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Color name
HEX #DDC894

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DDC894 it is the complementary color #22376B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DDC894. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DDC894 shade: #E2C88F, #F3DAA2, #FFECB5, #FFFEC8 and #FFFFDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DDC894. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DDC894 shade: #DDC894, #CCB681, #BBA46E, #AA925B and #998048

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DDC894 shade: #DDC792, #DDB392, #DD9F92 and #DD9292

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DDC894 shade: #DDC792, #DDDB92, #CADD92, #B6DD92 and #A2DD92

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DDC894 shade matches the following richer shades: #DDC792, #E8CC87 and #F4D17B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DDC894 shade: #DDC792, #D1C29E, #C6BEAA, #BAB9B5 and #AFB4C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DDC894 shade: #DD9F92, #DDB392, #DDC692, #DDDA92 and #CBDD92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DDC894 shade: #C9A754, #D3B773, #DDC792, #E7D7B2 and #F1E8D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DDC894 shade: #DDC894, #9ADD92 and #A992DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DDC894 shade: #DDC894, #92DDC6 and #C692DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DDC894 shade: #DDC894, #9ADD92, #92A9DD and #D592DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DDC894 shade: #DDC894, #92DDA1, #92A9DD and #DD92CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 33 / 13

HEX #DDC894

RGB 221 200 148

HSL 42.74, 0.52%, 0.72%

LAB 81.19, -0.22, 28.73

 

Complementary color

CMYK 68 / 49 / 0 / 58

HEX #22376B

RGB 34 55 107

HSL 222.74, 0.52%, 0.28%

LAB 24.11, 10.37, -32.89

 

CMYK 0 / 12 / 37 / 11

HEX #E2C88F

RGB 226 200 143

HSL 41.2, 0.59%, 0.72%

LAB 81.54, 1.14, 31.88

 

CMYK 0 / 10 / 33 / 5

HEX #F3DAA2

RGB 243 218 162

HSL 41.48, 0.77%, 0.79%

LAB 87.88, 0.67, 30.75

 

CMYK 0 / 7 / 29 / 0

HEX #FFECB5

RGB 255 236 181

HSL 44.59, 1%, 0.85%

LAB 93.7, -1.62, 29.05

 

CMYK 0 / 0 / 22 / 0

HEX #FFFEC8

RGB 255 254 200

HSL 58.91, 1%, 0.89%

LAB 98.56, -8.11, 26.02

 

CMYK 0 / 0 / 14 / 0

HEX #FFFFDB

RGB 255 255 219

HSL 60, 1%, 0.93%

LAB 99.18, -5.87, 17.23

 

CMYK 0 / 10 / 33 / 13

HEX #DDC894

RGB 221 200 148

HSL 42.74, 0.52%, 0.72%

LAB 81.19, -0.22, 28.73

 

CMYK 0 / 11 / 37 / 20

HEX #CCB681

RGB 204 182 129

HSL 42.4, 0.42%, 0.65%

LAB 74.75, 0.24, 29.88

 

CMYK 0 / 12 / 41 / 27

HEX #BBA46E

RGB 187 164 110

HSL 42.08, 0.36%, 0.58%

LAB 68.2, 0.78, 31.09

 

CMYK 0 / 14 / 46 / 33

HEX #AA925B

RGB 170 146 91

HSL 41.77, 0.32%, 0.51%

LAB 61.53, 1.42, 32.38

 

CMYK 0 / 16 / 53 / 40

HEX #998048

RGB 153 128 72

HSL 41.48, 0.36%, 0.44%

LAB 54.74, 2.2, 33.74

 

CMYK 0 / 10 / 34 / 13

HEX #DDC792

RGB 221 199 146

HSL 42.4, 0.52%, 0.72%

LAB 80.9, 0.06, 29.39

 

CMYK 0 / 19 / 34 / 13

HEX #DDB392

RGB 221 179 146

HSL 26.4, 0.52%, 0.72%

LAB 75.88, 10.62, 22.6

 

