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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DDD442 it is the complementary color #222BBD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DDD442. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DDD442 shade: #E2D43D, #F3E650, #FFF863, #FFFF76 and #FFFF89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DDD442. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DDD442 shade: #DDD442, #CCC22F, #BBB01C, #AA9E09 and #998C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DDD442 shade: #DDD440, #DDAA40, #DD8040, #DD5540 and #DD4040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DDD442 shade: #DDD440, #BCDD40, #92DD40, #67DD40 and #40DD44

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DDD442 shade matches the following richer shades: #DDD440 and #EFE42E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DDD442 shade: #DDD440, #CBC452, #B9B465, #A7A477 and #959489

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DDD442 shade: #DD7F40, #DDA940, #DDD340, #BEDD40 and #94DD40

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DDD442 shade: #ADA41E, #D0C625, #DDD440, #E4DC63 and #EAE486

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DDD442 shade: #DDD442, #40DD55 and #9440DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DDD442 shade: #DDD442, #40DDD3 and #D340DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DDD442 shade: #DDD442, #40DD55, #404BDD and #DD40C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DDD442 shade: #DDD442, #40DD84, #404BDD and #DD4099

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 70 / 13

HEX #DDD442

RGB 221 212 66

HSL 56.52, 0.7%, 0.56%

LAB 83.36, -13.3, 69.37

 

Complementary color

CMYK 82 / 77 / 0 / 26

HEX #222BBD

RGB 34 43 189

HSL 236.52, 0.7%, 0.44%

LAB 28.75, 48.6, -75.78

 

CMYK 0 / 6 / 73 / 11

HEX #E2D43D

RGB 226 212 61

HSL 54.91, 0.74%, 0.56%

LAB 83.75, -11.43, 71.64

 

CMYK 0 / 5 / 67 / 5

HEX #F3E650

RGB 243 230 80

HSL 55.21, 0.87%, 0.63%

LAB 89.96, -12.41, 71.36

 

CMYK 0 / 3 / 61 / 0

HEX #FFF863

RGB 255 248 99

HSL 57.31, 1%, 0.69%

LAB 95.7, -15.25, 70.16

 

CMYK 0 / 0 / 54 / 0

HEX #FFFF76

RGB 255 255 118

HSL 60, 1%, 0.73%

LAB 97.67, -17.33, 64.31

 

CMYK 0 / 0 / 46 / 0

HEX #FFFF89

RGB 255 255 137

HSL 60, 1%, 0.77%

LAB 97.87, -15.76, 55.97

 

CMYK 0 / 4 / 70 / 13

HEX #DDD442

RGB 221 212 66

HSL 56.52, 0.7%, 0.56%

LAB 83.36, -13.3, 69.37

 

CMYK 0 / 5 / 77 / 20

HEX #CCC22F

RGB 204 194 47

HSL 56.18, 0.63%, 0.49%

LAB 77.06, -12.26, 69.32

 

CMYK 0 / 6 / 85 / 27

HEX #BBB01C

RGB 187 176 28

HSL 55.85, 0.74%, 0.42%

LAB 70.66, -11.02, 68.4

 

CMYK 0 / 7 / 95 / 33

HEX #AA9E09

RGB 170 158 9

HSL 55.53, 0.9%, 0.35%

LAB 64.18, -9.55, 66.09

 

CMYK 0 / 8 / 100 / 40

HEX #998C00

RGB 153 140 0

HSL 54.9, 1%, 0.3%

LAB 57.59, -7.81, 61.86

 

CMYK 0 / 4 / 71 / 13

HEX #DDD440

RGB 221 212 64

HSL 56.56, 0.7%, 0.56%

LAB 83.35, -13.39, 70.07

 

CMYK 0 / 23 / 71 / 13

HEX #DDAA40

RGB 221 170 64

HSL 40.51, 0.7%, 0.56%

LAB 72.56, 8.33, 59.36

 

