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Color name
HEX #DDC594CE

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DDC594CE it is the complementary color #223A6BCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DDC594CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DDC594CE shade: #E2C58FCE, #F3D7A2CE, #FFE9B5CE, #FFFBC8CE and #FFFFDBCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DDC594CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DDC594CE shade: #DDC594CE, #CCB381CE, #BBA16ECE, #AA8F5BCE and #997D48CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DDC594CE shade: #DDC492, #DDB092, #DD9C92 and #DD9292

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DDC594CE shade: #DDC492, #DDD892, #CDDD92, #B9DD92 and #A5DD92

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DDC594CE shade matches the following richer shades: #DDC492, #E8C887 and #F4CC7B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DDC594CE shade: #DDC492, #D1C09E, #C6BCAA, #BAB8B5 and #AFB4C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DDC594CE shade: #DD9C92, #DDB092, #DDC492, #DDD892 and #CEDD92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DDC594CE shade: #C9A254, #D3B373, #DDC492, #E7D5B2 and #F1E6D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DDC594CE shade: #DDC594, #9CDD92 and #A692DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DDC594CE shade: #DDC594, #92DDC4 and #C492DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DDC594CE shade: #DDC594, #9CDD92, #92ABDD and #D392DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DDC594CE shade: #DDC594, #92DD9F, #92ABDD and #DD92D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 27 / 11

HEX #DDC594CE

RGBA 221 197 148 0.81

HSLA 40.27, 0.52%, 0.72%, 0.81

LABA 80.43, 1.35, 27.7, 0.81

 

Complementary color

CMYK 55 / 37 / 0 / 47

HEX #223A6BCE

RGBA 34 58 107 0.81

HSLA 220.27, 0.52%, 0.28%, 0.81

LABA 25.04, 8.27, -31.4, 0.81

 

CMYK 0 / 10 / 30 / 9

HEX #E2C58FCE

RGBA 226 197 143 0.81

HSLA 39.04, 0.59%, 0.72%, 0.81

LABA 80.79, 2.7, 30.88, 0.81

 

CMYK 0 / 9 / 27 / 4

HEX #F3D7A2CE

RGBA 243 215 162 0.81

HSLA 39.26, 0.77%, 0.79%, 0.81

LABA 87.13, 2.21, 29.75, 0.81

 

CMYK 0 / 7 / 24 / 0

HEX #FFE9B5CE

RGBA 255 233 181 0.81

HSLA 42.16, 1%, 0.85%, 0.81

LABA 92.96, -0.1, 28.04, 0.81

 

CMYK 0 / 1 / 17 / 0

HEX #FFFBC8CE

RGBA 255 251 200 0.81

HSLA 55.64, 1%, 0.89%, 0.81

LABA 97.8, -6.62, 24.98, 0.81

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFDBCE

RGBA 255 255 219 0.81

HSLA 60, 1%, 0.93%, 0.81

LABA 99.18, -5.87, 17.23, 0.81

 

CMYK 0 / 9 / 27 / 11

HEX #DDC594CE

RGBA 221 197 148 0.81

HSLA 40.27, 0.52%, 0.72%, 0.81

LABA 80.43, 1.35, 27.7, 0.81

 

CMYK 0 / 10 / 30 / 16

HEX #CCB381CE

RGBA 204 179 129 0.81

HSLA 40, 0.42%, 0.65%, 0.81

LABA 73.97, 1.84, 28.85, 0.81

 

CMYK 0 / 11 / 33 / 22

HEX #BBA16ECE

RGBA 187 161 110 0.81

HSLA 39.74, 0.36%, 0.58%, 0.81

LABA 67.41, 2.41, 30.07, 0.81

 

CMYK 0 / 13 / 38 / 27

HEX #AA8F5BCE

RGBA 170 143 91 0.81

HSLA 39.49, 0.32%, 0.51%, 0.81

LABA 60.73, 3.08, 31.37, 0.81

 

CMYK 0 / 15 / 43 / 32

HEX #997D48CE

RGBA 153 125 72 0.81

HSLA 39.26, 0.36%, 0.44%, 0.81

LABA 53.93, 3.9, 32.74, 0.81

 

