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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD9DA0 it is the complementary color #22625F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD9DA0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD9DA0 shade: #E29D9B, #F3AFAE, #FFC1C1, #FFD3D4 and #FFE5E7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD9DA0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD9DA0 shade: #DD9DA0, #CC8B8D, #BB797A, #AA6767 and #995554

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD9DA0 shade: #DD9DA0 and #DD9D9D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD9DA0 shade: #DD9DA0, #DD9DB1, #DD9DC2, #DD9DD3 and #D59DDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD9DA0 shade matches the following richer shades: #DD9DA0, #E79296, #F2878C and #FD7D83

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD9DA0 shade: #DD9DA0, #D2A8AA, #C7B2B3, #BCBDBD and #B2C8C7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD9DA0 shade: #DD9DC2, #DD9DB1, #DD9DA0, #DDAB9D and #DDBC9D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD9DA0 shade: #C76065, #D27E82, #DD9DA0, #E7BBBD and #F2DADB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD9DA0 shade: #DD9DA0, #D3DD9D and #9DBADD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD9DA0 shade: #DD9DA0, #A0DD9D and #9DA0DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD9DA0 shade: #DD9DA0, #D3DD9D, #9DDDD9 and #A69DDD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD9DA0 shade: #DD9DA0, #C0DD9D, #9DDDD9 and #BA9DDD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 28 / 13

HEX #DD9DA0

RGB 221 157 160

HSL 357.19, 0.48%, 0.74%

LAB 70.89, 24.27, 7.98

 

Complementary color

CMYK 65 / 0 / 3 / 62

HEX #22625F

RGB 34 98 95

HSL 177.19, 0.48%, 0.26%

LAB 37.67, -20.81, -4.32

 

CMYK 0 / 31 / 31 / 11

HEX #E29D9B

RGB 226 157 155

HSL 1.69, 0.55%, 0.75%

LAB 71.32, 25.47, 11.43

 

CMYK 0 / 28 / 28 / 5

HEX #F3AFAE

RGB 243 175 174

HSL 0.87, 0.74%, 0.82%

LAB 77.74, 24.71, 10.39

 

CMYK 0 / 24 / 24 / 0

HEX #FFC1C1

RGB 255 193 193

HSL 0, 1%, 0.88%

LAB 83.57, 22.2, 8.65

 

CMYK 0 / 17 / 17 / 0

HEX #FFD3D4

RGB 255 211 212

HSL 358.64, 1%, 0.91%

LAB 88.26, 15.55, 5.29

 

CMYK 0 / 10 / 9 / 0

HEX #FFE5E7

RGB 255 229 231

HSL 355.38, 1%, 0.95%

LAB 93.04, 9.2, 2.26

 

CMYK 0 / 29 / 28 / 13

HEX #DD9DA0

RGB 221 157 160

HSL 357.19, 0.48%, 0.74%

LAB 70.89, 24.27, 7.98

 

CMYK 0 / 32 / 31 / 20

HEX #CC8B8D

RGB 204 139 141

HSL 358.15, 0.39%, 0.67%

LAB 64.34, 25.05, 9.02

 

CMYK 0 / 35 / 35 / 27

HEX #BB797A

RGB 187 121 122

HSL 359.09, 0.33%, 0.6%

LAB 57.7, 25.93, 10.18

 

CMYK 0 / 39 / 39 / 33

HEX #AA6767

RGB 170 103 103

HSL 0, 0.28%, 0.54%

LAB 50.95, 26.91, 11.49

 

CMYK 0 / 44 / 45 / 40

HEX #995554

RGB 153 85 84

HSL 0.87, 0.29%, 0.46%

LAB 44.1, 27.99, 13.02

 

CMYK 0 / 29 / 28 / 13

HEX #DD9DA0

RGB 221 157 160

HSL 357.19, 0.48%, 0.74%

LAB 70.89, 24.27, 7.98

 

