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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD90FE4C it is the complementary color #226F014C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD90FE4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD90FE4C shade: #E290F94C, #F3A2FF4C, #FFB4FF4C, #FFC6FF4C and #FFD8FF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD90FE4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD90FE4C shade: #DD90FE4C, #CC7EEB4C, #BB6CD84C, #AA5AC54C and #9948B24C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD90FE4C shade: #DD90FE, #FB90FE, #FE90E4, #FE90C6 and #FE90A8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD90FE4C shade: #DD90FE, #BF90FE, #A290FE and #9090FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD90FE4C shade matches the following richer shades: #DD90FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD90FE4C shade: #DD90FE, #D999F5, #D6A2EC, #D2ABE3 and #CEB4DA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD90FE4C shade: #A290FE, #C090FE, #DD90FE, #FA90FE and #FE90E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD90FE4C shade: #C43EFD, #D067FD, #DD90FE, #E9B9FE and #F6E2FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD90FE4C shade: #DD90FE, #FE909B and #90FEB1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD90FE4C shade: #DD90FE, #FEDD90 and #90FEDD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD90FE4C shade: #DD90FE, #FE909B, #B1FE90 and #90FEF3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD90FE4C shade: #DD90FE, #FEA690, #B1FE90 and #90E8FE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 13 / 0 / 0

HEX #DD90FE4C

RGBA 221 144 254 0.3

HSLA 282, 0.98%, 0.78%, 0.3

LABA 71.2, 47.47, -43.37, 0.3

 

Complementary color

CMYK 21 / 0 / 30 / 17

HEX #226F014C

RGBA 34 111 1 0.3

HSLA 102, 0.98%, 0.22%, 0.3

LABA 40.75, -41.75, 45.48, 0.3

 

CMYK 3 / 13 / 0 / 1

HEX #E290F94C

RGBA 226 144 249 0.3

HSLA 286.86, 0.9%, 0.77%, 0.3

LABA 71.52, 47.9, -40.09, 0.3

 

CMYK 1 / 11 / 0 / 0

HEX #F3A2FF4C

RGBA 243 162 255 0.3

HSLA 292.26, 1%, 0.82%, 0.3

LABA 77.35, 44.67, -34.16, 0.3

 

CMYK 0 / 9 / 0 / 0

HEX #FFB4FF4C

RGBA 255 180 255 0.3

HSLA 300, 1%, 0.85%, 0.3

LABA 82.44, 38.96, -26.23, 0.3

 

CMYK 0 / 7 / 0 / 0

HEX #FFC6FF4C

RGBA 255 198 255 0.3

HSLA 300, 1%, 0.89%, 0.3

LABA 86.44, 29.52, -20.16, 0.3

 

CMYK 0 / 5 / 0 / 0

HEX #FFD8FF4C

RGBA 255 216 255 0.3

HSLA 300, 1%, 0.92%, 0.3

LABA 90.59, 20.08, -13.92, 0.3

 

CMYK 4 / 13 / 0 / 0

HEX #DD90FE4C

RGBA 221 144 254 0.3

HSLA 282, 0.98%, 0.78%, 0.3

LABA 71.2, 47.47, -43.37, 0.3

 

CMYK 4 / 14 / 0 / 2

HEX #CC7EEB4C

RGBA 204 126 235 0.3

HSLA 282.94, 0.73%, 0.71%, 0.3

LABA 64.77, 48.25, -43.16, 0.3

 

CMYK 4 / 15 / 0 / 5

HEX #BB6CD84C

RGBA 187 108 216 0.3

HSLA 283.89, 0.58%, 0.64%, 0.3

LABA 58.27, 49.02, -42.91, 0.3

 

CMYK 4 / 16 / 0 / 7

HEX #AA5AC54C

RGBA 170 90 197 0.3

HSLA 284.86, 0.48%, 0.56%, 0.3

LABA 51.71, 49.74, -42.6, 0.3

 

