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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DDB48D00 it is the complementary color #224B7200. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DDB48D00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DDB48D00 shade: #E2B48800, #F3C69B00, #FFD8AE00, #FFEAC100 and #FFFCD400

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DDB48D00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DDB48D00 shade: #DDB48D00, #CCA27A00, #BB906700, #AA7E5400 and #996C4100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DDB48D00 shade: #DDB48D, #DD9F8D and #DD8D8D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DDB48D00 shade: #DDB48D, #DDCA8D, #DBDD8D, #C5DD8D and #B0DD8D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DDB48D00 shade matches the following richer shades: #DDB48D, #E9B481 and #F5B375

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DDB48D00 shade: #DDB48D, #D1B499, #C5B5A5, #B9B5B1 and #ADB5BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DDB48D00 shade: #DD8D91, #DD9E8D, #DDB48D, #DDC98D and #DCDD8D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DDB48D00 shade: #CA8A4E, #D39F6D, #DDB48D, #E6C9AD and #F0DECD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DDB48D00 shade: #DDB48D, #A6DD8D and #948DDD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DDB48D00 shade: #DDB48D, #8DDDB4 and #B48DDD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DDB48D00 shade: #DDB48D, #A6DD8D, #8DB6DD and #C48DDD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DDB48D00 shade: #DDB48D, #8EDD8D, #8DB6DD and #DC8DDD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #DDB48D00

RGBA 221 180 141 0

HSLA 29.25, 0.54%, 0.71%, 0

LABA 76.03, 9.48, 25.49, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #224B7200

RGBA 34 75 114 0

HSLA 209.25, 0.54%, 0.29%, 0

LABA 30.85, -0.52, -26.63, 0

 

CMYK 0 / 0 / 0 / 0

HEX #E2B48800

RGBA 226 180 136 0

HSLA 29.33, 0.61%, 0.71%, 0

LABA 76.43, 10.88, 28.77, 0

 

CMYK 0 / 0 / 0 / 0

HEX #F3C69B00

RGBA 243 198 155 0

HSLA 29.32, 0.79%, 0.78%, 0

LABA 82.81, 10.2, 27.59, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFD8AE00

RGBA 255 216 174 0

HSLA 31.11, 1%, 0.84%, 0

LABA 88.65, 7.72, 25.78, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFEAC100

RGBA 255 234 193 0

HSLA 39.68, 1%, 0.88%, 0

LABA 93.43, 0.97, 22.53, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFFCD400

RGBA 255 252 212 0

HSLA 55.81, 1%, 0.92%, 0

LABA 98.29, -5.41, 19.55, 0

 

CMYK 0 / 0 / 0 / 0

HEX #DDB48D00

RGBA 221 180 141 0

HSLA 29.25, 0.54%, 0.71%, 0

LABA 76.03, 9.48, 25.49, 0

 

CMYK 0 / 0 / 0 / 0

HEX #CCA27A00

RGBA 204 162 122 0

HSLA 29.27, 0.45%, 0.64%, 0

LABA 69.53, 10.16, 26.7, 0

 

CMYK 0 / 0 / 0 / 0

HEX #BB906700

RGBA 187 144 103 0

HSLA 29.29, 0.38%, 0.57%, 0

LABA 62.92, 10.95, 28, 0

 

CMYK 0 / 0 / 0 / 0

HEX #AA7E5400

RGBA 170 126 84 0

HSLA 29.3, 0.34%, 0.5%, 0

LABA 56.2, 11.88, 29.42, 0

 

CMYK 0 / 0 / 0 / 0

HEX #996C4100

RGBA 153 108 65 0

HSLA 29.32, 0.4%, 0.43%, 0

LABA 49.35, 12.98, 30.95, 0

 

CMYK 0 / 19 / 36 / 13

HEX #DDB48D

RGB 221 180 141

HSL 29.25, 0.54%, 0.71%

LAB 76.03, 9.48, 25.49

 