CMYK 0 / 29 / 29 / 13

HEX #DD9D9D

RGB 221 157 157

HSL 0, 0.48%, 0.74%

LAB 70.82, 23.86, 9.54

 

CMYK 0 / 29 / 28 / 13

HEX #DD9DA0

RGB 221 157 160

HSL 357.19, 0.48%, 0.74%

LAB 70.89, 24.27, 7.98

 

CMYK 0 / 29 / 20 / 13

HEX #DD9DB1

RGB 221 157 177

HSL 341.25, 0.48%, 0.74%

LAB 71.32, 26.72, -0.81

 

CMYK 0 / 29 / 12 / 13

HEX #DD9DC2

RGB 221 157 194

HSL 325.31, 0.48%, 0.74%

LAB 71.81, 29.42, -9.5

 

CMYK 0 / 29 / 5 / 13

HEX #DD9DD3

RGB 221 157 211

HSL 309.38, 0.48%, 0.74%

LAB 72.35, 32.34, -18.06

 

CMYK 4 / 29 / 0 / 13

HEX #D59DDD

RGB 213 157 221

HSL 292.5, 0.48%, 0.74%

LAB 71.88, 31.58, -24.35

 

CMYK 0 / 29 / 28 / 13

HEX #DD9DA0

RGB 221 157 160

HSL 357.19, 0.48%, 0.74%

LAB 70.89, 24.27, 7.98

 

CMYK 0 / 37 / 35 / 9

HEX #E79296

RGB 231 146 150

HSL 357.18, 0.64%, 0.74%

LAB 69.29, 32.57, 11.42

 

CMYK 0 / 44 / 42 / 5

HEX #F2878C

RGB 242 135 140

HSL 357.2, 0.8%, 0.74%

LAB 68.09, 41.2, 15.53

 

CMYK 0 / 51 / 48 / 1

HEX #FD7D83

RGB 253 125 131

HSL 357.19, 0.97%, 0.74%

LAB 67.42, 49.22, 19.88

 

CMYK 0 / 29 / 28 / 13

HEX #DD9DA0

RGB 221 157 160

HSL 357.19, 0.48%, 0.74%

LAB 70.89, 24.27, 7.98

 

CMYK 0 / 20 / 19 / 18

HEX #D2A8AA

RGB 210 168 170

HSL 357.14, 0.32%, 0.74%

LAB 72.63, 15.68, 4.82

 

CMYK 0 / 11 / 10 / 22

HEX #C7B2B3

RGB 199 178 179

HSL 357.14, 0.16%, 0.74%

LAB 74.34, 7.69, 2.23

 

CMYK 1 / 0 / 0 / 26

HEX #BCBDBD

RGB 188 189 189

HSL 180, 0.01%, 0.74%

LAB 76.53, -0.34, -0.13

 

CMYK 11 / 0 / 0 / 22

HEX #B2C8C7

RGB 178 200 199

HSL 177.27, 0.17%, 0.74%

LAB 78.98, -7.61, -2.03

 

CMYK 0 / 29 / 12 / 13

HEX #DD9DC2

RGB 221 157 194

HSL 325.31, 0.48%, 0.74%

LAB 71.81, 29.42, -9.5

 

CMYK 0 / 29 / 20 / 13

HEX #DD9DB1

RGB 221 157 177

HSL 341.25, 0.48%, 0.74%

LAB 71.32, 26.72, -0.81

 

CMYK 0 / 29 / 28 / 13

HEX #DD9DA0

RGB 221 157 160

HSL 357.19, 0.48%, 0.74%

LAB 70.89, 24.27, 7.98

 

CMYK 0 / 23 / 29 / 13

HEX #DDAB9D

RGB 221 171 157

HSL 13.13, 0.48%, 0.74%

LAB 74.15, 16.32, 14.25

 

CMYK 0 / 15 / 29 / 13

HEX #DDBC9D

RGB 221 188 157

HSL 29.06, 0.48%, 0.74%

LAB 78.33, 7.24, 20.07

 