CMYK 0 / 11 / 34 / 13

HEX #DDC492

RGB 221 196 146

HSL 40, 0.52%, 0.72%

LAB 80.14, 1.63, 28.37

 

CMYK 0 / 20 / 34 / 13

HEX #DDB092

RGB 221 176 146

HSL 24, 0.52%, 0.72%

LAB 75.14, 12.22, 21.59

 

CMYK 0 / 29 / 34 / 13

HEX #DD9C92

RGB 221 156 146

HSL 8, 0.52%, 0.72%

LAB 70.33, 22.97, 14.94

 

CMYK 0 / 34 / 34 / 13

HEX #DD9292

RGB 221 146 146

HSL 0, 0.52%, 0.72%

LAB 68.02, 28.35, 11.7

 

CMYK 0 / 11 / 34 / 13

HEX #DDC492

RGB 221 196 146

HSL 40, 0.52%, 0.72%

LAB 80.14, 1.63, 28.37

 

CMYK 0 / 2 / 34 / 13

HEX #DDD892

RGB 221 216 146

HSL 56, 0.52%, 0.72%

LAB 85.28, -8.68, 35.18

 

CMYK 7 / 0 / 34 / 13

HEX #CDDD92

RGB 205 221 146

HSL 72.8, 0.52%, 0.72%

LAB 85.39, -17.29, 35.09

 

CMYK 16 / 0 / 34 / 13

HEX #B9DD92

RGB 185 221 146

HSL 88.8, 0.52%, 0.72%

LAB 84.02, -24.68, 33.04

 

CMYK 25 / 0 / 34 / 13

HEX #A5DD92

RGB 165 221 146

HSL 104.8, 0.52%, 0.72%

LAB 82.8, -31.71, 31.2

 

CMYK 0 / 11 / 34 / 13

HEX #DDC492

RGB 221 196 146

HSL 40, 0.52%, 0.72%

LAB 80.14, 1.63, 28.37

 

CMYK 0 / 14 / 42 / 9

HEX #E8C887

RGB 232 200 135

HSL 40.21, 0.68%, 0.72%

LAB 81.95, 2.63, 36.65

 

CMYK 0 / 16 / 50 / 4

HEX #F4CC7B

RGB 244 204 123

HSL 40.17, 0.85%, 0.72%

LAB 83.89, 4.19, 45.38

 

CMYK 0 / 11 / 34 / 13

HEX #DDC492

RGB 221 196 146

HSL 40, 0.52%, 0.72%

LAB 80.14, 1.63, 28.37

 

CMYK 0 / 8 / 24 / 18

HEX #D1C09E

RGB 209 192 158

HSL 40, 0.36%, 0.72%

LAB 78.3, 0.67, 19.33

 

CMYK 0 / 5 / 14 / 22

HEX #C6BCAA

RGB 198 188 170

HSL 38.57, 0.2%, 0.72%

LAB 76.6, 0.48, 10.36

 

CMYK 0 / 1 / 3 / 27

HEX #BAB8B5

RGB 186 184 181

HSL 36, 0.03%, 0.72%

LAB 74.86, 0.16, 1.76

 

CMYK 9 / 7 / 0 / 24

HEX #AFB4C1

RGB 175 180 193

HSL 223.33, 0.13%, 0.72%

LAB 73.29, 0.82, -7.2

 

CMYK 0 / 29 / 34 / 13

HEX #DD9C92

RGB 221 156 146

HSL 8, 0.52%, 0.72%

LAB 70.33, 22.97, 14.94

 

CMYK 0 / 20 / 34 / 13

HEX #DDB092

RGB 221 176 146

HSL 24, 0.52%, 0.72%

LAB 75.14, 12.22, 21.59

 

CMYK 0 / 11 / 34 / 13

HEX #DDC492

RGB 221 196 146

HSL 40, 0.52%, 0.72%

LAB 80.14, 1.63, 28.37

 

CMYK 0 / 2 / 34 / 13

HEX #DDD892

RGB 221 216 146

HSL 56, 0.52%, 0.72%

LAB 85.28, -8.68, 35.18

 

