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Color name
HEX #DD8F28

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD8F28 it is the complementary color #2270D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD8F28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD8F28 shade: #E28F23, #F3A136, #FFB349, #FFC55C and #FFD76F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD8F28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD8F28 shade: #DD8F28, #CC7D15, #BB6B02, #AA5900 and #994700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD8F28 shade: #DD8F27, #DD5D27, #DD2C27 and #DD2727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD8F28 shade: #DD8F27, #DDC027, #CADD27, #98DD27 and #67DD27

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD8F28 shade matches the following richer shades: #DD8F27 and #F19113

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD8F28 shade: #DD8F27, #C98C3B, #B5894F, #A18663 and #8C8378

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD8F28 shade: #DD2D27, #DD5E27, #DD8E27, #DDBF27 and #CBDD27

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD8F28 shade: #9A6218, #BD781E, #DD8F27, #E3A14B and #E8B46E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD8F28 shade: #DD8F28, #51DD27 and #4527DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD8F28 shade: #DD8F28, #27DD8E and #8E27DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD8F28 shade: #DD8F28, #51DD27, #2776DD and #B327DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD8F28 shade: #DD8F28, #27DD33, #2776DD and #DD27D1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 82 / 13

HEX #DD8F28

RGB 221 143 40

HSL 34.14, 0.73%, 0.51%

LAB 65.88, 21.83, 62.27

 

Complementary color

CMYK 84 / 48 / 0 / 16

HEX #2270D7

RGB 34 112 215

HSL 214.14, 0.73%, 0.49%

LAB 48.05, 14.83, -59.3

 

CMYK 0 / 37 / 85 / 11

HEX #E28F23

RGB 226 143 35

HSL 33.93, 0.77%, 0.51%

LAB 66.47, 23.81, 64.67

 

CMYK 0 / 34 / 78 / 5

HEX #F3A136

RGB 243 161 54

HSL 33.97, 0.89%, 0.58%

LAB 72.77, 22.01, 64.39

 

CMYK 0 / 30 / 71 / 0

HEX #FFB349

RGB 255 179 73

HSL 34.95, 1%, 0.64%

LAB 78.45, 18.35, 62.78

 

CMYK 0 / 23 / 64 / 0

HEX #FFC55C

RGB 255 197 92

HSL 38.65, 1%, 0.68%

LAB 82.89, 10, 59.22

 

CMYK 0 / 16 / 56 / 0

HEX #FFD76F

RGB 255 215 111

HSL 43.33, 1%, 0.72%

LAB 87.49, 2.01, 55.73

 

CMYK 0 / 35 / 82 / 13

HEX #DD8F28

RGB 221 143 40

HSL 34.14, 0.73%, 0.51%

LAB 65.88, 21.83, 62.27

 

CMYK 0 / 39 / 90 / 20

HEX #CC7D15

RGB 204 125 21

HSL 34.1, 0.81%, 0.44%

LAB 59.49, 23.79, 61.92

 

CMYK 0 / 43 / 99 / 27

HEX #BB6B02

RGB 187 107 2

HSL 34.05, 0.98%, 0.37%

LAB 53.04, 25.99, 60.22

 

CMYK 0 / 48 / 100 / 33

HEX #AA5900

RGB 170 89 0

HSL 31.41, 1%, 0.33%

LAB 46.57, 28.45, 55.4

 

CMYK 0 / 54 / 100 / 40

HEX #994700

RGB 153 71 0

HSL 27.84, 1%, 0.3%

LAB 40.05, 30.95, 50.16

 

CMYK 0 / 35 / 82 / 13

HEX #DD8F27

RGB 221 143 39

HSL 34.29, 0.73%, 0.51%

LAB 65.88, 21.8, 62.61

 

CMYK 0 / 58 / 82 / 13

HEX #DD5D27

RGB 221 93 39

HSL 17.8, 0.73%, 0.51%

LAB 55.43, 47.4, 53.35

 

