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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DDE04B it is the complementary color #221FB4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DDE04B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DDE04B shade: #E2E046, #F3F259, #FFFF6C, #FFFF7F and #FFFF92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DDE04B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DDE04B shade: #DDE04B, #CCCE38, #BBBC25, #AAAA12 and #999800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DDE04B shade: #DEE14C, #E1BC4C, #E1944C, #E16C4C and #E14C4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DDE04B shade: #DEE14C, #B6E14C, #8EE14C, #66E14C and #4CE15B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DDE04B shade matches the following richer shades: #DEE14C and #EEF23B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DDE04B shade: #DEE14C, #CDD05D, #BDBF6E, #ADAE7F and #9D9D90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DDE04B shade: #E1944C, #E1BC4C, #DEE14C, #B7E14C and #8FE14C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DDE04B shade: #B8BB20, #D7DB29, #DEE14C, #E4E76F and #EBED93

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DDE04B shade: #DDE04B, #4CE16C and #A84CE1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DDE04B shade: #DDE04B, #4CDEE1 and #E14CDE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DDE04B shade: #DDE04B, #4CE16C, #4F4CE1 and #E14CC1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DDE04B shade: #DDE04B, #4CE199, #4F4CE1 and #E14C94

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 67 / 12

HEX #DDE04B

RGB 221 224 75

HSL 61.21, 0.71%, 0.59%

LAB 86.6, -18.76, 69.27

 

Complementary color

CMYK 81 / 83 / 0 / 29

HEX #221FB4

RGB 34 31 180

HSL 241.21, 0.71%, 0.41%

LAB 25.61, 51.77, -75.65

 

CMYK 0 / 1 / 69 / 11

HEX #E2E046

RGB 226 224 70

HSL 59.23, 0.73%, 0.58%

LAB 86.96, -16.96, 71.59

 

CMYK 0 / 0 / 63 / 5

HEX #F3F259

RGB 243 242 89

HSL 59.61, 0.87%, 0.65%

LAB 93.14, -17.77, 71.15

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6C

RGB 255 255 108

HSL 60, 1%, 0.71%

LAB 97.58, -18.05, 68.48

 

CMYK 0 / 0 / 50 / 0

HEX #FFFF7F

RGB 255 255 127

HSL 60, 1%, 0.75%

LAB 97.76, -16.62, 60.42

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF92

RGB 255 255 146

HSL 60, 1%, 0.79%

LAB 97.98, -14.92, 51.89

 

CMYK 1 / 0 / 67 / 12

HEX #DDE04B

RGB 221 224 75

HSL 61.21, 0.71%, 0.59%

LAB 86.6, -18.76, 69.27

 

CMYK 1 / 0 / 73 / 19

HEX #CCCE38

RGB 204 206 56

HSL 60.8, 0.6%, 0.51%

LAB 80.33, -17.91, 69.45

 

CMYK 1 / 0 / 80 / 26

HEX #BBBC25

RGB 187 188 37

HSL 60.4, 0.67%, 0.44%

LAB 73.97, -16.88, 68.95

 

CMYK 0 / 0 / 89 / 33

HEX #AAAA12

RGB 170 170 18

HSL 60, 0.81%, 0.37%

LAB 67.53, -15.65, 67.31

 

CMYK 0 / 1 / 100 / 40

HEX #999800

RGB 153 152 0

HSL 59.61, 1%, 0.3%

LAB 60.98, -14.2, 64.32

 

CMYK 1 / 0 / 66 / 12

HEX #DEE14C

RGB 222 225 76

HSL 61.21, 0.71%, 0.59%

LAB 86.95, -18.79, 69.27

 

CMYK 0 / 16 / 66 / 12

HEX #E1BC4C

RGB 225 188 76

HSL 45.1, 0.71%, 0.59%

LAB 77.58, 1.19, 59.64

 