CMYK 0 / 28 / 34 / 13

HEX #DD9F92

RGB 221 159 146

HSL 10.4, 0.52%, 0.72%

LAB 71.04, 21.35, 15.93

 

CMYK 0 / 34 / 34 / 13

HEX #DD9292

RGB 221 146 146

HSL 0, 0.52%, 0.72%

LAB 68.02, 28.35, 11.7

 

CMYK 0 / 10 / 34 / 13

HEX #DDC792

RGB 221 199 146

HSL 42.4, 0.52%, 0.72%

LAB 80.9, 0.06, 29.39

 

CMYK 0 / 1 / 34 / 13

HEX #DDDB92

RGB 221 219 146

HSL 58.4, 0.52%, 0.72%

LAB 86.06, -10.2, 36.2

 

CMYK 9 / 0 / 34 / 13

HEX #CADD92

RGB 202 221 146

HSL 75.2, 0.52%, 0.72%

LAB 85.17, -18.42, 34.77

 

CMYK 18 / 0 / 34 / 13

HEX #B6DD92

RGB 182 221 146

HSL 91.2, 0.52%, 0.72%

LAB 83.83, -25.76, 32.75

 

CMYK 27 / 0 / 34 / 13

HEX #A2DD92

RGB 162 221 146

HSL 107.2, 0.52%, 0.72%

LAB 82.63, -32.72, 30.94

 

CMYK 0 / 10 / 34 / 13

HEX #DDC792

RGB 221 199 146

HSL 42.4, 0.52%, 0.72%

LAB 80.9, 0.06, 29.39

 

CMYK 0 / 12 / 42 / 9

HEX #E8CC87

RGB 232 204 135

HSL 42.68, 0.68%, 0.72%

LAB 82.96, 0.55, 37.95

 

CMYK 0 / 14 / 50 / 4

HEX #F4D17B

RGB 244 209 123

HSL 42.64, 0.85%, 0.72%

LAB 85.13, 1.61, 46.92

 

CMYK 0 / 10 / 34 / 13

HEX #DDC792

RGB 221 199 146

HSL 42.4, 0.52%, 0.72%

LAB 80.9, 0.06, 29.39

 

CMYK 0 / 7 / 24 / 18

HEX #D1C29E

RGB 209 194 158

HSL 42.35, 0.36%, 0.72%

LAB 78.81, -0.38, 20.04

 

CMYK 0 / 4 / 14 / 22

HEX #C6BEAA

RGB 198 190 170

HSL 42.86, 0.2%, 0.72%

LAB 77.12, -0.58, 11.1

 

CMYK 0 / 1 / 3 / 27

HEX #BAB9B5

RGB 186 185 181

HSL 48, 0.03%, 0.72%

LAB 75.12, -0.38, 2.14

 

CMYK 9 / 7 / 0 / 24

HEX #AFB4C1

RGB 175 180 193

HSL 223.33, 0.13%, 0.72%

LAB 73.29, 0.82, -7.2

 

CMYK 0 / 28 / 34 / 13

HEX #DD9F92

RGB 221 159 146

HSL 10.4, 0.52%, 0.72%

LAB 71.04, 21.35, 15.93

 

CMYK 0 / 19 / 34 / 13

HEX #DDB392

RGB 221 179 146

HSL 26.4, 0.52%, 0.72%

LAB 75.88, 10.62, 22.6

 

CMYK 0 / 10 / 34 / 13

HEX #DDC692

RGB 221 198 146

HSL 41.6, 0.52%, 0.72%

LAB 80.65, 0.58, 29.05

 

CMYK 0 / 1 / 34 / 13

HEX #DDDA92

RGB 221 218 146

HSL 57.6, 0.52%, 0.72%

LAB 85.8, -9.69, 35.86

 

CMYK 8 / 0 / 34 / 13

HEX #CBDD92

RGB 203 221 146

HSL 74.4, 0.52%, 0.72%

LAB 85.24, -18.04, 34.88

 

