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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DDC5A8 it is the complementary color #223A57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DDC5A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DDC5A8 shade: #E2C5A3, #F3D7B6, #FFE9C9, #FFFBDC and #FFFFEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DDC5A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DDC5A8 shade: #DDC5A8, #CCB395, #BBA182, #AA8F6F and #997D5C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DDC5A8 shade: #DDC4A7, #DDB6A7 and #DDA7A7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DDC5A8 shade: #DDC4A7, #DDD3A7, #D8DDA7, #CADDA7 and #BBDDA7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DDC5A8 shade matches the following richer shades: #DDC4A7, #E7C59D, #F1C693 and #FAC789

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DDC5A8 shade: #DDC4A7, #D3C3B1, #C9C2BB, #BFC2C5 and #B5C1CE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DDC5A8 shade: #DDA7A7, #DDB5A7, #DDC4A7, #DDD2A7 and #D9DDA7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DDC5A8 shade: #C69D6B, #D1B189, #DDC4A7, #E8D8C5 and #F4ECE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DDC5A8 shade: #DDC5A8, #B5DDA7 and #AEA7DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DDC5A8 shade: #DDC5A8, #A7DDC4 and #C4A7DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DDC5A8 shade: #DDC5A8, #B5DDA7, #A7C0DD and #CEA7DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DDC5A8 shade: #DDC5A8, #A7DDA9, #A7C0DD and #DDA7DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 24 / 13

HEX #DDC5A8

RGB 221 197 168

HSL 32.83, 0.44%, 0.76%

LAB 80.81, 3.99, 17.64

 

Complementary color

CMYK 61 / 33 / 0 / 66

HEX #223A57

RGB 34 58 87

HSL 212.83, 0.44%, 0.24%

LAB 23.85, 0.59, -20.29

 

CMYK 0 / 13 / 28 / 11

HEX #E2C5A3

RGB 226 197 163

HSL 32.38, 0.52%, 0.76%

LAB 81.15, 5.2, 20.84

 

CMYK 0 / 12 / 25 / 5

HEX #F3D7B6

RGB 243 215 182

HSL 32.46, 0.72%, 0.83%

LAB 87.5, 4.78, 19.85

 

CMYK 0 / 9 / 21 / 0

HEX #FFE9C9

RGB 255 233 201

HSL 35.56, 1%, 0.89%

LAB 93.34, 2.58, 18.28

 

CMYK 0 / 2 / 14 / 0

HEX #FFFBDC

RGB 255 251 220

HSL 53.14, 1%, 0.93%

LAB 98.2, -3.72, 15.34

 

CMYK 0 / 0 / 6 / 0

HEX #FFFFEF

RGB 255 255 239

HSL 60, 1%, 0.97%

LAB 99.62, -2.71, 7.63

 

CMYK 0 / 11 / 24 / 13

HEX #DDC5A8

RGB 221 197 168

HSL 32.83, 0.44%, 0.76%

LAB 80.81, 3.99, 17.64

 

CMYK 0 / 12 / 27 / 20

HEX #CCB395

RGB 204 179 149

HSL 32.73, 0.35%, 0.69%

LAB 74.35, 4.4, 18.63

 

CMYK 0 / 14 / 30 / 27

HEX #BBA182

RGB 187 161 130

HSL 32.63, 0.3%, 0.62%

LAB 67.77, 4.87, 19.69

 

CMYK 0 / 16 / 35 / 33

HEX #AA8F6F

RGB 170 143 111

HSL 32.54, 0.26%, 0.55%

LAB 61.08, 5.41, 20.82

 

CMYK 0 / 18 / 40 / 40

HEX #997D5C

RGB 153 125 92

HSL 32.46, 0.25%, 0.48%

LAB 54.25, 6.05, 22.06

 

CMYK 0 / 11 / 24 / 13

HEX #DDC4A7

RGB 221 196 167

HSL 32.22, 0.44%, 0.76%

LAB 80.54, 4.38, 17.8

 