CMYK 0 / 34 / 66 / 12

HEX #E1944C

RGB 225 148 76

HSL 28.99, 0.71%, 0.59%

LAB 67.81, 22.44, 49

 

CMYK 0 / 52 / 66 / 12

HEX #E16C4C

RGB 225 108 76

HSL 12.89, 0.71%, 0.59%

LAB 59.21, 43.25, 39.11

 

CMYK 0 / 66 / 66 / 12

HEX #E14C4C

RGB 225 76 76

HSL 0, 0.71%, 0.59%

LAB 53.71, 57.72, 32.47

 

CMYK 1 / 0 / 66 / 12

HEX #DEE14C

RGB 222 225 76

HSL 61.21, 0.71%, 0.59%

LAB 86.95, -18.79, 69.27

 

CMYK 19 / 0 / 66 / 12

HEX #B6E14C

RGB 182 225 76

HSL 77.32, 0.71%, 0.59%

LAB 84.13, -34.75, 65.48

 

CMYK 37 / 0 / 66 / 12

HEX #8EE14C

RGB 142 225 76

HSL 93.42, 0.71%, 0.59%

LAB 81.91, -49.24, 62.46

 

CMYK 55 / 0 / 66 / 12

HEX #66E14C

RGB 102 225 76

HSL 109.53, 0.71%, 0.59%

LAB 80.29, -61.12, 60.26

 

CMYK 66 / 0 / 60 / 12

HEX #4CE15B

RGB 76 225 91

HSL 126.04, 0.71%, 0.59%

LAB 79.69, -65.39, 53.11

 

CMYK 1 / 0 / 66 / 12

HEX #DEE14C

RGB 222 225 76

HSL 61.21, 0.71%, 0.59%

LAB 86.95, -18.79, 69.27

 

CMYK 2 / 0 / 76 / 5

HEX #EEF23B

RGB 238 242 59

HSL 61.31, 0.88%, 0.59%

LAB 92.57, -21.23, 80.8

 

CMYK 1 / 0 / 66 / 12

HEX #DEE14C

RGB 222 225 76

HSL 61.21, 0.71%, 0.59%

LAB 86.95, -18.79, 69.27

 

CMYK 1 / 0 / 55 / 18

HEX #CDD05D

RGB 205 208 93

HSL 61.57, 0.55%, 0.59%

LAB 81.23, -16.24, 55.67

 

CMYK 1 / 0 / 42 / 25

HEX #BDBF6E

RGB 189 191 110

HSL 61.48, 0.39%, 0.59%

LAB 75.58, -12.6, 40.51

 

CMYK 1 / 0 / 27 / 32

HEX #ADAE7F

RGB 173 174 127

HSL 61.28, 0.22%, 0.59%

LAB 69.96, -8.07, 24.08

 

CMYK 0 / 0 / 8 / 38

HEX #9D9D90

RGB 157 157 144

HSL 60, 0.06%, 0.59%

LAB 64.4, -2.39, 6.8

 

CMYK 0 / 34 / 66 / 12

HEX #E1944C

RGB 225 148 76

HSL 28.99, 0.71%, 0.59%

LAB 67.81, 22.44, 49

 

CMYK 0 / 16 / 66 / 12

HEX #E1BC4C

RGB 225 188 76

HSL 45.1, 0.71%, 0.59%

LAB 77.58, 1.19, 59.64

 

CMYK 1 / 0 / 66 / 12

HEX #DEE14C

RGB 222 225 76

HSL 61.21, 0.71%, 0.59%

LAB 86.95, -18.79, 69.27

 

CMYK 19 / 0 / 66 / 12

HEX #B7E14C

RGB 183 225 76

HSL 76.91, 0.71%, 0.59%

LAB 84.19, -34.37, 65.57

 

CMYK 36 / 0 / 66 / 12

HEX #8FE14C

RGB 143 225 76

HSL 93.02, 0.71%, 0.59%

LAB 81.95, -48.9, 62.53

 

