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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DE796F it is the complementary color #218690. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DE796F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DE796F shade: #E3796A, #F48B7D, #FF9D90, #FFAFA3 and #FFC1B6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DE796F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DE796F shade: #DE796F, #CD675C, #BC5549, #AB4336 and #9A3123

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DE796F shade: #DE786E and #DE6E6E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DE796F shade: #DE786E, #DE966E, #DEB46E, #DED36E and #CBDE6E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DE796F shade matches the following richer shades: #DE786E, #EC6C5F and #FB6051

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DE796F shade: #DE786E, #D0837C, #C18F8A, #B39B99 and #A4A7A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DE796F shade: #DE6EA0, #DE6E82, #DE776E, #DE956E and #DEB36E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DE796F shade: #CB3C2E, #D6584C, #DE786E, #E6978F and #EDB6B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DE796F shade: #DE796F, #BEDE6E and #6E91DE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DE796F shade: #DE796F, #6EDE77 and #776EDE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DE796F shade: #DE796F, #BEDE6E, #6ED5DE and #8D6EDE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DE796F shade: #DE796F, #9CDE6E, #6ED5DE and #AF6EDE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 50 / 13

HEX #DE796F

RGB 222 121 111

HSL 5.41, 0.63%, 0.65%

LAB 61.96, 38.14, 23.04

 

Complementary color

CMYK 77 / 7 / 0 / 44

HEX #218690

RGB 33 134 144

HSL 185.41, 0.63%, 0.35%

LAB 51.14, -24.16, -13.49

 

CMYK 0 / 47 / 53 / 11

HEX #E3796A

RGB 227 121 106

HSL 7.44, 0.68%, 0.65%

LAB 62.55, 39.59, 26.77

 

CMYK 0 / 43 / 49 / 4

HEX #F48B7D

RGB 244 139 125

HSL 7.06, 0.84%, 0.72%

LAB 68.88, 38.41, 25

 

CMYK 0 / 38 / 44 / 0

HEX #FF9D90

RGB 255 157 144

HSL 7.03, 1%, 0.78%

LAB 74.44, 35.09, 22.32

 

CMYK 0 / 31 / 36 / 0

HEX #FFAFA3

RGB 255 175 163

HSL 7.83, 1%, 0.82%

LAB 78.79, 27.79, 18.01

 

CMYK 0 / 24 / 29 / 0

HEX #FFC1B6

RGB 255 193 182

HSL 9.04, 1%, 0.86%

LAB 83.33, 20.71, 14.17

 

CMYK 0 / 45 / 50 / 13

HEX #DE796F

RGB 222 121 111

HSL 5.41, 0.63%, 0.65%

LAB 61.96, 38.14, 23.04

 

CMYK 0 / 50 / 55 / 20

HEX #CD675C

RGB 205 103 92

HSL 5.84, 0.53%, 0.58%

LAB 55.54, 39.34, 24.94

 

CMYK 0 / 55 / 61 / 26

HEX #BC5549

RGB 188 85 73

HSL 6.26, 0.46%, 0.51%

LAB 49.09, 40.6, 27.13

 

CMYK 0 / 61 / 68 / 33

HEX #AB4336

RGB 171 67 54

HSL 6.67, 0.52%, 0.44%

LAB 42.67, 41.84, 29.72

 

CMYK 0 / 68 / 77 / 40

HEX #9A3123

RGB 154 49 35

HSL 7.06, 0.63%, 0.37%

LAB 36.34, 42.94, 32.75

 

CMYK 0 / 46 / 50 / 13

HEX #DE786E

RGB 222 120 110

HSL 5.36, 0.63%, 0.65%

LAB 61.73, 38.57, 23.31

 

CMYK 0 / 50 / 50 / 13

HEX #DE6E6E

RGB 222 110 110

HSL 0, 0.63%, 0.65%

LAB 59.71, 43.64, 20.59

 

CMYK 0 / 46 / 50 / 13

HEX #DE786E

RGB 222 120 110

HSL 5.36, 0.63%, 0.65%

LAB 61.73, 38.57, 23.31

 

CMYK 0 / 32 / 50 / 13

HEX #DE966E

RGB 222 150 110

HSL 21.43, 0.63%, 0.65%

LAB 68.36, 22.7, 32.02

 

CMYK 0 / 19 / 50 / 13

HEX #DEB46E

RGB 222 180 110

HSL 37.5, 0.63%, 0.65%

LAB 75.64, 6.64, 41.22

 

CMYK 0 / 5 / 50 / 13

HEX #DED36E

RGB 222 211 110

HSL 54.11, 0.63%, 0.65%

LAB 83.57, -9.44, 50.87

 

CMYK 9 / 0 / 50 / 13

HEX #CBDE6E

RGB 203 222 110

HSL 70.18, 0.63%, 0.65%

LAB 85.03, -22.47, 52.24

 

CMYK 0 / 46 / 50 / 13

HEX #DE786E

RGB 222 120 110

HSL 5.36, 0.63%, 0.65%

LAB 61.73, 38.57, 23.31

 

CMYK 0 / 54 / 60 / 7

HEX #EC6C5F

RGB 236 108 95

HSL 5.53, 0.79%, 0.65%

LAB 61.12, 48.49, 31.34

 

CMYK 0 / 62 / 68 / 2

HEX #FB6051

RGB 251 96 81

HSL 5.29, 0.96%, 0.65%

LAB 61.19, 58.27, 39.73

 

CMYK 0 / 46 / 50 / 13

HEX #DE786E

RGB 222 120 110

HSL 5.36, 0.63%, 0.65%

LAB 61.73, 38.57, 23.31

 

