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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD9D5E it is the complementary color #2262A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD9D5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD9D5E shade: #E29D59, #F3AF6C, #FFC17F, #FFD392 and #FFE5A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD9D5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD9D5E shade: #DD9D5E, #CC8B4B, #BB7938, #AA6725 and #995512

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD9D5E shade: #DD9D5F, #DD7B5F and #DD5F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD9D5E shade: #DD9D5F, #DDBF5F, #D8DD5F, #B6DD5F and #94DD5F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD9D5E shade matches the following richer shades: #DD9D5F, #EC9D4F and #FC9D3F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD9D5E shade: #DD9D5F, #CD9D6E, #BD9D7E, #AE9D8E and #9E9E9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD9D5E shade: #DD5F65, #DD7A5F, #DD9C5F, #DDBD5F and #DADD5F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD9D5E shade: #C07428, #D5883D, #DD9D5F, #E4B281 and #EBC7A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD9D5E shade: #DD9D5E, #87DD5F and #695FDD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD9D5E shade: #DD9D5E, #5FDD9C and #9C5FDD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD9D5E shade: #DD9D5E, #87DD5F, #5FA0DD and #B55FDD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD9D5E shade: #DD9D5E, #61DD5F, #5FA0DD and #DA5FDD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 57 / 13

HEX #DD9D5E

RGB 221 157 94

HSL 29.76, 0.65%, 0.62%

LAB 69.68, 17.18, 42.06

 

Complementary color

CMYK 79 / 39 / 0 / 37

HEX #2262A1

RGB 34 98 161

HSL 209.76, 0.65%, 0.38%

LAB 40.65, 2.82, -39.8

 

CMYK 0 / 31 / 61 / 11

HEX #E29D59

RGB 226 157 89

HSL 29.78, 0.7%, 0.62%

LAB 70.18, 18.88, 45.33

 

CMYK 0 / 28 / 56 / 5

HEX #F3AF6C

RGB 243 175 108

HSL 29.78, 0.85%, 0.69%

LAB 76.56, 17.7, 43.85

 

CMYK 0 / 24 / 50 / 0

HEX #FFC17F

RGB 255 193 127

HSL 30.94, 1%, 0.75%

LAB 82.34, 14.68, 41.68

 

CMYK 0 / 17 / 43 / 0

HEX #FFD392

RGB 255 211 146

HSL 35.78, 1%, 0.79%

LAB 86.96, 7.15, 37.93

 

CMYK 0 / 10 / 35 / 0

HEX #FFE5A5

RGB 255 229 165

HSL 42.67, 1%, 0.82%

LAB 91.69, -0, 34.49

 

CMYK 0 / 29 / 57 / 13

HEX #DD9D5E

RGB 221 157 94

HSL 29.76, 0.65%, 0.62%

LAB 69.68, 17.18, 42.06

 

CMYK 0 / 32 / 63 / 20

HEX #CC8B4B

RGB 204 139 75

HSL 29.77, 0.56%, 0.55%

LAB 63.19, 18.44, 43.58

 

CMYK 0 / 35 / 70 / 27

HEX #BB7938

RGB 187 121 56

HSL 29.77, 0.54%, 0.48%

LAB 56.61, 19.9, 45.08

 

CMYK 0 / 39 / 78 / 33

HEX #AA6725

RGB 170 103 37

HSL 29.77, 0.64%, 0.41%

LAB 49.95, 21.6, 46.4

 

CMYK 0 / 44 / 88 / 40

HEX #995512

RGB 153 85 18

HSL 29.78, 0.79%, 0.34%

LAB 43.23, 23.59, 47.06

 

CMYK 0 / 29 / 57 / 13

HEX #DD9D5F

RGB 221 157 95

HSL 29.52, 0.65%, 0.62%

LAB 69.69, 17.26, 41.57

 

CMYK 0 / 44 / 57 / 13

HEX #DD7B5F

RGB 221 123 95

HSL 13.33, 0.65%, 0.62%

LAB 61.97, 35.38, 31.98

 

