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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DDE259 it is the complementary color #221DA6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DDE259. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DDE259 shade: #E2E254, #F3F467, #FFFF7A, #FFFF8D and #FFFFA0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DDE259. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DDE259 shade: #DDE259, #CCD046, #BBBE33, #AAAC20 and #999A0D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DDE259 shade: #DDE25A, #E2C25A, #E29E5A, #E2795A and #E25A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DDE259 shade: #DDE25A, #B8E25A, #94E25A, #6FE25A and #5AE26A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DDE259 shade matches the following richer shades: #DDE25A and #ECF24B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DDE259 shade: #DDE25A, #CED26A, #C0C37A, #B1B389 and #A3A399

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DDE259 shade: #E29E5A, #E2C25A, #DDE25A, #B9E25A and #95E25A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DDE259 shade: #C1C723, #D6DC37, #DDE25A, #E4E87D and #EBEEA0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DDE259 shade: #DDE259, #5AE27A and #B05AE2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DDE259 shade: #DDE259, #5ADDE2 and #E25ADD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DDE259 shade: #DDE259, #5AE27A, #5F5AE2 and #E25AC2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DDE259 shade: #DDE259, #5AE2A3, #5F5AE2 and #E25A9A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 61 / 11

HEX #DDE259

RGB 221 226 89

HSL 62.19, 0.7%, 0.62%

LAB 87.23, -18.89, 64.38

 

Complementary color

CMYK 80 / 83 / 0 / 35

HEX #221DA6

RGB 34 29 166

HSL 242.19, 0.7%, 0.38%

LAB 23.58, 48.36, -70.6

 

CMYK 0 / 0 / 63 / 11

HEX #E2E254

RGB 226 226 84

HSL 60, 0.71%, 0.61%

LAB 87.58, -17.18, 66.91

 

CMYK 0 / 0 / 58 / 4

HEX #F3F467

RGB 243 244 103

HSL 60.43, 0.87%, 0.68%

LAB 93.77, -17.85, 66.13

 

CMYK 0 / 0 / 52 / 0

HEX #FFFF7A

RGB 255 255 122

HSL 60, 1%, 0.74%

LAB 97.71, -17.02, 62.59

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8D

RGB 255 255 141

HSL 60, 1%, 0.78%

LAB 97.91, -15.4, 54.17

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA0

RGB 255 255 160

HSL 60, 1%, 0.81%

LAB 98.16, -13.5, 45.4

 

CMYK 2 / 0 / 61 / 11

HEX #DDE259

RGB 221 226 89

HSL 62.19, 0.7%, 0.62%

LAB 87.23, -18.89, 64.38

 

CMYK 2 / 0 / 66 / 18

HEX #CCD046

RGB 204 208 70

HSL 61.74, 0.59%, 0.55%

LAB 80.96, -18.19, 65.02

 

CMYK 2 / 0 / 73 / 25

HEX #BBBE33

RGB 187 190 51

HSL 61.29, 0.58%, 0.47%

LAB 74.59, -17.34, 65.23

 

CMYK 1 / 0 / 81 / 33

HEX #AAAC20

RGB 170 172 32

HSL 60.86, 0.69%, 0.4%

LAB 68.13, -16.3, 64.69

 

CMYK 1 / 0 / 92 / 40

HEX #999A0D

RGB 153 154 13

HSL 60.43, 0.84%, 0.33%

LAB 61.58, -15.04, 62.86

 

CMYK 2 / 0 / 60 / 11

HEX #DDE25A

RGB 221 226 90

HSL 62.21, 0.7%, 0.62%

LAB 87.24, -18.83, 63.98

 

CMYK 0 / 14 / 60 / 11

HEX #E2C25A

RGB 226 194 90

HSL 45.88, 0.7%, 0.62%

LAB 79.32, -0.63, 55.37

 

