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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DDA79A it is the complementary color #225865. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DDA79A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DDA79A shade: #E2A795, #F3B9A8, #FFCBBB, #FFDDCE and #FFEFE1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DDA79A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DDA79A shade: #DDA79A, #CC9587, #BB8374, #AA7161 and #995F4E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DDA79A shade: #DEA89C and #DE9C9C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DDA79A shade: #DEA89C, #DEBA9C, #DECC9C, #DEDE9C and #CCDE9C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DDA79A shade matches the following richer shades: #DEA89C, #E9A291, #F39B86 and #FE957B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DDA79A shade: #DEA89C, #D3AFA6, #C8B6B1, #BEBCBC and #B3C3C6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DDA79A shade: #DE9CB3, #DE9CA1, #DEA89C, #DEB99C and #DECB9C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DDA79A shade: #C9735E, #D48D7D, #DEA89C, #E8C3BA and #F2DED9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DDA79A shade: #DDA79A, #C4DE9C and #9CAADE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DDA79A shade: #DDA79A, #9CDEA8 and #A89CDE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DDA79A shade: #DDA79A, #C4DE9C, #9CD2DE and #B59CDE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DDA79A shade: #DDA79A, #B1DE9C, #9CD2DE and #C99CDE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 30 / 13

HEX #DDA79A

RGB 221 167 154

HSL 11.64, 0.5%, 0.74%

LAB 73.12, 18.07, 14.44

 

Complementary color

CMYK 66 / 13 / 0 / 60

HEX #225865

RGB 34 88 101

HSL 191.64, 0.5%, 0.26%

LAB 34.52, -13.29, -12.79

 

CMYK 0 / 26 / 34 / 11

HEX #E2A795

RGB 226 167 149

HSL 14.03, 0.57%, 0.74%

LAB 73.53, 19.35, 17.83

 

CMYK 0 / 24 / 31 / 5

HEX #F3B9A8

RGB 243 185 168

HSL 13.6, 0.76%, 0.81%

LAB 79.94, 18.63, 16.74

 

CMYK 0 / 20 / 27 / 0

HEX #FFCBBB

RGB 255 203 187

HSL 14.12, 1%, 0.87%

LAB 85.79, 16.14, 14.98

 

CMYK 0 / 13 / 19 / 0

HEX #FFDDCE

RGB 255 221 206

HSL 18.37, 1%, 0.9%

LAB 90.52, 9.46, 11.69

 

CMYK 0 / 6 / 12 / 0

HEX #FFEFE1

RGB 255 239 225

HSL 28, 1%, 0.94%

LAB 95.34, 3.12, 8.69

 

CMYK 0 / 24 / 30 / 13

HEX #DDA79A

RGB 221 167 154

HSL 11.64, 0.5%, 0.74%

LAB 73.12, 18.07, 14.44

 

CMYK 0 / 27 / 34 / 20

HEX #CC9587

RGB 204 149 135

HSL 12.17, 0.4%, 0.66%

LAB 66.58, 18.81, 15.54

 

CMYK 0 / 30 / 38 / 27

HEX #BB8374

RGB 187 131 116

HSL 12.68, 0.34%, 0.59%

LAB 59.94, 19.64, 16.74

 

CMYK 0 / 34 / 43 / 33

HEX #AA7161

RGB 170 113 97

HSL 13.15, 0.3%, 0.52%

LAB 53.19, 20.59, 18.09

 

CMYK 0 / 38 / 49 / 40

HEX #995F4E

RGB 153 95 78

HSL 13.6, 0.32%, 0.45%

LAB 46.32, 21.69, 19.62

 

CMYK 0 / 24 / 30 / 13

HEX #DEA89C

RGB 222 168 156

HSL 10.91, 0.5%, 0.74%

LAB 73.5, 18.18, 13.91

 

CMYK 0 / 30 / 30 / 13

HEX #DE9C9C

RGB 222 156 156

HSL 0, 0.5%, 0.74%

LAB 70.67, 24.64, 9.9

 

