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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD8880 it is the complementary color #22777F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD8880. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD8880 shade: #E2887B, #F39A8E, #FFACA1, #FFBEB4 and #FFD0C7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD8880. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD8880 shade: #DD8880, #CC766D, #BB645A, #AA5247 and #994034

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD8880 shade: #DD867E and #DD7E7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD8880 shade: #DD867E, #DDA07E, #DDB97E, #DDD37E and #CDDD7E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD8880 shade matches the following richer shades: #DD867E, #EA7B71 and #F77064

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD8880 shade: #DD867E, #D0918B, #C29C98, #B5A7A6 and #A8B2B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD8880 shade: #DD7EA9, #DD7E8F, #DD867E, #DD9F7E and #DDB87E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD8880 shade: #CB493D, #D4685D, #DD867E, #E5A59F and #EEC3BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD8880 shade: #DD8880, #C2DD7E and #7E9CDD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD8880 shade: #DD8880, #7EDD86 and #867EDD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD8880 shade: #DD8880, #C2DD7E, #7ED5DD and #997EDD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD8880 shade: #DD8880, #A6DD7E, #7ED5DD and #B57EDD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 42 / 13

HEX #DD8880

RGB 221 136 128

HSL 5.16, 0.58%, 0.68%

LAB 65.39, 31.59, 18.11

 

Complementary color

CMYK 73 / 6 / 0 / 50

HEX #22777F

RGB 34 119 127

HSL 185.16, 0.58%, 0.32%

LAB 45.72, -21.75, -11.65

 

CMYK 0 / 40 / 46 / 11

HEX #E2887B

RGB 226 136 123

HSL 7.57, 0.64%, 0.68%

LAB 65.91, 32.98, 21.72

 

CMYK 0 / 37 / 42 / 5

HEX #F39A8E

RGB 243 154 142

HSL 7.13, 0.81%, 0.75%

LAB 72.31, 31.94, 20.27

 

CMYK 0 / 33 / 37 / 0

HEX #FFACA1

RGB 255 172 161

HSL 7.02, 1%, 0.82%

LAB 78.07, 29.13, 18.1

 

CMYK 0 / 25 / 29 / 0

HEX #FFBEB4

RGB 255 190 180

HSL 8, 1%, 0.85%

LAB 82.58, 22.02, 14.19

 

CMYK 0 / 18 / 22 / 0

HEX #FFD0C7

RGB 255 208 199

HSL 9.64, 1%, 0.89%

LAB 87.24, 15.2, 10.7

 

CMYK 0 / 38 / 42 / 13

HEX #DD8880

RGB 221 136 128

HSL 5.16, 0.58%, 0.68%

LAB 65.39, 31.59, 18.11

 

CMYK 0 / 42 / 47 / 20

HEX #CC766D

RGB 204 118 109

HSL 5.68, 0.48%, 0.61%

LAB 58.88, 32.67, 19.62

 

CMYK 0 / 47 / 52 / 27

HEX #BB645A

RGB 187 100 90

HSL 6.19, 0.42%, 0.54%

LAB 52.31, 33.84, 21.36

 

CMYK 0 / 52 / 58 / 33

HEX #AA5247

RGB 170 82 71

HSL 6.67, 0.41%, 0.47%

LAB 45.68, 35.11, 23.39

 

CMYK 0 / 58 / 66 / 40

HEX #994034

RGB 153 64 52

HSL 7.13, 0.49%, 0.4%

LAB 39.05, 36.42, 25.81

 

CMYK 0 / 39 / 43 / 13

HEX #DD867E

RGB 221 134 126

HSL 5.05, 0.58%, 0.68%

LAB 64.91, 32.44, 18.57

 

CMYK 0 / 43 / 43 / 13

HEX #DD7E7E

RGB 221 126 126

HSL 0, 0.58%, 0.68%

LAB 63.18, 36.65, 16.18

 

CMYK 0 / 39 / 43 / 13

HEX #DD867E

RGB 221 134 126

HSL 5.05, 0.58%, 0.68%

LAB 64.91, 32.44, 18.57

 

CMYK 0 / 28 / 43 / 13

HEX #DDA07E

RGB 221 160 126

HSL 21.47, 0.58%, 0.68%

LAB 70.88, 18.5, 26.66

 

CMYK 0 / 16 / 43 / 13

HEX #DDB97E

RGB 221 185 126

HSL 37.26, 0.58%, 0.68%

LAB 77.03, 5.15, 34.73

 

CMYK 0 / 5 / 43 / 13

HEX #DDD37E

RGB 221 211 126

HSL 53.68, 0.58%, 0.68%

LAB 83.69, -8.34, 43.21

 

CMYK 7 / 0 / 43 / 13

HEX #CDDD7E

RGB 205 221 126

HSL 70.11, 0.58%, 0.68%

LAB 85.1, -19.62, 44.7

 

CMYK 0 / 39 / 43 / 13

HEX #DD867E

RGB 221 134 126

HSL 5.05, 0.58%, 0.68%

LAB 64.91, 32.44, 18.57

 

CMYK 0 / 47 / 52 / 8

HEX #EA7B71

RGB 234 123 113

HSL 4.96, 0.74%, 0.68%

LAB 64.04, 41.78, 24.99

 

CMYK 0 / 55 / 60 / 3

HEX #F77064

RGB 247 112 100

HSL 4.9, 0.9%, 0.68%

LAB 63.58, 50.85, 32.01

 

CMYK 0 / 39 / 43 / 13

HEX #DD867E

RGB 221 134 126

HSL 5.05, 0.58%, 0.68%

LAB 64.91, 32.44, 18.57

 

