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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD98A9 it is the complementary color #226756. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD98A9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD98A9 shade: #E298A4, #F3AAB7, #FFBCCA, #FFCEDD and #FFE0F0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD98A9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD98A9 shade: #DD98A9, #CC8696, #BB7483, #AA6270 and #99505D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD98A9 shade: #DD98A9 and #DD9898

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD98A9 shade: #DD98A9, #DD98BB, #DD98CE, #D998DD and #C698DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD98A9 shade matches the following richer shades: #DD98A9, #E88DA3, #F3819D and #FE7698

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD98A9 shade: #DD98A9, #D1A3AE, #C6AEB4, #BBB9BA and #B0C4BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD98A9 shade: #DD98CE, #DD98BB, #DD98A9, #DD9998 and #DDAB98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD98A9 shade: #C85A75, #D2798F, #DD98A9, #E7B7C3 and #F1D6DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD98A9 shade: #DD98A9, #DDD998 and #98C4DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD98A9 shade: #DD98A9, #A9DD98 and #98A9DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD98A9 shade: #DD98A9, #DDD998, #98DDCB and #989BDD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD98A9 shade: #DD98A9, #CBDD98, #98DDCB and #A998DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 24 / 13

HEX #DD98A9

RGB 221 152 169

HSL 345.22, 0.5%, 0.73%

LAB 69.96, 28.23, 1.64

 

Complementary color

CMYK 67 / 0 / 17 / 60

HEX #226756

RGB 34 103 86

HSL 165.22, 0.5%, 0.27%

LAB 39.09, -26.01, 3.29

 

CMYK 0 / 33 / 27 / 11

HEX #E298A4

RGB 226 152 164

HSL 350.27, 0.56%, 0.74%

LAB 70.39, 29.35, 5.12

 

CMYK 0 / 30 / 25 / 5

HEX #F3AAB7

RGB 243 170 183

HSL 349.32, 0.75%, 0.81%

LAB 76.81, 28.58, 4.17

 

CMYK 0 / 26 / 21 / 0

HEX #FFBCCA

RGB 255 188 202

HSL 347.46, 1%, 0.87%

LAB 82.64, 26.1, 2.48

 

CMYK 0 / 19 / 13 / 0

HEX #FFCEDD

RGB 255 206 221

HSL 341.63, 1%, 0.9%

LAB 87.3, 19.55, -0.86

 

CMYK 0 / 12 / 6 / 0

HEX #FFE0F0

RGB 255 224 240

HSL 329.03, 1%, 0.94%

LAB 92.07, 13.29, -3.86

 

CMYK 0 / 31 / 24 / 13

HEX #DD98A9

RGB 221 152 169

HSL 345.22, 0.5%, 0.73%

LAB 69.96, 28.23, 1.64

 

CMYK 0 / 34 / 26 / 20

HEX #CC8696

RGB 204 134 150

HSL 346.29, 0.41%, 0.66%

LAB 63.42, 29.02, 2.59

 

CMYK 0 / 38 / 30 / 27

HEX #BB7483

RGB 187 116 131

HSL 347.32, 0.34%, 0.59%

LAB 56.78, 29.87, 3.64

 

CMYK 0 / 42 / 34 / 33

HEX #AA6270

RGB 170 98 112

HSL 348.33, 0.3%, 0.53%

LAB 50.04, 30.81, 4.85

 

CMYK 0 / 48 / 39 / 40

HEX #99505D

RGB 153 80 93

HSL 349.32, 0.31%, 0.46%

LAB 43.21, 31.81, 6.27

 

CMYK 0 / 31 / 24 / 13

HEX #DD98A9

RGB 221 152 169

HSL 345.22, 0.5%, 0.73%

LAB 69.96, 28.23, 1.64

 

CMYK 0 / 31 / 31 / 13

HEX #DD9898

RGB 221 152 152

HSL 0, 0.5%, 0.73%

LAB 69.54, 25.89, 10.5

 

