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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DE6F98 it is the complementary color #219067. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DE6F98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DE6F98 shade: #E36F93, #F481A6, #FF93B9, #FFA5CC and #FFB7DF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DE6F98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DE6F98 shade: #DE6F98, #CD5D85, #BC4B72, #AB395F and #9A274C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DE6F98 shade: #DE6E97, #DE6E79 and #DE6E6E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DE6F98 shade: #DE6E97, #DE6EB5, #DE6ED4, #CA6EDE and #AC6EDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DE6F98 shade matches the following richer shades: #DE6E97, #EC5F93 and #FB5190

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DE6F98 shade: #DE6E97, #D07C9B, #C18A9F, #B399A2 and #A4A7A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DE6F98 shade: #DE6ED5, #DE6EB7, #DE6E99, #DE6E7B and #DE7E6E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DE6F98 shade: #CB2E68, #D64C7F, #DE6E97, #E68FAF and #EDB1C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DE6F98 shade: #DE6F98, #DEC96E and #6EC6DE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DE6F98 shade: #DE6F98, #99DE6E and #6E99DE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DE6F98 shade: #DE6F98, #DEC96E, #6EDEB3 and #6E82DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DE6F98 shade: #DE6F98, #D1DE6E, #6EDEB3 and #7B6EDE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 32 / 13

HEX #DE6F98

RGB 222 111 152

HSL 337.84, 0.63%, 0.65%

LAB 60.93, 47.66, -1.91

 

Complementary color

CMYK 77 / 0 / 28 / 44

HEX #219067

RGB 33 144 103

HSL 157.84, 0.63%, 0.35%

LAB 53.22, -40.43, 13.27

 

CMYK 0 / 51 / 35 / 11

HEX #E36F93

RGB 227 111 147

HSL 341.38, 0.67%, 0.66%

LAB 61.49, 48.74, 1.87

 

CMYK 0 / 47 / 32 / 4

HEX #F481A6

RGB 244 129 166

HSL 340.7, 0.84%, 0.73%

LAB 67.79, 47.89, 0.5

 

CMYK 0 / 42 / 27 / 0

HEX #FF93B9

RGB 255 147 185

HSL 338.89, 1%, 0.79%

LAB 73.3, 45.01, -1.88

 

CMYK 0 / 35 / 20 / 0

HEX #FFA5CC

RGB 255 165 204

HSL 334, 1%, 0.82%

LAB 77.6, 38.42, -5.99

 

CMYK 0 / 28 / 13 / 0

HEX #FFB7DF

RGB 255 183 223

HSL 326.67, 1%, 0.86%

LAB 82.08, 31.94, -9.62

 

CMYK 0 / 50 / 32 / 13

HEX #DE6F98

RGB 222 111 152

HSL 337.84, 0.63%, 0.65%

LAB 60.93, 47.66, -1.91

 

CMYK 0 / 55 / 35 / 20

HEX #CD5D85

RGB 205 93 133

HSL 338.57, 0.53%, 0.58%

LAB 54.55, 48.46, -0.46

 

CMYK 0 / 60 / 39 / 26

HEX #BC4B72

RGB 188 75 114

HSL 339.29, 0.46%, 0.52%

LAB 48.18, 49.14, 1.29

 

CMYK 0 / 67 / 44 / 33

HEX #AB395F

RGB 171 57 95

HSL 340, 0.5%, 0.45%

LAB 41.86, 49.59, 3.47

 

CMYK 0 / 75 / 51 / 40

HEX #9A274C

RGB 154 39 76

HSL 340.7, 0.6%, 0.38%

LAB 35.68, 49.57, 6.27

 

CMYK 0 / 50 / 32 / 13

HEX #DE6E97

RGB 222 110 151

HSL 338.04, 0.63%, 0.65%

LAB 60.71, 48.03, -1.66

 