CMYK 0 / 28 / 36 / 13

HEX #DD9F8D

RGB 221 159 141

HSL 13.5, 0.54%, 0.71%

LAB 70.93, 20.74, 18.53

 

CMYK 0 / 36 / 36 / 13

HEX #DD8D8D

RGB 221 141 141

HSL 0, 0.54%, 0.71%

LAB 66.78, 30.41, 12.75

 

CMYK 0 / 19 / 36 / 13

HEX #DDB48D

RGB 221 180 141

HSL 29.25, 0.54%, 0.71%

LAB 76.03, 9.48, 25.49

 

CMYK 0 / 9 / 36 / 13

HEX #DDCA8D

RGB 221 202 141

HSL 45.75, 0.54%, 0.71%

LAB 81.59, -2.09, 32.89

 

CMYK 1 / 0 / 36 / 13

HEX #DBDD8D

RGB 219 221 141

HSL 61.5, 0.54%, 0.71%

LAB 86.35, -12.55, 39.07

 

CMYK 11 / 0 / 36 / 13

HEX #C5DD8D

RGB 197 221 141

HSL 78, 0.54%, 0.71%

LAB 84.74, -20.92, 36.68

 

CMYK 20 / 0 / 36 / 13

HEX #B0DD8D

RGB 176 221 141

HSL 93.75, 0.54%, 0.71%

LAB 83.37, -28.59, 34.62

 

CMYK 0 / 19 / 36 / 13

HEX #DDB48D

RGB 221 180 141

HSL 29.25, 0.54%, 0.71%

LAB 76.03, 9.48, 25.49

 

CMYK 0 / 23 / 45 / 9

HEX #E9B481

RGB 233 180 129

HSL 29.42, 0.7%, 0.71%

LAB 77.01, 12.92, 33.37

 

CMYK 0 / 27 / 52 / 4

HEX #F5B375

RGB 245 179 117

HSL 29.06, 0.86%, 0.71%

LAB 77.84, 17.14, 40.9

 

CMYK 0 / 19 / 36 / 13

HEX #DDB48D

RGB 221 180 141

HSL 29.25, 0.54%, 0.71%

LAB 76.03, 9.48, 25.49

 

CMYK 0 / 14 / 27 / 18

HEX #D1B499

RGB 209 180 153

HSL 28.93, 0.38%, 0.71%

LAB 75.14, 6.35, 17.63

 

CMYK 0 / 8 / 16 / 23

HEX #C5B5A5

RGB 197 181 165

HSL 30, 0.22%, 0.71%

LAB 74.59, 3.04, 10.21

 

CMYK 0 / 2 / 4 / 27

HEX #B9B5B1

RGB 185 181 177

HSL 30, 0.05%, 0.71%

LAB 73.89, 0.69, 2.53

 

CMYK 8 / 4 / 0 / 26

HEX #ADB5BD

RGB 173 181 189

HSL 210, 0.11%, 0.71%

LAB 73.29, -1.2, -5.03

 

CMYK 0 / 36 / 34 / 13

HEX #DD8D91

RGB 221 141 145

HSL 357, 0.54%, 0.71%

LAB 66.87, 30.9, 10.63

 

CMYK 0 / 29 / 36 / 13

HEX #DD9E8D

RGB 221 158 141

HSL 12.75, 0.54%, 0.71%

LAB 70.7, 21.28, 18.21

 

CMYK 0 / 19 / 36 / 13

HEX #DDB48D

RGB 221 180 141

HSL 29.25, 0.54%, 0.71%

LAB 76.03, 9.48, 25.49

 

CMYK 0 / 9 / 36 / 13

HEX #DDC98D

RGB 221 201 141

HSL 45, 0.54%, 0.71%

LAB 81.33, -1.57, 32.56

 

CMYK 0 / 0 / 36 / 13

HEX #DCDD8D

RGB 220 221 141

HSL 60.75, 0.54%, 0.71%

LAB 86.43, -12.17, 39.19

 