CMYK 0 / 80 / 82 / 13

HEX #DD2C27

RGB 221 44 39

HSL 1.65, 0.73%, 0.51%

LAB 48.66, 65.78, 47.15

 

CMYK 0 / 82 / 82 / 13

HEX #DD2727

RGB 221 39 39

HSL 0, 0.73%, 0.51%

LAB 48.22, 67.02, 46.74

 

CMYK 0 / 35 / 82 / 13

HEX #DD8F27

RGB 221 143 39

HSL 34.29, 0.73%, 0.51%

LAB 65.88, 21.8, 62.61

 

CMYK 0 / 13 / 82 / 13

HEX #DDC027

RGB 221 192 39

HSL 50.44, 0.73%, 0.51%

LAB 78, -4.17, 73.04

 

CMYK 9 / 0 / 82 / 13

HEX #CADD27

RGB 202 221 39

HSL 66.26, 0.73%, 0.51%

LAB 84.18, -26.64, 77.68

 

CMYK 31 / 0 / 82 / 13

HEX #98DD27

RGB 152 221 39

HSL 82.75, 0.73%, 0.51%

LAB 81.04, -46.17, 73.72

 

CMYK 53 / 0 / 82 / 13

HEX #67DD27

RGB 103 221 39

HSL 98.9, 0.73%, 0.51%

LAB 78.89, -61.85, 71

 

CMYK 0 / 35 / 82 / 13

HEX #DD8F27

RGB 221 143 39

HSL 34.29, 0.73%, 0.51%

LAB 65.88, 21.8, 62.61

 

CMYK 0 / 40 / 92 / 5

HEX #F19113

RGB 241 145 19

HSL 34.05, 0.89%, 0.51%

LAB 68.75, 28.73, 71.34

 

CMYK 0 / 35 / 82 / 13

HEX #DD8F27

RGB 221 143 39

HSL 34.29, 0.73%, 0.51%

LAB 65.88, 21.8, 62.61

 

CMYK 0 / 30 / 71 / 21

HEX #C98C3B

RGB 201 140 59

HSL 34.23, 0.57%, 0.51%

LAB 62.92, 15.65, 50.89

 

CMYK 0 / 24 / 56 / 29

HEX #B5894F

RGB 181 137 79

HSL 34.12, 0.41%, 0.51%

LAB 60.14, 10.01, 37.27

 

CMYK 0 / 17 / 39 / 37

HEX #A18663

RGB 161 134 99

HSL 33.87, 0.25%, 0.51%

LAB 57.59, 5.19, 22.69

 

CMYK 0 / 6 / 14 / 45

HEX #8C8378

RGB 140 131 120

HSL 33, 0.08%, 0.51%

LAB 55.24, 1.41, 7.16

 

CMYK 0 / 80 / 82 / 13

HEX #DD2D27

RGB 221 45 39

HSL 1.98, 0.73%, 0.51%

LAB 48.75, 65.52, 47.24

 

CMYK 0 / 57 / 82 / 13

HEX #DD5E27

RGB 221 94 39

HSL 18.13, 0.73%, 0.51%

LAB 55.61, 46.93, 53.51

 

CMYK 0 / 36 / 82 / 13

HEX #DD8E27

RGB 221 142 39

HSL 33.96, 0.73%, 0.51%

LAB 65.64, 22.34, 62.41

 

CMYK 0 / 14 / 82 / 13

HEX #DDBF27

RGB 221 191 39

HSL 50.11, 0.73%, 0.51%

LAB 77.75, -3.66, 72.82

 

CMYK 8 / 0 / 82 / 13

HEX #CBDD27

RGB 203 221 39

HSL 65.93, 0.73%, 0.51%

LAB 84.25, -26.23, 77.77

 