CMYK 0 / 24 / 30 / 13

HEX #DEA89C

RGB 222 168 156

HSL 10.91, 0.5%, 0.74%

LAB 73.5, 18.18, 13.91

 

CMYK 0 / 16 / 30 / 13

HEX #DEBA9C

RGB 222 186 156

HSL 27.27, 0.5%, 0.74%

LAB 77.9, 8.55, 20.03

 

CMYK 0 / 8 / 30 / 13

HEX #DECC9C

RGB 222 204 156

HSL 43.64, 0.5%, 0.74%

LAB 82.44, -0.9, 26.24

 

CMYK 0 / 0 / 30 / 13

HEX #DEDE9C

RGB 222 222 156

HSL 60, 0.5%, 0.74%

LAB 87.08, -10.11, 32.47

 

CMYK 8 / 0 / 30 / 13

HEX #CCDE9C

RGB 204 222 156

HSL 76.36, 0.5%, 0.74%

LAB 85.75, -16.85, 30.45

 

CMYK 0 / 24 / 30 / 13

HEX #DEA89C

RGB 222 168 156

HSL 10.91, 0.5%, 0.74%

LAB 73.5, 18.18, 13.91

 

CMYK 0 / 30 / 38 / 9

HEX #E9A291

RGB 233 162 145

HSL 11.59, 0.67%, 0.74%

LAB 73.03, 24.23, 19.44

 

CMYK 0 / 36 / 45 / 5

HEX #F39B86

RGB 243 155 134

HSL 11.56, 0.82%, 0.74%

LAB 72.37, 30.58, 24.74

 

CMYK 0 / 41 / 52 / 0

HEX #FE957B

RGB 254 149 123

HSL 11.91, 0.98%, 0.74%

LAB 72.23, 36.87, 30.76

 

CMYK 0 / 24 / 30 / 13

HEX #DEA89C

RGB 222 168 156

HSL 10.91, 0.5%, 0.74%

LAB 73.5, 18.18, 13.91

 

CMYK 0 / 17 / 21 / 17

HEX #D3AFA6

RGB 211 175 166

HSL 12, 0.34%, 0.74%

LAB 74.36, 11.66, 9.5

 

CMYK 0 / 9 / 12 / 22

HEX #C8B6B1

RGB 200 182 177

HSL 13.04, 0.17%, 0.74%

LAB 75.4, 5.56, 4.86

 

CMYK 0 / 1 / 1 / 25

HEX #BEBCBC

RGB 190 188 188

HSL 0, 0.02%, 0.74%

LAB 76.4, 0.7, 0.24

 

CMYK 10 / 2 / 0 / 22

HEX #B3C3C6

RGB 179 195 198

HSL 189.47, 0.14%, 0.74%

LAB 77.69, -4.85, -3.38

 

CMYK 0 / 30 / 19 / 13

HEX #DE9CB3

RGB 222 156 179

HSL 339.09, 0.5%, 0.74%

LAB 71.26, 27.92, -2.01

 

CMYK 0 / 30 / 27 / 13

HEX #DE9CA1

RGB 222 156 161

HSL 355.45, 0.5%, 0.74%

LAB 70.79, 25.31, 7.3

 

CMYK 0 / 24 / 30 / 13

HEX #DEA89C

RGB 222 168 156

HSL 10.91, 0.5%, 0.74%

LAB 73.5, 18.18, 13.91

 

CMYK 0 / 17 / 30 / 13

HEX #DEB99C

RGB 222 185 156

HSL 26.36, 0.5%, 0.74%

LAB 77.65, 9.08, 19.69

 

CMYK 0 / 9 / 30 / 13

HEX #DECB9C

RGB 222 203 156

HSL 42.73, 0.5%, 0.74%

LAB 82.19, -0.39, 25.89

 

