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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DDFBEC it is the complementary color #220413. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DDFBEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DDFBEC shade: #E2FBE7, #F3FFFA and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DDFBEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DDFBEC shade: #DDFBEC, #CCE9D9, #BBD7C6, #AAC5B3 and #99B3A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DDFBEC shade: #DFFBED, #DFFBE6, #E0FBDF, #E8FBDF and #EFFBDF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DDFBEC shade: #DFFBED, #DFFBF5, #DFFAFB, #DFF3FB and #DFEBFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DDFBEC shade matches the following richer shades: #DFFBED and #DCFEED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DDFBEC shade: #DFFBED, #E2F8ED, #E5F5ED, #E8F3ED and #EBF0ED

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DDFBEC shade: #E0FBDF, #DFFBE6, #DFFBED, #DFFBF5 and #DFFAFB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DDFBEC shade: #95F3C4, #BAF7D9, #DFFBED and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DDFBEC shade: #DDFBEC, #DFE8FB and #FBE2DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DDFBEC shade: #DDFBEC, #EDDFFB and #FBEDDF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DDFBEC shade: #DDFBEC, #DFE8FB, #FBDFED and #FBF3DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DDFBEC shade: #DDFBEC, #DFDFFB, #FBDFED and #FBFBDF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 6 / 2

HEX #DDFBEC

RGB 221 251 236

HSL 150, 0.79%, 0.93%

LAB 96.17, -12.49, 3.9

 

Complementary color

CMYK 0 / 88 / 44 / 87

HEX #220413

RGB 34 4 19

HSL 330, 0.79%, 0.07%

LAB 4.28, 15.16, -2.12

 

CMYK 10 / 0 / 8 / 2

HEX #E2FBE7

RGB 226 251 231

HSL 132, 0.76%, 0.94%

LAB 96.38, -11.76, 6.82

 

CMYK 5 / 0 / 2 / 0

HEX #F3FFFA

RGB 243 255 250

HSL 155, 1%, 0.98%

LAB 99.02, -4.81, 1.01

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 12 / 0 / 6 / 2

HEX #DDFBEC

RGB 221 251 236

HSL 150, 0.79%, 0.93%

LAB 96.17, -12.49, 3.9

 

CMYK 12 / 0 / 7 / 9

HEX #CCE9D9

RGB 204 233 217

HSL 146.9, 0.4%, 0.86%

LAB 89.92, -12.52, 4.56

 

CMYK 13 / 0 / 8 / 16

HEX #BBD7C6

RGB 187 215 198

HSL 143.57, 0.26%, 0.79%

LAB 83.57, -12.56, 5.25

 

CMYK 14 / 0 / 9 / 23

HEX #AAC5B3

RGB 170 197 179

HSL 140, 0.19%, 0.72%

LAB 77.12, -12.61, 5.97

 

CMYK 15 / 0 / 11 / 30

HEX #99B3A0

RGB 153 179 160

HSL 136.15, 0.15%, 0.65%

LAB 70.56, -12.68, 6.72

 

CMYK 11 / 0 / 6 / 2

HEX #DFFBED

RGB 223 251 237

HSL 150, 0.78%, 0.93%

LAB 96.33, -11.66, 3.62

 

CMYK 11 / 0 / 8 / 2

HEX #DFFBE6

RGB 223 251 230

HSL 135, 0.78%, 0.93%

LAB 96.16, -12.92, 6.99

 

CMYK 11 / 0 / 11 / 2

HEX #E0FBDF

RGB 224 251 223

HSL 117.86, 0.78%, 0.93%

LAB 96.07, -13.82, 10.46

 

CMYK 8 / 0 / 11 / 2

HEX #E8FBDF

RGB 232 251 223

HSL 100.71, 0.78%, 0.93%

LAB 96.61, -11.14, 11.31

 

CMYK 5 / 0 / 11 / 2

HEX #EFFBDF

RGB 239 251 223

HSL 85.71, 0.78%, 0.93%

LAB 97.09, -8.77, 12.07

 

CMYK 11 / 0 / 6 / 2

HEX #DFFBED

RGB 223 251 237

HSL 150, 0.78%, 0.93%

LAB 96.33, -11.66, 3.62

 

CMYK 11 / 0 / 2 / 2

HEX #DFFBF5

RGB 223 251 245

HSL 167.14, 0.78%, 0.93%

LAB 96.52, -10.17, -0.21

 

CMYK 11 / 0 / 0 / 2

HEX #DFFAFB

RGB 223 250 251

HSL 182.14, 0.78%, 0.93%

LAB 96.42, -8.52, -3.46

 

CMYK 11 / 3 / 0 / 2

HEX #DFF3FB

RGB 223 243 251

HSL 197.14, 0.78%, 0.93%

LAB 94.63, -4.99, -6.09

 

CMYK 11 / 6 / 0 / 2

HEX #DFEBFB

RGB 223 235 251

HSL 214.29, 0.78%, 0.93%

LAB 92.61, -0.91, -9.09

 

CMYK 11 / 0 / 6 / 2

HEX #DFFBED

RGB 223 251 237

HSL 150, 0.78%, 0.93%

LAB 96.33, -11.66, 3.62

 

CMYK 13 / 0 / 7 / 0

HEX #DCFEED

RGB 220 254 237

HSL 150, 0.94%, 0.93%

LAB 96.91, -14.11, 4.44

 