CMYK 0 / 52 / 49 / 22

HEX #C76065

RGB 199 96 101

HSL 357.09, 0.48%, 0.58%

LAB 53.44, 41.46, 16.73

 

CMYK 0 / 40 / 38 / 18

HEX #D27E82

RGB 210 126 130

HSL 357.14, 0.48%, 0.66%

LAB 61.86, 32.98, 11.85

 

CMYK 0 / 29 / 28 / 13

HEX #DD9DA0

RGB 221 157 160

HSL 357.19, 0.48%, 0.74%

LAB 70.89, 24.27, 7.98

 

CMYK 0 / 19 / 18 / 9

HEX #E7BBBD

RGB 231 187 189

HSL 357.27, 0.48%, 0.82%

LAB 79.73, 16.08, 4.97

 

CMYK 0 / 10 / 10 / 5

HEX #F2DADB

RGB 242 218 219

HSL 357.5, 0.48%, 0.9%

LAB 88.99, 8.43, 2.51

 

CMYK 0 / 29 / 28 / 13

HEX #DD9DA0

RGB 221 157 160

HSL 357.19, 0.48%, 0.74%

LAB 70.89, 24.27, 7.98

 

CMYK 5 / 0 / 29 / 13

HEX #D3DD9D

RGB 211 221 157

HSL 69.38, 0.48%, 0.74%

LAB 86, -13.62, 30.37

 

CMYK 29 / 16 / 0 / 13

HEX #9DBADD

RGB 157 186 221

HSL 212.81, 0.48%, 0.74%

LAB 74.51, -1.85, -20.75

 

CMYK 0 / 29 / 28 / 13

HEX #DD9DA0

RGB 221 157 160

HSL 357.19, 0.48%, 0.74%

LAB 70.89, 24.27, 7.98

 

CMYK 28 / 0 / 29 / 13

HEX #A0DD9D

RGB 160 221 157

HSL 117.19, 0.48%, 0.74%

LAB 82.71, -31.67, 25.36

 

CMYK 29 / 28 / 0 / 13

HEX #9DA0DD

RGB 157 160 221

HSL 237.19, 0.48%, 0.74%

LAB 67.67, 12.55, -31.23

 

CMYK 0 / 29 / 28 / 13

HEX #DD9DA0

RGB 221 157 160

HSL 357.19, 0.48%, 0.74%

LAB 70.89, 24.27, 7.98

 

CMYK 5 / 0 / 29 / 13

HEX #D3DD9D

RGB 211 221 157

HSL 69.38, 0.48%, 0.74%

LAB 86, -13.62, 30.37

 

CMYK 29 / 0 / 2 / 13

HEX #9DDDD9

RGB 157 221 217

HSL 176.25, 0.48%, 0.74%

LAB 83.91, -20.96, -4.55

 

CMYK 25 / 29 / 0 / 13

HEX #A69DDD

RGB 166 157 221

HSL 248.44, 0.48%, 0.74%

LAB 67.61, 16.91, -31.28

 

CMYK 0 / 29 / 28 / 13

HEX #DD9DA0

RGB 221 157 160

HSL 357.19, 0.48%, 0.74%

LAB 70.89, 24.27, 7.98

 

CMYK 13 / 0 / 29 / 13

HEX #C0DD9D

RGB 192 221 157

HSL 87.19, 0.48%, 0.74%

LAB 84.67, -20.61, 28.34

 

CMYK 29 / 0 / 2 / 13

HEX #9DDDD9

RGB 157 221 217

HSL 176.25, 0.48%, 0.74%

LAB 83.91, -20.96, -4.55

 

CMYK 16 / 29 / 0 / 13

HEX #BA9DDD

RGB 186 157 221

HSL 267.19, 0.48%, 0.74%

LAB 69.31, 23.02, -28.52

 

Description

Color code: HEX #DD9DA0 | qconv.com Color code: HEX #DD9DA0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 157 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 157 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 28 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 28% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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