CMYK 0 / 31 / 24 / 13

HEX #DD98A9

RGB 221 152 169

HSL 345.22, 0.5%, 0.73%

LAB 69.96, 28.23, 1.64

 

CMYK 0 / 31 / 15 / 13

HEX #DD98BB

RGB 221 152 187

HSL 329.57, 0.5%, 0.73%

LAB 70.47, 30.97, -7.62

 

CMYK 0 / 31 / 7 / 13

HEX #DD98CE

RGB 221 152 206

HSL 313.04, 0.5%, 0.73%

LAB 71.07, 34.14, -17.25

 

CMYK 2 / 31 / 0 / 13

HEX #D998DD

RGB 217 152 221

HSL 296.52, 0.5%, 0.73%

LAB 71.17, 35.56, -25.4

 

CMYK 10 / 31 / 0 / 13

HEX #C698DD

RGB 198 152 221

HSL 280, 0.5%, 0.73%

LAB 69.24, 29.55, -28.52

 

CMYK 0 / 31 / 24 / 13

HEX #DD98A9

RGB 221 152 169

HSL 345.22, 0.5%, 0.73%

LAB 69.96, 28.23, 1.64

 

CMYK 0 / 39 / 30 / 9

HEX #E88DA3

RGB 232 141 163

HSL 345.49, 0.66%, 0.73%

LAB 68.64, 37.21, 3.24

 

CMYK 0 / 47 / 35 / 5

HEX #F3819D

RGB 243 129 157

HSL 345.26, 0.83%, 0.73%

LAB 67.42, 46.47, 5.03

 

CMYK 0 / 54 / 40 / 0

HEX #FE7698

RGB 254 118 152

HSL 345, 0.99%, 0.73%

LAB 66.74, 54.94, 7.09

 

CMYK 0 / 31 / 24 / 13

HEX #DD98A9

RGB 221 152 169

HSL 345.22, 0.5%, 0.73%

LAB 69.96, 28.23, 1.64

 

CMYK 0 / 22 / 17 / 18

HEX #D1A3AE

RGB 209 163 174

HSL 345.65, 0.33%, 0.73%

LAB 71.42, 18.65, 0.85

 

CMYK 0 / 12 / 9 / 22

HEX #C6AEB4

RGB 198 174 180

HSL 345, 0.17%, 0.73%

LAB 73.27, 9.67, 0.11

 

CMYK 0 / 1 / 1 / 27

HEX #BBB9BA

RGB 187 185 186

HSL 330, 0.01%, 0.73%

LAB 75.33, 0.89, -0.27

 

CMYK 10 / 0 / 3 / 23

HEX #B0C4BF

RGB 176 196 191

HSL 165, 0.14%, 0.73%

LAB 77.56, -7.76, 0.18

 

CMYK 0 / 31 / 7 / 13

HEX #DD98CE

RGB 221 152 206

HSL 313.04, 0.5%, 0.73%

LAB 71.07, 34.14, -17.25

 

CMYK 0 / 31 / 15 / 13

HEX #DD98BB

RGB 221 152 187

HSL 329.57, 0.5%, 0.73%

LAB 70.47, 30.97, -7.62

 

CMYK 0 / 31 / 24 / 13

HEX #DD98A9

RGB 221 152 169

HSL 345.22, 0.5%, 0.73%

LAB 69.96, 28.23, 1.64

 

CMYK 0 / 31 / 31 / 13

HEX #DD9998

RGB 221 153 152

HSL 0.87, 0.5%, 0.73%

LAB 69.77, 25.35, 10.82

 

CMYK 0 / 23 / 31 / 13

HEX #DDAB98

RGB 221 171 152

HSL 16.52, 0.5%, 0.73%

LAB 74.04, 15.66, 16.82

 

