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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DDF241 it is the complementary color #220DBE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DDF241. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DDF241 shade: #E2F23C, #F3FF4F, #FFFF62, #FFFF75 and #FFFF88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DDF241. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DDF241 shade: #DDF241, #CCE02E, #BBCE1B, #AABC08 and #99AA00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DDF241 shade: #DDF240, #F2D740, #F2A740, #F27740 and #F24740

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DDF241 shade: #DDF240, #ADF240, #7DF240, #4DF240 and #40F263

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DDF241 shade matches the following richer shades: #DDF240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DDF241 shade: #DDF240, #D0E151, #C4D161, #B7C072 and #AAB082

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DDF241 shade: #F2A840, #F2D740, #DDF240, #AEF240 and #7EF240

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DDF241 shade: #BAD10F, #D6EF1A, #DDF240, #E4F467 and #EBF78D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DDF241 shade: #DDF241, #40F278 and #BF40F2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DDF241 shade: #DDF241, #40DDF2 and #F240DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DDF241 shade: #DDF241, #40F278, #5540F2 and #F240BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DDF241 shade: #DDF241, #40F2AE, #5540F2 and #F24084

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 73 / 5

HEX #DDF241

RGB 221 242 65

HSL 67.12, 0.87%, 0.6%

LAB 91.35, -27.87, 77.39

 

Complementary color

CMYK 82 / 93 / 0 / 25

HEX #220DBE

RGB 34 13 190

HSL 247.12, 0.87%, 0.4%

LAB 24.78, 61.02, -82.97

 

CMYK 7 / 0 / 75 / 5

HEX #E2F23C

RGB 226 242 60

HSL 65.27, 0.88%, 0.59%

LAB 91.68, -26.07, 79.37

 

CMYK 5 / 0 / 69 / 0

HEX #F3FF4F

RGB 243 255 79

HSL 64.09, 1%, 0.65%

LAB 96.47, -24.52, 78.21

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF62

RGB 255 255 98

HSL 60, 1%, 0.69%

LAB 97.5, -18.69, 72.47

 

CMYK 0 / 0 / 54 / 0

HEX #FFFF75

RGB 255 255 117

HSL 60, 1%, 0.73%

LAB 97.66, -17.4, 64.73

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF88

RGB 255 255 136

HSL 60, 1%, 0.77%

LAB 97.86, -15.85, 56.42

 

CMYK 9 / 0 / 73 / 5

HEX #DDF241

RGB 221 242 65

HSL 67.12, 0.87%, 0.6%

LAB 91.35, -27.87, 77.39

 

CMYK 9 / 0 / 79 / 12

HEX #CCE02E

RGB 204 224 46

HSL 66.74, 0.74%, 0.53%

LAB 85.17, -27.02, 76.85

 

CMYK 9 / 0 / 87 / 19

HEX #BBCE1B

RGB 187 206 27

HSL 66.37, 0.77%, 0.46%

LAB 78.92, -26, 75.39

 

CMYK 10 / 0 / 96 / 26

HEX #AABC08

RGB 170 188 8

HSL 66, 0.92%, 0.38%

LAB 72.58, -24.79, 72.6

 

CMYK 10 / 0 / 100 / 33

HEX #99AA00

RGB 153 170 0

HSL 66, 1%, 0.33%

LAB 66.15, -23.36, 68.13

 

CMYK 9 / 0 / 74 / 5

HEX #DDF240

RGB 221 242 64

HSL 67.08, 0.87%, 0.6%

LAB 91.35, -27.91, 77.7

 

CMYK 0 / 11 / 74 / 5

HEX #F2D740

RGB 242 215 64

HSL 50.9, 0.87%, 0.6%

LAB 85.93, -6.09, 73.17

 

CMYK 0 / 31 / 74 / 5

HEX #F2A740

RGB 242 167 64

HSL 34.72, 0.87%, 0.6%

LAB 74.12, 18.83, 61.68

 

CMYK 0 / 51 / 74 / 5

HEX #F27740

RGB 242 119 64

HSL 18.54, 0.87%, 0.6%

LAB 63.71, 43.64, 51

 

CMYK 0 / 71 / 74 / 5

HEX #F24740

RGB 242 71 64

HSL 2.36, 0.87%, 0.6%

LAB 55.84, 64.4, 42.47

 

CMYK 9 / 0 / 74 / 5

HEX #DDF240

RGB 221 242 64

HSL 67.08, 0.87%, 0.6%

LAB 91.35, -27.91, 77.7

 

CMYK 29 / 0 / 74 / 5

HEX #ADF240

RGB 173 242 64

HSL 83.26, 0.87%, 0.6%

LAB 88.33, -46.32, 73.77

 

CMYK 48 / 0 / 74 / 5

HEX #7DF240

RGB 125 242 64

HSL 99.44, 0.87%, 0.6%

LAB 86.12, -61.98, 70.86

 

CMYK 68 / 0 / 74 / 5

HEX #4DF240

RGB 77 242 64

HSL 115.62, 0.87%, 0.6%

LAB 84.72, -73.24, 68.99

 

CMYK 74 / 0 / 59 / 5

HEX #40F263

RGB 64 242 99

HSL 131.8, 0.87%, 0.6%

LAB 84.74, -72.06, 55.37

 

CMYK 9 / 0 / 74 / 5

HEX #DDF240

RGB 221 242 64

HSL 67.08, 0.87%, 0.6%

LAB 91.35, -27.91, 77.7

 

CMYK 9 / 0 / 74 / 5

HEX #DDF240

RGB 221 242 64

HSL 67.08, 0.87%, 0.6%

LAB 91.35, -27.91, 77.7

 

