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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD9C7E it is the complementary color #226381. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD9C7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD9C7E shade: #E29C79, #F3AE8C, #FFC09F, #FFD2B2 and #FFE4C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD9C7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD9C7E shade: #DD9C7E, #CC8A6B, #BB7858, #AA6645 and #995432

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD9C7E shade: #DD9C7E, #DD827E and #DD7E7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD9C7E shade: #DD9C7E, #DDB57E, #DDCF7E, #D1DD7E and #B7DD7E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD9C7E shade matches the following richer shades: #DD9C7E, #EA9771 and #F79264

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD9C7E shade: #DD9C7E, #D0A18B, #C2A698, #B5ABA6 and #A8AFB3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD9C7E shade: #DD7E94, #DD817E, #DD9A7E, #DDB47E and #DDCD7E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD9C7E shade: #CB6A3D, #D4835D, #DD9C7E, #E5B59F and #EECEBF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD9C7E shade: #DD9C7E, #ADDD7E and #7E88DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD9C7E shade: #DD9C7E, #7EDD9A and #9A7EDD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD9C7E shade: #DD9C7E, #ADDD7E, #7EC0DD and #AD7EDD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD9C7E shade: #DD9C7E, #91DD7E, #7EC0DD and #CA7EDD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 43 / 13

HEX #DD9C7E

RGB 221 156 126

HSL 18.95, 0.58%, 0.68%

LAB 69.93, 20.65, 25.39

 

Complementary color

CMYK 74 / 23 / 0 / 49

HEX #226381

RGB 34 99 129

HSL 198.95, 0.58%, 0.32%

LAB 39.32, -9.86, -22.65

 

CMYK 0 / 31 / 46 / 11

HEX #E29C79

RGB 226 156 121

HSL 20, 0.64%, 0.68%

LAB 70.4, 22.12, 28.83

 

CMYK 0 / 28 / 42 / 5

HEX #F3AE8C

RGB 243 174 140

HSL 19.81, 0.81%, 0.75%

LAB 76.81, 21.18, 27.46

 

CMYK 0 / 25 / 38 / 0

HEX #FFC09F

RGB 255 192 159

HSL 20.63, 1%, 0.81%

LAB 82.63, 18.42, 25.43

 

CMYK 0 / 18 / 30 / 0

HEX #FFD2B2

RGB 255 210 178

HSL 24.94, 1%, 0.85%

LAB 87.27, 11.32, 21.8

 

CMYK 0 / 11 / 23 / 0

HEX #FFE4C5

RGB 255 228 197

HSL 32.07, 1%, 0.89%

LAB 92.03, 4.57, 18.51

 

CMYK 0 / 29 / 43 / 13

HEX #DD9C7E

RGB 221 156 126

HSL 18.95, 0.58%, 0.68%

LAB 69.93, 20.65, 25.39

 

CMYK 0 / 32 / 48 / 20

HEX #CC8A6B

RGB 204 138 107

HSL 19.18, 0.49%, 0.61%

LAB 63.41, 21.64, 26.8

 

CMYK 0 / 36 / 53 / 27

HEX #BB7858

RGB 187 120 88

HSL 19.39, 0.42%, 0.54%

LAB 56.78, 22.77, 28.36

 

CMYK 0 / 40 / 59 / 33

HEX #AA6645

RGB 170 102 69

HSL 19.6, 0.42%, 0.47%

LAB 50.07, 24.07, 30.09

 

CMYK 0 / 45 / 67 / 40

HEX #995432

RGB 153 84 50

HSL 19.81, 0.51%, 0.4%

LAB 43.28, 25.56, 32.03

 

CMYK 0 / 29 / 43 / 13

HEX #DD9C7E

RGB 221 156 126

HSL 18.95, 0.58%, 0.68%

LAB 69.93, 20.65, 25.39

 