CMYK 2 / 0 / 83 / 27

HEX #B8BB20

RGB 184 187 32

HSL 61.16, 0.71%, 0.43%

LAB 73.44, -17.82, 69.67

 

CMYK 2 / 0 / 81 / 14

HEX #D7DB29

RGB 215 219 41

HSL 61.35, 0.71%, 0.51%

LAB 84.62, -20.23, 77.96

 

CMYK 1 / 0 / 66 / 12

HEX #DEE14C

RGB 222 225 76

HSL 61.21, 0.71%, 0.59%

LAB 86.95, -18.79, 69.27

 

CMYK 1 / 0 / 52 / 9

HEX #E4E76F

RGB 228 231 111

HSL 61.5, 0.71%, 0.67%

LAB 89.3, -16.9, 57.26

 

CMYK 1 / 0 / 38 / 7

HEX #EBED93

RGB 235 237 147

HSL 61.33, 0.71%, 0.75%

LAB 91.84, -13.68, 43.37

 

CMYK 1 / 0 / 67 / 12

HEX #DDE04B

RGB 221 224 75

HSL 61.21, 0.71%, 0.59%

LAB 86.6, -18.76, 69.27

 

CMYK 66 / 0 / 52 / 12

HEX #4CE16C

RGB 76 225 108

HSL 132.89, 0.71%, 0.59%

LAB 79.88, -63.24, 45.57

 

CMYK 25 / 66 / 0 / 12

HEX #A84CE1

RGB 168 76 225

HSL 277.05, 0.71%, 0.59%

LAB 50.61, 61.91, -60.36

 

CMYK 1 / 0 / 67 / 12

HEX #DDE04B

RGB 221 224 75

HSL 61.21, 0.71%, 0.59%

LAB 86.6, -18.76, 69.27

 

CMYK 66 / 1 / 0 / 12

HEX #4CDEE1

RGB 76 222 225

HSL 181.21, 0.71%, 0.59%

LAB 81.41, -36.95, -12.83

 

CMYK 0 / 66 / 1 / 12

HEX #E14CDE

RGB 225 76 222

HSL 301.21, 0.71%, 0.59%

LAB 58.46, 73.93, -45.65

 

CMYK 1 / 0 / 67 / 12

HEX #DDE04B

RGB 221 224 75

HSL 61.21, 0.71%, 0.59%

LAB 86.6, -18.76, 69.27

 

CMYK 66 / 0 / 52 / 12

HEX #4CE16C

RGB 76 225 108

HSL 132.89, 0.71%, 0.59%

LAB 79.88, -63.24, 45.57

 

CMYK 65 / 66 / 0 / 12

HEX #4F4CE1

RGB 79 76 225

HSL 241.21, 0.71%, 0.59%

LAB 41.64, 45.95, -75.33

 

CMYK 0 / 66 / 14 / 12

HEX #E14CC1

RGB 225 76 193

HSL 312.89, 0.71%, 0.59%

LAB 57.1, 69.52, -31.29

 

CMYK 1 / 0 / 67 / 12

HEX #DDE04B

RGB 221 224 75

HSL 61.21, 0.71%, 0.59%

LAB 86.6, -18.76, 69.27

 

CMYK 66 / 0 / 32 / 12

HEX #4CE199

RGB 76 225 153

HSL 151.01, 0.71%, 0.59%

LAB 80.56, -55.62, 23.98

 

CMYK 65 / 66 / 0 / 12

HEX #4F4CE1

RGB 79 76 225

HSL 241.21, 0.71%, 0.59%

LAB 41.64, 45.95, -75.33

 

CMYK 0 / 66 / 34 / 12

HEX #E14C94

RGB 225 76 148

HSL 331.01, 0.71%, 0.59%

LAB 55.39, 63.75, -7.71

 

Description

Color code: HEX #DDE04B | qconv.com Color code: HEX #DDE04B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 224 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 224 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 67 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 67% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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