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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DDCB94 it is the complementary color #22346B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DDCB94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DDCB94 shade: #E2CB8F, #F3DDA2, #FFEFB5, #FFFFC8 and #FFFFDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DDCB94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DDCB94 shade: #DDCB94, #CCB981, #BBA76E, #AA955B and #998348

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DDCB94 shade: #DDCA92, #DDB692, #DDA292 and #DD9292

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DDCB94 shade: #DDCA92, #DBDD92, #C7DD92, #B3DD92 and #9FDD92

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DDCB94 shade matches the following richer shades: #DDCA92, #E8D087 and #F4D67B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DDCB94 shade: #DDCA92, #D1C59E, #C6BFAA, #BAB9B5 and #AFB3C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DDCB94 shade: #DDA392, #DDB692, #DDCA92, #DBDD92 and #C8DD92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DDCB94 shade: #C9AC54, #D3BB73, #DDCA92, #E7DAB2 and #F1E9D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DDCB94 shade: #DDCB94, #96DD92 and #AC92DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DDCB94 shade: #DDCB94, #92DDCA and #CA92DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DDCB94 shade: #DDCB94, #96DD92, #92A5DD and #D992DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DDCB94 shade: #DDCB94, #92DDA5, #92A5DD and #DD92CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 33 / 13

HEX #DDCB94

RGB 221 203 148

HSL 45.21, 0.52%, 0.72%

LAB 81.96, -1.78, 29.76

 

Complementary color

CMYK 68 / 51 / 0 / 58

HEX #22346B

RGB 34 52 107

HSL 225.21, 0.52%, 0.28%

LAB 23.19, 12.49, -34.36

 

CMYK 0 / 10 / 37 / 11

HEX #E2CB8F

RGB 226 203 143

HSL 43.37, 0.59%, 0.72%

LAB 82.31, -0.42, 32.89

 

CMYK 0 / 9 / 33 / 5

HEX #F3DDA2

RGB 243 221 162

HSL 43.7, 0.77%, 0.79%

LAB 88.63, -0.87, 31.76

 

CMYK 0 / 6 / 29 / 0

HEX #FFEFB5

RGB 255 239 181

HSL 47.03, 1%, 0.85%

LAB 94.45, -3.13, 30.06

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC8

RGB 255 255 200

HSL 60, 1%, 0.89%

LAB 98.81, -8.6, 26.37

 

CMYK 0 / 0 / 14 / 0

HEX #FFFFDB

RGB 255 255 219

HSL 60, 1%, 0.93%

LAB 99.18, -5.87, 17.23

 

CMYK 0 / 8 / 33 / 13

HEX #DDCB94

RGB 221 203 148

HSL 45.21, 0.52%, 0.72%

LAB 81.96, -1.78, 29.76

 

CMYK 0 / 9 / 37 / 20

HEX #CCB981

RGB 204 185 129

HSL 44.8, 0.42%, 0.65%

LAB 75.53, -1.34, 30.9

 

CMYK 0 / 11 / 41 / 27

HEX #BBA76E

RGB 187 167 110

HSL 44.42, 0.36%, 0.58%

LAB 68.99, -0.83, 32.12

 

CMYK 0 / 12 / 46 / 33

HEX #AA955B

RGB 170 149 91

HSL 44.05, 0.32%, 0.51%

LAB 62.34, -0.22, 33.39

 

CMYK 0 / 14 / 53 / 40

HEX #998348

RGB 153 131 72

HSL 43.7, 0.36%, 0.44%

LAB 55.56, 0.52, 34.73

 

CMYK 0 / 9 / 34 / 13

HEX #DDCA92

RGB 221 202 146

HSL 44.8, 0.52%, 0.72%

LAB 81.67, -1.5, 30.41

 

CMYK 0 / 18 / 34 / 13

HEX #DDB692

RGB 221 182 146

HSL 28.8, 0.52%, 0.72%

LAB 76.62, 9.02, 23.62

 

