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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DDD85B it is the complementary color #2227A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DDD85B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DDD85B shade: #E2D856, #F3EA69, #FFFC7C, #FFFF8F and #FFFFA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DDD85B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DDD85B shade: #DDD85B, #CCC648, #BBB435, #AAA222 and #99900F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DDD85B shade: #DDD85A, #DDB55A, #DD915A, #DD6E5A and #DD5A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DDD85B shade: #DDD85A, #BFDD5A, #9BDD5A, #78DD5A and #5ADD5F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DDD85B shade matches the following richer shades: #DDD85A, #EDE74A and #FDF63A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DDD85B shade: #DDD85A, #CDC96A, #BDBA7A, #ADAC8A and #9D9D9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DDD85B shade: #DD915A, #DDB45A, #DDD75A, #C1DD5A and #9EDD5A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DDD85B shade: #BEB827, #D6D038, #DDD85A, #E4E07C and #EBE89E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DDD85B shade: #DDD85B, #5ADD6E and #A25ADD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DDD85B shade: #DDD85B, #5ADDD7 and #D75ADD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DDD85B shade: #DDD85B, #5ADD6E, #5A60DD and #DD5AC9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DDD85B shade: #DDD85B, #5ADD95, #5A60DD and #DD5AA2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 59 / 13

HEX #DDD85B

RGB 221 216 91

HSL 57.69, 0.66%, 0.61%

LAB 84.61, -13.83, 60.68

 

Complementary color

CMYK 79 / 76 / 0 / 36

HEX #2227A4

RGB 34 39 164

HSL 237.69, 0.66%, 0.39%

LAB 25.17, 42.44, -66.74

 

CMYK 0 / 4 / 62 / 11

HEX #E2D856

RGB 226 216 86

HSL 55.71, 0.71%, 0.61%

LAB 84.97, -12.1, 63.32

 

CMYK 0 / 4 / 57 / 5

HEX #F3EA69

RGB 243 234 105

HSL 56.09, 0.85%, 0.68%

LAB 91.2, -12.83, 62.41

 

CMYK 0 / 1 / 51 / 0

HEX #FFFC7C

RGB 255 252 124

HSL 58.63, 1%, 0.74%

LAB 96.96, -15.41, 60.83

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF8F

RGB 255 255 143

HSL 60, 1%, 0.78%

LAB 97.94, -15.21, 53.26

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA2

RGB 255 255 162

HSL 60, 1%, 0.82%

LAB 98.19, -13.28, 44.46

 

CMYK 0 / 2 / 59 / 13

HEX #DDD85B

RGB 221 216 91

HSL 57.69, 0.66%, 0.61%

LAB 84.61, -13.83, 60.68

 

CMYK 0 / 3 / 65 / 20

HEX #CCC648

RGB 204 198 72

HSL 57.27, 0.56%, 0.54%

LAB 78.28, -13.07, 61.48

 

CMYK 0 / 4 / 72 / 27

HEX #BBB435

RGB 187 180 53

HSL 56.87, 0.56%, 0.47%

LAB 71.87, -12.16, 61.92

 

CMYK 0 / 5 / 80 / 33

HEX #AAA222

RGB 170 162 34

HSL 56.47, 0.67%, 0.4%

LAB 65.36, -11.06, 61.7

 

CMYK 0 / 6 / 90 / 40

HEX #99900F

RGB 153 144 15

HSL 56.09, 0.82%, 0.33%

LAB 58.75, -9.72, 60.27

 

CMYK 0 / 2 / 59 / 13

HEX #DDD85A

RGB 221 216 90

HSL 57.71, 0.66%, 0.61%

LAB 84.6, -13.9, 61.1

 

CMYK 0 / 18 / 59 / 13

HEX #DDB55A

RGB 221 181 90

HSL 41.68, 0.66%, 0.61%

LAB 75.55, 4.08, 50.95

 

CMYK 0 / 34 / 59 / 13

HEX #DD915A

RGB 221 145 90

HSL 25.19, 0.66%, 0.61%

LAB 66.79, 23.33, 40.64

 

