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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD9E8A it is the complementary color #226175. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD9E8A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD9E8A shade: #E29E85, #F3B098, #FFC2AB, #FFD4BE and #FFE6D1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD9E8A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD9E8A shade: #DD9E8A, #CC8C77, #BB7A64, #AA6851 and #99563E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD9E8A shade: #DD9D88 and #DD8888

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD9E8A shade: #DD9D88, #DDB388, #DDCA88, #D8DD88 and #C2DD88

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD9E8A shade matches the following richer shades: #DD9D88, #E9967C and #F59070

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD9E8A shade: #DD9D88, #D0A395, #C4AAA1, #B7B0AE and #ABB6BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD9E8A shade: #DD88A2, #DD888B, #DD9C88, #DDB388 and #DDC988

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD9E8A shade: #CA6848, #D38268, #DD9D88, #E6B7A8 and #EFD2C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD9E8A shade: #DD9E8A, #B8DD88 and #8896DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD9E8A shade: #DD9E8A, #88DD9C and #9C88DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD9E8A shade: #DD9E8A, #B8DD88, #88C9DD and #AD88DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD9E8A shade: #DD9E8A, #9FDD88, #88C9DD and #C688DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 38 / 13

HEX #DD9E8A

RGB 221 158 138

HSL 14.46, 0.55%, 0.7%

LAB 70.64, 20.92, 19.77

 

Complementary color

CMYK 71 / 17 / 0 / 54

HEX #226175

RGB 34 97 117

HSL 194.46, 0.55%, 0.3%

LAB 38.15, -12.98, -17.13

 

CMYK 0 / 30 / 41 / 11

HEX #E29E85

RGB 226 158 133

HSL 16.13, 0.62%, 0.7%

LAB 71.09, 22.31, 23.22

 

CMYK 0 / 28 / 37 / 5

HEX #F3B098

RGB 243 176 152

HSL 15.82, 0.79%, 0.77%

LAB 77.5, 21.45, 21.96

 

CMYK 0 / 24 / 33 / 0

HEX #FFC2AB

RGB 255 194 171

HSL 16.43, 1%, 0.84%

LAB 83.33, 18.79, 20.03

 

CMYK 0 / 17 / 25 / 0

HEX #FFD4BE

RGB 255 212 190

HSL 20.31, 1%, 0.87%

LAB 88, 11.86, 16.52

 

CMYK 0 / 10 / 18 / 0

HEX #FFE6D1

RGB 255 230 209

HSL 27.39, 1%, 0.91%

LAB 92.78, 5.27, 13.33

 

CMYK 0 / 29 / 38 / 13

HEX #DD9E8A

RGB 221 158 138

HSL 14.46, 0.55%, 0.7%

LAB 70.64, 20.92, 19.77

 

CMYK 0 / 31 / 42 / 20

HEX #CC8C77

RGB 204 140 119

HSL 14.82, 0.45%, 0.63%

LAB 64.1, 21.82, 21.06

 

CMYK 0 / 35 / 47 / 27

HEX #BB7A64

RGB 187 122 100

HSL 15.17, 0.39%, 0.56%

LAB 57.47, 22.83, 22.48

 

CMYK 0 / 39 / 52 / 33

HEX #AA6851

RGB 170 104 81

HSL 15.51, 0.35%, 0.49%

LAB 50.73, 23.99, 24.09

 

CMYK 0 / 44 / 59 / 40

HEX #99563E

RGB 153 86 62

HSL 15.82, 0.42%, 0.42%

LAB 43.91, 25.32, 25.93

 

CMYK 0 / 29 / 38 / 13

HEX #DD9D88

RGB 221 157 136

HSL 14.82, 0.56%, 0.7%

LAB 70.36, 21.23, 20.49

 

CMYK 0 / 38 / 38 / 13

HEX #DD8888

RGB 221 136 136

HSL 0, 0.56%, 0.7%

LAB 65.56, 32.48, 13.84

 

CMYK 0 / 29 / 38 / 13

HEX #DD9D88

RGB 221 157 136

HSL 14.82, 0.56%, 0.7%

LAB 70.36, 21.23, 20.49

 

CMYK 0 / 19 / 38 / 13

HEX #DDB388

RGB 221 179 136

HSL 30.35, 0.56%, 0.7%

LAB 75.69, 9.43, 27.7

 

CMYK 0 / 9 / 38 / 13

HEX #DDCA88

RGB 221 202 136

HSL 46.59, 0.56%, 0.7%

LAB 81.51, -2.66, 35.37

 

CMYK 2 / 0 / 38 / 13

HEX #D8DD88

RGB 216 221 136

HSL 63.53, 0.56%, 0.7%

LAB 86.05, -14.27, 41.14

 

CMYK 12 / 0 / 38 / 13

HEX #C2DD88

RGB 194 221 136

HSL 79.06, 0.56%, 0.7%

LAB 84.46, -22.66, 38.79

 

CMYK 0 / 29 / 38 / 13

HEX #DD9D88

RGB 221 157 136

HSL 14.82, 0.56%, 0.7%

LAB 70.36, 21.23, 20.49

 

CMYK 0 / 36 / 47 / 9

HEX #E9967C

RGB 233 150 124

HSL 14.31, 0.71%, 0.7%

LAB 69.89, 28.37, 26.66

 

CMYK 0 / 41 / 54 / 4

HEX #F59070

RGB 245 144 112

HSL 14.44, 0.87%, 0.7%

LAB 69.84, 35.09, 33.4

 

CMYK 0 / 29 / 38 / 13

HEX #DD9D88

RGB 221 157 136

HSL 14.82, 0.56%, 0.7%

LAB 70.36, 21.23, 20.49

 