CMYK 0 / 17 / 58 / 21

HEX #C9A754

RGB 201 167 84

HSL 42.56, 0.52%, 0.56%

LAB 69.96, 2.62, 46.88

 

CMYK 0 / 13 / 45 / 17

HEX #D3B773

RGB 211 183 115

HSL 42.5, 0.52%, 0.64%

LAB 75.42, 1.02, 38.17

 

CMYK 0 / 10 / 34 / 13

HEX #DDC792

RGB 221 199 146

HSL 42.4, 0.52%, 0.72%

LAB 80.9, 0.06, 29.39

 

CMYK 0 / 7 / 23 / 9

HEX #E7D7B2

RGB 231 215 178

HSL 41.89, 0.52%, 0.8%

LAB 86.41, -0.24, 20.27

 

CMYK 0 / 4 / 13 / 5

HEX #F1E8D1

RGB 241 232 209

HSL 43.13, 0.53%, 0.88%

LAB 92.14, -0.74, 12.27

 

CMYK 0 / 10 / 33 / 13

HEX #DDC894

RGB 221 200 148

HSL 42.74, 0.52%, 0.72%

LAB 81.19, -0.22, 28.73

 

CMYK 30 / 0 / 34 / 13

HEX #9ADD92

RGB 154 221 146

HSL 113.6, 0.52%, 0.72%

LAB 82.19, -35.38, 30.29

 

CMYK 24 / 34 / 0 / 13

HEX #A992DD

RGB 169 146 221

HSL 258.4, 0.52%, 0.72%

LAB 65.13, 24.03, -35.1

 

CMYK 0 / 10 / 33 / 13

HEX #DDC894

RGB 221 200 148

HSL 42.74, 0.52%, 0.72%

LAB 81.19, -0.22, 28.73

 

CMYK 34 / 0 / 10 / 13

HEX #92DDC6

RGB 146 221 198

HSL 161.6, 0.52%, 0.72%

LAB 82.86, -28.22, 3.93

 

CMYK 10 / 34 / 0 / 13

HEX #C692DD

RGB 198 146 221

HSL 281.6, 0.52%, 0.72%

LAB 67.86, 32.85, -30.65

 

CMYK 0 / 10 / 33 / 13

HEX #DDC894

RGB 221 200 148

HSL 42.74, 0.52%, 0.72%

LAB 81.19, -0.22, 28.73

 

CMYK 30 / 0 / 34 / 13

HEX #9ADD92

RGB 154 221 146

HSL 113.6, 0.52%, 0.72%

LAB 82.19, -35.38, 30.29

 

CMYK 34 / 24 / 0 / 13

HEX #92A9DD

RGB 146 169 221

HSL 221.6, 0.52%, 0.72%

LAB 69.26, 4.34, -28.85

 

CMYK 4 / 34 / 0 / 13

HEX #D592DD

RGB 213 146 221

HSL 293.6, 0.52%, 0.72%

LAB 69.42, 37.52, -28.13

 

CMYK 0 / 10 / 33 / 13

HEX #DDC894

RGB 221 200 148

HSL 42.74, 0.52%, 0.72%

LAB 81.19, -0.22, 28.73

 

CMYK 34 / 0 / 27 / 13

HEX #92DDA1

RGB 146 221 161

HSL 132, 0.52%, 0.72%

LAB 82.05, -35.43, 22.27

 

CMYK 34 / 24 / 0 / 13

HEX #92A9DD

RGB 146 169 221

HSL 221.6, 0.52%, 0.72%

LAB 69.26, 4.34, -28.85

 

CMYK 0 / 34 / 7 / 13

HEX #DD92CE

RGB 221 146 206

HSL 312, 0.52%, 0.72%

LAB 69.74, 37.35, -19.25

 

Description

Color code: HEX #DDC894 | qconv.com Color code: HEX #DDC894 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 200 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 200 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 33 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 33% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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