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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DDA7C4 it is the complementary color #22583B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DDA7C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DDA7C4 shade: #E2A7BF, #F3B9D2, #FFCBE5, #FFDDF8 and #FFEFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DDA7C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DDA7C4 shade: #DDA7C4, #CC95B1, #BB839E, #AA718B and #995F78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DDA7C4 shade: #DDA7C4, #DDA7B5 and #DDA7A7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DDA7C4 shade: #DDA7C4, #DDA7D2, #D9A7DD, #CAA7DD and #BCA7DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DDA7C4 shade matches the following richer shades: #DDA7C4, #E79DC5, #F193C5 and #FA89C6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DDA7C4 shade: #DDA7C4, #D3B1C3, #C9BBC2, #BFC5C2 and #B5CEC1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DDA7C4 shade: #D8A7DD, #DDA7D3, #DDA7C4, #DDA7B6 and #DDA7A8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DDA7C4 shade: #C66B9C, #D189B0, #DDA7C4, #E8C5D8 and #F4E2EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DDA7C4 shade: #DDA7C4, #DDCAA7 and #A7DADD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DDA7C4 shade: #DDA7C4, #C4DDA7 and #A7C4DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DDA7C4 shade: #DDA7C4, #DDCAA7, #A7DDBF and #A7BADD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DDA7C4 shade: #DDA7C4, #DDDAA7, #A7DDBF and #A7AADD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 11 / 13

HEX #DDA7C4

RGB 221 167 196

HSL 327.78, 0.44%, 0.76%

LAB 74.19, 24.36, -7.07

 

Complementary color

CMYK 61 / 0 / 33 / 65

HEX #22583B

RGB 34 88 59

HSL 147.78, 0.44%, 0.24%

LAB 33.21, -25.54, 11.59

 

CMYK 0 / 26 / 15 / 11

HEX #E2A7BF

RGB 226 167 191

HSL 335.59, 0.5%, 0.77%

LAB 74.55, 25.3, -3.73

 

CMYK 0 / 24 / 14 / 5

HEX #F3B9D2

RGB 243 185 210

HSL 334.14, 0.71%, 0.84%

LAB 80.96, 24.69, -4.42

 

CMYK 0 / 20 / 10 / 0

HEX #FFCBE5

RGB 255 203 229

HSL 330, 1%, 0.9%

LAB 86.81, 22.41, -5.82

 

CMYK 0 / 13 / 3 / 0

HEX #FFDDF8

RGB 255 221 248

HSL 312.35, 1%, 0.93%

LAB 91.57, 16.23, -8.79

 

CMYK 0 / 6 / 0 / 0

HEX #FFEFFF

RGB 255 239 255

HSL 300, 1%, 0.97%

LAB 96.09, 8.15, -5.76

 

CMYK 0 / 24 / 11 / 13

HEX #DDA7C4

RGB 221 167 196

HSL 327.78, 0.44%, 0.76%

LAB 74.19, 24.36, -7.07

 

CMYK 0 / 27 / 13 / 20

HEX #CC95B1

RGB 204 149 177

HSL 329.45, 0.35%, 0.69%

LAB 67.66, 24.99, -6.42

 

CMYK 0 / 30 / 16 / 27

HEX #BB839E

RGB 187 131 158

HSL 331.07, 0.29%, 0.62%

LAB 61.02, 25.67, -5.72

 

CMYK 0 / 34 / 18 / 33

HEX #AA718B

RGB 170 113 139

HSL 332.63, 0.25%, 0.55%

LAB 54.26, 26.42, -4.95

 

CMYK 0 / 38 / 22 / 40

HEX #995F78

RGB 153 95 120

HSL 334.14, 0.23%, 0.49%

LAB 47.38, 27.23, -4.09

 

CMYK 0 / 24 / 11 / 13

HEX #DDA7C4

RGB 221 167 196

HSL 327.78, 0.44%, 0.76%

LAB 74.19, 24.36, -7.07

 