CMYK 11 / 0 / 6 / 2

HEX #DFFBED

RGB 223 251 237

HSL 150, 0.78%, 0.93%

LAB 96.33, -11.66, 3.62

 

CMYK 9 / 0 / 4 / 3

HEX #E2F8ED

RGB 226 248 237

HSL 150, 0.61%, 0.93%

LAB 95.75, -9.19, 2.82

 

CMYK 7 / 0 / 3 / 4

HEX #E5F5ED

RGB 229 245 237

HSL 150, 0.44%, 0.93%

LAB 95.19, -6.7, 2.03

 

CMYK 5 / 0 / 2 / 5

HEX #E8F3ED

RGB 232 243 237

HSL 147.27, 0.31%, 0.93%

LAB 94.9, -4.71, 1.62

 

CMYK 2 / 0 / 1 / 6

HEX #EBF0ED

RGB 235 240 237

HSL 144, 0.14%, 0.93%

LAB 94.35, -2.19, 0.86

 

CMYK 11 / 0 / 11 / 2

HEX #E0FBDF

RGB 224 251 223

HSL 117.86, 0.78%, 0.93%

LAB 96.07, -13.82, 10.46

 

CMYK 11 / 0 / 8 / 2

HEX #DFFBE6

RGB 223 251 230

HSL 135, 0.78%, 0.93%

LAB 96.16, -12.92, 6.99

 

CMYK 11 / 0 / 6 / 2

HEX #DFFBED

RGB 223 251 237

HSL 150, 0.78%, 0.93%

LAB 96.33, -11.66, 3.62

 

CMYK 11 / 0 / 2 / 2

HEX #DFFBF5

RGB 223 251 245

HSL 167.14, 0.78%, 0.93%

LAB 96.52, -10.17, -0.21

 

CMYK 11 / 0 / 0 / 2

HEX #DFFAFB

RGB 223 250 251

HSL 182.14, 0.78%, 0.93%

LAB 96.42, -8.52, -3.46

 

CMYK 39 / 0 / 19 / 5

HEX #95F3C4

RGB 149 243 196

HSL 150, 0.8%, 0.77%

LAB 89.15, -38.06, 13.99

 

CMYK 25 / 0 / 12 / 3

HEX #BAF7D9

RGB 186 247 217

HSL 150.49, 0.79%, 0.85%

LAB 92.56, -25.1, 8.23

 

CMYK 11 / 0 / 6 / 2

HEX #DFFBED

RGB 223 251 237

HSL 150, 0.78%, 0.93%

LAB 96.33, -11.66, 3.62

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 12 / 0 / 6 / 2

HEX #DDFBEC

RGB 221 251 236

HSL 150, 0.79%, 0.93%

LAB 96.17, -12.49, 3.9

 

CMYK 11 / 8 / 0 / 2

HEX #DFE8FB

RGB 223 232 251

HSL 220.71, 0.78%, 0.93%

LAB 91.85, 0.64, -10.22

 

CMYK 0 / 10 / 11 / 2

HEX #FBE2DF

RGB 251 226 223

HSL 6.43, 0.78%, 0.93%

LAB 91.79, 8.07, 4.57

 

CMYK 12 / 0 / 6 / 2

HEX #DDFBEC

RGB 221 251 236

HSL 150, 0.79%, 0.93%

LAB 96.17, -12.49, 3.9

 

CMYK 6 / 11 / 0 / 2

HEX #EDDFFB

RGB 237 223 251

HSL 270, 0.78%, 0.93%

LAB 90.66, 9.81, -11.87

 

CMYK 0 / 6 / 11 / 2

HEX #FBEDDF

RGB 251 237 223

HSL 30, 0.78%, 0.93%

LAB 94.49, 2.43, 8.46

 

CMYK 12 / 0 / 6 / 2

HEX #DDFBEC

RGB 221 251 236

HSL 150, 0.79%, 0.93%

LAB 96.17, -12.49, 3.9

 

CMYK 11 / 8 / 0 / 2

HEX #DFE8FB

RGB 223 232 251

HSL 220.71, 0.78%, 0.93%

LAB 91.85, 0.64, -10.22

 

CMYK 0 / 11 / 6 / 2

HEX #FBDFED

RGB 251 223 237

HSL 330, 0.78%, 0.93%

LAB 91.41, 11.94, -3.3

 

CMYK 0 / 3 / 11 / 2

HEX #FBF3DF

RGB 251 243 223

HSL 42.86, 0.78%, 0.93%

LAB 95.97, -0.62, 10.59

 

CMYK 12 / 0 / 6 / 2

HEX #DDFBEC

RGB 221 251 236

HSL 150, 0.79%, 0.93%

LAB 96.17, -12.49, 3.9

 

CMYK 11 / 11 / 0 / 2

HEX #DFDFFB

RGB 223 223 251

HSL 240, 0.78%, 0.93%

LAB 89.59, 5.31, -13.58

 

CMYK 0 / 11 / 6 / 2

HEX #FBDFED

RGB 251 223 237

HSL 330, 0.78%, 0.93%

LAB 91.41, 11.94, -3.3

 

CMYK 0 / 0 / 11 / 2

HEX #FBFBDF

RGB 251 251 223

HSL 60, 0.78%, 0.93%

LAB 97.97, -4.65, 13.43

 

Description

Color code: HEX #DDFBEC | qconv.com Color code: HEX #DDFBEC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 251 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 251 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 6 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 6% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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