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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DDA9C0 it is the complementary color #22563F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DDA9C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DDA9C0 shade: #E2A9BB, #F3BBCE, #FFCDE1, #FFDFF4 and #FFF1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DDA9C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DDA9C0 shade: #DDA9C0, #CC97AD, #BB859A, #AA7387 and #996174

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DDA9C0 shade: #DCA7BE, #DCA7B0 and #DCA7A7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DDA9C0 shade: #DCA7BE, #DCA7CC, #DCA7DB, #CEA7DC and #C0A7DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DDA9C0 shade matches the following richer shades: #DCA7BE, #E69DBD, #EF93BC and #F989BB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DDA9C0 shade: #DCA7BE, #D2B1BF, #C8BBC1, #BEC5C2 and #B4CFC3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DDA9C0 shade: #DCA7DB, #DCA7CD, #DCA7BF, #DCA7B1 and #DCABA7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DDA9C0 shade: #C46C93, #D089A9, #DCA7BE, #E7C4D4 and #F3E2EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DDA9C0 shade: #DDA9C0, #DCCEA7 and #A7D4DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DDA9C0 shade: #DDA9C0, #BFDCA7 and #A7BFDC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DDA9C0 shade: #DDA9C0, #DCCEA7, #A7DCC4 and #A7B4DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DDA9C0 shade: #DDA9C0, #D9DCA7, #A7DCC4 and #AAA7DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 13 / 13

HEX #DDA9C0

RGB 221 169 192

HSL 333.46, 0.43%, 0.76%

LAB 74.54, 22.62, -4.35

 

Complementary color

CMYK 60 / 0 / 27 / 66

HEX #22563F

RGB 34 86 63

HSL 153.46, 0.43%, 0.24%

LAB 32.6, -23.59, 8.26

 

CMYK 0 / 25 / 17 / 11

HEX #E2A9BB

RGB 226 169 187

HSL 341.05, 0.5%, 0.77%

LAB 74.91, 23.6, -1.01

 

CMYK 0 / 23 / 15 / 5

HEX #F3BBCE

RGB 243 187 206

HSL 339.64, 0.7%, 0.84%

LAB 81.32, 23, -1.74

 

CMYK 0 / 20 / 12 / 0

HEX #FFCDE1

RGB 255 205 225

HSL 336, 1%, 0.9%

LAB 87.17, 20.72, -3.17

 

CMYK 0 / 13 / 4 / 0

HEX #FFDFF4

RGB 255 223 244

HSL 320.63, 1%, 0.94%

LAB 91.94, 14.49, -6.15

 

CMYK 0 / 5 / 0 / 0

HEX #FFF1FF

RGB 255 241 255

HSL 300, 1%, 0.97%

LAB 96.57, 7.12, -5.04

 

CMYK 0 / 24 / 13 / 13

HEX #DDA9C0

RGB 221 169 192

HSL 333.46, 0.43%, 0.76%

LAB 74.54, 22.62, -4.35

 

CMYK 0 / 26 / 15 / 20

HEX #CC97AD

RGB 204 151 173

HSL 335.09, 0.34%, 0.7%

LAB 68.01, 23.23, -3.66

 

CMYK 0 / 29 / 18 / 27

HEX #BB859A

RGB 187 133 154

HSL 336.67, 0.28%, 0.63%

LAB 61.37, 23.91, -2.91

 

CMYK 0 / 32 / 21 / 33

HEX #AA7387

RGB 170 115 135

HSL 338.18, 0.24%, 0.56%

LAB 54.61, 24.65, -2.09

 

CMYK 0 / 37 / 24 / 40

HEX #996174

RGB 153 97 116

HSL 339.64, 0.22%, 0.49%

LAB 47.73, 25.47, -1.17

 

CMYK 0 / 24 / 14 / 14

HEX #DCA7BE

RGB 220 167 190

HSL 333.96, 0.43%, 0.76%

LAB 73.91, 23.02, -4.19

 