CMYK 0 / 32 / 61 / 21

HEX #CA8A4E

RGB 202 138 78

HSL 29.03, 0.54%, 0.55%

LAB 62.75, 18.35, 41.48

 

CMYK 0 / 25 / 48 / 17

HEX #D39F6D

RGB 211 159 109

HSL 29.41, 0.54%, 0.63%

LAB 69.29, 13.27, 33.5

 

CMYK 0 / 19 / 36 / 13

HEX #DDB48D

RGB 221 180 141

HSL 29.25, 0.54%, 0.71%

LAB 76.03, 9.48, 25.49

 

CMYK 0 / 13 / 25 / 10

HEX #E6C9AD

RGB 230 201 173

HSL 29.47, 0.53%, 0.79%

LAB 82.71, 5.97, 17.75

 

CMYK 0 / 8 / 15 / 6

HEX #F0DECD

RGB 240 222 205

HSL 29.14, 0.54%, 0.87%

LAB 89.48, 3.42, 10.55

 

CMYK 0 / 19 / 36 / 13

HEX #DDB48D

RGB 221 180 141

HSL 29.25, 0.54%, 0.71%

LAB 76.03, 9.48, 25.49

 

CMYK 25 / 0 / 36 / 13

HEX #A6DD8D

RGB 166 221 141

HSL 101.25, 0.54%, 0.71%

LAB 82.78, -32.09, 33.73

 

CMYK 33 / 36 / 0 / 13

HEX #948DDD

RGB 148 141 221

HSL 245.25, 0.54%, 0.71%

LAB 62.14, 20.85, -39.9

 

CMYK 0 / 19 / 36 / 13

HEX #DDB48D

RGB 221 180 141

HSL 29.25, 0.54%, 0.71%

LAB 76.03, 9.48, 25.49

 

CMYK 36 / 0 / 19 / 13

HEX #8DDDB4

RGB 141 221 180

HSL 149.25, 0.54%, 0.71%

LAB 82.2, -33.36, 12.47

 

CMYK 19 / 36 / 0 / 13

HEX #B48DDD

RGB 180 141 221

HSL 269.25, 0.54%, 0.71%

LAB 64.94, 30.13, -35.32

 

CMYK 0 / 19 / 36 / 13

HEX #DDB48D

RGB 221 180 141

HSL 29.25, 0.54%, 0.71%

LAB 76.03, 9.48, 25.49

 

CMYK 25 / 0 / 36 / 13

HEX #A6DD8D

RGB 166 221 141

HSL 101.25, 0.54%, 0.71%

LAB 82.78, -32.09, 33.73

 

CMYK 36 / 18 / 0 / 13

HEX #8DB6DD

RGB 141 182 221

HSL 209.25, 0.54%, 0.71%

LAB 72.45, -4.21, -23.98

 

CMYK 11 / 36 / 0 / 13

HEX #C48DDD

RGB 196 141 221

HSL 281.25, 0.54%, 0.71%

LAB 66.52, 34.97, -32.74

 

CMYK 0 / 19 / 36 / 13

HEX #DDB48D

RGB 221 180 141

HSL 29.25, 0.54%, 0.71%

LAB 76.03, 9.48, 25.49

 

CMYK 36 / 0 / 36 / 13

HEX #8EDD8D

RGB 142 221 141

HSL 119.25, 0.54%, 0.71%

LAB 81.5, -39.98, 31.82

 

CMYK 36 / 18 / 0 / 13

HEX #8DB6DD

RGB 141 182 221

HSL 209.25, 0.54%, 0.71%

LAB 72.45, -4.21, -23.98

 

CMYK 0 / 36 / 0 / 13

HEX #DC8DDD

RGB 220 141 221

HSL 299.25, 0.54%, 0.71%

LAB 69.1, 42.36, -28.54

 

Description

Color code: HEX #DDB48D00 | qconv.com Color code: HEX #DDB48D00 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 180 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 180 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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