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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DDB7ADCE it is the complementary color #224852CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DDB7ADCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DDB7ADCE shade: #E2B7A8CE, #F3C9BBCE, #FFDBCECE, #FFEDE1CE and #FFFFF4CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DDB7ADCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DDB7ADCE shade: #DDB7ADCE, #CCA59ACE, #BB9387CE, #AA8174CE and #996F61CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DDB7ADCE shade: #DCB6AC and #DCACAC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DDB7ADCE shade: #DCB6AC, #DCC3AC, #DCD0AC, #DCDCAC and #CFDCAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DDB7ADCE shade matches the following richer shades: #DCB6AC, #E6B1A3, #EFAB99 and #F9A690

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DDB7ADCE shade: #DCB6AC, #D3BCB6, #C9C1BF, #C0C7C9 and #B6CCD2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DDB7ADCE shade: #DCACBC, #DCACB0, #DCB6AC, #DCC3AC and #DCD0AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DDB7ADCE shade: #C48372, #D09D8F, #DCB6AC, #E9D0C9 and #F5E9E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DDB7ADCE shade: #DDB7AD, #C9DCAC and #ACB6DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DDB7ADCE shade: #DDB7AD, #ACDCB6 and #B6ACDC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DDB7ADCE shade: #DDB7AD, #C9DCAC, #ACD3DC and #C0ACDC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DDB7ADCE shade: #DDB7AD, #BBDCAC, #ACD3DC and #CEACDC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 18 / 11

HEX #DDB7ADCE

RGBA 221 183 173 0.81

HSLA 12.5, 0.41%, 0.77%, 0.81

LABA 77.43, 12.14, 10.2, 0.81

 

Complementary color

CMYK 47 / 10 / 0 / 55

HEX #224852CE

RGBA 34 72 82 0.81

HSLA 192.5, 0.41%, 0.23%, 0.81

LABA 28.34, -10.23, -10.1, 0.81

 

CMYK 0 / 15 / 21 / 9

HEX #E2B7A8CE

RGBA 226 183 168 0.81

HSLA 15.52, 0.5%, 0.77%, 0.81

LABA 77.79, 13.29, 13.48, 0.81

 

CMYK 0 / 14 / 19 / 4

HEX #F3C9BBCE

RGBA 243 201 187 0.81

HSLA 15, 0.7%, 0.84%, 0.81

LABA 84.18, 12.77, 12.56, 0.81

 

CMYK 0 / 11 / 16 / 0

HEX #FFDBCECE

RGBA 255 219 206 0.81

HSLA 15.92, 1%, 0.9%, 0.81

LABA 90.04, 10.49, 11, 0.81

 

CMYK 0 / 6 / 10 / 0

HEX #FFEDE1CE

RGBA 255 237 225 0.81

HSLA 24, 1%, 0.94%, 0.81

LABA 94.85, 4.14, 7.99, 0.81

 

CMYK 0 / 0 / 3 / 0

HEX #FFFFF4CE

RGBA 255 255 244 0.81

HSLA 60, 1%, 0.98%, 0.81

LABA 99.73, -1.88, 5.24, 0.81

 

CMYK 0 / 14 / 18 / 11

HEX #DDB7ADCE

RGBA 221 183 173 0.81

HSLA 12.5, 0.41%, 0.77%, 0.81

LABA 77.43, 12.14, 10.2, 0.81

 

CMYK 0 / 15 / 20 / 16

HEX #CCA59ACE

RGBA 204 165 154 0.81

HSLA 13.2, 0.33%, 0.7%, 0.81

LABA 70.93, 12.66, 11.11, 0.81

 

CMYK 0 / 17 / 23 / 22

HEX #BB9387CE

RGBA 187 147 135 0.81

HSLA 13.85, 0.28%, 0.63%, 0.81

LABA 64.31, 13.25, 12.09, 0.81

 

CMYK 0 / 20 / 26 / 27

HEX #AA8174CE

RGBA 170 129 116 0.81

HSLA 14.44, 0.24%, 0.56%, 0.81

LABA 57.57, 13.92, 13.16, 0.81

 