CMYK 0 / 41 / 43 / 13

HEX #DD827E

RGB 221 130 126

HSL 2.53, 0.58%, 0.68%

LAB 64.03, 34.55, 17.37

 

CMYK 0 / 43 / 43 / 13

HEX #DD7E7E

RGB 221 126 126

HSL 0, 0.58%, 0.68%

LAB 63.18, 36.65, 16.18

 

CMYK 0 / 29 / 43 / 13

HEX #DD9C7E

RGB 221 156 126

HSL 18.95, 0.58%, 0.68%

LAB 69.93, 20.65, 25.39

 

CMYK 0 / 18 / 43 / 13

HEX #DDB57E

RGB 221 181 126

HSL 34.74, 0.58%, 0.68%

LAB 76.02, 7.26, 33.42

 

CMYK 0 / 6 / 43 / 13

HEX #DDCF7E

RGB 221 207 126

HSL 51.16, 0.58%, 0.68%

LAB 82.65, -6.3, 41.9

 

CMYK 5 / 0 / 43 / 13

HEX #D1DD7E

RGB 209 221 126

HSL 67.58, 0.58%, 0.68%

LAB 85.39, -18.07, 45.13

 

CMYK 17 / 0 / 43 / 13

HEX #B7DD7E

RGB 183 221 126

HSL 84, 0.58%, 0.68%

LAB 83.59, -27.95, 42.5

 

CMYK 0 / 29 / 43 / 13

HEX #DD9C7E

RGB 221 156 126

HSL 18.95, 0.58%, 0.68%

LAB 69.93, 20.65, 25.39

 

CMYK 0 / 35 / 52 / 8

HEX #EA9771

RGB 234 151 113

HSL 18.84, 0.74%, 0.68%

LAB 70.05, 27.22, 32.86

 

CMYK 0 / 41 / 60 / 3

HEX #F79264

RGB 247 146 100

HSL 18.78, 0.9%, 0.68%

LAB 70.35, 33.93, 40.49

 

CMYK 0 / 29 / 43 / 13

HEX #DD9C7E

RGB 221 156 126

HSL 18.95, 0.58%, 0.68%

LAB 69.93, 20.65, 25.39

 

CMYK 0 / 23 / 33 / 18

HEX #D0A18B

RGB 208 161 139

HSL 19.13, 0.42%, 0.68%

LAB 70.01, 14.34, 18.14

 

CMYK 0 / 14 / 22 / 24

HEX #C2A698

RGB 194 166 152

HSL 20, 0.26%, 0.68%

LAB 70.18, 8, 11.03

 

CMYK 0 / 6 / 8 / 29

HEX #B5ABA6

RGB 181 171 166

HSL 20, 0.09%, 0.68%

LAB 70.67, 2.7, 3.85

 

CMYK 6 / 2 / 0 / 30

HEX #A8AFB3

RGB 168 175 179

HSL 201.82, 0.07%, 0.68%

LAB 71.04, -1.67, -2.9

 

CMYK 0 / 43 / 33 / 13

HEX #DD7E94

RGB 221 126 148

HSL 346.11, 0.58%, 0.68%

LAB 63.7, 39.19, 4.4

 

CMYK 0 / 42 / 43 / 13

HEX #DD817E

RGB 221 129 126

HSL 1.89, 0.58%, 0.68%

LAB 63.82, 35.08, 17.07

 

CMYK 0 / 30 / 43 / 13

HEX #DD9A7E

RGB 221 154 126

HSL 17.68, 0.58%, 0.68%

LAB 69.46, 21.73, 24.75

 

CMYK 0 / 19 / 43 / 13

HEX #DDB47E

RGB 221 180 126

HSL 34.11, 0.58%, 0.68%

LAB 75.77, 7.8, 33.1

 

CMYK 0 / 7 / 43 / 13

HEX #DDCD7E

RGB 221 205 126

HSL 49.89, 0.58%, 0.68%

LAB 82.13, -5.28, 41.25

 