CMYK 0 / 30 / 60 / 11

HEX #E29E5A

RGB 226 158 90

HSL 30, 0.7%, 0.62%

LAB 70.43, 18.42, 45.12

 

CMYK 0 / 46 / 60 / 11

HEX #E2795A

RGB 226 121 90

HSL 13.68, 0.7%, 0.62%

LAB 62.15, 37.97, 35.1

 

CMYK 0 / 60 / 60 / 11

HEX #E25A5A

RGB 226 90 90

HSL 0, 0.7%, 0.62%

LAB 56.31, 52.97, 27.71

 

CMYK 2 / 0 / 60 / 11

HEX #DDE25A

RGB 221 226 90

HSL 62.21, 0.7%, 0.62%

LAB 87.24, -18.83, 63.98

 

CMYK 19 / 0 / 60 / 11

HEX #B8E25A

RGB 184 226 90

HSL 78.53, 0.7%, 0.62%

LAB 84.65, -33.44, 60.4

 

CMYK 35 / 0 / 60 / 11

HEX #94E25A

RGB 148 226 90

HSL 94.41, 0.7%, 0.62%

LAB 82.61, -46.46, 57.56

 

CMYK 51 / 0 / 60 / 11

HEX #6FE25A

RGB 111 226 90

HSL 110.74, 0.7%, 0.62%

LAB 81.02, -57.79, 55.34

 

CMYK 60 / 0 / 53 / 11

HEX #5AE26A

RGB 90 226 106

HSL 127.06, 0.7%, 0.62%

LAB 80.52, -61.05, 47.37

 

CMYK 2 / 0 / 60 / 11

HEX #DDE25A

RGB 221 226 90

HSL 62.21, 0.7%, 0.62%

LAB 87.24, -18.83, 63.98

 

CMYK 2 / 0 / 69 / 5

HEX #ECF24B

RGB 236 242 75

HSL 62.16, 0.87%, 0.62%

LAB 92.51, -21.36, 75.53

 

CMYK 2 / 0 / 60 / 11

HEX #DDE25A

RGB 221 226 90

HSL 62.21, 0.7%, 0.62%

LAB 87.24, -18.83, 63.98

 

CMYK 2 / 0 / 50 / 18

HEX #CED26A

RGB 206 210 106

HSL 62.31, 0.54%, 0.62%

LAB 81.98, -15.74, 50.56

 

CMYK 2 / 0 / 37 / 24

HEX #C0C37A

RGB 192 195 122

HSL 62.47, 0.38%, 0.62%

LAB 77.07, -12.13, 36.35

 

CMYK 1 / 0 / 23 / 30

HEX #B1B389

RGB 177 179 137

HSL 62.86, 0.22%, 0.62%

LAB 71.82, -7.74, 21.27

 

CMYK 0 / 0 / 6 / 36

HEX #A3A399

RGB 163 163 153

HSL 60, 0.05%, 0.62%

LAB 66.73, -1.85, 5.19

 

CMYK 0 / 30 / 60 / 11

HEX #E29E5A

RGB 226 158 90

HSL 30, 0.7%, 0.62%

LAB 70.43, 18.42, 45.12

 

CMYK 0 / 14 / 60 / 11

HEX #E2C25A

RGB 226 194 90

HSL 45.88, 0.7%, 0.62%

LAB 79.32, -0.63, 55.37

 

CMYK 2 / 0 / 60 / 11

HEX #DDE25A

RGB 221 226 90

HSL 62.21, 0.7%, 0.62%

LAB 87.24, -18.83, 63.98

 

CMYK 18 / 0 / 60 / 11

HEX #B9E25A

RGB 185 226 90

HSL 78.09, 0.7%, 0.62%

LAB 84.71, -33.05, 60.49

 

CMYK 34 / 0 / 60 / 11

HEX #95E25A

RGB 149 226 90

HSL 93.97, 0.7%, 0.62%

LAB 82.66, -46.12, 57.63

 