CMYK 7 / 0 / 34 / 13

HEX #CEDD92

RGB 206 221 146

HSL 72, 0.52%, 0.72%

LAB 85.46, -16.91, 35.2

 

CMYK 0 / 19 / 58 / 21

HEX #C9A254

RGB 201 162 84

HSL 40, 0.52%, 0.56%

LAB 68.68, 5.31, 45.39

 

CMYK 0 / 15 / 45 / 17

HEX #D3B373

RGB 211 179 115

HSL 40, 0.52%, 0.64%

LAB 74.4, 3.14, 36.88

 

CMYK 0 / 11 / 34 / 13

HEX #DDC492

RGB 221 196 146

HSL 40, 0.52%, 0.72%

LAB 80.14, 1.63, 28.37

 

CMYK 0 / 8 / 23 / 9

HEX #E7D5B2

RGB 231 213 178

HSL 39.62, 0.52%, 0.8%

LAB 85.9, 0.8, 19.57

 

CMYK 0 / 5 / 13 / 5

HEX #F1E6D1

RGB 241 230 209

HSL 39.38, 0.53%, 0.88%

LAB 91.64, 0.29, 11.56

 

CMYK 0 / 11 / 33 / 13

HEX #DDC594

RGB 221 197 148

HSL 40.27, 0.52%, 0.72%

LAB 80.43, 1.35, 27.7

 

CMYK 29 / 0 / 34 / 13

HEX #9CDD92

RGB 156 221 146

HSL 112, 0.52%, 0.72%

LAB 82.3, -34.72, 30.45

 

CMYK 25 / 34 / 0 / 13

HEX #A692DD

RGB 166 146 221

HSL 256, 0.52%, 0.72%

LAB 64.87, 23.14, -35.52

 

CMYK 0 / 11 / 33 / 13

HEX #DDC594

RGB 221 197 148

HSL 40.27, 0.52%, 0.72%

LAB 80.43, 1.35, 27.7

 

CMYK 34 / 0 / 11 / 13

HEX #92DDC4

RGB 146 221 196

HSL 160, 0.52%, 0.72%

LAB 82.81, -28.64, 4.91

 

CMYK 11 / 34 / 0 / 13

HEX #C492DD

RGB 196 146 221

HSL 280, 0.52%, 0.72%

LAB 67.66, 32.23, -30.98

 

CMYK 0 / 11 / 33 / 13

HEX #DDC594

RGB 221 197 148

HSL 40.27, 0.52%, 0.72%

LAB 80.43, 1.35, 27.7

 

CMYK 29 / 0 / 34 / 13

HEX #9CDD92

RGB 156 221 146

HSL 112, 0.52%, 0.72%

LAB 82.3, -34.72, 30.45

 

CMYK 34 / 23 / 0 / 13

HEX #92ABDD

RGB 146 171 221

HSL 220, 0.52%, 0.72%

LAB 69.79, 3.22, -28.03

 

CMYK 5 / 34 / 0 / 13

HEX #D392DD

RGB 211 146 221

HSL 292, 0.52%, 0.72%

LAB 69.2, 36.89, -28.47

 

CMYK 0 / 11 / 33 / 13

HEX #DDC594

RGB 221 197 148

HSL 40.27, 0.52%, 0.72%

LAB 80.43, 1.35, 27.7

 

CMYK 34 / 0 / 28 / 13

HEX #92DD9F

RGB 146 221 159

HSL 130.4, 0.52%, 0.72%

LAB 82.02, -35.78, 23.26

 

CMYK 34 / 23 / 0 / 13

HEX #92ABDD

RGB 146 171 221

HSL 220, 0.52%, 0.72%

LAB 69.79, 3.22, -28.03

 

CMYK 0 / 34 / 6 / 13

HEX #DD92D0

RGB 221 146 208

HSL 310.4, 0.52%, 0.72%

LAB 69.81, 37.7, -20.25

 

Description

Color code: HEX #DDC594CE | qconv.com Color code: HEX #DDC594CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 197 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 197 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 27 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 27% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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