CMYK 0 / 22 / 28 / 18

HEX #D0A395

RGB 208 163 149

HSL 14.24, 0.39%, 0.7%

LAB 70.71, 14.58, 13.62

 

CMYK 0 / 13 / 18 / 23

HEX #C4AAA1

RGB 196 170 161

HSL 15.43, 0.23%, 0.7%

LAB 71.59, 7.97, 8.11

 

CMYK 0 / 4 / 5 / 28

HEX #B7B0AE

RGB 183 176 174

HSL 13.33, 0.06%, 0.7%

LAB 72.34, 2.13, 1.9

 

CMYK 8 / 2 / 0 / 27

HEX #ABB6BA

RGB 171 182 186

HSL 196, 0.1%, 0.7%

LAB 73.32, -3.02, -3.35

 

CMYK 0 / 38 / 27 / 13

HEX #DD88A2

RGB 221 136 162

HSL 341.65, 0.56%, 0.7%

LAB 66.2, 35.78, 0.1

 

CMYK 0 / 38 / 37 / 13

HEX #DD888B

RGB 221 136 139

HSL 357.88, 0.56%, 0.7%

LAB 65.63, 32.84, 12.25

 

CMYK 0 / 29 / 38 / 13

HEX #DD9C88

RGB 221 156 136

HSL 14.12, 0.56%, 0.7%

LAB 70.12, 21.77, 20.17

 

CMYK 0 / 19 / 38 / 13

HEX #DDB388

RGB 221 179 136

HSL 30.35, 0.56%, 0.7%

LAB 75.69, 9.43, 27.7

 

CMYK 0 / 9 / 38 / 13

HEX #DDC988

RGB 221 201 136

HSL 45.88, 0.56%, 0.7%

LAB 81.25, -2.14, 35.03

 

CMYK 0 / 49 / 64 / 21

HEX #CA6848

RGB 202 104 72

HSL 14.77, 0.55%, 0.54%

LAB 55, 36.21, 35.45

 

CMYK 0 / 38 / 51 / 17

HEX #D38268

RGB 211 130 104

HSL 14.58, 0.55%, 0.62%

LAB 62.35, 28.5, 27.23

 

CMYK 0 / 29 / 38 / 13

HEX #DD9D88

RGB 221 157 136

HSL 14.82, 0.56%, 0.7%

LAB 70.36, 21.23, 20.49

 

CMYK 0 / 20 / 27 / 10

HEX #E6B7A8

RGB 230 183 168

HSL 14.52, 0.55%, 0.78%

LAB 78.18, 14.8, 14.08

 

CMYK 0 / 12 / 16 / 6

HEX #EFD2C8

RGB 239 210 200

HSL 15.38, 0.55%, 0.86%

LAB 86.31, 8.52, 8.65

 

CMYK 0 / 29 / 38 / 13

HEX #DD9E8A

RGB 221 158 138

HSL 14.46, 0.55%, 0.7%

LAB 70.64, 20.92, 19.77

 

CMYK 17 / 0 / 38 / 13

HEX #B8DD88

RGB 184 221 136

HSL 86.12, 0.56%, 0.7%

LAB 83.8, -26.36, 37.8

 

CMYK 38 / 32 / 0 / 13

HEX #8896DD

RGB 136 150 221

HSL 230.12, 0.56%, 0.7%

LAB 63.56, 12.38, -37.74

 

CMYK 0 / 29 / 38 / 13

HEX #DD9E8A

RGB 221 158 138

HSL 14.46, 0.55%, 0.7%

LAB 70.64, 20.92, 19.77

 

CMYK 38 / 0 / 29 / 13

HEX #88DD9C

RGB 136 221 156

HSL 134.12, 0.56%, 0.7%

LAB 81.48, -39.31, 24.01

 

CMYK 29 / 38 / 0 / 13

HEX #9C88DD

RGB 156 136 221

HSL 254.12, 0.56%, 0.7%

LAB 61.56, 25.97, -40.75

 

CMYK 0 / 29 / 38 / 13

HEX #DD9E8A

RGB 221 158 138

HSL 14.46, 0.55%, 0.7%

LAB 70.64, 20.92, 19.77

 

CMYK 17 / 0 / 38 / 13

HEX #B8DD88

RGB 184 221 136

HSL 86.12, 0.56%, 0.7%

LAB 83.8, -26.36, 37.8

 

CMYK 38 / 9 / 0 / 13

HEX #88C9DD

RGB 136 201 221

HSL 194.12, 0.56%, 0.7%

LAB 77.42, -15.6, -16.47

 

CMYK 22 / 38 / 0 / 13

HEX #AD88DD

RGB 173 136 221

HSL 266.12, 0.56%, 0.7%

LAB 63.1, 30.86, -38.23

 

CMYK 0 / 29 / 38 / 13

HEX #DD9E8A

RGB 221 158 138

HSL 14.46, 0.55%, 0.7%

LAB 70.64, 20.92, 19.77

 

CMYK 28 / 0 / 38 / 13

HEX #9FDD88

RGB 159 221 136

HSL 103.76, 0.56%, 0.7%

LAB 82.3, -35.19, 35.57

 

CMYK 38 / 9 / 0 / 13

HEX #88C9DD

RGB 136 201 221

HSL 194.12, 0.56%, 0.7%

LAB 77.42, -15.6, -16.47

 

CMYK 10 / 38 / 0 / 13

HEX #C688DD

RGB 198 136 221

HSL 283.76, 0.56%, 0.7%

LAB 65.62, 38.3, -34.12

 

Description

Color code: HEX #DD9E8A | qconv.com Color code: HEX #DD9E8A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 158 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 158 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 38 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 38% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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