CMYK 0 / 18 / 24 / 13

HEX #DDB6A7

RGB 221 182 167

HSL 16.67, 0.44%, 0.76%

LAB 77.05, 11.8, 12.91

 

CMYK 0 / 24 / 24 / 13

HEX #DDA7A7

RGB 221 167 167

HSL 0, 0.44%, 0.76%

LAB 73.42, 19.86, 7.74

 

CMYK 0 / 11 / 24 / 13

HEX #DDC4A7

RGB 221 196 167

HSL 32.22, 0.44%, 0.76%

LAB 80.54, 4.38, 17.8

 

CMYK 0 / 5 / 24 / 13

HEX #DDD3A7

RGB 221 211 167

HSL 48.89, 0.44%, 0.76%

LAB 84.36, -3.44, 23.07

 

CMYK 2 / 0 / 24 / 13

HEX #D8DDA7

RGB 216 221 167

HSL 65.56, 0.44%, 0.76%

LAB 86.55, -10.4, 26.02

 

CMYK 9 / 0 / 24 / 13

HEX #CADDA7

RGB 202 221 167

HSL 81.11, 0.44%, 0.76%

LAB 85.53, -15.54, 24.46

 

CMYK 15 / 0 / 24 / 13

HEX #BBDDA7

RGB 187 221 167

HSL 97.78, 0.44%, 0.76%

LAB 84.52, -20.89, 22.9

 

CMYK 0 / 11 / 24 / 13

HEX #DDC4A7

RGB 221 196 167

HSL 32.22, 0.44%, 0.76%

LAB 80.54, 4.38, 17.8

 

CMYK 0 / 15 / 32 / 9

HEX #E7C59D

RGB 231 197 157

HSL 32.43, 0.61%, 0.76%

LAB 81.49, 6.34, 24.55

 

CMYK 0 / 18 / 39 / 5

HEX #F1C693

RGB 241 198 147

HSL 32.55, 0.77%, 0.76%

LAB 82.48, 8.52, 31.3

 

CMYK 0 / 20 / 45 / 2

HEX #FAC789

RGB 250 199 137

HSL 32.92, 0.92%, 0.76%

LAB 83.43, 10.49, 37.87

 

CMYK 0 / 11 / 24 / 13

HEX #DDC4A7

RGB 221 196 167

HSL 32.22, 0.44%, 0.76%

LAB 80.54, 4.38, 17.8

 

CMYK 0 / 8 / 16 / 17

HEX #D3C3B1

RGB 211 195 177

HSL 31.76, 0.28%, 0.76%

LAB 79.64, 2.66, 11.07

 

CMYK 0 / 3 / 7 / 21

HEX #C9C2BB

RGB 201 194 187

HSL 30, 0.11%, 0.76%

LAB 78.8, 1.21, 4.38

 

CMYK 3 / 2 / 0 / 23

HEX #BFC2C5

RGB 191 194 197

HSL 210, 0.05%, 0.76%

LAB 78.28, -0.47, -1.87

 

CMYK 12 / 6 / 0 / 19

HEX #B5C1CE

RGB 181 193 206

HSL 211.2, 0.2%, 0.76%

LAB 77.53, -1.51, -7.93

 

CMYK 0 / 24 / 24 / 13

HEX #DDA7A7

RGB 221 167 167

HSL 0, 0.44%, 0.76%

LAB 73.42, 19.86, 7.74

 

CMYK 0 / 18 / 24 / 13

HEX #DDB5A7

RGB 221 181 167

HSL 15.56, 0.44%, 0.76%

LAB 76.81, 12.34, 12.56

 

CMYK 0 / 11 / 24 / 13

HEX #DDC4A7

RGB 221 196 167

HSL 32.22, 0.44%, 0.76%

LAB 80.54, 4.38, 17.8

 

CMYK 0 / 5 / 24 / 13

HEX #DDD2A7

RGB 221 210 167

HSL 47.78, 0.44%, 0.76%

LAB 84.1, -2.92, 22.72

 

CMYK 2 / 0 / 24 / 13

HEX #D9DDA7

RGB 217 221 167

HSL 64.44, 0.44%, 0.76%

LAB 86.63, -10.03, 26.13

 