CMYK 0 / 24 / 20 / 14

HEX #DCA7B0

RGB 220 167 176

HSL 349.81, 0.43%, 0.76%

LAB 73.54, 20.81, 2.95

 

CMYK 0 / 24 / 24 / 14

HEX #DCA7A7

RGB 220 167 167

HSL 0, 0.43%, 0.76%

LAB 73.31, 19.49, 7.58

 

CMYK 0 / 24 / 14 / 14

HEX #DCA7BE

RGB 220 167 190

HSL 333.96, 0.43%, 0.76%

LAB 73.91, 23.02, -4.19

 

CMYK 0 / 24 / 7 / 14

HEX #DCA7CC

RGB 220 167 204

HSL 318.11, 0.43%, 0.76%

LAB 74.33, 25.38, -11.26

 

CMYK 0 / 24 / 0 / 14

HEX #DCA7DB

RGB 220 167 219

HSL 301.13, 0.43%, 0.76%

LAB 74.8, 28.07, -18.74

 

CMYK 6 / 24 / 0 / 14

HEX #CEA7DC

RGB 206 167 220

HSL 284.15, 0.43%, 0.76%

LAB 73.5, 23.67, -21.4

 

CMYK 13 / 24 / 0 / 14

HEX #C0A7DC

RGB 192 167 220

HSL 268.3, 0.43%, 0.76%

LAB 72.24, 19.15, -23.43

 

CMYK 0 / 24 / 14 / 14

HEX #DCA7BE

RGB 220 167 190

HSL 333.96, 0.43%, 0.76%

LAB 73.91, 23.02, -4.19

 

CMYK 0 / 32 / 18 / 10

HEX #E69DBD

RGB 230 157 189

HSL 333.7, 0.59%, 0.76%

LAB 72.64, 31.75, -5.41

 

CMYK 0 / 38 / 21 / 6

HEX #EF93BC

RGB 239 147 188

HSL 333.26, 0.74%, 0.76%

LAB 71.45, 39.98, -6.49

 

CMYK 0 / 45 / 25 / 2

HEX #F989BB

RGB 249 137 187

HSL 333.21, 0.9%, 0.76%

LAB 70.61, 48.3, -7.05

 

CMYK 0 / 24 / 14 / 14

HEX #DCA7BE

RGB 220 167 190

HSL 333.96, 0.43%, 0.76%

LAB 73.91, 23.02, -4.19

 

CMYK 0 / 16 / 9 / 18

HEX #D2B1BF

RGB 210 177 191

HSL 334.55, 0.27%, 0.76%

LAB 75.39, 14.22, -2.67

 

CMYK 0 / 7 / 4 / 22

HEX #C8BBC1

RGB 200 187 193

HSL 332.31, 0.11%, 0.76%

LAB 77.08, 5.65, -1.38

 

CMYK 4 / 0 / 2 / 23

HEX #BEC5C2

RGB 190 197 194

HSL 154.29, 0.06%, 0.76%

LAB 78.91, -2.96, 0.66

 

CMYK 13 / 0 / 6 / 19

HEX #B4CFC3

RGB 180 207 195

HSL 153.33, 0.22%, 0.76%

LAB 80.89, -11.36, 2.91

 

CMYK 0 / 24 / 0 / 14

HEX #DCA7DB

RGB 220 167 219

HSL 301.13, 0.43%, 0.76%

LAB 74.8, 28.07, -18.74

 

CMYK 0 / 24 / 7 / 14

HEX #DCA7CD

RGB 220 167 205

HSL 316.98, 0.43%, 0.76%

LAB 74.36, 25.55, -11.76

 

CMYK 0 / 24 / 13 / 14

HEX #DCA7BF

RGB 220 167 191

HSL 332.83, 0.43%, 0.76%

LAB 73.94, 23.18, -4.7

 

CMYK 0 / 24 / 20 / 14

HEX #DCA7B1

RGB 220 167 177

HSL 348.68, 0.43%, 0.76%

LAB 73.56, 20.97, 2.44

 

CMYK 0 / 22 / 24 / 14

HEX #DCABA7

RGB 220 171 167

HSL 4.53, 0.43%, 0.76%

LAB 74.27, 17.33, 8.95

 