CMYK 0 / 55 / 42 / 22

HEX #C85A75

RGB 200 90 117

HSL 345.27, 0.5%, 0.57%

LAB 52.81, 46.4, 6.41

 

CMYK 0 / 42 / 32 / 18

HEX #D2798F

RGB 210 121 143

HSL 345.17, 0.5%, 0.65%

LAB 61.1, 37.23, 3.32

 

CMYK 0 / 31 / 24 / 13

HEX #DD98A9

RGB 221 152 169

HSL 345.22, 0.5%, 0.73%

LAB 69.96, 28.23, 1.64

 

CMYK 0 / 21 / 16 / 9

HEX #E7B7C3

RGB 231 183 195

HSL 345, 0.5%, 0.81%

LAB 78.92, 19.14, 0.56

 

CMYK 0 / 11 / 9 / 5

HEX #F1D6DC

RGB 241 214 220

HSL 346.67, 0.49%, 0.89%

LAB 87.95, 10.34, 0.47

 

CMYK 0 / 31 / 24 / 13

HEX #DD98A9

RGB 221 152 169

HSL 345.22, 0.5%, 0.73%

LAB 69.96, 28.23, 1.64

 

CMYK 0 / 2 / 31 / 13

HEX #DDD998

RGB 221 217 152

HSL 56.52, 0.5%, 0.73%

LAB 85.64, -8.46, 32.58

 

CMYK 31 / 11 / 0 / 13

HEX #98C4DD

RGB 152 196 221

HSL 201.74, 0.5%, 0.73%

LAB 76.91, -8.63, -17.16

 

CMYK 0 / 31 / 24 / 13

HEX #DD98A9

RGB 221 152 169

HSL 345.22, 0.5%, 0.73%

LAB 69.96, 28.23, 1.64

 

CMYK 24 / 0 / 31 / 13

HEX #A9DD98

RGB 169 221 152

HSL 105.22, 0.5%, 0.73%

LAB 83.13, -29.44, 28.61

 

CMYK 31 / 24 / 0 / 13

HEX #98A9DD

RGB 152 169 221

HSL 225.22, 0.5%, 0.73%

LAB 69.66, 6.04, -28.2

 

CMYK 0 / 31 / 24 / 13

HEX #DD98A9

RGB 221 152 169

HSL 345.22, 0.5%, 0.73%

LAB 69.96, 28.23, 1.64

 

CMYK 0 / 2 / 31 / 13

HEX #DDD998

RGB 221 217 152

HSL 56.52, 0.5%, 0.73%

LAB 85.64, -8.46, 32.58

 

CMYK 31 / 0 / 8 / 13

HEX #98DDCB

RGB 152 221 203

HSL 164.35, 0.5%, 0.73%

LAB 83.28, -25.44, 1.93

 

CMYK 31 / 30 / 0 / 13

HEX #989BDD

RGB 152 155 221

HSL 237.39, 0.5%, 0.73%

LAB 66.01, 13.94, -33.84

 

CMYK 0 / 31 / 24 / 13

HEX #DD98A9

RGB 221 152 169

HSL 345.22, 0.5%, 0.73%

LAB 69.96, 28.23, 1.64

 

CMYK 8 / 0 / 31 / 13

HEX #CBDD98

RGB 203 221 152

HSL 75.65, 0.5%, 0.73%

LAB 85.34, -17.26, 31.94

 

CMYK 31 / 0 / 8 / 13

HEX #98DDCB

RGB 152 221 203

HSL 164.35, 0.5%, 0.73%

LAB 83.28, -25.44, 1.93

 

CMYK 24 / 31 / 0 / 13

HEX #A998DD

RGB 169 152 221

HSL 254.78, 0.5%, 0.73%

LAB 66.61, 20.63, -32.81

 

Description

Color code: HEX #DD98A9 | qconv.com Color code: HEX #DD98A9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 152 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 152 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 24 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 24% 13% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

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Link: http://www.mindtree.com

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