CMYK 0 / 21 / 46 / 22

HEX #C69D6B

RGB 198 157 107

HSL 32.97, 0.44%, 0.6%

LAB 67.41, 8.8, 31.89

 

CMYK 0 / 15 / 34 / 18

HEX #D1B189

RGB 209 177 137

HSL 33.33, 0.44%, 0.68%

LAB 74.07, 5.86, 24.78

 

CMYK 0 / 11 / 24 / 13

HEX #DDC4A7

RGB 221 196 167

HSL 32.22, 0.44%, 0.76%

LAB 80.54, 4.38, 17.8

 

CMYK 0 / 7 / 15 / 9

HEX #E8D8C5

RGB 232 216 197

HSL 32.57, 0.43%, 0.84%

LAB 87.14, 2.42, 11.34

 

CMYK 0 / 3 / 7 / 4

HEX #F4ECE2

RGB 244 236 226

HSL 33.33, 0.45%, 0.92%

LAB 93.76, 1, 5.79

 

CMYK 0 / 11 / 24 / 13

HEX #DDC5A8

RGB 221 197 168

HSL 32.83, 0.44%, 0.76%

LAB 80.81, 3.99, 17.64

 

CMYK 18 / 0 / 24 / 13

HEX #B5DDA7

RGB 181 221 167

HSL 104.44, 0.44%, 0.76%

LAB 84.14, -22.98, 22.32

 

CMYK 21 / 24 / 0 / 13

HEX #AEA7DD

RGB 174 167 221

HSL 247.78, 0.44%, 0.76%

LAB 70.77, 13.72, -26.35

 

CMYK 0 / 11 / 24 / 13

HEX #DDC5A8

RGB 221 197 168

HSL 32.83, 0.44%, 0.76%

LAB 80.81, 3.99, 17.64

 

CMYK 24 / 0 / 11 / 13

HEX #A7DDC4

RGB 167 221 196

HSL 152.22, 0.44%, 0.76%

LAB 83.92, -22.39, 6.66

 

CMYK 11 / 24 / 0 / 13

HEX #C4A7DD

RGB 196 167 221

HSL 272.22, 0.44%, 0.76%

LAB 72.62, 20.64, -23.36

 

CMYK 0 / 11 / 24 / 13

HEX #DDC5A8

RGB 221 197 168

HSL 32.83, 0.44%, 0.76%

LAB 80.81, 3.99, 17.64

 

CMYK 18 / 0 / 24 / 13

HEX #B5DDA7

RGB 181 221 167

HSL 104.44, 0.44%, 0.76%

LAB 84.14, -22.98, 22.32

 

CMYK 24 / 13 / 0 / 13

HEX #A7C0DD

RGB 167 192 221

HSL 212.22, 0.44%, 0.76%

LAB 76.76, -2.11, -17.29

 

CMYK 7 / 24 / 0 / 13

HEX #CEA7DD

RGB 206 167 221

HSL 283.33, 0.44%, 0.76%

LAB 73.53, 23.87, -21.89

 

CMYK 0 / 11 / 24 / 13

HEX #DDC5A8

RGB 221 197 168

HSL 32.83, 0.44%, 0.76%

LAB 80.81, 3.99, 17.64

 

CMYK 24 / 0 / 24 / 13

HEX #A7DDA9

RGB 167 221 169

HSL 122.22, 0.44%, 0.76%

LAB 83.33, -27.37, 20.03

 

CMYK 24 / 13 / 0 / 13

HEX #A7C0DD

RGB 167 192 221

HSL 212.22, 0.44%, 0.76%

LAB 76.76, -2.11, -17.29

 

CMYK 0 / 24 / 1 / 13

HEX #DDA7DB

RGB 221 167 219

HSL 302.22, 0.44%, 0.76%

LAB 74.9, 28.4, -18.58

 

Description

Color code: HEX #DDC5A8 | qconv.com Color code: HEX #DDC5A8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 197 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 197 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 24 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 24% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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