CMYK 4 / 18 / 0 / 9

HEX #9948B24C

RGBA 153 72 178 0.3

HSLA 285.85, 0.42%, 0.49%, 0.3

LABA 45.11, 50.37, -42.17, 0.3

 

CMYK 13 / 43 / 0 / 0

HEX #DD90FE

RGB 221 144 254

HSL 282, 0.98%, 0.78%

LAB 71.2, 47.47, -43.37

 

CMYK 1 / 43 / 0 / 0

HEX #FB90FE

RGB 251 144 254

HSL 298.36, 0.98%, 0.78%

LAB 74.58, 55.99, -37.84

 

CMYK 0 / 43 / 10 / 0

HEX #FE90E4

RGB 254 144 228

HSL 314.18, 0.98%, 0.78%

LAB 73.95, 52.48, -24.62

 

CMYK 0 / 43 / 22 / 0

HEX #FE90C6

RGB 254 144 198

HSL 330.55, 0.98%, 0.78%

LAB 72.95, 47.96, -9.6

 

CMYK 0 / 43 / 34 / 0

HEX #FE90A8

RGB 254 144 168

HSL 346.91, 0.98%, 0.78%

LAB 72.12, 44.04, 5.83

 

CMYK 13 / 43 / 0 / 0

HEX #DD90FE

RGB 221 144 254

HSL 282, 0.98%, 0.78%

LAB 71.2, 47.47, -43.37

 

CMYK 25 / 43 / 0 / 0

HEX #BF90FE

RGB 191 144 254

HSL 265.64, 0.98%, 0.78%

LAB 68.15, 39.14, -48.36

 

CMYK 36 / 43 / 0 / 0

HEX #A290FE

RGB 162 144 254

HSL 249.82, 0.98%, 0.78%

LAB 65.58, 31.49, -52.59

 

CMYK 43 / 43 / 0 / 0

HEX #9090FE

RGB 144 144 254

HSL 240, 0.98%, 0.78%

LAB 64.19, 27.07, -54.89

 

CMYK 13 / 43 / 0 / 0

HEX #DD90FE

RGB 221 144 254

HSL 282, 0.98%, 0.78%

LAB 71.2, 47.47, -43.37

 

CMYK 13 / 43 / 0 / 0

HEX #DD90FE

RGB 221 144 254

HSL 282, 0.98%, 0.78%

LAB 71.2, 47.47, -43.37

 

CMYK 11 / 38 / 0 / 4

HEX #D999F5

RGB 217 153 245

HSL 281.74, 0.82%, 0.78%

LAB 72.31, 39.72, -36.76

 

CMYK 9 / 31 / 0 / 7

HEX #D6A2EC

RGB 214 162 236

HSL 282.16, 0.66%, 0.78%

LAB 73.67, 32.14, -29.79

 

CMYK 7 / 25 / 0 / 11

HEX #D2ABE3

RGB 210 171 227

HSL 281.79, 0.5%, 0.78%

LAB 75.06, 24.17, -22.8

 

CMYK 6 / 17 / 0 / 15

HEX #CEB4DA

RGB 206 180 218

HSL 281.05, 0.34%, 0.78%

LAB 76.57, 16.19, -15.65

 

CMYK 36 / 43 / 0 / 0

HEX #A290FE

RGB 162 144 254

HSL 249.82, 0.98%, 0.78%

LAB 65.58, 31.49, -52.59

 

CMYK 24 / 43 / 0 / 0

HEX #C090FE

RGB 192 144 254

HSL 266.18, 0.98%, 0.78%

LAB 68.25, 39.41, -48.2

 

CMYK 13 / 43 / 0 / 0

HEX #DD90FE

RGB 221 144 254

HSL 282, 0.98%, 0.78%

LAB 71.2, 47.47, -43.37

 

CMYK 2 / 43 / 0 / 0

HEX #FA90FE

RGB 250 144 254

HSL 297.82, 0.98%, 0.78%

LAB 74.46, 55.7, -38.03

 