CMYK 0 / 50 / 45 / 13

HEX #DE6E79

RGB 222 110 121

HSL 354.11, 0.63%, 0.65%

LAB 59.94, 44.68, 14.58

 

CMYK 0 / 50 / 50 / 13

HEX #DE6E6E

RGB 222 110 110

HSL 0, 0.63%, 0.65%

LAB 59.71, 43.64, 20.59

 

CMYK 0 / 50 / 32 / 13

HEX #DE6E97

RGB 222 110 151

HSL 338.04, 0.63%, 0.65%

LAB 60.71, 48.03, -1.66

 

CMYK 0 / 50 / 18 / 13

HEX #DE6EB5

RGB 222 110 181

HSL 321.96, 0.63%, 0.65%

LAB 61.67, 52.13, -17.44

 

CMYK 0 / 50 / 5 / 13

HEX #DE6ED4

RGB 222 110 212

HSL 305.36, 0.63%, 0.65%

LAB 62.87, 57.05, -33.14

 

CMYK 9 / 50 / 0 / 13

HEX #CA6EDE

RGB 202 110 222

HSL 289.29, 0.63%, 0.65%

LAB 60.77, 53.3, -42.23

 

CMYK 23 / 50 / 0 / 13

HEX #AC6EDE

RGB 172 110 222

HSL 273.21, 0.63%, 0.65%

LAB 57.27, 45.2, -47.99

 

CMYK 0 / 50 / 32 / 13

HEX #DE6E97

RGB 222 110 151

HSL 338.04, 0.63%, 0.65%

LAB 60.71, 48.03, -1.66

 

CMYK 0 / 60 / 38 / 7

HEX #EC5F93

RGB 236 95 147

HSL 337.87, 0.79%, 0.65%

LAB 60, 59.06, -0.13

 

CMYK 0 / 68 / 43 / 2

HEX #FB5190

RGB 251 81 144

HSL 337.76, 0.96%, 0.65%

LAB 60.26, 68.82, 2.28

 

CMYK 0 / 50 / 32 / 13

HEX #DE6E97

RGB 222 110 151

HSL 338.04, 0.63%, 0.65%

LAB 60.71, 48.03, -1.66

 

CMYK 0 / 40 / 25 / 18

HEX #D07C9B

RGB 208 124 155

HSL 337.86, 0.47%, 0.65%

LAB 61.82, 36.55, -2.54

 

CMYK 0 / 28 / 18 / 24

HEX #C18A9F

RGB 193 138 159

HSL 337.09, 0.31%, 0.65%

LAB 63.36, 24.14, -2.76

 

CMYK 0 / 15 / 9 / 30

HEX #B399A2

RGB 179 153 162

HSL 339.23, 0.15%, 0.65%

LAB 65.73, 11.16, -1.14

 

CMYK 2 / 0 / 1 / 35

HEX #A4A7A6

RGB 164 167 166

HSL 160, 0.02%, 0.65%

LAB 68.23, -1.25, 0.13

 

CMYK 0 / 50 / 4 / 13

HEX #DE6ED5

RGB 222 110 213

HSL 304.82, 0.63%, 0.65%

LAB 62.92, 57.22, -33.64

 

CMYK 0 / 50 / 18 / 13

HEX #DE6EB7

RGB 222 110 183

HSL 320.89, 0.63%, 0.65%

LAB 61.74, 52.42, -18.47

 

CMYK 0 / 50 / 31 / 13

HEX #DE6E99

RGB 222 110 153

HSL 336.96, 0.63%, 0.65%

LAB 60.77, 48.28, -2.73

 

CMYK 0 / 50 / 45 / 13

HEX #DE6E7B

RGB 222 110 123

HSL 353.04, 0.63%, 0.65%

LAB 59.99, 44.88, 13.49

 

CMYK 0 / 43 / 50 / 13

HEX #DE7E6E

RGB 222 126 110

HSL 8.57, 0.63%, 0.65%

LAB 62.99, 35.46, 24.99

 

