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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DDF80F it is the complementary color #2207F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DDF80F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DDF80F shade: #E2F80A, #F3FF1D, #FFFF30, #FFFF43 and #FFFF56

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DDF80F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DDF80F shade: #DDF80F, #CCE600, #BBD400, #AAC200 and #99B000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DDF80F shade: #DDF812, #F8D412, #F89612, #F85812 and #F81A12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DDF80F shade: #DDF812, #9FF812, #61F812, #23F812 and #12F83E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DDF80F shade matches the following richer shades: #DDF812

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DDF80F shade: #DDF812, #CEE425, #BFD039, #AFBC4D and #A0A861

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DDF80F shade: #F89412, #F8D112, #E1F812, #A3F812 and #66F812

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DDF80F shade: #9DB105, #C1D907, #DDF812, #E3F93A and #E8FA62

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DDF80F shade: #DDF80F, #12F857 and #B312F8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DDF80F shade: #DDF80F, #12E1F8 and #F812E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DDF80F shade: #DDF80F, #12F857, #2912F8 and #F812B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DDF80F shade: #DDF80F, #12F89C, #2912F8 and #F8126E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 94 / 3

HEX #DDF80F

RGB 221 248 15

HSL 66.95, 0.94%, 0.52%

LAB 92.81, -31.99, 89.03

 

Complementary color

CMYK 86 / 97 / 0 / 6

HEX #2207F0

RGB 34 7 240

HSL 246.95, 0.94%, 0.48%

LAB 31.31, 74.8, -101.04

 

CMYK 9 / 0 / 96 / 3

HEX #E2F80A

RGB 226 248 10

HSL 65.55, 0.94%, 0.51%

LAB 93.16, -30.02, 89.86

 

CMYK 5 / 0 / 89 / 0

HEX #F3FF1D

RGB 243 255 29

HSL 63.19, 1%, 0.56%

LAB 96.27, -26.15, 90.7

 

CMYK 0 / 0 / 81 / 0

HEX #FFFF30

RGB 255 255 48

HSL 60, 1%, 0.59%

LAB 97.22, -20.86, 88.25

 

CMYK 0 / 0 / 74 / 0

HEX #FFFF43

RGB 255 255 67

HSL 60, 1%, 0.63%

LAB 97.3, -20.23, 83.23

 

CMYK 0 / 0 / 66 / 0

HEX #FFFF56

RGB 255 255 86

HSL 60, 1%, 0.67%

LAB 97.41, -19.37, 76.95

 

CMYK 11 / 0 / 94 / 3

HEX #DDF80F

RGB 221 248 15

HSL 66.95, 0.94%, 0.52%

LAB 92.81, -31.99, 89.03

 

CMYK 11 / 0 / 100 / 10

HEX #CCE600

RGB 204 230 0

HSL 66.78, 1%, 0.45%

LAB 86.72, -30.69, 85.1

 

CMYK 12 / 0 / 100 / 17

HEX #BBD400

RGB 187 212 0

HSL 67.08, 1%, 0.42%

LAB 80.54, -29.24, 79.96

 

CMYK 12 / 0 / 100 / 24

HEX #AAC200

RGB 170 194 0

HSL 67.42, 1%, 0.38%

LAB 74.27, -27.78, 74.74

 

CMYK 13 / 0 / 100 / 31

HEX #99B000

RGB 153 176 0

HSL 67.84, 1%, 0.35%

LAB 67.89, -26.3, 69.43

 

CMYK 11 / 0 / 93 / 3

HEX #DDF812

RGB 221 248 18

HSL 67.04, 0.94%, 0.52%

LAB 92.82, -31.95, 88.73

 

CMYK 0 / 15 / 93 / 3

HEX #F8D412

RGB 248 212 18

HSL 50.61, 0.94%, 0.52%

LAB 85.55, -3.23, 84.15

 

CMYK 0 / 40 / 93 / 3

HEX #F89612

RGB 248 150 18

HSL 34.43, 0.94%, 0.52%

LAB 70.74, 29, 73.35

 

CMYK 0 / 65 / 93 / 3

HEX #F85812

RGB 248 88 18

HSL 18.26, 0.94%, 0.52%

LAB 58.96, 58.69, 65.34

 

CMYK 0 / 90 / 93 / 3

HEX #F81A12

RGB 248 26 18

HSL 2.09, 0.94%, 0.52%

LAB 52.66, 76.19, 61.47

 

CMYK 11 / 0 / 93 / 3

HEX #DDF812

RGB 221 248 18

HSL 67.04, 0.94%, 0.52%

LAB 92.82, -31.95, 88.73

 

CMYK 36 / 0 / 93 / 3

HEX #9FF812

RGB 159 248 18

HSL 83.22, 0.94%, 0.52%

LAB 89.18, -55.27, 84.32

 

CMYK 61 / 0 / 93 / 3

HEX #61F812

RGB 97 248 18

HSL 99.39, 0.94%, 0.52%

LAB 86.86, -73.07, 81.47

 

CMYK 86 / 0 / 93 / 3

HEX #23F812

RGB 35 248 18

HSL 115.57, 0.94%, 0.52%

LAB 85.77, -82.46, 80.13

 

CMYK 93 / 0 / 75 / 3

HEX #12F83E

RGB 18 248 62

HSL 131.48, 0.94%, 0.52%

LAB 85.81, -81.53, 70.48

 

CMYK 11 / 0 / 93 / 3

HEX #DDF812

RGB 221 248 18

HSL 67.04, 0.94%, 0.52%

LAB 92.82, -31.95, 88.73

 

