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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DE5BA0 it is the complementary color #21A45F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DE5BA0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DE5BA0 shade: #E35B9B, #F46DAE, #FF7FC1, #FF91D4 and #FFA3E7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DE5BA0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DE5BA0 shade: #DE5BA0, #CD498D, #BC377A, #AB2567 and #9A1354

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DE5BA0 shade: #DD5A9F, #DD5A7C and #DD5A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DE5BA0 shade: #DD5A9F, #DD5AC2, #D55ADD, #B15ADD and #8E5ADD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DE5BA0 shade matches the following richer shades: #DD5A9F, #ED4AA0 and #FD3AA1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DE5BA0 shade: #DD5A9F, #CD6A9E, #BD7A9D, #AD8A9C and #9D9A9C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DE5BA0 shade: #D45ADD, #DD5AC3, #DD5AA0, #DD5A7D and #DD5A5A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DE5BA0 shade: #BE2776, #D6388B, #DD5A9F, #E47CB3 and #EB9EC7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DE5BA0 shade: #DE5BA0, #DDB15A and #5AD4DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DE5BA0 shade: #DE5BA0, #A0DD5A and #5AA0DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DE5BA0 shade: #DE5BA0, #DDB15A, #5ADD97 and #5A86DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DE5BA0 shade: #DE5BA0, #DDD95A, #5ADD97 and #5A5EDD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 28 / 13

HEX #DE5BA0

RGB 222 91 160

HSL 328.4, 0.66%, 0.61%

LAB 57.61, 58.08, -11.48

 

Complementary color

CMYK 80 / 0 / 42 / 36

HEX #21A45F

RGB 33 164 95

HSL 148.4, 0.66%, 0.39%

LAB 59.62, -50.04, 26.33

 

CMYK 0 / 60 / 32 / 11

HEX #E35B9B

RGB 227 91 155

HSL 331.76, 0.71%, 0.62%

LAB 58.21, 58.96, -7.59

 

CMYK 0 / 55 / 29 / 4

HEX #F46DAE

RGB 244 109 174

HSL 331.11, 0.86%, 0.69%

LAB 64.34, 58.44, -9.12

 

CMYK 0 / 50 / 24 / 0

HEX #FF7FC1

RGB 255 127 193

HSL 329.06, 1%, 0.75%

LAB 69.67, 55.92, -11.71

 

CMYK 0 / 43 / 17 / 0

HEX #FF91D4

RGB 255 145 212

HSL 323.45, 1%, 0.78%

LAB 73.72, 49.81, -16.17

 

CMYK 0 / 36 / 9 / 0

HEX #FFA3E7

RGB 255 163 231

HSL 315.65, 1%, 0.82%

LAB 78.01, 43.65, -20.07

 

CMYK 0 / 59 / 28 / 13

HEX #DE5BA0

RGB 222 91 160

HSL 328.4, 0.66%, 0.61%

LAB 57.61, 58.08, -11.48

 

CMYK 0 / 64 / 31 / 20

HEX #CD498D

RGB 205 73 141

HSL 329.09, 0.57%, 0.55%

LAB 51.46, 58.39, -9.79

 

CMYK 0 / 71 / 35 / 26

HEX #BC377A

RGB 188 55 122

HSL 329.77, 0.55%, 0.48%

LAB 45.4, 58.33, -7.69

 

CMYK 0 / 78 / 40 / 33

HEX #AB2567

RGB 171 37 103

HSL 330.45, 0.64%, 0.41%

LAB 39.51, 57.64, -4.99

 

CMYK 0 / 88 / 45 / 40

HEX #9A1354

RGB 154 19 84

HSL 331.11, 0.78%, 0.34%

LAB 33.93, 55.93, -1.44

 

CMYK 0 / 59 / 28 / 13

HEX #DD5A9F

RGB 221 90 159

HSL 328.4, 0.66%, 0.61%

LAB 57.26, 58.09, -11.43

 