CMYK 0 / 50 / 59 / 13

HEX #DD6E5A

RGB 221 110 90

HSL 9.16, 0.66%, 0.61%

LAB 59.22, 41.66, 31.27

 

CMYK 0 / 59 / 59 / 13

HEX #DD5A5A

RGB 221 90 90

HSL 0, 0.66%, 0.61%

LAB 55.51, 51.26, 26.52

 

CMYK 0 / 2 / 59 / 13

HEX #DDD85A

RGB 221 216 90

HSL 57.71, 0.66%, 0.61%

LAB 84.6, -13.9, 61.1

 

CMYK 14 / 0 / 59 / 13

HEX #BFDD5A

RGB 191 221 90

HSL 73.74, 0.66%, 0.61%

LAB 83.72, -28.39, 59.5

 

CMYK 30 / 0 / 59 / 13

HEX #9BDD5A

RGB 155 221 90

HSL 90.23, 0.66%, 0.61%

LAB 81.52, -41.89, 56.44

 

CMYK 46 / 0 / 59 / 13

HEX #78DD5A

RGB 120 221 90

HSL 106.26, 0.66%, 0.61%

LAB 79.87, -53.31, 54.12

 

CMYK 59 / 0 / 57 / 13

HEX #5ADD5F

RGB 90 221 95

HSL 122.29, 0.66%, 0.61%

LAB 78.88, -60.61, 50.47

 

CMYK 0 / 2 / 59 / 13

HEX #DDD85A

RGB 221 216 90

HSL 57.71, 0.66%, 0.61%

LAB 84.6, -13.9, 61.1

 

CMYK 0 / 3 / 69 / 7

HEX #EDE74A

RGB 237 231 74

HSL 57.79, 0.82%, 0.61%

LAB 89.7, -15.67, 73.15

 

CMYK 0 / 3 / 77 / 1

HEX #FDF63A

RGB 253 246 58

HSL 57.85, 0.98%, 0.61%

LAB 94.78, -17.06, 83.51

 

CMYK 0 / 2 / 59 / 13

HEX #DDD85A

RGB 221 216 90

HSL 57.71, 0.66%, 0.61%

LAB 84.6, -13.9, 61.1

 

CMYK 0 / 2 / 48 / 20

HEX #CDC96A

RGB 205 201 106

HSL 57.58, 0.5%, 0.61%

LAB 79.5, -11.62, 47.57

 

CMYK 0 / 2 / 35 / 26

HEX #BDBA7A

RGB 189 186 122

HSL 57.31, 0.34%, 0.61%

LAB 74.41, -8.68, 32.87

 

CMYK 0 / 1 / 20 / 32

HEX #ADAC8A

RGB 173 172 138

HSL 58.29, 0.18%, 0.61%

LAB 69.63, -5.42, 17.67

 

CMYK 0 / 0 / 2 / 38

HEX #9D9D9A

RGB 157 157 154

HSL 60, 0.02%, 0.61%

LAB 64.66, -0.57, 1.56

 

CMYK 0 / 34 / 59 / 13

HEX #DD915A

RGB 221 145 90

HSL 25.19, 0.66%, 0.61%

LAB 66.79, 23.33, 40.64

 

CMYK 0 / 19 / 59 / 13

HEX #DDB45A

RGB 221 180 90

HSL 41.22, 0.66%, 0.61%

LAB 75.3, 4.61, 50.66

 

CMYK 0 / 3 / 59 / 13

HEX #DDD75A

RGB 221 215 90

HSL 57.25, 0.66%, 0.61%

LAB 84.33, -13.4, 60.81

 

CMYK 13 / 0 / 59 / 13

HEX #C1DD5A

RGB 193 221 90

HSL 72.82, 0.66%, 0.61%

LAB 83.86, -27.61, 59.69

 

CMYK 29 / 0 / 59 / 13

HEX #9EDD5A

RGB 158 221 90

HSL 88.85, 0.66%, 0.61%

LAB 81.69, -40.82, 56.67

 