CMYK 0 / 36 / 84 / 40

HEX #9A6218

RGB 154 98 24

HSL 34.15, 0.73%, 0.35%

LAB 46.54, 16.81, 47.77

 

CMYK 0 / 37 / 84 / 26

HEX #BD781E

RGB 189 120 30

HSL 33.96, 0.73%, 0.43%

LAB 56.43, 20.24, 55.97

 

CMYK 0 / 35 / 82 / 13

HEX #DD8F27

RGB 221 143 39

HSL 34.29, 0.73%, 0.51%

LAB 65.88, 21.8, 62.61

 

CMYK 0 / 29 / 67 / 11

HEX #E3A14B

RGB 227 161 75

HSL 33.95, 0.73%, 0.59%

LAB 71.1, 16.27, 53.18

 

CMYK 0 / 22 / 53 / 9

HEX #E8B46E

RGB 232 180 110

HSL 34.43, 0.73%, 0.67%

LAB 76.63, 10.74, 42.68

 

CMYK 0 / 35 / 82 / 13

HEX #DD8F28

RGB 221 143 40

HSL 34.14, 0.73%, 0.51%

LAB 65.88, 21.83, 62.27

 

CMYK 63 / 0 / 82 / 13

HEX #51DD27

RGB 81 221 39

HSL 106.15, 0.73%, 0.51%

LAB 78.23, -67.2, 70.16

 

CMYK 69 / 82 / 0 / 13

HEX #4527DD

RGB 69 39 221

HSL 249.89, 0.73%, 0.51%

LAB 33.85, 62.53, -85.91

 

CMYK 0 / 35 / 82 / 13

HEX #DD8F28

RGB 221 143 40

HSL 34.14, 0.73%, 0.51%

LAB 65.88, 21.83, 62.27

 

CMYK 82 / 0 / 36 / 13

HEX #27DD8E

RGB 39 221 142

HSL 153.96, 0.73%, 0.51%

LAB 78.52, -61.12, 26.79

 

CMYK 36 / 82 / 0 / 13

HEX #8E27DD

RGB 142 39 221

HSL 273.96, 0.73%, 0.51%

LAB 41.88, 70.59, -72.4

 

CMYK 0 / 35 / 82 / 13

HEX #DD8F28

RGB 221 143 40

HSL 34.14, 0.73%, 0.51%

LAB 65.88, 21.83, 62.27

 

CMYK 63 / 0 / 82 / 13

HEX #51DD27

RGB 81 221 39

HSL 106.15, 0.73%, 0.51%

LAB 78.23, -67.2, 70.16

 

CMYK 82 / 47 / 0 / 13

HEX #2776DD

RGB 39 118 221

HSL 213.96, 0.73%, 0.51%

LAB 50.23, 13.74, -59.19

 

CMYK 19 / 82 / 0 / 13

HEX #B327DD

RGB 179 39 221

HSL 286.15, 0.73%, 0.51%

LAB 47.31, 76.28, -63.33

 

CMYK 0 / 35 / 82 / 13

HEX #DD8F28

RGB 221 143 40

HSL 34.14, 0.73%, 0.51%

LAB 65.88, 21.83, 62.27

 

CMYK 82 / 0 / 77 / 13

HEX #27DD33

RGB 39 221 51

HSL 123.96, 0.73%, 0.51%

LAB 77.51, -73.2, 65.86

 

CMYK 82 / 47 / 0 / 13

HEX #2776DD

RGB 39 118 221

HSL 213.96, 0.73%, 0.51%

LAB 50.23, 13.74, -59.19

 

CMYK 0 / 82 / 5 / 13

HEX #DD27D1

RGB 221 39 209

HSL 303.96, 0.73%, 0.51%

LAB 53.41, 81.8, -46.31

 

Description

Color code: HEX #DD8F28 | qconv.com Color code: HEX #DD8F28 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 143 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 143 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 82 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 82% 13% C M Y K

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Provide designers and agencies with accurate color values.

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