CMYK 0 / 57 / 57 / 13

HEX #DD5F5F

RGB 221 95 95

HSL 0, 0.65%, 0.62%

LAB 56.47, 49.32, 24.88

 

CMYK 0 / 29 / 57 / 13

HEX #DD9D5F

RGB 221 157 95

HSL 29.52, 0.65%, 0.62%

LAB 69.69, 17.26, 41.57

 

CMYK 0 / 14 / 57 / 13

HEX #DDBF5F

RGB 221 191 95

HSL 45.71, 0.65%, 0.62%

LAB 78.15, -0.79, 51.58

 

CMYK 2 / 0 / 57 / 13

HEX #D8DD5F

RGB 216 221 95

HSL 62.38, 0.65%, 0.62%

LAB 85.57, -18.05, 59.9

 

CMYK 18 / 0 / 57 / 13

HEX #B6DD5F

RGB 182 221 95

HSL 78.57, 0.65%, 0.62%

LAB 83.17, -31.47, 56.54

 

CMYK 33 / 0 / 57 / 13

HEX #94DD5F

RGB 148 221 95

HSL 94.76, 0.65%, 0.62%

LAB 81.2, -43.85, 53.77

 

CMYK 0 / 29 / 57 / 13

HEX #DD9D5F

RGB 221 157 95

HSL 29.52, 0.65%, 0.62%

LAB 69.69, 17.26, 41.57

 

CMYK 0 / 33 / 67 / 7

HEX #EC9D4F

RGB 236 157 79

HSL 29.81, 0.81%, 0.62%

LAB 71.22, 22.38, 51.73

 

CMYK 0 / 38 / 75 / 1

HEX #FC9D3F

RGB 252 157 63

HSL 29.84, 0.97%, 0.62%

LAB 73, 28.17, 61.38

 

CMYK 0 / 29 / 57 / 13

HEX #DD9D5F

RGB 221 157 95

HSL 29.52, 0.65%, 0.62%

LAB 69.69, 17.26, 41.57

 

CMYK 0 / 23 / 46 / 20

HEX #CD9D6E

RGB 205 157 110

HSL 29.68, 0.49%, 0.62%

LAB 68.18, 11.99, 31.42

 

CMYK 0 / 17 / 33 / 26

HEX #BD9D7E

RGB 189 157 126

HSL 29.52, 0.32%, 0.62%

LAB 66.85, 7.32, 20.66

 

CMYK 0 / 10 / 18 / 32

HEX #AE9D8E

RGB 174 157 142

HSL 28.13, 0.16%, 0.62%

LAB 65.8, 3.72, 10.11

 

CMYK 0 / 0 / 1 / 38

HEX #9E9E9D

RGB 158 158 157

HSL 60, 0.01%, 0.62%

LAB 65.09, -0.19, 0.51

 

CMYK 0 / 57 / 54 / 13

HEX #DD5F65

RGB 221 95 101

HSL 357.14, 0.65%, 0.62%

LAB 56.58, 49.78, 21.55

 

CMYK 0 / 45 / 57 / 13

HEX #DD7A5F

RGB 221 122 95

HSL 12.86, 0.65%, 0.62%

LAB 61.76, 35.9, 31.71

 

CMYK 0 / 29 / 57 / 13

HEX #DD9C5F

RGB 221 156 95

HSL 29.05, 0.65%, 0.62%

LAB 69.45, 17.8, 41.28

 

CMYK 0 / 14 / 57 / 13

HEX #DDBD5F

RGB 221 189 95

HSL 44.76, 0.65%, 0.62%

LAB 77.63, 0.25, 50.99

 

CMYK 1 / 0 / 57 / 13

HEX #DADD5F

RGB 218 221 95

HSL 61.43, 0.65%, 0.62%

LAB 85.73, -17.24, 60.12

 