CMYK 0 / 3 / 79 / 25

HEX #BEB827

RGB 190 184 39

HSL 57.62, 0.66%, 0.45%

LAB 73.14, -13.49, 67.76

 

CMYK 0 / 3 / 74 / 16

HEX #D6D038

RGB 214 208 56

HSL 57.72, 0.66%, 0.53%

LAB 81.67, -14.69, 71

 

CMYK 0 / 2 / 59 / 13

HEX #DDD85A

RGB 221 216 90

HSL 57.71, 0.66%, 0.61%

LAB 84.6, -13.9, 61.1

 

CMYK 0 / 2 / 46 / 11

HEX #E4E07C

RGB 228 224 124

HSL 57.69, 0.66%, 0.69%

LAB 87.61, -12.3, 49.17

 

CMYK 0 / 1 / 33 / 8

HEX #EBE89E

RGB 235 232 158

HSL 57.66, 0.66%, 0.77%

LAB 90.71, -9.95, 36.43

 

CMYK 0 / 2 / 59 / 13

HEX #DDD85B

RGB 221 216 91

HSL 57.69, 0.66%, 0.61%

LAB 84.61, -13.83, 60.68

 

CMYK 59 / 0 / 50 / 13

HEX #5ADD6E

RGB 90 221 110

HSL 129.16, 0.66%, 0.61%

LAB 79.05, -58.67, 43.68

 

CMYK 27 / 59 / 0 / 13

HEX #A25ADD

RGB 162 90 221

HSL 272.98, 0.66%, 0.61%

LAB 52.08, 52.97, -55.76

 

CMYK 0 / 2 / 59 / 13

HEX #DDD85B

RGB 221 216 91

HSL 57.69, 0.66%, 0.61%

LAB 84.61, -13.83, 60.68

 

CMYK 59 / 0 / 3 / 13

HEX #5ADDD7

RGB 90 221 215

HSL 177.25, 0.66%, 0.61%

LAB 81.18, -37.01, -7.82

 

CMYK 3 / 59 / 0 / 13

HEX #D75ADD

RGB 215 90 221

HSL 297.25, 0.66%, 0.61%

LAB 58.96, 65.84, -44.41

 

CMYK 0 / 2 / 59 / 13

HEX #DDD85B

RGB 221 216 91

HSL 57.69, 0.66%, 0.61%

LAB 84.61, -13.83, 60.68

 

CMYK 59 / 0 / 50 / 13

HEX #5ADD6E

RGB 90 221 110

HSL 129.16, 0.66%, 0.61%

LAB 79.05, -58.67, 43.68

 

CMYK 59 / 57 / 0 / 13

HEX #5A60DD

RGB 90 96 221

HSL 237.25, 0.66%, 0.61%

LAB 46.66, 34.34, -64.84

 

CMYK 0 / 59 / 9 / 13

HEX #DD5AC9

RGB 221 90 201

HSL 309.16, 0.66%, 0.61%

LAB 58.88, 64.07, -33.14

 

CMYK 0 / 2 / 59 / 13

HEX #DDD85B

RGB 221 216 91

HSL 57.69, 0.66%, 0.61%

LAB 84.61, -13.83, 60.68

 

CMYK 59 / 0 / 33 / 13

HEX #5ADD95

RGB 90 221 149

HSL 147.02, 0.66%, 0.61%

LAB 79.65, -52.19, 24.86

 

CMYK 59 / 57 / 0 / 13

HEX #5A60DD

RGB 90 96 221

HSL 237.25, 0.66%, 0.61%

LAB 46.66, 34.34, -64.84

 

CMYK 0 / 59 / 27 / 13

HEX #DD5AA2

RGB 221 90 162

HSL 327.02, 0.66%, 0.61%

LAB 57.36, 58.48, -13.03

 

Description

Color code: HEX #DDD85B | qconv.com Color code: HEX #DDD85B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 216 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 216 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 59 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 59% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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