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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD9D9C it is the complementary color #226263. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD9D9C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD9D9C shade: #E29D97, #F3AFAA, #FFC1BD, #FFD3D0 and #FFE5E3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD9D9C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD9D9C shade: #DD9D9C, #CC8B89, #BB7976, #AA6763 and #995550

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD9D9C shade: #DD9D9C and #DD9C9C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD9D9C shade: #DD9D9C, #DDAE9C, #DDC09C, #DDD19C and #D7DD9C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD9D9C shade matches the following richer shades: #DD9D9C, #E79291, #F28886 and #FD7E7C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD9D9C shade: #DD9D9C, #D2A7A6, #C7B2B1, #BDBCBC and #B2C6C7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD9D9C shade: #DD9CBE, #DD9CAD, #DD9C9C, #DDAD9C and #DDBE9C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD9D9C shade: #C8605E, #D27E7D, #DD9D9C, #E7BBBA and #F2DAD9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD9D9C shade: #DD9D9C, #D0DD9C and #9CB6DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD9D9C shade: #DD9D9C, #9CDD9C and #9C9CDD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD9D9C shade: #DD9D9C, #D0DD9C, #9CDDDD and #A99CDD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD9D9C shade: #DD9D9C, #BCDD9C, #9CDDDD and #BC9CDD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 29 / 13

HEX #DD9D9C

RGB 221 157 156

HSL 0.92, 0.49%, 0.74%

LAB 70.79, 23.72, 10.06

 

Complementary color

CMYK 66 / 1 / 0 / 61

HEX #226263

RGB 34 98 99

HSL 180.92, 0.49%, 0.26%

LAB 37.8, -19.56, -6.59

 

CMYK 0 / 31 / 33 / 11

HEX #E29D97

RGB 226 157 151

HSL 4.8, 0.56%, 0.74%

LAB 71.23, 24.96, 13.51

 

CMYK 0 / 28 / 30 / 5

HEX #F3AFAA

RGB 243 175 170

HSL 4.11, 0.75%, 0.81%

LAB 77.65, 24.18, 12.43

 

CMYK 0 / 24 / 26 / 0

HEX #FFC1BD

RGB 255 193 189

HSL 3.64, 1%, 0.87%

LAB 83.48, 21.65, 10.66

 

CMYK 0 / 17 / 18 / 0

HEX #FFD3D0

RGB 255 211 208

HSL 3.83, 1%, 0.91%

LAB 88.16, 14.94, 7.27

 

CMYK 0 / 10 / 11 / 0

HEX #FFE5E3

RGB 255 229 227

HSL 4.29, 1%, 0.95%

LAB 92.95, 8.56, 4.2

 

CMYK 0 / 29 / 29 / 13

HEX #DD9D9C

RGB 221 157 156

HSL 0.92, 0.49%, 0.74%

LAB 70.79, 23.72, 10.06

 

CMYK 0 / 32 / 33 / 20

HEX #CC8B89

RGB 204 139 137

HSL 1.79, 0.4%, 0.67%

LAB 64.25, 24.53, 11.15

 

CMYK 0 / 35 / 37 / 27

HEX #BB7976

RGB 187 121 118

HSL 2.61, 0.34%, 0.6%

LAB 57.61, 25.43, 12.35

 

CMYK 0 / 39 / 42 / 33

HEX #AA6763

RGB 170 103 99

HSL 3.38, 0.29%, 0.53%

LAB 50.86, 26.43, 13.73

 

CMYK 0 / 44 / 48 / 40

HEX #995550

RGB 153 85 80

HSL 4.11, 0.31%, 0.46%

LAB 44.01, 27.56, 15.32

 

CMYK 0 / 29 / 29 / 13

HEX #DD9D9C

RGB 221 157 156

HSL 0.92, 0.49%, 0.74%

LAB 70.79, 23.72, 10.06

 