CMYK 0 / 27 / 34 / 13

HEX #DDA292

RGB 221 162 146

HSL 12.8, 0.52%, 0.72%

LAB 71.75, 19.74, 16.92

 

CMYK 0 / 34 / 34 / 13

HEX #DD9292

RGB 221 146 146

HSL 0, 0.52%, 0.72%

LAB 68.02, 28.35, 11.7

 

CMYK 0 / 9 / 34 / 13

HEX #DDCA92

RGB 221 202 146

HSL 44.8, 0.52%, 0.72%

LAB 81.67, -1.5, 30.41

 

CMYK 1 / 0 / 34 / 13

HEX #DBDD92

RGB 219 221 146

HSL 61.6, 0.52%, 0.72%

LAB 86.43, -11.97, 36.65

 

CMYK 10 / 0 / 34 / 13

HEX #C7DD92

RGB 199 221 146

HSL 77.6, 0.52%, 0.72%

LAB 84.96, -19.54, 34.45

 

CMYK 19 / 0 / 34 / 13

HEX #B3DD92

RGB 179 221 146

HSL 93.6, 0.52%, 0.72%

LAB 83.64, -26.83, 32.46

 

CMYK 28 / 0 / 34 / 13

HEX #9FDD92

RGB 159 221 146

HSL 109.6, 0.52%, 0.72%

LAB 82.46, -33.73, 30.69

 

CMYK 0 / 9 / 34 / 13

HEX #DDCA92

RGB 221 202 146

HSL 44.8, 0.52%, 0.72%

LAB 81.67, -1.5, 30.41

 

CMYK 0 / 10 / 42 / 9

HEX #E8D087

RGB 232 208 135

HSL 45.15, 0.68%, 0.72%

LAB 83.97, -1.51, 39.25

 

CMYK 0 / 12 / 50 / 4

HEX #F4D67B

RGB 244 214 123

HSL 45.12, 0.85%, 0.72%

LAB 86.38, -0.95, 48.46

 

CMYK 0 / 9 / 34 / 13

HEX #DDCA92

RGB 221 202 146

HSL 44.8, 0.52%, 0.72%

LAB 81.67, -1.5, 30.41

 

CMYK 0 / 6 / 24 / 18

HEX #D1C59E

RGB 209 197 158

HSL 45.88, 0.36%, 0.72%

LAB 79.59, -1.95, 21.11

 

CMYK 0 / 4 / 14 / 22

HEX #C6BFAA

RGB 198 191 170

HSL 45, 0.2%, 0.72%

LAB 77.38, -1.11, 11.47

 

CMYK 0 / 1 / 3 / 27

HEX #BAB9B5

RGB 186 185 181

HSL 48, 0.03%, 0.72%

LAB 75.12, -0.38, 2.14

 

CMYK 9 / 7 / 0 / 24

HEX #AFB3C1

RGB 175 179 193

HSL 226.67, 0.13%, 0.72%

LAB 73.03, 1.36, -7.59

 

CMYK 0 / 26 / 34 / 13

HEX #DDA392

RGB 221 163 146

HSL 13.6, 0.52%, 0.72%

LAB 71.99, 19.2, 17.25

 

CMYK 0 / 18 / 34 / 13

HEX #DDB692

RGB 221 182 146

HSL 28.8, 0.52%, 0.72%

LAB 76.62, 9.02, 23.62

 

CMYK 0 / 9 / 34 / 13

HEX #DDCA92

RGB 221 202 146

HSL 44.8, 0.52%, 0.72%

LAB 81.67, -1.5, 30.41

 

CMYK 1 / 0 / 34 / 13

HEX #DBDD92

RGB 219 221 146

HSL 61.6, 0.52%, 0.72%

LAB 86.43, -11.97, 36.65

 

CMYK 10 / 0 / 34 / 13

HEX #C8DD92

RGB 200 221 146

HSL 76.8, 0.52%, 0.72%

LAB 85.03, -19.16, 34.56

 