CMYK 0 / 45 / 25 / 23

HEX #C46C93

RGB 196 108 147

HSL 333.41, 0.43%, 0.6%

LAB 56.65, 39.66, -5.72

 

CMYK 0 / 34 / 19 / 18

HEX #D089A9

RGB 208 137 169

HSL 332.96, 0.43%, 0.68%

LAB 65.09, 31.66, -5.67

 

CMYK 0 / 24 / 14 / 14

HEX #DCA7BE

RGB 220 167 190

HSL 333.96, 0.43%, 0.76%

LAB 73.91, 23.02, -4.19

 

CMYK 0 / 15 / 8 / 9

HEX #E7C4D4

RGB 231 196 212

HSL 332.57, 0.42%, 0.84%

LAB 82.5, 15, -3.36

 

CMYK 0 / 7 / 4 / 5

HEX #F3E2EA

RGB 243 226 234

HSL 331.76, 0.41%, 0.92%

LAB 91.41, 7.16, -1.81

 

CMYK 0 / 24 / 13 / 13

HEX #DDA9C0

RGB 221 169 192

HSL 333.46, 0.43%, 0.76%

LAB 74.54, 22.62, -4.35

 

CMYK 0 / 6 / 24 / 14

HEX #DCCEA7

RGB 220 206 167

HSL 44.15, 0.43%, 0.76%

LAB 82.99, -1.23, 21.19

 

CMYK 24 / 4 / 0 / 14

HEX #A7D4DC

RGB 167 212 220

HSL 189.06, 0.43%, 0.76%

LAB 82.09, -12.83, -8.77

 

CMYK 0 / 24 / 13 / 13

HEX #DDA9C0

RGB 221 169 192

HSL 333.46, 0.43%, 0.76%

LAB 74.54, 22.62, -4.35

 

CMYK 13 / 0 / 24 / 14

HEX #BFDCA7

RGB 191 220 167

HSL 92.83, 0.43%, 0.76%

LAB 84.51, -18.98, 22.93

 

CMYK 24 / 13 / 0 / 14

HEX #A7BFDC

RGB 167 191 220

HSL 212.83, 0.43%, 0.76%

LAB 76.46, -1.8, -17.2

 

CMYK 0 / 24 / 13 / 13

HEX #DDA9C0

RGB 221 169 192

HSL 333.46, 0.43%, 0.76%

LAB 74.54, 22.62, -4.35

 

CMYK 0 / 6 / 24 / 14

HEX #DCCEA7

RGB 220 206 167

HSL 44.15, 0.43%, 0.76%

LAB 82.99, -1.23, 21.19

 

CMYK 24 / 0 / 11 / 14

HEX #A7DCC4

RGB 167 220 196

HSL 152.83, 0.43%, 0.76%

LAB 83.65, -21.9, 6.26

 

CMYK 24 / 18 / 0 / 14

HEX #A7B4DC

RGB 167 180 220

HSL 225.28, 0.43%, 0.76%

LAB 73.56, 4.16, -21.59

 

CMYK 0 / 24 / 13 / 13

HEX #DDA9C0

RGB 221 169 192

HSL 333.46, 0.43%, 0.76%

LAB 74.54, 22.62, -4.35

 

CMYK 1 / 0 / 24 / 14

HEX #D9DCA7

RGB 217 220 167

HSL 63.4, 0.43%, 0.76%

LAB 86.37, -9.53, 25.78

 

CMYK 24 / 0 / 11 / 14

HEX #A7DCC4

RGB 167 220 196

HSL 152.83, 0.43%, 0.76%

LAB 83.65, -21.9, 6.26

 

CMYK 23 / 24 / 0 / 14

HEX #AAA7DC

RGB 170 167 220

HSL 243.4, 0.43%, 0.76%

LAB 70.42, 12.27, -26.37

 

Description

Color code: HEX #DDA9C0 | qconv.com Color code: HEX #DDA9C0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 169 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 169 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 13 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 13% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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