CMYK 0 / 59 / 44 / 13

HEX #DD5A7C

RGB 221 90 124

HSL 344.43, 0.66%, 0.61%

LAB 56.23, 54.13, 7.58

 

CMYK 0 / 59 / 59 / 13

HEX #DD5A5A

RGB 221 90 90

HSL 0, 0.66%, 0.61%

LAB 55.51, 51.26, 26.52

 

CMYK 0 / 59 / 28 / 13

HEX #DD5A9F

RGB 221 90 159

HSL 328.4, 0.66%, 0.61%

LAB 57.26, 58.09, -11.43

 

CMYK 0 / 59 / 12 / 13

HEX #DD5AC2

RGB 221 90 194

HSL 312.37, 0.66%, 0.61%

LAB 58.58, 62.99, -29.61

 

CMYK 4 / 59 / 0 / 13

HEX #D55ADD

RGB 213 90 221

HSL 296.34, 0.66%, 0.61%

LAB 58.68, 65.34, -44.87

 

CMYK 20 / 59 / 0 / 13

HEX #B15ADD

RGB 177 90 221

HSL 279.85, 0.66%, 0.61%

LAB 53.9, 56.54, -52.75

 

CMYK 36 / 59 / 0 / 13

HEX #8E5ADD

RGB 142 90 221

HSL 263.82, 0.66%, 0.61%

LAB 49.84, 48.36, -59.48

 

CMYK 0 / 59 / 28 / 13

HEX #DD5A9F

RGB 221 90 159

HSL 328.4, 0.66%, 0.61%

LAB 57.26, 58.09, -11.43

 

CMYK 0 / 69 / 32 / 7

HEX #ED4AA0

RGB 237 74 160

HSL 328.34, 0.82%, 0.61%

LAB 57.5, 69.15, -11.39

 

CMYK 0 / 77 / 36 / 1

HEX #FD3AA1

RGB 253 58 161

HSL 328.31, 0.98%, 0.61%

LAB 58.49, 78.34, -10.21

 

CMYK 0 / 59 / 28 / 13

HEX #DD5A9F

RGB 221 90 159

HSL 328.4, 0.66%, 0.61%

LAB 57.26, 58.09, -11.43

 

CMYK 0 / 48 / 23 / 20

HEX #CD6A9E

RGB 205 106 158

HSL 328.48, 0.5%, 0.61%

LAB 57.8, 45.32, -10.27

 

CMYK 0 / 35 / 17 / 26

HEX #BD7A9D

RGB 189 122 157

HSL 328.66, 0.34%, 0.61%

LAB 59.13, 31.2, -7.92

 

CMYK 0 / 20 / 10 / 32

HEX #AD8A9C

RGB 173 138 156

HSL 329.14, 0.18%, 0.61%

LAB 61.19, 16.3, -4.49

 

CMYK 0 / 2 / 1 / 38

HEX #9D9A9C

RGB 157 154 156

HSL 320, 0.02%, 0.61%

LAB 63.9, 1.47, -0.67

 

CMYK 4 / 59 / 0 / 13

HEX #D45ADD

RGB 212 90 221

HSL 295.88, 0.66%, 0.61%

LAB 58.54, 65.1, -45.1

 

CMYK 0 / 59 / 12 / 13

HEX #DD5AC3

RGB 221 90 195

HSL 311.91, 0.66%, 0.61%

LAB 58.63, 63.14, -30.12

 

CMYK 0 / 59 / 28 / 13

HEX #DD5AA0

RGB 221 90 160

HSL 327.94, 0.66%, 0.61%

LAB 57.29, 58.22, -11.97

 

CMYK 0 / 59 / 43 / 13

HEX #DD5A7D

RGB 221 90 125

HSL 343.97, 0.66%, 0.61%

LAB 56.25, 54.23, 7.02

 

CMYK 0 / 59 / 59 / 13

HEX #DD5A5A

RGB 221 90 90

HSL 0, 0.66%, 0.61%

LAB 55.51, 51.26, 26.52

 

