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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DE5B2D it is the complementary color #21A4D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DE5B2D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DE5B2D shade: #E35B28, #F46D3B, #FF7F4E, #FF9161 and #FFA374

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DE5B2D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DE5B2D shade: #DE5B2D, #CD491A, #BC3707, #AB2500 and #9A1300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DE5B2D shade: #DE5A2B and #DE2B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DE5B2D shade: #DE5A2B, #DE8A2B, #DEBA2B, #D2DE2B and #A1DE2B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DE5B2D shade matches the following richer shades: #DE5A2B and #F25017

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DE5B2D shade: #DE5A2B, #CA633F, #B66D53, #A37667 and #8F807A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DE5B2D shade: #DE2B5E, #DE2B2E, #DE582B, #DE882B and #DEB72B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DE5B2D shade: #9E3B19, #C2491E, #DE5A2B, #E4764F and #E99173

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DE5B2D shade: #DE5B2D, #8EDE2B and #2B46DE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DE5B2D shade: #DE5B2D, #2BDE58 and #582BDE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DE5B2D shade: #DE5B2D, #8EDE2B, #2BB1DE and #7C2BDE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DE5B2D shade: #DE5B2D, #58DE2B, #2BB1DE and #B12BDE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 80 / 13

HEX #DE5B2D

RGB 222 91 45

HSL 15.59, 0.73%, 0.52%

LAB 55.28, 48.87, 50.56

 

Complementary color

CMYK 84 / 22 / 0 / 18

HEX #21A4D2

RGB 33 164 210

HSL 195.59, 0.73%, 0.48%

LAB 62.95, -17.67, -32.89

 

CMYK 0 / 60 / 82 / 11

HEX #E35B28

RGB 227 91 40

HSL 16.36, 0.77%, 0.52%

LAB 56.05, 50.52, 53.84

 

CMYK 0 / 55 / 76 / 4

HEX #F46D3B

RGB 244 109 59

HSL 16.22, 0.89%, 0.59%

LAB 62.07, 49, 51.81

 

CMYK 0 / 50 / 69 / 0

HEX #FF7F4E

RGB 255 127 78

HSL 16.61, 1%, 0.65%

LAB 67.27, 45.26, 48.48

 

CMYK 0 / 43 / 62 / 0

HEX #FF9161

RGB 255 145 97

HSL 18.23, 1%, 0.69%

LAB 71.13, 37.34, 43.23

 

CMYK 0 / 36 / 55 / 0

HEX #FFA374

RGB 255 163 116

HSL 20.29, 1%, 0.73%

LAB 75.27, 29.43, 38.44

 

CMYK 0 / 59 / 80 / 13

HEX #DE5B2D

RGB 222 91 45

HSL 15.59, 0.73%, 0.52%

LAB 55.28, 48.87, 50.56

 

CMYK 0 / 64 / 87 / 20

HEX #CD491A

RGB 205 73 26

HSL 15.75, 0.77%, 0.45%

LAB 49.28, 50.32, 52.45

 

CMYK 0 / 71 / 96 / 26

HEX #BC3707

RGB 188 55 7

HSL 15.91, 0.93%, 0.38%

LAB 43.42, 51.55, 53.17

 

CMYK 0 / 78 / 100 / 33

HEX #AB2500

RGB 171 37 0

HSL 12.98, 1%, 0.34%

LAB 37.81, 52.28, 50.8

 

CMYK 0 / 88 / 100 / 40

HEX #9A1300

RGB 154 19 0

HSL 7.4, 1%, 0.3%

LAB 32.56, 51.95, 46.11

 

CMYK 0 / 59 / 81 / 13

HEX #DE5A2B

RGB 222 90 43

HSL 15.75, 0.73%, 0.52%

LAB 55.09, 49.27, 51.31

 

CMYK 0 / 81 / 81 / 13

HEX #DE2B2B

RGB 222 43 43

HSL 0, 0.73%, 0.52%

LAB 48.8, 66.43, 45.27

 

CMYK 0 / 59 / 81 / 13

HEX #DE5A2B

RGB 222 90 43

HSL 15.75, 0.73%, 0.52%

LAB 55.09, 49.27, 51.31

 

CMYK 0 / 38 / 81 / 13

HEX #DE8A2B

RGB 222 138 43

HSL 31.84, 0.73%, 0.52%

LAB 64.87, 25.03, 60.33

 

CMYK 0 / 16 / 81 / 13

HEX #DEBA2B

RGB 222 186 43

HSL 47.93, 0.73%, 0.52%

LAB 76.57, -0.51, 70.72

 

CMYK 5 / 0 / 81 / 13

HEX #D2DE2B

RGB 210 222 43

HSL 64.02, 0.73%, 0.52%

LAB 85.06, -23.7, 77.69

 

CMYK 27 / 0 / 81 / 13

HEX #A1DE2B

RGB 161 222 43

HSL 80.45, 0.73%, 0.52%

LAB 81.83, -43.13, 73.62

 

CMYK 0 / 59 / 81 / 13

HEX #DE5A2B

RGB 222 90 43

HSL 15.75, 0.73%, 0.52%

LAB 55.09, 49.27, 51.31

 

CMYK 0 / 67 / 90 / 5

HEX #F25017

RGB 242 80 23

HSL 15.62, 0.89%, 0.52%

LAB 56.76, 59.96, 61.95

 

CMYK 0 / 59 / 81 / 13

HEX #DE5A2B

RGB 222 90 43

HSL 15.75, 0.73%, 0.52%

LAB 55.09, 49.27, 51.31

 