CMYK 11 / 0 / 93 / 3

HEX #DDF812

RGB 221 248 18

HSL 67.04, 0.94%, 0.52%

LAB 92.82, -31.95, 88.73

 

CMYK 10 / 0 / 84 / 11

HEX #CEE425

RGB 206 228 37

HSL 66.91, 0.78%, 0.52%

LAB 86.38, -28.36, 80.1

 

CMYK 8 / 0 / 73 / 18

HEX #BFD039

RGB 191 208 57

HSL 66.75, 0.62%, 0.52%

LAB 79.89, -24.25, 68.35

 

CMYK 7 / 0 / 59 / 26

HEX #AFBC4D

RGB 175 188 77

HSL 67.03, 0.45%, 0.52%

LAB 73.3, -19.81, 53.31

 

CMYK 5 / 0 / 42 / 34

HEX #A0A861

RGB 160 168 97

HSL 66.76, 0.29%, 0.52%

LAB 66.78, -13.91, 35.65

 

CMYK 0 / 40 / 93 / 3

HEX #F89412

RGB 248 148 18

HSL 33.91, 0.94%, 0.52%

LAB 70.3, 30.04, 73.04

 

CMYK 0 / 16 / 93 / 3

HEX #F8D112

RGB 248 209 18

HSL 49.83, 0.94%, 0.52%

LAB 84.79, -1.7, 83.58

 

CMYK 9 / 0 / 93 / 3

HEX #E1F812

RGB 225 248 18

HSL 66, 0.94%, 0.52%

LAB 93.1, -30.34, 89.07

 

CMYK 34 / 0 / 93 / 3

HEX #A3F812

RGB 163 248 18

HSL 82.17, 0.94%, 0.52%

LAB 89.38, -53.89, 84.56

 

CMYK 59 / 0 / 93 / 3

HEX #66F812

RGB 102 248 18

HSL 98.09, 0.94%, 0.52%

LAB 87, -71.92, 81.64

 

CMYK 11 / 0 / 97 / 31

HEX #9DB105

RGB 157 177 5

HSL 66.98, 0.95%, 0.36%

LAB 68.48, -25.01, 69.39

 

CMYK 11 / 0 / 97 / 15

HEX #C1D907

RGB 193 217 7

HSL 66.86, 0.94%, 0.44%

LAB 82.37, -29.05, 80.89

 

CMYK 11 / 0 / 93 / 3

HEX #DDF812

RGB 221 248 18

HSL 67.04, 0.94%, 0.52%

LAB 92.82, -31.95, 88.73

 

CMYK 9 / 0 / 77 / 2

HEX #E3F93A

RGB 227 249 58

HSL 66.91, 0.94%, 0.6%

LAB 93.62, -29.02, 81.74

 

CMYK 7 / 0 / 61 / 2

HEX #E8FA62

RGB 232 250 98

HSL 67.11, 0.94%, 0.68%

LAB 94.49, -25.42, 68.75

 

CMYK 11 / 0 / 94 / 3

HEX #DDF80F

RGB 221 248 15

HSL 66.95, 0.94%, 0.52%

LAB 92.81, -31.99, 89.03

 

CMYK 93 / 0 / 65 / 3

HEX #12F857

RGB 18 248 87

HSL 138, 0.94%, 0.52%

LAB 85.98, -79.37, 61.65

 

CMYK 28 / 93 / 0 / 3

HEX #B312F8

RGB 179 18 248

HSL 282, 0.94%, 0.52%

LAB 48, 85.07, -77.47

 

CMYK 11 / 0 / 94 / 3

HEX #DDF80F

RGB 221 248 15

HSL 66.95, 0.94%, 0.52%

LAB 92.81, -31.99, 89.03

 

CMYK 93 / 9 / 0 / 3

HEX #12E1F8

RGB 18 225 248

HSL 186, 0.94%, 0.52%

LAB 82.25, -36.35, -23.85

 

CMYK 0 / 93 / 9 / 3

HEX #F812E1

RGB 248 18 225

HSL 306, 0.94%, 0.52%

LAB 57.87, 91.88, -48.04

 

CMYK 11 / 0 / 94 / 3

HEX #DDF80F

RGB 221 248 15

HSL 66.95, 0.94%, 0.52%

LAB 92.81, -31.99, 89.03

 

CMYK 93 / 0 / 65 / 3

HEX #12F857

RGB 18 248 87

HSL 138, 0.94%, 0.52%

LAB 85.98, -79.37, 61.65

 

CMYK 83 / 93 / 0 / 3

HEX #2912F8

RGB 41 18 248

HSL 246, 0.94%, 0.52%

LAB 33.31, 74.98, -102.22

 

CMYK 0 / 93 / 28 / 3

HEX #F812B3

RGB 248 18 179

HSL 318, 0.94%, 0.52%

LAB 55.73, 86.39, -25.01

 

CMYK 11 / 0 / 94 / 3

HEX #DDF80F

RGB 221 248 15

HSL 66.95, 0.94%, 0.52%

LAB 92.81, -31.99, 89.03

 

CMYK 93 / 0 / 37 / 3

HEX #12F89C

RGB 18 248 156

HSL 156, 0.94%, 0.52%

LAB 86.83, -69.12, 30.79

 

CMYK 83 / 93 / 0 / 3

HEX #2912F8

RGB 41 18 248

HSL 246, 0.94%, 0.52%

LAB 33.31, 74.98, -102.22

 

CMYK 0 / 93 / 56 / 3

HEX #F8126E

RGB 248 18 110

HSL 336, 0.94%, 0.52%

LAB 53.51, 80.45, 12.78

 

Description

Color code: HEX #DDF80F | qconv.com Color code: HEX #DDF80F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 248 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 248 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 94 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 94% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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