CMYK 0 / 22 / 30 / 32

HEX #996F61CE

RGBA 153 111 97 0.81

HSLA 15, 0.22%, 0.49%, 0.81

LABA 50.69, 14.7, 14.35, 0.81

 

CMYK 0 / 17 / 22 / 14

HEX #DCB6AC

RGB 220 182 172

HSL 12.5, 0.41%, 0.77%

LAB 77.07, 12.15, 10.21

 

CMYK 0 / 22 / 22 / 14

HEX #DCACAC

RGB 220 172 172

HSL 0, 0.41%, 0.77%

LAB 74.63, 17.52, 6.73

 

CMYK 0 / 17 / 22 / 14

HEX #DCB6AC

RGB 220 182 172

HSL 12.5, 0.41%, 0.77%

LAB 77.07, 12.15, 10.21

 

CMYK 0 / 11 / 22 / 14

HEX #DCC3AC

RGB 220 195 172

HSL 28.75, 0.41%, 0.77%

LAB 80.31, 5.24, 14.79

 

CMYK 0 / 5 / 22 / 14

HEX #DCD0AC

RGB 220 208 172

HSL 45, 0.41%, 0.77%

LAB 83.6, -1.56, 19.4

 

CMYK 0 / 0 / 22 / 14

HEX #DCDCAC

RGB 220 220 172

HSL 60, 0.41%, 0.77%

LAB 86.69, -7.72, 23.66

 

CMYK 6 / 0 / 22 / 14

HEX #CFDCAC

RGB 207 220 172

HSL 76.25, 0.41%, 0.77%

LAB 85.72, -12.48, 22.17

 

CMYK 0 / 17 / 22 / 14

HEX #DCB6AC

RGB 220 182 172

HSL 12.5, 0.41%, 0.77%

LAB 77.07, 12.15, 10.21

 

CMYK 0 / 23 / 29 / 10

HEX #E6B1A3

RGB 230 177 163

HSL 12.54, 0.57%, 0.77%

LAB 76.63, 17.32, 14.6

 

CMYK 0 / 28 / 36 / 6

HEX #EFAB99

RGB 239 171 153

HSL 12.56, 0.73%, 0.77%

LAB 75.93, 22.68, 19.19

 

CMYK 0 / 33 / 42 / 2

HEX #F9A690

RGB 249 166 144

HSL 12.57, 0.9%, 0.77%

LAB 75.72, 28.13, 23.95

 

CMYK 0 / 17 / 22 / 14

HEX #DCB6AC

RGB 220 182 172

HSL 12.5, 0.41%, 0.77%

LAB 77.07, 12.15, 10.21

 

CMYK 0 / 11 / 14 / 17

HEX #D3BCB6

RGB 211 188 182

HSL 12.41, 0.25%, 0.77%

LAB 77.99, 7.17, 6.01

 

CMYK 0 / 4 / 5 / 21

HEX #C9C1BF

RGB 201 193 191

HSL 12, 0.08%, 0.77%

LAB 78.65, 2.44, 1.99

 

CMYK 4 / 1 / 0 / 21

HEX #C0C7C9

RGB 192 199 201

HSL 193.33, 0.08%, 0.77%

LAB 79.77, -2.01, -1.84

 

CMYK 13 / 3 / 0 / 18

HEX #B6CCD2

RGB 182 204 210

HSL 192.86, 0.24%, 0.77%

LAB 80.62, -6.17, -5.5

 

CMYK 0 / 22 / 15 / 14

HEX #DCACBC

RGB 220 172 188

HSL 340, 0.41%, 0.77%

LAB 75.05, 19.99, -1.43

 

CMYK 0 / 22 / 20 / 14

HEX #DCACB0

RGB 220 172 176

HSL 355, 0.41%, 0.77%

LAB 74.73, 18.12, 4.68

 

CMYK 0 / 17 / 22 / 14

HEX #DCB6AC

RGB 220 182 172

HSL 12.5, 0.41%, 0.77%

LAB 77.07, 12.15, 10.21

 

CMYK 0 / 11 / 22 / 14

HEX #DCC3AC

RGB 220 195 172

HSL 28.75, 0.41%, 0.77%

LAB 80.31, 5.24, 14.79

 