CMYK 0 / 30 / 33 / 18

HEX #D0918B

RGB 208 145 139

HSL 5.22, 0.42%, 0.68%

LAB 66.16, 23.05, 12.77

 

CMYK 0 / 20 / 22 / 24

HEX #C29C98

RGB 194 156 152

HSL 5.71, 0.26%, 0.68%

LAB 67.66, 13.48, 7.44

 

CMYK 0 / 8 / 8 / 29

HEX #B5A7A6

RGB 181 167 166

HSL 4, 0.09%, 0.68%

LAB 69.62, 4.88, 2.33

 

CMYK 6 / 1 / 0 / 30

HEX #A8B2B3

RGB 168 178 179

HSL 185.45, 0.07%, 0.68%

LAB 71.84, -3.28, -1.72

 

CMYK 0 / 43 / 24 / 13

HEX #DD7EA9

RGB 221 126 169

HSL 332.84, 0.58%, 0.68%

LAB 64.29, 42, -6.69

 

CMYK 0 / 43 / 35 / 13

HEX #DD7E8F

RGB 221 126 143

HSL 349.26, 0.58%, 0.68%

LAB 63.57, 38.58, 7.06

 

CMYK 0 / 39 / 43 / 13

HEX #DD867E

RGB 221 134 126

HSL 5.05, 0.58%, 0.68%

LAB 64.91, 32.44, 18.57

 

CMYK 0 / 28 / 43 / 13

HEX #DD9F7E

RGB 221 159 126

HSL 20.84, 0.58%, 0.68%

LAB 70.65, 19.04, 26.34

 

CMYK 0 / 17 / 43 / 13

HEX #DDB87E

RGB 221 184 126

HSL 36.63, 0.58%, 0.68%

LAB 76.78, 5.67, 34.4

 

CMYK 0 / 64 / 70 / 20

HEX #CB493D

RGB 203 73 61

HSL 5.07, 0.58%, 0.52%

LAB 49.25, 50.86, 34.81

 

CMYK 0 / 51 / 56 / 17

HEX #D4685D

RGB 212 104 93

HSL 5.55, 0.58%, 0.6%

LAB 56.77, 41.54, 26.17

 

CMYK 0 / 39 / 43 / 13

HEX #DD867E

RGB 221 134 126

HSL 5.05, 0.58%, 0.68%

LAB 64.91, 32.44, 18.57

 

CMYK 0 / 28 / 31 / 10

HEX #E5A59F

RGB 229 165 159

HSL 5.14, 0.57%, 0.76%

LAB 73.59, 22.84, 12.49

 

CMYK 0 / 18 / 20 / 7

HEX #EEC3BF

RGB 238 195 191

HSL 5.11, 0.58%, 0.84%

LAB 82.36, 14.68, 7.77

 

CMYK 0 / 38 / 42 / 13

HEX #DD8880

RGB 221 136 128

HSL 5.16, 0.58%, 0.68%

LAB 65.39, 31.59, 18.11

 

CMYK 12 / 0 / 43 / 13

HEX #C2DD7E

RGB 194 221 126

HSL 77.05, 0.58%, 0.68%

LAB 84.32, -23.83, 43.57

 

CMYK 43 / 29 / 0 / 13

HEX #7E9CDD

RGB 126 156 221

HSL 221.05, 0.58%, 0.68%

LAB 64.51, 6.32, -36.31

 

CMYK 0 / 38 / 42 / 13

HEX #DD8880

RGB 221 136 128

HSL 5.16, 0.58%, 0.68%

LAB 65.39, 31.59, 18.11

 

CMYK 43 / 0 / 39 / 13

HEX #7EDD86

RGB 126 221 134

HSL 125.05, 0.58%, 0.68%

LAB 80.67, -45.87, 34.14

 

CMYK 39 / 43 / 0 / 13

HEX #867EDD

RGB 134 126 221

HSL 245.05, 0.58%, 0.68%

LAB 57.28, 25.87, -47.63

 

CMYK 0 / 38 / 42 / 13

HEX #DD8880

RGB 221 136 128

HSL 5.16, 0.58%, 0.68%

LAB 65.39, 31.59, 18.11

 

CMYK 12 / 0 / 43 / 13

HEX #C2DD7E

RGB 194 221 126

HSL 77.05, 0.58%, 0.68%

LAB 84.32, -23.83, 43.57

 

CMYK 43 / 4 / 0 / 13

HEX #7ED5DD

RGB 126 213 221

HSL 185.05, 0.58%, 0.68%

LAB 80.32, -24.17, -12.17

 

CMYK 31 / 43 / 0 / 13

HEX #997EDD

RGB 153 126 221

HSL 257.05, 0.58%, 0.68%

LAB 58.9, 30.89, -44.97

 

CMYK 0 / 38 / 42 / 13

HEX #DD8880

RGB 221 136 128

HSL 5.16, 0.58%, 0.68%

LAB 65.39, 31.59, 18.11

 

CMYK 25 / 0 / 43 / 13

HEX #A6DD7E

RGB 166 221 126

HSL 94.74, 0.58%, 0.68%

LAB 82.55, -34.1, 40.97

 

CMYK 43 / 4 / 0 / 13

HEX #7ED5DD

RGB 126 213 221

HSL 185.05, 0.58%, 0.68%

LAB 80.32, -24.17, -12.17

 

CMYK 18 / 43 / 0 / 13

HEX #B57EDD

RGB 181 126 221

HSL 274.74, 0.58%, 0.68%

LAB 61.62, 38.75, -40.49

 

Description

Color code: HEX #DD8880 | qconv.com Color code: HEX #DD8880 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 136 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 136 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 42 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 42% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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