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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DE1C5E it is the complementary color #21E3A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DE1C5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DE1C5E shade: #E31C59, #F42E6C, #FF407F, #FF5292 and #FF64A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DE1C5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DE1C5E shade: #DE1C5E, #CD0A4B, #BC0038, #AB0025 and #9A0012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DE1C5E shade: #DE1B5E, #DE1B29 and #DE1B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DE1C5E shade: #DE1B5E, #DE1B92, #DE1BC7, #C11BDE and #8D1BDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DE1C5E shade matches the following richer shades: #DE1B5E and #F30757

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DE1C5E shade: #DE1B5E, #CA3064, #B6446B, #A25871 and #8E6C78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DE1C5E shade: #DE1BC8, #DE1B94, #DE1B60, #DE1B2C and #DE3F1B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DE1C5E shade: #95123F, #BA174E, #DE1B5E, #E73C76 and #EB6190

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DE1C5E shade: #DE1C5E, #DEC11B and #1BAEDE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DE1C5E shade: #DE1C5E, #60DE1B and #1B60DE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DE1C5E shade: #DE1C5E, #DEC11B, #1BDE9A and #1B39DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DE1C5E shade: #DE1C5E, #C1DE1B, #1BDE9A and #391BDE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 58 / 13

HEX #DE1C5E

RGB 222 28 94

HSL 339.59, 0.78%, 0.49%

LAB 48.47, 71.96, 14.77

 

Complementary color

CMYK 85 / 0 / 29 / 11

HEX #21E3A1

RGB 33 227 161

HSL 159.59, 0.78%, 0.51%

LAB 80.65, -59.81, 19.83

 

CMYK 0 / 88 / 61 / 11

HEX #E31C59

RGB 227 28 89

HSL 341.61, 0.78%, 0.5%

LAB 49.35, 72.88, 19.2

 

CMYK 0 / 81 / 56 / 4

HEX #F42E6C

RGB 244 46 108

HSL 341.21, 0.9%, 0.57%

LAB 54.31, 74.7, 14.98

 

CMYK 0 / 75 / 50 / 0

HEX #FF407F

RGB 255 64 127

HSL 340.21, 1%, 0.63%

LAB 58.47, 74.13, 9.78

 

CMYK 0 / 68 / 43 / 0

HEX #FF5292

RGB 255 82 146

HSL 337.8, 1%, 0.66%

LAB 61.11, 69.77, 2.43

 

CMYK 0 / 61 / 35 / 0

HEX #FF64A5

RGB 255 100 165

HSL 334.84, 1%, 0.7%

LAB 64.23, 64.64, -3.96

 

CMYK 0 / 87 / 58 / 13

HEX #DE1C5E

RGB 222 28 94

HSL 339.59, 0.78%, 0.49%

LAB 48.47, 71.96, 14.77

 

CMYK 0 / 95 / 63 / 20

HEX #CD0A4B

RGB 205 10 75

HSL 340, 0.91%, 0.42%

LAB 43.81, 69.09, 19.69

 

CMYK 0 / 100 / 70 / 26

HEX #BC0038

RGB 188 0 56

HSL 342.13, 1%, 0.37%

LAB 39.54, 65.03, 25.46

 

CMYK 0 / 100 / 78 / 33

HEX #AB0025

RGB 171 0 37

HSL 347.02, 1%, 0.34%

LAB 35.58, 60.09, 31.75

 

CMYK 0 / 100 / 88 / 40

HEX #9A0012

RGB 154 0 18

HSL 352.99, 1%, 0.3%

LAB 31.61, 55.25, 37.59

 

CMYK 0 / 88 / 58 / 13

HEX #DE1B5E

RGB 222 27 94

HSL 339.38, 0.78%, 0.49%

LAB 48.41, 72.13, 14.69

 

CMYK 0 / 88 / 82 / 13

HEX #DE1B29

RGB 222 27 41

HSL 355.69, 0.78%, 0.49%

LAB 47.59, 69.77, 45.16

 

CMYK 0 / 88 / 88 / 13

HEX #DE1B1B

RGB 222 27 27

HSL 0, 0.78%, 0.49%

LAB 47.49, 69.47, 52

 

CMYK 0 / 88 / 58 / 13

HEX #DE1B5E

RGB 222 27 94

HSL 339.38, 0.78%, 0.49%

LAB 48.41, 72.13, 14.69

 

CMYK 0 / 88 / 34 / 13

HEX #DE1B92

RGB 222 27 146

HSL 323.38, 0.78%, 0.49%

LAB 49.96, 76.44, -14.74

 

CMYK 0 / 88 / 10 / 13

HEX #DE1BC7

RGB 222 27 199

HSL 307.08, 0.78%, 0.49%

LAB 52.33, 82.74, -42.27

 

CMYK 13 / 88 / 0 / 13

HEX #C11BDE

RGB 193 27 222

HSL 291.08, 0.78%, 0.49%

LAB 48.75, 81.2, -61.45

 

CMYK 36 / 88 / 0 / 13

HEX #8D1BDE

RGB 141 27 222

HSL 275.08, 0.78%, 0.49%

LAB 40.77, 73.78, -74.8

 

CMYK 0 / 88 / 58 / 13

HEX #DE1B5E

RGB 222 27 94

HSL 339.38, 0.78%, 0.49%

LAB 48.41, 72.13, 14.69

 

CMYK 0 / 97 / 64 / 5

HEX #F30757

RGB 243 7 87

HSL 339.66, 0.94%, 0.49%

LAB 51.72, 78.89, 24.13

 

CMYK 0 / 88 / 58 / 13

HEX #DE1B5E

RGB 222 27 94

HSL 339.38, 0.78%, 0.49%

LAB 48.41, 72.13, 14.69

 