CMYK 0 / 5 / 22 / 14

HEX #DCD0AC

RGB 220 208 172

HSL 45, 0.41%, 0.77%

LAB 83.6, -1.56, 19.4

 

CMYK 0 / 33 / 42 / 23

HEX #C48372

RGB 196 131 114

HSL 12.44, 0.41%, 0.61%

LAB 60.94, 23, 19.42

 

CMYK 0 / 25 / 31 / 18

HEX #D09D8F

RGB 208 157 143

HSL 12.92, 0.41%, 0.69%

LAB 69.12, 17.03, 14.7

 

CMYK 0 / 17 / 22 / 14

HEX #DCB6AC

RGB 220 182 172

HSL 12.5, 0.41%, 0.77%

LAB 77.07, 12.15, 10.21

 

CMYK 0 / 11 / 14 / 9

HEX #E9D0C9

RGB 233 208 201

HSL 13.13, 0.42%, 0.85%

LAB 85.33, 7.57, 6.64

 

CMYK 0 / 5 / 6 / 4

HEX #F5E9E6

RGB 245 233 230

HSL 12, 0.43%, 0.93%

LAB 93.19, 3.55, 2.89

 

CMYK 0 / 17 / 22 / 13

HEX #DDB7AD

RGB 221 183 173

HSL 12.5, 0.41%, 0.77%

LAB 77.43, 12.14, 10.2

 

CMYK 9 / 0 / 22 / 14

HEX #C9DCAC

RGB 201 220 172

HSL 83.75, 0.41%, 0.77%

LAB 85.29, -14.65, 21.51

 

CMYK 22 / 17 / 0 / 14

HEX #ACB6DC

RGB 172 182 220

HSL 227.5, 0.41%, 0.77%

LAB 74.44, 4.6, -20.22

 

CMYK 0 / 17 / 22 / 13

HEX #DDB7AD

RGB 221 183 173

HSL 12.5, 0.41%, 0.77%

LAB 77.43, 12.14, 10.2

 

CMYK 22 / 0 / 17 / 14

HEX #ACDCB6

RGB 172 220 182

HSL 132.5, 0.41%, 0.77%

LAB 83.62, -22.96, 13.65

 

CMYK 17 / 22 / 0 / 14

HEX #B6ACDC

RGB 182 172 220

HSL 252.5, 0.41%, 0.77%

LAB 72.64, 13.22, -22.89

 

CMYK 0 / 17 / 22 / 13

HEX #DDB7AD

RGB 221 183 173

HSL 12.5, 0.41%, 0.77%

LAB 77.43, 12.14, 10.2

 

CMYK 9 / 0 / 22 / 14

HEX #C9DCAC

RGB 201 220 172

HSL 83.75, 0.41%, 0.77%

LAB 85.29, -14.65, 21.51

 

CMYK 22 / 4 / 0 / 14

HEX #ACD3DC

RGB 172 211 220

HSL 191.25, 0.41%, 0.77%

LAB 82.12, -10.82, -8.69

 

CMYK 13 / 22 / 0 / 14

HEX #C0ACDC

RGB 192 172 220

HSL 265, 0.41%, 0.77%

LAB 73.47, 16.4, -21.56

 

CMYK 0 / 17 / 22 / 13

HEX #DDB7AD

RGB 221 183 173

HSL 12.5, 0.41%, 0.77%

LAB 77.43, 12.14, 10.2

 

CMYK 15 / 0 / 22 / 14

HEX #BBDCAC

RGB 187 220 172

HSL 101.25, 0.41%, 0.77%

LAB 84.34, -19.6, 20.05

 

CMYK 22 / 4 / 0 / 14

HEX #ACD3DC

RGB 172 211 220

HSL 191.25, 0.41%, 0.77%

LAB 82.12, -10.82, -8.69

 

CMYK 6 / 22 / 0 / 14

HEX #CEACDC

RGB 206 172 220

HSL 282.5, 0.41%, 0.77%

LAB 74.69, 20.94, -19.58

 

Description

Color code: HEX #DDB7ADCE | qconv.com Color code: HEX #DDB7ADCE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 183 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 183 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 18 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 18% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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