CMYK 0 / 42 / 71 / 13

HEX #DD8040

RGB 221 128 64

HSL 24.46, 0.7%, 0.56%

LAB 62.66, 30.78, 49.01

 

CMYK 0 / 62 / 71 / 13

HEX #DD5540

RGB 221 85 64

HSL 8.03, 0.7%, 0.56%

LAB 54.28, 51.98, 39.73

 

CMYK 0 / 71 / 71 / 13

HEX #DD4040

RGB 221 64 64

HSL 0, 0.7%, 0.56%

LAB 51.16, 60.42, 36.14

 

CMYK 0 / 4 / 71 / 13

HEX #DDD440

RGB 221 212 64

HSL 56.56, 0.7%, 0.56%

LAB 83.35, -13.39, 70.07

 

CMYK 15 / 0 / 71 / 13

HEX #BCDD40

RGB 188 221 64

HSL 72.61, 0.7%, 0.56%

LAB 83.32, -31.28, 69.2

 

CMYK 34 / 0 / 71 / 13

HEX #92DD40

RGB 146 221 64

HSL 88.66, 0.7%, 0.56%

LAB 80.85, -47.06, 65.92

 

CMYK 53 / 0 / 71 / 13

HEX #67DD40

RGB 103 221 64

HSL 105.1, 0.7%, 0.56%

LAB 79.02, -60.39, 63.48

 

CMYK 71 / 0 / 69 / 13

HEX #40DD44

RGB 64 221 68

HSL 121.53, 0.7%, 0.56%

LAB 78, -68.53, 60.62

 

CMYK 0 / 4 / 71 / 13

HEX #DDD440

RGB 221 212 64

HSL 56.56, 0.7%, 0.56%

LAB 83.35, -13.39, 70.07

 

CMYK 0 / 5 / 81 / 6

HEX #EFE42E

RGB 239 228 46

HSL 56.58, 0.86%, 0.56%

LAB 88.94, -14.46, 81.17

 

CMYK 0 / 4 / 71 / 13

HEX #DDD440

RGB 221 212 64

HSL 56.56, 0.7%, 0.56%

LAB 83.35, -13.39, 70.07

 

CMYK 0 / 3 / 60 / 20

HEX #CBC452

RGB 203 196 82

HSL 56.53, 0.54%, 0.56%

LAB 77.75, -11.83, 56.64

 

CMYK 0 / 3 / 45 / 27

HEX #B9B465

RGB 185 180 101

HSL 56.43, 0.38%, 0.56%

LAB 72.16, -9.48, 40.74

 

CMYK 0 / 2 / 29 / 35

HEX #A7A477

RGB 167 164 119

HSL 56.25, 0.21%, 0.56%

LAB 66.59, -6.23, 23.8

 

CMYK 0 / 1 / 8 / 42

HEX #959489

RGB 149 148 137

HSL 55, 0.05%, 0.56%

LAB 61.11, -1.68, 5.94

 

CMYK 0 / 43 / 71 / 13

HEX #DD7F40

RGB 221 127 64

HSL 24.08, 0.7%, 0.56%

LAB 62.44, 31.31, 48.78

 

CMYK 0 / 24 / 71 / 13

HEX #DDA940

RGB 221 169 64

HSL 40.13, 0.7%, 0.56%

LAB 72.31, 8.87, 59.11

 

CMYK 0 / 5 / 71 / 13

HEX #DDD340

RGB 221 211 64

HSL 56.18, 0.7%, 0.56%

LAB 83.09, -12.89, 69.82

 

CMYK 14 / 0 / 71 / 13

HEX #BEDD40

RGB 190 221 64

HSL 71.85, 0.7%, 0.56%

LAB 83.46, -30.48, 69.38

 

CMYK 33 / 0 / 71 / 13

HEX #94DD40

RGB 148 221 64

HSL 87.9, 0.7%, 0.56%

LAB 80.95, -46.36, 66.06

 

