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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DE0DAD it is the complementary color #21F252. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DE0DAD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #DE0DAD: #E30DA8, #F41FBB, #FF31CE, #FF43E1 and #FF55F4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DE0DAD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #DE0DAD: #DE0DAD, #CD009A, #BC0087, #AB0074 and #9A0061

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 22 / 13

HEX #DE0DAD

RGB 222 13 173

HSL 314.07, 0.89%, 0.46%

LAB 50.49, 81.12, -29.99

 

Complementary color

CMYK 86 / 0 / 66 / 5

HEX #21F252

RGB 33 242 82

HSL 134.07, 0.89%, 0.54%

LAB 84.19, -77.27, 61.71

 

CMYK 0 / 94 / 26 / 11

HEX #E30DA8

RGB 227 13 168

HSL 316.54, 0.89%, 0.47%

LAB 51.2, 81.52, -25.86

 

CMYK 0 / 87 / 23 / 4

HEX #F41FBB

RGB 244 31 187

HSL 316.06, 0.91%, 0.54%

LAB 55.89, 84.87, -29.47

 

CMYK 0 / 81 / 19 / 0

HEX #FF31CE

RGB 255 49 206

HSL 314.27, 1%, 0.6%

LAB 59.81, 86.01, -34.13

 

CMYK 0 / 74 / 12 / 0

HEX #FF43E1

RGB 255 67 225

HSL 309.57, 1%, 0.63%

LAB 62.26, 83.91, -41.04

 

CMYK 0 / 67 / 4 / 0

HEX #FF55F4

RGB 255 85 244

HSL 303.88, 1%, 0.67%

LAB 65.19, 80.9, -47.02

 

CMYK 0 / 94 / 22 / 13

HEX #DE0DAD

RGB 222 13 173

HSL 314.07, 0.89%, 0.46%

LAB 50.49, 81.12, -29.99

 

CMYK 0 / 100 / 25 / 20

HEX #CD009A

RGB 205 0 154

HSL 314.93, 1%, 0.4%

LAB 46.06, 76.71, -25.83

 

CMYK 0 / 100 / 28 / 26

HEX #BC0087

RGB 188 0 135

HSL 316.91, 1%, 0.37%

LAB 41.91, 71.23, -20.97

 

CMYK 0 / 100 / 32 / 33

HEX #AB0074

RGB 171 0 116

HSL 319.3, 1%, 0.34%

LAB 37.7, 65.68, -15.92

 

CMYK 0 / 100 / 37 / 40

HEX #9A0061

RGB 154 0 97

HSL 322.21, 1%, 0.3%

LAB 33.42, 60.06, -10.64

 

CMYK 0 / 94 / 22 / 13

HEX #DE0DAD

RGB 222 13 173

HSL 314.07, 0.89%, 0.46%

LAB 50.49, 81.12, -29.99

 

CMYK 0 / 95 / 38 / 13

HEX #DD0C8A

RGB 221 12 138

HSL 323.83, 0.9%, 0.46%

LAB 48.85, 77.28, -11.63

 

CMYK 0 / 95 / 53 / 13

HEX #DD0C67

RGB 221 12 103

HSL 333.88, 0.9%, 0.46%

LAB 47.77, 74.4, 8.21

 

CMYK 0 / 95 / 69 / 13

HEX #DD0C44

RGB 221 12 68

HSL 343.92, 0.9%, 0.46%

LAB 47.04, 72.41, 28.83

 

CMYK 0 / 95 / 85 / 13

HEX #DD0C21

RGB 221 12 33

HSL 353.97, 0.9%, 0.46%

LAB 46.64, 71.29, 48.37

 

CMYK 0 / 94 / 22 / 13

HEX #DE0DAD

RGB 222 13 173

HSL 314.07, 0.89%, 0.46%

LAB 50.49, 81.12, -29.99

 

CMYK 0 / 94 / 22 / 93

HEX #12010E

RGB 18 1 14

HSL 314.12, 0.89%, 0.04%

LAB 1.64, 6.82, -3.35

 

CMYK 0 / 94 / 22 / 73

HEX #450436

RGB 69 4 54

HSL 313.85, 0.89%, 0.14%

LAB 13.34, 34.36, -13.81

 

CMYK 0 / 94 / 22 / 53

HEX #78075E

RGB 120 7 94

HSL 313.81, 0.89%, 0.25%

LAB 26.6, 51.17, -19.77

 

CMYK 0 / 94 / 22 / 33

HEX #AB0A85

RGB 171 10 133

HSL 314.16, 0.89%, 0.35%

LAB 38.84, 66.53, -24.75

 

CMYK 0 / 94 / 22 / 13

HEX #DE0DAD

RGB 222 13 173

HSL 314.07, 0.89%, 0.46%

LAB 50.49, 81.12, -29.99

 

CMYK 0 / 53 / 95 / 13

HEX #DD670C

RGB 221 103 12

HSL 26.12, 0.9%, 0.46%

LAB 57.17, 42.08, 63.42

 

CMYK 95 / 0 / 16 / 13

HEX #0CDDBA

RGB 12 221 186

HSL 169.95, 0.9%, 0.46%

LAB 79.23, -52.55, 4.63

 

CMYK 0 / 94 / 22 / 13

HEX #DE0DAD

RGB 222 13 173

HSL 314.07, 0.89%, 0.46%

LAB 50.49, 81.12, -29.99

 

CMYK 22 / 0 / 95 / 13

HEX #ACDD0C

RGB 172 221 12

HSL 74.07, 0.9%, 0.46%

LAB 82.11, -39.26, 79.64

 

CMYK 95 / 22 / 0 / 13

HEX #0CACDD

RGB 12 172 221

HSL 194.07, 0.9%, 0.46%

LAB 65.6, -19.19, -34.88

 

CMYK 0 / 94 / 22 / 13

HEX #DE0DAD

RGB 222 13 173

HSL 314.07, 0.89%, 0.46%

LAB 50.49, 81.12, -29.99

 

CMYK 0 / 53 / 95 / 13

HEX #DD670C

RGB 221 103 12

HSL 26.12, 0.9%, 0.46%

LAB 57.17, 42.08, 63.42

 

CMYK 95 / 0 / 72 / 13

HEX #0CDD3D

RGB 12 221 61

HSL 134.07, 0.9%, 0.46%

LAB 77.36, -74.33, 62.32

 

CMYK 95 / 41 / 0 / 13

HEX #0C83DD

RGB 12 131 221

HSL 205.84, 0.9%, 0.46%

LAB 53.53, 4.11, -53.92

 

CMYK 0 / 94 / 22 / 13

HEX #DE0DAD

RGB 222 13 173

HSL 314.07, 0.89%, 0.46%

LAB 50.49, 81.12, -29.99

 

CMYK 0 / 25 / 95 / 13

HEX #DDA60C

RGB 221 166 12

HSL 44.21, 0.9%, 0.46%

LAB 71.33, 8.95, 73.26

 

CMYK 95 / 0 / 72 / 13

HEX #0CDD3D

RGB 12 221 61

HSL 134.07, 0.9%, 0.46%

LAB 77.36, -74.33, 62.32

 

CMYK 95 / 69 / 0 / 13

HEX #0C44DD

RGB 12 68 221

HSL 223.92, 0.9%, 0.46%

LAB 36.8, 44.21, -81.1

 

Description

Color code: HEX #DE0DAD | qconv.com Color code: HEX #DE0DAD | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 13 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 13 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 22 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 22% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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