CMYK 0 / 24 / 18 / 13

HEX #DDA7B5

RGB 221 167 181

HSL 344.44, 0.44%, 0.76%

LAB 73.77, 21.94, 0.55

 

CMYK 0 / 24 / 24 / 13

HEX #DDA7A7

RGB 221 167 167

HSL 0, 0.44%, 0.76%

LAB 73.42, 19.86, 7.74

 

CMYK 0 / 24 / 11 / 13

HEX #DDA7C4

RGB 221 167 196

HSL 327.78, 0.44%, 0.76%

LAB 74.19, 24.36, -7.07

 

CMYK 0 / 24 / 5 / 13

HEX #DDA7D2

RGB 221 167 210

HSL 312.22, 0.44%, 0.76%

LAB 74.61, 26.77, -14.1

 

CMYK 2 / 24 / 0 / 13

HEX #D9A7DD

RGB 217 167 221

HSL 295.56, 0.44%, 0.76%

LAB 74.58, 27.46, -20.2

 

CMYK 9 / 24 / 0 / 13

HEX #CAA7DD

RGB 202 167 221

HSL 278.89, 0.44%, 0.76%

LAB 73.16, 22.57, -22.48

 

CMYK 15 / 24 / 0 / 13

HEX #BCA7DD

RGB 188 167 221

HSL 263.33, 0.44%, 0.76%

LAB 71.93, 18.1, -24.48

 

CMYK 0 / 24 / 11 / 13

HEX #DDA7C4

RGB 221 167 196

HSL 327.78, 0.44%, 0.76%

LAB 74.19, 24.36, -7.07

 

CMYK 0 / 32 / 15 / 9

HEX #E79DC5

RGB 231 157 197

HSL 327.57, 0.61%, 0.76%

LAB 72.98, 33.35, -9.3

 

CMYK 0 / 39 / 18 / 5

HEX #F193C5

RGB 241 147 197

HSL 328.09, 0.77%, 0.76%

LAB 71.96, 41.98, -10.7

 

CMYK 0 / 45 / 21 / 2

HEX #FA89C6

RGB 250 137 198

HSL 327.61, 0.92%, 0.76%

LAB 71.07, 50.16, -12.47

 

CMYK 0 / 24 / 11 / 13

HEX #DDA7C4

RGB 221 167 196

HSL 327.78, 0.44%, 0.76%

LAB 74.19, 24.36, -7.07

 

CMYK 0 / 16 / 8 / 17

HEX #D3B1C3

RGB 211 177 195

HSL 328.24, 0.28%, 0.76%

LAB 75.6, 15.27, -4.54

 

CMYK 0 / 7 / 3 / 21

HEX #C9BBC2

RGB 201 187 194

HSL 330, 0.11%, 0.76%

LAB 77.19, 6.18, -1.75

 

CMYK 3 / 0 / 2 / 23

HEX #BFC5C2

RGB 191 197 194

HSL 150, 0.05%, 0.76%

LAB 78.99, -2.62, 0.77

 

CMYK 12 / 0 / 6 / 19

HEX #B5CEC1

RGB 181 206 193

HSL 148.8, 0.2%, 0.76%

LAB 80.64, -10.89, 3.62

 

CMYK 2 / 24 / 0 / 13

HEX #D8A7DD

RGB 216 167 221

HSL 294.44, 0.44%, 0.76%

LAB 74.48, 27.13, -20.36

 

CMYK 0 / 24 / 5 / 13

HEX #DDA7D3

RGB 221 167 211

HSL 311.11, 0.44%, 0.76%

LAB 74.64, 26.95, -14.6

 

CMYK 0 / 24 / 11 / 13

HEX #DDA7C4

RGB 221 167 196

HSL 327.78, 0.44%, 0.76%

LAB 74.19, 24.36, -7.07

 

CMYK 0 / 24 / 18 / 13

HEX #DDA7B6

RGB 221 167 182

HSL 343.33, 0.44%, 0.76%

LAB 73.8, 22.1, 0.04

 

CMYK 0 / 24 / 24 / 13

HEX #DDA7A8

RGB 221 167 168

HSL 358.89, 0.44%, 0.76%

LAB 73.44, 20, 7.22

 