CMYK 0 / 48 / 70 / 20

HEX #CB6A3D

RGB 203 106 61

HSL 19.01, 0.58%, 0.52%

LAB 55.42, 34.93, 41.87

 

CMYK 0 / 38 / 56 / 17

HEX #D4835D

RGB 212 131 93

HSL 19.16, 0.58%, 0.6%

LAB 62.52, 27.41, 33.54

 

CMYK 0 / 29 / 43 / 13

HEX #DD9C7E

RGB 221 156 126

HSL 18.95, 0.58%, 0.68%

LAB 69.93, 20.65, 25.39

 

CMYK 0 / 21 / 31 / 10

HEX #E5B59F

RGB 229 181 159

HSL 18.86, 0.57%, 0.76%

LAB 77.41, 14.29, 17.84

 

CMYK 0 / 13 / 20 / 7

HEX #EECEBF

RGB 238 206 191

HSL 19.15, 0.58%, 0.84%

LAB 85.04, 8.89, 11.59

 

CMYK 0 / 29 / 43 / 13

HEX #DD9C7E

RGB 221 156 126

HSL 18.95, 0.58%, 0.68%

LAB 69.93, 20.65, 25.39

 

CMYK 22 / 0 / 43 / 13

HEX #ADDD7E

RGB 173 221 126

HSL 90.32, 0.58%, 0.68%

LAB 82.97, -31.6, 41.58

 

CMYK 43 / 38 / 0 / 13

HEX #7E88DD

RGB 126 136 221

HSL 233.68, 0.58%, 0.68%

LAB 59.22, 17.95, -44.61

 

CMYK 0 / 29 / 43 / 13

HEX #DD9C7E

RGB 221 156 126

HSL 18.95, 0.58%, 0.68%

LAB 69.93, 20.65, 25.39

 

CMYK 43 / 0 / 30 / 13

HEX #7EDD9A

RGB 126 221 154

HSL 137.68, 0.58%, 0.68%

LAB 81.01, -42.52, 24.33

 

CMYK 30 / 43 / 0 / 13

HEX #9A7EDD

RGB 154 126 221

HSL 257.68, 0.58%, 0.68%

LAB 58.99, 31.16, -44.83

 

CMYK 0 / 29 / 43 / 13

HEX #DD9C7E

RGB 221 156 126

HSL 18.95, 0.58%, 0.68%

LAB 69.93, 20.65, 25.39

 

CMYK 22 / 0 / 43 / 13

HEX #ADDD7E

RGB 173 221 126

HSL 90.32, 0.58%, 0.68%

LAB 82.97, -31.6, 41.58

 

CMYK 43 / 13 / 0 / 13

HEX #7EC0DD

RGB 126 192 221

HSL 198.32, 0.58%, 0.68%

LAB 74.42, -13.46, -21.06

 

CMYK 22 / 43 / 0 / 13

HEX #AD7EDD

RGB 173 126 221

HSL 269.68, 0.58%, 0.68%

LAB 60.8, 36.46, -41.84

 

CMYK 0 / 29 / 43 / 13

HEX #DD9C7E

RGB 221 156 126

HSL 18.95, 0.58%, 0.68%

LAB 69.93, 20.65, 25.39

 

CMYK 34 / 0 / 43 / 13

HEX #91DD7E

RGB 145 221 126

HSL 108, 0.58%, 0.68%

LAB 81.42, -41.22, 39.3

 

CMYK 43 / 13 / 0 / 13

HEX #7EC0DD

RGB 126 192 221

HSL 198.32, 0.58%, 0.68%

LAB 74.42, -13.46, -21.06

 

CMYK 9 / 43 / 0 / 13

HEX #CA7EDD

RGB 202 126 221

HSL 288, 0.58%, 0.68%

LAB 63.92, 44.85, -36.74

 

Description

Color code: HEX #DD9C7E | qconv.com Color code: HEX #DD9C7E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 156 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 156 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 43 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 43% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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