CMYK 0 / 40 / 79 / 25

HEX #C07428

RGB 192 116 40

HSL 30, 0.66%, 0.45%

LAB 55.94, 24.06, 51.86

 

CMYK 0 / 36 / 71 / 16

HEX #D5883D

RGB 213 136 61

HSL 29.61, 0.64%, 0.54%

LAB 63.42, 23.05, 50.94

 

CMYK 0 / 29 / 57 / 13

HEX #DD9D5F

RGB 221 157 95

HSL 29.52, 0.65%, 0.62%

LAB 69.69, 17.26, 41.57

 

CMYK 0 / 22 / 43 / 11

HEX #E4B281

RGB 228 178 129

HSL 29.7, 0.65%, 0.7%

LAB 76.02, 11.98, 31.97

 

CMYK 0 / 15 / 31 / 8

HEX #EBC7A3

RGB 235 199 163

HSL 30, 0.64%, 0.78%

LAB 82.46, 7.58, 22.77

 

CMYK 0 / 29 / 57 / 13

HEX #DD9D5E

RGB 221 157 94

HSL 29.76, 0.65%, 0.62%

LAB 69.68, 17.18, 42.06

 

CMYK 39 / 0 / 57 / 13

HEX #87DD5F

RGB 135 221 95

HSL 100.95, 0.65%, 0.62%

LAB 80.57, -48.17, 52.87

 

CMYK 52 / 57 / 0 / 13

HEX #695FDD

RGB 105 95 221

HSL 244.76, 0.65%, 0.62%

LAB 47.51, 37.71, -63.42

 

CMYK 0 / 29 / 57 / 13

HEX #DD9D5E

RGB 221 157 94

HSL 29.76, 0.65%, 0.62%

LAB 69.68, 17.18, 42.06

 

CMYK 57 / 0 / 29 / 13

HEX #5FDD9C

RGB 95 221 156

HSL 149.05, 0.65%, 0.62%

LAB 79.92, -49.78, 21.62

 

CMYK 29 / 57 / 0 / 13

HEX #9C5FDD

RGB 156 95 221

HSL 269.05, 0.65%, 0.62%

LAB 52.37, 48.94, -55.34

 

CMYK 0 / 29 / 57 / 13

HEX #DD9D5E

RGB 221 157 94

HSL 29.76, 0.65%, 0.62%

LAB 69.68, 17.18, 42.06

 

CMYK 39 / 0 / 57 / 13

HEX #87DD5F

RGB 135 221 95

HSL 100.95, 0.65%, 0.62%

LAB 80.57, -48.17, 52.87

 

CMYK 57 / 28 / 0 / 13

HEX #5FA0DD

RGB 95 160 221

HSL 209.05, 0.65%, 0.62%

LAB 63.99, -3.09, -37.23

 

CMYK 18 / 57 / 0 / 13

HEX #B55FDD

RGB 181 95 221

HSL 280.95, 0.65%, 0.62%

LAB 55.31, 55.07, -50.47

 

CMYK 0 / 29 / 57 / 13

HEX #DD9D5E

RGB 221 157 94

HSL 29.76, 0.65%, 0.62%

LAB 69.68, 17.18, 42.06

 

CMYK 56 / 0 / 57 / 13

HEX #61DD5F

RGB 97 221 95

HSL 119.05, 0.65%, 0.62%

LAB 79.09, -58.97, 50.78

 

CMYK 57 / 28 / 0 / 13

HEX #5FA0DD

RGB 95 160 221

HSL 209.05, 0.65%, 0.62%

LAB 63.99, -3.09, -37.23

 

CMYK 1 / 57 / 0 / 13

HEX #DA5FDD

RGB 218 95 221

HSL 298.57, 0.65%, 0.62%

LAB 60.17, 64.41, -42.47

 

Description

Color code: HEX #DD9D5E | qconv.com Color code: HEX #DD9D5E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 157 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 157 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 57 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 57% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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