CMYK 3 / 0 / 82 / 22

HEX #C1C723

RGB 193 199 35

HSL 62.2, 0.7%, 0.46%

LAB 77.46, -19.86, 72.64

 

CMYK 3 / 0 / 75 / 14

HEX #D6DC37

RGB 214 220 55

HSL 62.18, 0.7%, 0.54%

LAB 84.87, -20.65, 74.29

 

CMYK 2 / 0 / 60 / 11

HEX #DDE25A

RGB 221 226 90

HSL 62.21, 0.7%, 0.62%

LAB 87.24, -18.83, 63.98

 

CMYK 2 / 0 / 46 / 9

HEX #E4E87D

RGB 228 232 125

HSL 62.24, 0.7%, 0.7%

LAB 89.71, -16.16, 51.25

 

CMYK 1 / 0 / 33 / 7

HEX #EBEEA0

RGB 235 238 160

HSL 62.31, 0.7%, 0.78%

LAB 92.29, -12.7, 37.5

 

CMYK 2 / 0 / 61 / 11

HEX #DDE259

RGB 221 226 89

HSL 62.19, 0.7%, 0.62%

LAB 87.23, -18.89, 64.38

 

CMYK 60 / 0 / 46 / 11

HEX #5AE27A

RGB 90 226 122

HSL 134.12, 0.7%, 0.62%

LAB 80.72, -58.78, 39.94

 

CMYK 22 / 60 / 0 / 11

HEX #B05AE2

RGB 176 90 226

HSL 277.94, 0.7%, 0.62%

LAB 54.06, 57.37, -55.32

 

CMYK 2 / 0 / 61 / 11

HEX #DDE259

RGB 221 226 89

HSL 62.19, 0.7%, 0.62%

LAB 87.23, -18.89, 64.38

 

CMYK 60 / 2 / 0 / 11

HEX #5ADDE2

RGB 90 221 226

HSL 182.21, 0.7%, 0.62%

LAB 81.5, -34.05, -13.2

 

CMYK 0 / 60 / 2 / 11

HEX #E25ADD

RGB 226 90 221

HSL 302.21, 0.7%, 0.62%

LAB 60.52, 68.55, -41.84

 

CMYK 2 / 0 / 61 / 11

HEX #DDE259

RGB 221 226 89

HSL 62.19, 0.7%, 0.62%

LAB 87.23, -18.89, 64.38

 

CMYK 60 / 0 / 46 / 11

HEX #5AE27A

RGB 90 226 122

HSL 134.12, 0.7%, 0.62%

LAB 80.72, -58.78, 39.94

 

CMYK 58 / 60 / 0 / 11

HEX #5F5AE2

RGB 95 90 226

HSL 242.21, 0.7%, 0.62%

LAB 45.96, 40.42, -68.8

 

CMYK 0 / 60 / 14 / 11

HEX #E25AC2

RGB 226 90 194

HSL 314.12, 0.7%, 0.62%

LAB 59.32, 64.34, -28.41

 

CMYK 2 / 0 / 61 / 11

HEX #DDE259

RGB 221 226 89

HSL 62.19, 0.7%, 0.62%

LAB 87.23, -18.89, 64.38

 

CMYK 60 / 0 / 28 / 11

HEX #5AE2A3

RGB 90 226 163

HSL 152.21, 0.7%, 0.62%

LAB 81.41, -51.44, 20

 

CMYK 58 / 60 / 0 / 11

HEX #5F5AE2

RGB 95 90 226

HSL 242.21, 0.7%, 0.62%

LAB 45.96, 40.42, -68.8

 

CMYK 0 / 60 / 32 / 11

HEX #E25A9A

RGB 226 90 154

HSL 331.76, 0.7%, 0.62%

LAB 57.86, 58.98, -7.54

 

Description

Color code: HEX #DDE259 | qconv.com Color code: HEX #DDE259 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 226 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 226 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 61 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 61% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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