CMYK 0 / 43 / 10 / 0

HEX #FE90E4

RGB 254 144 228

HSL 314.18, 0.98%, 0.78%

LAB 73.95, 52.48, -24.62

 

CMYK 23 / 75 / 0 / 1

HEX #C43EFD

RGB 196 62 253

HSL 282.09, 0.98%, 0.62%

LAB 54.32, 78.41, -69.88

 

CMYK 18 / 59 / 0 / 1

HEX #D067FD

RGB 208 103 253

HSL 282, 0.97%, 0.7%

LAB 61.83, 64.34, -57.72

 

CMYK 13 / 43 / 0 / 0

HEX #DD90FE

RGB 221 144 254

HSL 282, 0.98%, 0.78%

LAB 71.2, 47.47, -43.37

 

CMYK 8 / 27 / 0 / 0

HEX #E9B9FE

RGB 233 185 254

HSL 281.74, 0.97%, 0.86%

LAB 81.39, 29.25, -27.5

 

CMYK 4 / 11 / 0 / 0

HEX #F6E2FF

RGB 246 226 255

HSL 281.38, 1%, 0.94%

LAB 92.22, 11.92, -11.56

 

CMYK 13 / 43 / 0 / 0

HEX #DD90FE

RGB 221 144 254

HSL 282, 0.98%, 0.78%

LAB 71.2, 47.47, -43.37

 

CMYK 0 / 43 / 39 / 0

HEX #FE909B

RGB 254 144 155

HSL 354, 0.98%, 0.78%

LAB 71.81, 42.55, 12.61

 

CMYK 43 / 0 / 30 / 0

HEX #90FEB1

RGB 144 254 177

HSL 138, 0.98%, 0.78%

LAB 91.68, -47.78, 27.21

 

CMYK 13 / 43 / 0 / 0

HEX #DD90FE

RGB 221 144 254

HSL 282, 0.98%, 0.78%

LAB 71.2, 47.47, -43.37

 

CMYK 0 / 13 / 43 / 0

HEX #FEDD90

RGB 254 221 144

HSL 42, 0.98%, 0.78%

LAB 89.3, 1.42, 41.93

 

CMYK 43 / 0 / 13 / 0

HEX #90FEDD

RGB 144 254 221

HSL 162, 0.98%, 0.78%

LAB 92.59, -39.15, 5.95

 

CMYK 13 / 43 / 0 / 0

HEX #DD90FE

RGB 221 144 254

HSL 282, 0.98%, 0.78%

LAB 71.2, 47.47, -43.37

 

CMYK 0 / 43 / 39 / 0

HEX #FE909B

RGB 254 144 155

HSL 354, 0.98%, 0.78%

LAB 71.81, 42.55, 12.61

 

CMYK 30 / 0 / 43 / 0

HEX #B1FE90

RGB 177 254 144

HSL 102, 0.98%, 0.78%

LAB 92.68, -42.89, 45.14

 

CMYK 43 / 0 / 4 / 0

HEX #90FEF3

RGB 144 254 243

HSL 174, 0.98%, 0.78%

LAB 93.14, -34.2, -4.63

 

CMYK 13 / 43 / 0 / 0

HEX #DD90FE

RGB 221 144 254

HSL 282, 0.98%, 0.78%

LAB 71.2, 47.47, -43.37

 

CMYK 0 / 35 / 43 / 0

HEX #FEA690

RGB 254 166 144

HSL 12, 0.98%, 0.78%

LAB 76.29, 30.03, 24.82

 

CMYK 30 / 0 / 43 / 0

HEX #B1FE90

RGB 177 254 144

HSL 102, 0.98%, 0.78%

LAB 92.68, -42.89, 45.14

 

CMYK 43 / 9 / 0 / 0

HEX #90E8FE

RGB 144 232 254

HSL 192, 0.98%, 0.78%

LAB 87.39, -20.93, -18.94

 

Description

Color code: HEX #DD90FE4C | qconv.com Color code: HEX #DD90FE4C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 144 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 144 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 13 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 13% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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