMYK 35 / 37 / 0 / 13

HEX #908CDE

RGB 144 140 222

HSL 242.93, 0.55%, 0.71%

LAB 61.62, 20.6, -41.29

 

CMYK 0 / 36 / 32 / 13

HEX #DE8D98

RGB 222 141 152

HSL 351.85, 0.55%, 0.71%

LAB 67.16, 32.15, 7.13

 

CMYK 13 / 0 / 37 / 13

HEX #C1DE8C

RGB 193 222 140

HSL 81.22, 0.55%, 0.71%

LAB 84.73, -23.02, 37.1

 

CMYK 37 / 0 / 5 / 13

HEX #8CDED2

RGB 140 222 210

HSL 171.22, 0.55%, 0.71%

LAB 83.16, -27.69, -2.03

 

CMYK 24 / 37 / 0 / 13

HEX #A98CDE

RGB 169 140 222

HSL 261.22, 0.55%, 0.71%

LAB 63.73, 27.66, -37.84

 

Description

Color code: HEX #DE8D98 | qconv.com Color code: HEX #DE8D98 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 141 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 141 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 32 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 32% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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