CMYK 0 / 46 / 21 / 22

HEX #C66B9C

RGB 198 107 156

HSL 327.69, 0.44%, 0.6%

LAB 57, 42.18, -10.41

 

CMYK 0 / 34 / 16 / 18

HEX #D189B0

RGB 209 137 176

HSL 327.5, 0.44%, 0.68%

LAB 65.42, 33.11, -9.12

 

CMYK 0 / 24 / 11 / 13

HEX #DDA7C4

RGB 221 167 196

HSL 327.78, 0.44%, 0.76%

LAB 74.19, 24.36, -7.07

 

CMYK 0 / 15 / 7 / 9

HEX #E8C5D8

RGB 232 197 216

HSL 327.43, 0.43%, 0.84%

LAB 82.94, 15.5, -4.85

 

CMYK 0 / 7 / 3 / 4

HEX #F4E2EC

RGB 244 226 236

HSL 326.67, 0.45%, 0.92%

LAB 91.54, 7.84, -2.65

 

CMYK 0 / 24 / 11 / 13

HEX #DDA7C4

RGB 221 167 196

HSL 327.78, 0.44%, 0.76%

LAB 74.19, 24.36, -7.07

 

CMYK 0 / 9 / 24 / 13

HEX #DDCAA7

RGB 221 202 167

HSL 38.89, 0.44%, 0.76%

LAB 82.06, 1.23, 19.91

 

CMYK 24 / 1 / 0 / 13

HEX #A7DADD

RGB 167 218 221

HSL 183.33, 0.44%, 0.76%

LAB 83.75, -15.67, -6.85

 

CMYK 0 / 24 / 11 / 13

HEX #DDA7C4

RGB 221 167 196

HSL 327.78, 0.44%, 0.76%

LAB 74.19, 24.36, -7.07

 

CMYK 11 / 0 / 24 / 13

HEX #C4DDA7

RGB 196 221 167

HSL 87.78, 0.44%, 0.76%

LAB 85.12, -17.7, 23.82

 

CMYK 24 / 11 / 0 / 13

HEX #A7C4DD

RGB 167 196 221

HSL 207.78, 0.44%, 0.76%

LAB 77.83, -4.25, -15.68

 

CMYK 0 / 24 / 11 / 13

HEX #DDA7C4

RGB 221 167 196

HSL 327.78, 0.44%, 0.76%

LAB 74.19, 24.36, -7.07

 

CMYK 0 / 9 / 24 / 13

HEX #DDCAA7

RGB 221 202 167

HSL 38.89, 0.44%, 0.76%

LAB 82.06, 1.23, 19.91

 

CMYK 24 / 0 / 14 / 13

HEX #A7DDBF

RGB 167 221 191

HSL 146.67, 0.44%, 0.76%

LAB 83.8, -23.37, 9.13

 

CMYK 24 / 16 / 0 / 13

HEX #A7BADD

RGB 167 186 221

HSL 218.89, 0.44%, 0.76%

LAB 75.17, 1.13, -19.69

 

CMYK 0 / 24 / 11 / 13

HEX #DDA7C4

RGB 221 167 196

HSL 327.78, 0.44%, 0.76%

LAB 74.19, 24.36, -7.07

 

CMYK 0 / 1 / 24 / 13

HEX #DDDAA7

RGB 221 218 167

HSL 56.67, 0.44%, 0.76%

LAB 86.16, -7.02, 25.54

 

CMYK 24 / 0 / 14 / 13

HEX #A7DDBF

RGB 167 221 191

HSL 146.67, 0.44%, 0.76%

LAB 83.8, -23.37, 9.13

 

CMYK 24 / 23 / 0 / 13

HEX #A7AADD

RGB 167 170 221

HSL 236.67, 0.44%, 0.76%

LAB 71, 9.92, -26.05

 

Description

Color code: HEX #DDA7C4 | qconv.com Color code: HEX #DDA7C4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 167 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 167 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 11 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 11% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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