CMYK 0 / 79 / 38 / 25

HEX #BE2776

RGB 190 39 118

HSL 328.61, 0.66%, 0.45%

LAB 43.81, 63.55, -7.57

 

CMYK 0 / 74 / 35 / 16

HEX #D6388B

RGB 214 56 139

HSL 328.48, 0.66%, 0.53%

LAB 50.67, 66.87, -9.62

 

CMYK 0 / 59 / 28 / 13

HEX #DD5A9F

RGB 221 90 159

HSL 328.4, 0.66%, 0.61%

LAB 57.26, 58.09, -11.43

 

CMYK 0 / 46 / 21 / 11

HEX #E47CB3

RGB 228 124 179

HSL 328.27, 0.66%, 0.69%

LAB 65.09, 46.8, -11.06

 

CMYK 0 / 33 / 15 / 8

HEX #EB9EC7

RGB 235 158 199

HSL 328.05, 0.66%, 0.77%

LAB 73.7, 34.5, -9.28

 

CMYK 0 / 59 / 28 / 13

HEX #DE5BA0

RGB 222 91 160

HSL 328.4, 0.66%, 0.61%

LAB 57.61, 58.08, -11.48

 

CMYK 0 / 20 / 59 / 13

HEX #DDB15A

RGB 221 177 90

HSL 39.85, 0.66%, 0.61%

LAB 74.54, 6.2, 49.8

 

CMYK 59 / 4 / 0 / 13

HEX #5AD4DD

RGB 90 212 221

HSL 184.12, 0.66%, 0.61%

LAB 78.74, -31.16, -14.66

 

CMYK 0 / 59 / 28 / 13

HEX #DE5BA0

RGB 222 91 160

HSL 328.4, 0.66%, 0.61%

LAB 57.61, 58.08, -11.48

 

CMYK 28 / 0 / 59 / 13

HEX #A0DD5A

RGB 160 221 90

HSL 87.94, 0.66%, 0.61%

LAB 81.8, -40.1, 56.82

 

CMYK 59 / 28 / 0 / 13

HEX #5AA0DD

RGB 90 160 221

HSL 207.94, 0.66%, 0.61%

LAB 63.78, -4.07, -37.58

 

CMYK 0 / 59 / 28 / 13

HEX #DE5BA0

RGB 222 91 160

HSL 328.4, 0.66%, 0.61%

LAB 57.61, 58.08, -11.48

 

CMYK 0 / 20 / 59 / 13

HEX #DDB15A

RGB 221 177 90

HSL 39.85, 0.66%, 0.61%

LAB 74.54, 6.2, 49.8

 

CMYK 59 / 0 / 32 / 13

HEX #5ADD97

RGB 90 221 151

HSL 147.94, 0.66%, 0.61%

LAB 79.68, -51.81, 23.87

 

CMYK 59 / 39 / 0 / 13

HEX #5A86DD

RGB 90 134 221

HSL 219.85, 0.66%, 0.61%

LAB 56.53, 11.08, -49

 

CMYK 0 / 59 / 28 / 13

HEX #DE5BA0

RGB 222 91 160

HSL 328.4, 0.66%, 0.61%

LAB 57.61, 58.08, -11.48

 

CMYK 0 / 2 / 59 / 13

HEX #DDD95A

RGB 221 217 90

HSL 58.17, 0.66%, 0.61%

LAB 84.86, -14.39, 61.39

 

CMYK 59 / 0 / 32 / 13

HEX #5ADD97

RGB 90 221 151

HSL 147.94, 0.66%, 0.61%

LAB 79.68, -51.81, 23.87

 

CMYK 59 / 57 / 0 / 13

HEX #5A5EDD

RGB 90 94 221

HSL 238.17, 0.66%, 0.61%

LAB 46.18, 35.56, -65.62

 

Description

Color code: HEX #DE5BA0 | qconv.com Color code: HEX #DE5BA0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 91 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 91 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 28 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 28% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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