CMYK 0 / 51 / 69 / 21

HEX #CA633F

RGB 202 99 63

HSL 15.54, 0.57%, 0.52%

LAB 53.86, 38.25, 39

 

CMYK 0 / 40 / 54 / 29

HEX #B66D53

RGB 182 109 83

HSL 15.76, 0.4%, 0.52%

LAB 53.5, 26.34, 26.83

 

CMYK 0 / 28 / 37 / 36

HEX #A37667

RGB 163 118 103

HSL 15, 0.25%, 0.52%

LAB 53.73, 15.6, 15.22

 

CMYK 0 / 10 / 15 / 44

HEX #8F807A

RGB 143 128 122

HSL 17.14, 0.09%, 0.52%

LAB 54.74, 4.64, 5.33

 

CMYK 0 / 81 / 58 / 13

HEX #DE2B5E

RGB 222 43 94

HSL 342.91, 0.73%, 0.52%

LAB 49.58, 68.8, 16.28

 

CMYK 0 / 81 / 79 / 13

HEX #DE2B2E

RGB 222 43 46

HSL 358.99, 0.73%, 0.52%

LAB 48.83, 66.52, 43.69

 

CMYK 0 / 60 / 81 / 13

HEX #DE582B

RGB 222 88 43

HSL 15.08, 0.73%, 0.52%

LAB 54.74, 50.18, 50.98

 

CMYK 0 / 39 / 81 / 13

HEX #DE882B

RGB 222 136 43

HSL 31.17, 0.73%, 0.52%

LAB 64.41, 26.09, 59.92

 

CMYK 0 / 18 / 81 / 13

HEX #DEB72B

RGB 222 183 43

HSL 46.93, 0.73%, 0.52%

LAB 75.81, 1.06, 70.05

 

CMYK 0 / 63 / 84 / 38

HEX #9E3B19

RGB 158 59 25

HSL 15.34, 0.73%, 0.36%

LAB 38.67, 39.51, 40.58

 

CMYK 0 / 62 / 85 / 24

HEX #C2491E

RGB 194 73 30

HSL 15.73, 0.73%, 0.44%

LAB 47.4, 46.5, 48.45

 

CMYK 0 / 59 / 81 / 13

HEX #DE5A2B

RGB 222 90 43

HSL 15.75, 0.73%, 0.52%

LAB 55.09, 49.27, 51.31

 

CMYK 0 / 48 / 65 / 11

HEX #E4764F

RGB 228 118 79

HSL 15.7, 0.73%, 0.6%

LAB 61.67, 39.56, 40.51

 

CMYK 0 / 38 / 51 / 9

HEX #E99173

RGB 233 145 115

HSL 15.25, 0.73%, 0.68%

LAB 68.62, 30.17, 29.89

 

CMYK 0 / 59 / 80 / 13

HEX #DE5B2D

RGB 222 91 45

HSL 15.59, 0.73%, 0.52%

LAB 55.28, 48.87, 50.56

 

CMYK 36 / 0 / 81 / 13

HEX #8EDE2B

RGB 142 222 43

HSL 86.82, 0.73%, 0.52%

LAB 80.83, -49.97, 72.34

 

CMYK 81 / 68 / 0 / 13

HEX #2B46DE

RGB 43 70 222

HSL 230.95, 0.73%, 0.52%

LAB 38.14, 44.83, -79.44

 

CMYK 0 / 59 / 80 / 13

HEX #DE5B2D

RGB 222 91 45

HSL 15.59, 0.73%, 0.52%

LAB 55.28, 48.87, 50.56

 

CMYK 81 / 0 / 60 / 13

HEX #2BDE58

RGB 43 222 88

HSL 135.08, 0.73%, 0.52%

LAB 78.15, -69.66, 52.5

 

CMYK 60 / 81 / 0 / 13

HEX #582BDE

RGB 88 43 222

HSL 255.08, 0.73%, 0.52%

LAB 36.13, 62.82, -82.66

 

CMYK 0 / 59 / 80 / 13

HEX #DE5B2D

RGB 222 91 45

HSL 15.59, 0.73%, 0.52%

LAB 55.28, 48.87, 50.56

 

CMYK 36 / 0 / 81 / 13

HEX #8EDE2B

RGB 142 222 43

HSL 86.82, 0.73%, 0.52%

LAB 80.83, -49.97, 72.34

 

CMYK 81 / 20 / 0 / 13

HEX #2BB1DE

RGB 43 177 222

HSL 195.08, 0.73%, 0.52%

LAB 67.45, -19.63, -32.53

 

CMYK 44 / 81 / 0 / 13

HEX #7C2BDE

RGB 124 43 222

HSL 267.15, 0.73%, 0.52%

LAB 40.06, 67.03, -76.05

 

CMYK 0 / 59 / 80 / 13

HEX #DE5B2D

RGB 222 91 45

HSL 15.59, 0.73%, 0.52%

LAB 55.28, 48.87, 50.56

 

CMYK 60 / 0 / 81 / 13

HEX #58DE2B

RGB 88 222 43

HSL 104.92, 0.73%, 0.52%

LAB 78.75, -65.78, 69.67

 

CMYK 81 / 20 / 0 / 13

HEX #2BB1DE

RGB 43 177 222

HSL 195.08, 0.73%, 0.52%

LAB 67.45, -19.63, -32.53

 

CMYK 20 / 81 / 0 / 13

HEX #B12BDE

RGB 177 43 222

HSL 284.92, 0.73%, 0.52%

LAB 47.43, 75.09, -63.72

 

Description

Color code: HEX #DE5B2D | qconv.com Color code: HEX #DE5B2D | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 91 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 91 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 80 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 80% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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