CMYK 0 / 14 / 58 / 21

HEX #C9AC54

RGB 201 172 84

HSL 45.13, 0.52%, 0.56%

LAB 71.26, -0.04, 48.38

 

CMYK 0 / 11 / 45 / 17

HEX #D3BB73

RGB 211 187 115

HSL 45, 0.52%, 0.64%

LAB 76.45, -1.08, 39.47

 

CMYK 0 / 9 / 34 / 13

HEX #DDCA92

RGB 221 202 146

HSL 44.8, 0.52%, 0.72%

LAB 81.67, -1.5, 30.41

 

CMYK 0 / 6 / 23 / 9

HEX #E7DAB2

RGB 231 218 178

HSL 45.28, 0.52%, 0.8%

LAB 87.17, -1.78, 21.33

 

CMYK 0 / 3 / 13 / 5

HEX #F1E9D1

RGB 241 233 209

HSL 45, 0.53%, 0.88%

LAB 92.39, -1.24, 12.63

 

CMYK 0 / 8 / 33 / 13

HEX #DDCB94

RGB 221 203 148

HSL 45.21, 0.52%, 0.72%

LAB 81.96, -1.78, 29.76

 

CMYK 32 / 0 / 34 / 13

HEX #96DD92

RGB 150 221 146

HSL 116.8, 0.52%, 0.72%

LAB 81.99, -36.67, 29.97

 

CMYK 22 / 34 / 0 / 13

HEX #AC92DD

RGB 172 146 221

HSL 260.8, 0.52%, 0.72%

LAB 65.4, 24.92, -34.67

 

CMYK 0 / 8 / 33 / 13

HEX #DDCB94

RGB 221 203 148

HSL 45.21, 0.52%, 0.72%

LAB 81.96, -1.78, 29.76

 

CMYK 34 / 0 / 9 / 13

HEX #92DDCA

RGB 146 221 202

HSL 164.8, 0.52%, 0.72%

LAB 82.96, -27.36, 1.95

 

CMYK 9 / 34 / 0 / 13

HEX #CA92DD

RGB 202 146 221

HSL 284.8, 0.52%, 0.72%

LAB 68.27, 34.09, -29.99

 

CMYK 0 / 8 / 33 / 13

HEX #DDCB94

RGB 221 203 148

HSL 45.21, 0.52%, 0.72%

LAB 81.96, -1.78, 29.76

 

CMYK 32 / 0 / 34 / 13

HEX #96DD92

RGB 150 221 146

HSL 116.8, 0.52%, 0.72%

LAB 81.99, -36.67, 29.97

 

CMYK 34 / 25 / 0 / 13

HEX #92A5DD

RGB 146 165 221

HSL 224.8, 0.52%, 0.72%

LAB 68.2, 6.58, -30.49

 

CMYK 2 / 34 / 0 / 13

HEX #D992DD

RGB 217 146 221

HSL 296.8, 0.52%, 0.72%

LAB 69.85, 38.77, -27.43

 

CMYK 0 / 8 / 33 / 13

HEX #DDCB94

RGB 221 203 148

HSL 45.21, 0.52%, 0.72%

LAB 81.96, -1.78, 29.76

 

CMYK 34 / 0 / 25 / 13

HEX #92DDA5

RGB 146 221 165

HSL 135.2, 0.52%, 0.72%

LAB 82.13, -34.72, 20.29

 

CMYK 34 / 25 / 0 / 13

HEX #92A5DD

RGB 146 165 221

HSL 224.8, 0.52%, 0.72%

LAB 68.2, 6.58, -30.49

 

CMYK 0 / 34 / 9 / 13

HEX #DD92CA

RGB 221 146 202

HSL 315.2, 0.52%, 0.72%

LAB 69.61, 36.66, -17.24

 

Description

Color code: HEX #DDCB94 | qconv.com Color code: HEX #DDCB94 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 203 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 203 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 33 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 33% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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