CMYK 0 / 29 / 29 / 13

HEX #DD9C9C

RGB 221 156 156

HSL 0, 0.49%, 0.74%

LAB 70.56, 24.26, 9.73

 

CMYK 0 / 29 / 29 / 13

HEX #DD9D9C

RGB 221 157 156

HSL 0.92, 0.49%, 0.74%

LAB 70.79, 23.72, 10.06

 

CMYK 0 / 21 / 29 / 13

HEX #DDAE9C

RGB 221 174 156

HSL 16.62, 0.49%, 0.74%

LAB 74.85, 14.57, 15.78

 

CMYK 0 / 13 / 29 / 13

HEX #DDC09C

RGB 221 192 156

HSL 33.23, 0.49%, 0.74%

LAB 79.31, 4.99, 21.96

 

CMYK 0 / 5 / 29 / 13

HEX #DDD19C

RGB 221 209 156

HSL 48.92, 0.49%, 0.74%

LAB 83.64, -3.87, 27.84

 

CMYK 3 / 0 / 29 / 13

HEX #D7DD9C

RGB 215 221 156

HSL 65.54, 0.49%, 0.74%

LAB 86.29, -12.25, 31.31

 

CMYK 0 / 29 / 29 / 13

HEX #DD9D9C

RGB 221 157 156

HSL 0.92, 0.49%, 0.74%

LAB 70.79, 23.72, 10.06

 

CMYK 0 / 37 / 37 / 9

HEX #E79291

RGB 231 146 145

HSL 0.7, 0.64%, 0.74%

LAB 69.18, 31.98, 14.05

 

CMYK 0 / 44 / 45 / 5

HEX #F28886

RGB 242 136 134

HSL 1.11, 0.81%, 0.74%

LAB 68.17, 40.07, 19

 

CMYK 0 / 50 / 51 / 1

HEX #FD7E7C

RGB 253 126 124

HSL 0.93, 0.97%, 0.74%

LAB 67.47, 48.12, 23.88

 

CMYK 0 / 29 / 29 / 13

HEX #DD9D9C

RGB 221 157 156

HSL 0.92, 0.49%, 0.74%

LAB 70.79, 23.72, 10.06

 

CMYK 0 / 20 / 21 / 18

HEX #D2A7A6

RGB 210 167 166

HSL 1.36, 0.33%, 0.74%

LAB 72.29, 15.61, 6.53

 

CMYK 0 / 11 / 11 / 22

HEX #C7B2B1

RGB 199 178 177

HSL 2.73, 0.16%, 0.74%

LAB 74.29, 7.35, 3.25

 

CMYK 0 / 1 / 1 / 26

HEX #BDBCBC

RGB 189 188 188

HSL 0, 0.01%, 0.74%

LAB 76.32, 0.35, 0.11

 

CMYK 11 / 1 / 0 / 22

HEX #B2C6C7

RGB 178 198 199

HSL 182.86, 0.16%, 0.74%

LAB 78.45, -6.56, -2.82

 

CMYK 0 / 29 / 14 / 13

HEX #DD9CBE

RGB 221 156 190

HSL 328.62, 0.49%, 0.74%

LAB 71.46, 29.3, -7.8

 

CMYK 0 / 29 / 22 / 13

HEX #DD9CAD

RGB 221 156 173

HSL 344.31, 0.49%, 0.74%

LAB 70.99, 26.66, 0.91

 

CMYK 0 / 29 / 29 / 13

HEX #DD9C9C

RGB 221 156 156

HSL 0, 0.49%, 0.74%

LAB 70.56, 24.26, 9.73

 

CMYK 0 / 22 / 29 / 13

HEX #DDAD9C

RGB 221 173 156

HSL 15.69, 0.49%, 0.74%

LAB 74.61, 15.11, 15.44

 

CMYK 0 / 14 / 29 / 13

HEX #DDBE9C

RGB 221 190 156

HSL 31.38, 0.49%, 0.74%

LAB 78.81, 6.05, 21.27

 