CMYK 0 / 76 / 50 / 21

HEX #CA3064

RGB 202 48 100

HSL 339.74, 0.62%, 0.49%

LAB 46.43, 62.45, 7.66

 

CMYK 0 / 63 / 41 / 29

HEX #B6446B

RGB 182 68 107

HSL 339.47, 0.46%, 0.49%

LAB 45.83, 49.59, 2.02

 

CMYK 0 / 46 / 30 / 36

HEX #A25871

RGB 162 88 113

HSL 339.73, 0.3%, 0.49%

LAB 46.78, 33.43, -0.61

 

CMYK 0 / 24 / 15 / 44

HEX #8E6C78

RGB 142 108 120

HSL 338.82, 0.14%, 0.49%

LAB 49.29, 15.51, -1.42

 

CMYK 0 / 88 / 10 / 13

HEX #DE1BC8

RGB 222 27 200

HSL 306.77, 0.78%, 0.49%

LAB 52.38, 82.87, -42.76

 

CMYK 0 / 88 / 33 / 13

HEX #DE1B94

RGB 222 27 148

HSL 322.77, 0.78%, 0.49%

LAB 50.04, 76.65, -15.83

 

CMYK 0 / 88 / 57 / 13

HEX #DE1B60

RGB 222 27 96

HSL 338.77, 0.78%, 0.49%

LAB 48.46, 72.26, 13.52

 

CMYK 0 / 88 / 80 / 13

HEX #DE1B2C

RGB 222 27 44

HSL 354.77, 0.78%, 0.49%

LAB 47.62, 69.85, 43.56

 

CMYK 0 / 72 / 88 / 13

HEX #DE3F1B

RGB 222 63 27

HSL 11.08, 0.78%, 0.49%

LAB 50.88, 59.93, 54.61

 

CMYK 0 / 88 / 58 / 42

HEX #95123F

RGB 149 18 63

HSL 339.39, 0.78%, 0.33%

LAB 32.22, 53.1, 9.75

 

CMYK 0 / 88 / 58 / 27

HEX #BA174E

RGB 186 23 78

HSL 339.75, 0.78%, 0.41%

LAB 40.58, 62.81, 12.77

 

CMYK 0 / 88 / 58 / 13

HEX #DE1B5E

RGB 222 27 94

HSL 339.38, 0.78%, 0.49%

LAB 48.41, 72.13, 14.69

 

CMYK 0 / 74 / 49 / 9

HEX #E73C76

RGB 231 60 118

HSL 339.65, 0.78%, 0.57%

LAB 53.52, 68.16, 7.52

 

CMYK 0 / 59 / 39 / 8

HEX #EB6190

RGB 235 97 144

HSL 339.57, 0.78%, 0.65%

LAB 60.09, 57.54, 1.72

 

CMYK 0 / 87 / 58 / 13

HEX #DE1C5E

RGB 222 28 94

HSL 339.59, 0.78%, 0.49%

LAB 48.47, 71.96, 14.77

 

CMYK 0 / 13 / 88 / 13

HEX #DEC11B

RGB 222 193 27

HSL 51.08, 0.78%, 0.49%

LAB 78.31, -4.55, 76.11

 

CMYK 88 / 22 / 0 / 13

HEX #1BAEDE

RGB 27 174 222

HSL 194.77, 0.78%, 0.49%

LAB 66.35, -19.23, -34.25

 

CMYK 0 / 87 / 58 / 13

HEX #DE1C5E

RGB 222 28 94

HSL 339.59, 0.78%, 0.49%

LAB 48.47, 71.96, 14.77

 

CMYK 57 / 0 / 88 / 13

HEX #60DE1B

RGB 96 222 27

HSL 98.77, 0.78%, 0.49%

LAB 78.93, -64.48, 73.51

 

CMYK 88 / 57 / 0 / 13

HEX #1B60DE

RGB 27 96 222

HSL 218.77, 0.78%, 0.49%

LAB 44.05, 27.33, -69.77

 

CMYK 0 / 87 / 58 / 13

HEX #DE1C5E

RGB 222 28 94

HSL 339.59, 0.78%, 0.49%

LAB 48.47, 71.96, 14.77

 

CMYK 0 / 13 / 88 / 13

HEX #DEC11B

RGB 222 193 27

HSL 51.08, 0.78%, 0.49%

LAB 78.31, -4.55, 76.11

 

CMYK 88 / 0 / 31 / 13

HEX #1BDE9A

RGB 27 222 154

HSL 159.08, 0.78%, 0.49%

LAB 78.93, -59.88, 21.1

 

CMYK 88 / 74 / 0 / 13

HEX #1B39DE

RGB 27 57 222

HSL 230.77, 0.78%, 0.49%

LAB 34.87, 51.54, -84.86

 

CMYK 0 / 87 / 58 / 13

HEX #DE1C5E

RGB 222 28 94

HSL 339.59, 0.78%, 0.49%

LAB 48.47, 71.96, 14.77

 

CMYK 13 / 0 / 88 / 13

HEX #C1DE1B

RGB 193 222 27

HSL 68.92, 0.78%, 0.49%

LAB 83.79, -31.09, 79.53

 

CMYK 88 / 0 / 31 / 13

HEX #1BDE9A

RGB 27 222 154

HSL 159.08, 0.78%, 0.49%

LAB 78.93, -59.88, 21.1

 

CMYK 74 / 88 / 0 / 13

HEX #391BDE

RGB 57 27 222

HSL 249.23, 0.78%, 0.49%

LAB 31.64, 66.43, -90.18

 

Description

Color code: HEX #DE1C5E | qconv.com Color code: HEX #DE1C5E | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 28 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 28 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 58 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 58% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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