CMYK 0 / 37 / 40 / 18

HEX #D0837C

RGB 208 131 124

HSL 5, 0.47%, 0.65%

LAB 62.59, 28.84, 16.25

 

CMYK 0 / 26 / 28 / 24

HEX #C18F8A

RGB 193 143 138

HSL 5.45, 0.31%, 0.65%

LAB 64.01, 18.22, 10.08

 

CMYK 0 / 13 / 15 / 30

HEX #B39B99

RGB 179 155 153

HSL 4.62, 0.15%, 0.65%

LAB 66, 8.51, 4.31

 

CMYK 2 / 0 / 0 / 35

HEX #A4A7A7

RGB 164 167 167

HSL 180, 0.02%, 0.65%

LAB 68.26, -1.06, -0.38

 

CMYK 0 / 50 / 28 / 13

HEX #DE6EA0

RGB 222 110 160

HSL 333.21, 0.63%, 0.65%

LAB 60.97, 49.19, -6.45

 

CMYK 0 / 50 / 41 / 13

HEX #DE6E82

RGB 222 110 130

HSL 349.29, 0.63%, 0.65%

LAB 60.15, 45.6, 9.67

 

CMYK 0 / 46 / 50 / 13

HEX #DE776E

RGB 222 119 110

HSL 4.82, 0.63%, 0.65%

LAB 61.52, 39.08, 23.03

 

CMYK 0 / 33 / 50 / 13

HEX #DE956E

RGB 222 149 110

HSL 20.89, 0.63%, 0.65%

LAB 68.13, 23.23, 31.72

 

CMYK 0 / 19 / 50 / 13

HEX #DEB36E

RGB 222 179 110

HSL 36.96, 0.63%, 0.65%

LAB 75.39, 7.17, 40.91

 

CMYK 0 / 70 / 77 / 20

HEX #CB3C2E

RGB 203 60 46

HSL 5.35, 0.63%, 0.49%

LAB 47.14, 55.47, 40.81

 

CMYK 0 / 59 / 64 / 16

HEX #D6584C

RGB 214 88 76

HSL 5.22, 0.63%, 0.57%

LAB 53.81, 48.82, 32.19

 

CMYK 0 / 46 / 50 / 13

HEX #DE786E

RGB 222 120 110

HSL 5.36, 0.63%, 0.65%

LAB 61.73, 38.57, 23.31

 

CMYK 0 / 34 / 38 / 10

HEX #E6978F

RGB 230 151 143

HSL 5.52, 0.64%, 0.73%

LAB 70.13, 28.72, 16.48

 

CMYK 0 / 23 / 25 / 7

HEX #EDB6B1

RGB 237 182 177

HSL 5, 0.63%, 0.81%

LAB 78.83, 19.18, 10.24

 

CMYK 0 / 45 / 50 / 13

HEX #DE796F

RGB 222 121 111

HSL 5.41, 0.63%, 0.65%

LAB 61.96, 38.14, 23.04

 

CMYK 14 / 0 / 50 / 13

HEX #BEDE6E

RGB 190 222 110

HSL 77.14, 0.63%, 0.65%

LAB 84.13, -27.51, 50.96

 

CMYK 50 / 35 / 0 / 13

HEX #6E91DE

RGB 110 145 222

HSL 221.25, 0.63%, 0.65%

LAB 60.64, 9.1, -42.99

 

CMYK 0 / 45 / 50 / 13

HEX #DE796F

RGB 222 121 111

HSL 5.41, 0.63%, 0.65%

LAB 61.96, 38.14, 23.04

 

CMYK 50 / 0 / 46 / 13

HEX #6EDE77

RGB 110 222 119

HSL 124.82, 0.63%, 0.65%

LAB 80.12, -52.93, 40.78

 

CMYK 46 / 50 / 0 / 13

HEX #776EDE

RGB 119 110 222

HSL 244.82, 0.63%, 0.65%

LAB 52.23, 32.01, -56.32

 

CMYK 0 / 45 / 50 / 13

HEX #DE796F

RGB 222 121 111

HSL 5.41, 0.63%, 0.65%

LAB 61.96, 38.14, 23.04

 

CMYK 14 / 0 / 50 / 13

HEX #BEDE6E

RGB 190 222 110

HSL 77.14, 0.63%, 0.65%

LAB 84.13, -27.51, 50.96

 

CMYK 50 / 4 / 0 / 13

HEX #6ED5DE

RGB 110 213 222

HSL 184.82, 0.63%, 0.65%

LAB 79.71, -27.51, -13.67

 

CMYK 36 / 50 / 0 / 13

HEX #8D6EDE

RGB 141 110 222

HSL 256.61, 0.63%, 0.65%

LAB 54.12, 37.22, -53.19

 

CMYK 0 / 45 / 50 / 13

HEX #DE796F

RGB 222 121 111

HSL 5.41, 0.63%, 0.65%

LAB 61.96, 38.14, 23.04

 

CMYK 30 / 0 / 50 / 13

HEX #9CDE6E

RGB 156 222 110

HSL 95.36, 0.63%, 0.65%

LAB 82.07, -39.96, 48

 

CMYK 50 / 4 / 0 / 13

HEX #6ED5DE

RGB 110 213 222

HSL 184.82, 0.63%, 0.65%

LAB 79.71, -27.51, -13.67

 

CMYK 21 / 50 / 0 / 13

HEX #AF6EDE

RGB 175 110 222

HSL 274.82, 0.63%, 0.65%

LAB 57.6, 46, -47.44

 

Description

Color code: HEX #DE796F | qconv.com Color code: HEX #DE796F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 121 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 121 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 50 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 50% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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