CMYK 0 / 52 / 53 / 22

HEX #C8605E

RGB 200 96 94

HSL 1.13, 0.49%, 0.58%

LAB 53.44, 41.2, 20.87

 

CMYK 0 / 40 / 40 / 18

HEX #D27E7D

RGB 210 126 125

HSL 0.71, 0.49%, 0.66%

LAB 61.74, 32.4, 14.55

 

CMYK 0 / 29 / 29 / 13

HEX #DD9D9C

RGB 221 157 156

HSL 0.92, 0.49%, 0.74%

LAB 70.79, 23.72, 10.06

 

CMYK 0 / 19 / 19 / 9

HEX #E7BBBA

RGB 231 187 186

HSL 1.33, 0.48%, 0.82%

LAB 79.66, 15.62, 6.48

 

CMYK 0 / 10 / 10 / 5

HEX #F2DAD9

RGB 242 218 217

HSL 2.4, 0.49%, 0.9%

LAB 88.94, 8.1, 3.5

 

CMYK 0 / 29 / 29 / 13

HEX #DD9D9C

RGB 221 157 156

HSL 0.92, 0.49%, 0.74%

LAB 70.79, 23.72, 10.06

 

CMYK 6 / 0 / 29 / 13

HEX #D0DD9C

RGB 208 221 156

HSL 72, 0.49%, 0.74%

LAB 85.77, -14.87, 30.53

 

CMYK 29 / 18 / 0 / 13

HEX #9CB6DD

RGB 156 182 221

HSL 216, 0.49%, 0.74%

LAB 73.38, 0.03, -22.48

 

CMYK 0 / 29 / 29 / 13

HEX #DD9D9C

RGB 221 157 156

HSL 0.92, 0.49%, 0.74%

LAB 70.79, 23.72, 10.06

 

CMYK 29 / 0 / 29 / 13

HEX #9CDD9C

RGB 156 221 156

HSL 120, 0.49%, 0.74%

LAB 82.48, -33.14, 25.53

 

CMYK 29 / 29 / 0 / 13

HEX #9C9CDD

RGB 156 156 221

HSL 240, 0.49%, 0.74%

LAB 66.57, 14.53, -32.95

 

CMYK 0 / 29 / 29 / 13

HEX #DD9D9C

RGB 221 157 156

HSL 0.92, 0.49%, 0.74%

LAB 70.79, 23.72, 10.06

 

CMYK 6 / 0 / 29 / 13

HEX #D0DD9C

RGB 208 221 156

HSL 72, 0.49%, 0.74%

LAB 85.77, -14.87, 30.53

 

CMYK 29 / 0 / 0 / 13

HEX #9CDDDD

RGB 156 221 221

HSL 180, 0.49%, 0.74%

LAB 83.97, -20.34, -6.59

 

CMYK 24 / 29 / 0 / 13

HEX #A99CDD

RGB 169 156 221

HSL 252, 0.49%, 0.74%

LAB 67.6, 18.37, -31.27

 

CMYK 0 / 29 / 29 / 13

HEX #DD9D9C

RGB 221 157 156

HSL 0.92, 0.49%, 0.74%

LAB 70.79, 23.72, 10.06

 

CMYK 15 / 0 / 29 / 13

HEX #BCDD9C

RGB 188 221 156

HSL 90.46, 0.49%, 0.74%

LAB 84.38, -22.19, 28.43

 

CMYK 29 / 0 / 0 / 13

HEX #9CDDDD

RGB 156 221 221

HSL 180, 0.49%, 0.74%

LAB 83.97, -20.34, -6.59

 

CMYK 15 / 29 / 0 / 13

HEX #BC9CDD

RGB 188 156 221

HSL 269.54, 0.49%, 0.74%

LAB 69.25, 24.2, -28.59

 

Description

Color code: HEX #DD9D9C | qconv.com Color code: HEX #DD9D9C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 157 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 157 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 29 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 29% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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