CMYK 8 / 0 / 64 / 12

HEX #D0E151

RGB 208 225 81

HSL 67.08, 0.71%, 0.6%

LAB 85.93, -24.18, 65.95

 

CMYK 6 / 0 / 54 / 18

HEX #C4D161

RGB 196 209 97

HSL 66.96, 0.55%, 0.6%

LAB 80.85, -20.05, 53.24

 

CMYK 5 / 0 / 41 / 25

HEX #B7C072

RGB 183 192 114

HSL 66.92, 0.38%, 0.6%

LAB 75.44, -15.07, 38.21

 

CMYK 3 / 0 / 26 / 31

HEX #AAB082

RGB 170 176 130

HSL 67.83, 0.23%, 0.6%

LAB 70.32, -9.87, 22.92

 

CMYK 0 / 31 / 74 / 5

HEX #F2A840

RGB 242 168 64

HSL 35.06, 0.87%, 0.6%

LAB 74.35, 18.3, 61.92

 

CMYK 0 / 11 / 74 / 5

HEX #F2D740

RGB 242 215 64

HSL 50.9, 0.87%, 0.6%

LAB 85.93, -6.09, 73.17

 

CMYK 9 / 0 / 74 / 5

HEX #DDF240

RGB 221 242 64

HSL 67.08, 0.87%, 0.6%

LAB 91.35, -27.91, 77.7

 

CMYK 28 / 0 / 74 / 5

HEX #AEF240

RGB 174 242 64

HSL 82.92, 0.87%, 0.6%

LAB 88.39, -45.96, 73.84

 

CMYK 48 / 0 / 74 / 5

HEX #7EF240

RGB 126 242 64

HSL 99.1, 0.87%, 0.6%

LAB 86.16, -61.7, 70.91

 

CMYK 11 / 0 / 93 / 18

HEX #BAD10F

RGB 186 209 15

HSL 67.11, 0.87%, 0.44%

LAB 79.66, -28.07, 77.8

 

CMYK 10 / 0 / 89 / 6

HEX #D6EF1A

RGB 214 239 26

HSL 67.04, 0.87%, 0.52%

LAB 89.91, -30.5, 85.22

 

CMYK 9 / 0 / 74 / 5

HEX #DDF240

RGB 221 242 64

HSL 67.08, 0.87%, 0.6%

LAB 91.35, -27.91, 77.7

 

CMYK 7 / 0 / 58 / 4

HEX #E4F467

RGB 228 244 103

HSL 66.81, 0.87%, 0.68%

LAB 92.65, -23.8, 64.58

 

CMYK 5 / 0 / 43 / 3

HEX #EBF78D

RGB 235 247 141

HSL 66.79, 0.87%, 0.76%

LAB 94.36, -19.19, 49.45

 

CMYK 9 / 0 / 73 / 5

HEX #DDF241

RGB 221 242 65

HSL 67.12, 0.87%, 0.6%

LAB 91.35, -27.87, 77.39

 

CMYK 74 / 0 / 50 / 5

HEX #40F278

RGB 64 242 120

HSL 138.88, 0.87%, 0.6%

LAB 84.97, -69.3, 46.1

 

CMYK 21 / 74 / 0 / 5

HEX #BF40F2

RGB 191 64 242

HSL 282.81, 0.87%, 0.6%

LAB 53.12, 74.72, -65.72

 

CMYK 9 / 0 / 73 / 5

HEX #DDF241

RGB 221 242 65

HSL 67.12, 0.87%, 0.6%

LAB 91.35, -27.87, 77.39

 

CMYK 74 / 9 / 0 / 5

HEX #40DDF2

RGB 64 221 242

HSL 187.08, 0.87%, 0.6%

LAB 81.41, -33.08, -21.89

 

CMYK 0 / 74 / 9 / 5

HEX #F240DD

RGB 242 64 221

HSL 307.08, 0.87%, 0.6%

LAB 59.68, 81.44, -43

 

CMYK 9 / 0 / 73 / 5

HEX #DDF241

RGB 221 242 65

HSL 67.12, 0.87%, 0.6%

LAB 91.35, -27.87, 77.39

 

CMYK 74 / 0 / 50 / 5

HEX #40F278

RGB 64 242 120

HSL 138.88, 0.87%, 0.6%

LAB 84.97, -69.3, 46.1

 

CMYK 65 / 74 / 0 / 5

HEX #5540F2

RGB 85 64 242

HSL 247.08, 0.87%, 0.6%

LAB 41.23, 58.47, -85.61

 

CMYK 0 / 74 / 23 / 5

HEX #F240BA

RGB 242 64 186

HSL 318.88, 0.87%, 0.6%

LAB 58.12, 76.78, -25.46

 

CMYK 9 / 0 / 73 / 5

HEX #DDF241

RGB 221 242 65

HSL 67.12, 0.87%, 0.6%

LAB 91.35, -27.87, 77.39

 

CMYK 74 / 0 / 28 / 5

HEX #40F2AE

RGB 64 242 174

HSL 157.08, 0.87%, 0.6%

LAB 85.83, -59.59, 20.34

 

CMYK 65 / 74 / 0 / 5

HEX #5540F2

RGB 85 64 242

HSL 247.08, 0.87%, 0.6%

LAB 41.23, 58.47, -85.61

 

CMYK 0 / 74 / 45 / 5

HEX #F24084

RGB 242 64 132

HSL 337.08, 0.87%, 0.6%

LAB 56.3, 71.06, 3.41

 

Description

Color code: HEX #DDF241 | qconv.com Color code: HEX #DDF241 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 242 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 242 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 73 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 73% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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