CMYK 0 / 77 / 49 / 20

HEX #CB2E68

RGB 203 46 104

HSL 337.83, 0.63%, 0.49%

LAB 46.51, 63.66, 5.33

 

CMYK 0 / 64 / 41 / 16

HEX #D64C7F

RGB 214 76 127

HSL 337.83, 0.63%, 0.57%

LAB 52.95, 58.26, 0.93

 

CMYK 0 / 50 / 32 / 13

HEX #DE6E97

RGB 222 110 151

HSL 338.04, 0.63%, 0.65%

LAB 60.71, 48.03, -1.66

 

CMYK 0 / 38 / 24 / 10

HEX #E68FAF

RGB 230 143 175

HSL 337.93, 0.64%, 0.73%

LAB 69.16, 37.09, -2.76

 

CMYK 0 / 25 / 16 / 7

HEX #EDB1C7

RGB 237 177 199

HSL 338, 0.63%, 0.81%

LAB 78.21, 25.1, -2.59

 

CMYK 0 / 50 / 32 / 13

HEX #DE6F98

RGB 222 111 152

HSL 337.84, 0.63%, 0.65%

LAB 60.93, 47.66, -1.91

 

CMYK 0 / 9 / 50 / 13

HEX #DEC96E

RGB 222 201 110

HSL 48.75, 0.63%, 0.65%

LAB 80.98, -4.33, 47.76

 

CMYK 50 / 11 / 0 / 13

HEX #6EC6DE

RGB 110 198 222

HSL 192.86, 0.63%, 0.65%

LAB 75.44, -20.03, -20.12

 

CMYK 0 / 50 / 32 / 13

HEX #DE6F98

RGB 222 111 152

HSL 337.84, 0.63%, 0.65%

LAB 60.93, 47.66, -1.91

 

CMYK 31 / 0 / 50 / 13

HEX #99DE6E

RGB 153 222 110

HSL 96.96, 0.63%, 0.65%

LAB 81.91, -40.99, 47.77

 

CMYK 50 / 31 / 0 / 13

HEX #6E99DE

RGB 110 153 222

HSL 216.96, 0.63%, 0.65%

LAB 62.82, 4.46, -39.57

 

CMYK 0 / 50 / 32 / 13

HEX #DE6F98

RGB 222 111 152

HSL 337.84, 0.63%, 0.65%

LAB 60.93, 47.66, -1.91

 

CMYK 0 / 9 / 50 / 13

HEX #DEC96E

RGB 222 201 110

HSL 48.75, 0.63%, 0.65%

LAB 80.98, -4.33, 47.76

 

CMYK 50 / 0 / 19 / 13

HEX #6EDEB3

RGB 110 222 179

HSL 156.96, 0.63%, 0.65%

LAB 81.19, -42.08, 11.38

 

CMYK 50 / 41 / 0 / 13

HEX #6E82DE

RGB 110 130 222

HSL 229.29, 0.63%, 0.65%

LAB 56.64, 18, -49.32

 

CMYK 0 / 50 / 32 / 13

HEX #DE6F98

RGB 222 111 152

HSL 337.84, 0.63%, 0.65%

LAB 60.93, 47.66, -1.91

 

CMYK 6 / 0 / 50 / 13

HEX #D1DE6E

RGB 209 222 110

HSL 66.96, 0.63%, 0.65%

LAB 85.47, -20.11, 52.87

 

CMYK 50 / 0 / 19 / 13

HEX #6EDEB3

RGB 110 222 179

HSL 156.96, 0.63%, 0.65%

LAB 81.19, -42.08, 11.38

 

CMYK 45 / 50 / 0 / 13

HEX #7B6EDE

RGB 123 110 222

HSL 246.96, 0.63%, 0.65%

LAB 52.55, 32.92, -55.79

 

Description

Color code: HEX #DE6F98 | qconv.com Color code: HEX #DE6F98 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 111 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 111 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 32 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 32% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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