CMYK 0 / 43 / 53 / 21

HEX #C9735E

RGB 201 115 94

HSL 11.78, 0.5%, 0.58%

LAB 57.55, 31.68, 26.32

 

CMYK 0 / 33 / 41 / 17

HEX #D48D7D

RGB 212 141 125

HSL 11.03, 0.5%, 0.66%

LAB 65.38, 25.1, 19.6

 

CMYK 0 / 24 / 30 / 13

HEX #DEA89C

RGB 222 168 156

HSL 10.91, 0.5%, 0.74%

LAB 73.5, 18.18, 13.91

 

CMYK 0 / 16 / 20 / 9

HEX #E8C3BA

RGB 232 195 186

HSL 11.74, 0.5%, 0.82%

LAB 81.69, 11.74, 9.41

 

CMYK 0 / 8 / 10 / 5

HEX #F2DED9

RGB 242 222 217

HSL 12, 0.49%, 0.9%

LAB 89.92, 6.03, 4.92

 

CMYK 0 / 24 / 30 / 13

HEX #DDA79A

RGB 221 167 154

HSL 11.64, 0.5%, 0.74%

LAB 73.12, 18.07, 14.44

 

CMYK 12 / 0 / 30 / 13

HEX #C4DE9C

RGB 196 222 156

HSL 83.64, 0.5%, 0.74%

LAB 85.19, -19.79, 29.61

 

CMYK 30 / 23 / 0 / 13

HEX #9CAADE

RGB 156 170 222

HSL 227.27, 0.5%, 0.74%

LAB 70.24, 6.89, -27.83

 

CMYK 0 / 24 / 30 / 13

HEX #DDA79A

RGB 221 167 154

HSL 11.64, 0.5%, 0.74%

LAB 73.12, 18.07, 14.44

 

CMYK 30 / 0 / 24 / 13

HEX #9CDEA8

RGB 156 222 168

HSL 130.91, 0.5%, 0.74%

LAB 82.99, -31.56, 19.98

 

CMYK 24 / 30 / 0 / 13

HEX #A89CDE

RGB 168 156 222

HSL 250.91, 0.5%, 0.74%

LAB 67.56, 18.31, -31.89

 

CMYK 0 / 24 / 30 / 13

HEX #DDA79A

RGB 221 167 154

HSL 11.64, 0.5%, 0.74%

LAB 73.12, 18.07, 14.44

 

CMYK 12 / 0 / 30 / 13

HEX #C4DE9C

RGB 196 222 156

HSL 83.64, 0.5%, 0.74%

LAB 85.19, -19.79, 29.61

 

CMYK 30 / 5 / 0 / 13

HEX #9CD2DE

RGB 156 210 222

HSL 190.91, 0.5%, 0.74%

LAB 80.98, -14.55, -11.56

 

CMYK 18 / 30 / 0 / 13

HEX #B59CDE

RGB 181 156 222

HSL 262.73, 0.5%, 0.74%

LAB 68.66, 22.25, -30.1

 

CMYK 0 / 24 / 30 / 13

HEX #DDA79A

RGB 221 167 154

HSL 11.64, 0.5%, 0.74%

LAB 73.12, 18.07, 14.44

 

CMYK 20 / 0 / 30 / 13

HEX #B1DE9C

RGB 177 222 156

HSL 100.91, 0.5%, 0.74%

LAB 83.96, -26.56, 27.74

 

CMYK 30 / 5 / 0 / 13

HEX #9CD2DE

RGB 156 210 222

HSL 190.91, 0.5%, 0.74%

LAB 80.98, -14.55, -11.56

 

CMYK 9 / 30 / 0 / 13

HEX #C99CDE

RGB 201 156 222

HSL 280.91, 0.5%, 0.74%

LAB 70.5, 28.5, -27.11

 

Description

Color code: HEX #DDA79A | qconv.com Color code: HEX #DDA79A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 167 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 167 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 30 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 30% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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