CMYK 0 / 5 / 83 / 32

HEX #ADA41E

RGB 173 164 30

HSL 56.22, 0.7%, 0.4%

LAB 66.16, -10.91, 63.62

 

CMYK 0 / 5 / 82 / 18

HEX #D0C625

RGB 208 198 37

HSL 56.49, 0.7%, 0.48%

LAB 78.42, -12.9, 73.45

 

CMYK 0 / 4 / 71 / 13

HEX #DDD440

RGB 221 212 64

HSL 56.56, 0.7%, 0.56%

LAB 83.35, -13.39, 70.07

 

CMYK 0 / 4 / 57 / 11

HEX #E4DC63

RGB 228 220 99

HSL 56.28, 0.7%, 0.64%

LAB 86.3, -12.4, 59.21

 

CMYK 0 / 3 / 43 / 8

HEX #EAE486

RGB 234 228 134

HSL 56.4, 0.7%, 0.72%

LAB 89.25, -10.96, 46.46

 

CMYK 0 / 4 / 70 / 13

HEX #DDD442

RGB 221 212 66

HSL 56.52, 0.7%, 0.56%

LAB 83.36, -13.3, 69.37

 

CMYK 71 / 0 / 62 / 13

HEX #40DD55

RGB 64 221 85

HSL 128.03, 0.7%, 0.56%

LAB 78.15, -66.85, 53.89

 

CMYK 33 / 71 / 0 / 13

HEX #9440DD

RGB 148 64 221

HSL 272.1, 0.7%, 0.56%

LAB 45.88, 62.34, -65.84

 

CMYK 0 / 4 / 70 / 13

HEX #DDD442

RGB 221 212 66

HSL 56.52, 0.7%, 0.56%

LAB 83.36, -13.3, 69.37

 

CMYK 71 / 0 / 5 / 13

HEX #40DDD3

RGB 64 221 211

HSL 176.18, 0.7%, 0.56%

LAB 80.46, -41.95, -6.82

 

CMYK 5 / 71 / 0 / 13

HEX #D340DD

RGB 211 64 221

HSL 296.18, 0.7%, 0.56%

LAB 54.8, 74.91, -51.03

 

CMYK 0 / 4 / 70 / 13

HEX #DDD442

RGB 221 212 66

HSL 56.52, 0.7%, 0.56%

LAB 83.36, -13.3, 69.37

 

CMYK 71 / 0 / 62 / 13

HEX #40DD55

RGB 64 221 85

HSL 128.03, 0.7%, 0.56%

LAB 78.15, -66.85, 53.89

 

CMYK 71 / 66 / 0 / 13

HEX #404BDD

RGB 64 75 221

HSL 235.8, 0.7%, 0.56%

LAB 40.15, 43.4, -75.52

 

CMYK 0 / 71 / 10 / 13

HEX #DD40C8

RGB 221 64 200

HSL 308.03, 0.7%, 0.56%

LAB 55.29, 73.8, -38.19

 

CMYK 0 / 4 / 70 / 13

HEX #DDD442

RGB 221 212 66

HSL 56.52, 0.7%, 0.56%

LAB 83.36, -13.3, 69.37

 

CMYK 71 / 0 / 40 / 13

HEX #40DD84

RGB 64 221 132

HSL 145.99, 0.7%, 0.56%

LAB 78.73, -60.01, 32.26

 

CMYK 71 / 66 / 0 / 13

HEX #404BDD

RGB 64 75 221

HSL 235.8, 0.7%, 0.56%

LAB 40.15, 43.4, -75.52

 

CMYK 0 / 71 / 31 / 13

HEX #DD4099

RGB 221 64 153

HSL 325.99, 0.7%, 0.56%

LAB 53.32, 67.61, -13.85

 

Description

Color code: HEX #DDD442 | qconv.com Color code: HEX #DDD442 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 212 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 212 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 70 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 70% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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