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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD7F5D it is the complementary color #2280A2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD7F5D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD7F5D shade: #E27F58, #F3916B, #FFA37E, #FFB591 and #FFC7A4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD7F5D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD7F5D shade: #DD7F5D, #CC6D4A, #BB5B37, #AA4924 and #993711

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD7F5D shade: #DD815F and #DD5F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD7F5D shade: #DD815F, #DDA35F, #DDC55F, #D4DD5F and #B2DD5F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD7F5D shade matches the following richer shades: #DD815F, #ED794F and #FC7240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD7F5D shade: #DD815F, #CD886F, #BE8F7E, #AE978E and #9E9E9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD7F5D shade: #DD5F83, #DD5F61, #DD7F5F, #DDA05F and #DDC25F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD7F5D shade: #C15129, #D6663D, #DD815F, #E49B81 and #ECB6A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD7F5D shade: #DD7F5D, #A4DD5F and #5F72DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD7F5D shade: #DD7F5D, #5FDD7F and #7F5FDD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD7F5D shade: #DD7F5D, #A4DD5F, #5FBEDD and #985FDD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD7F5D shade: #DD7F5D, #7FDD5F, #5FBEDD and #BE5FDD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 58 / 13

HEX #DD7F5D

RGB 221 127 93

HSL 15.94, 0.65%, 0.62%

LAB 62.79, 33.13, 34.12

 

Complementary color

CMYK 79 / 21 / 0 / 36

HEX #2280A2

RGB 34 128 162

HSL 195.94, 0.65%, 0.38%

LAB 49.96, -14.72, -25.77

 

CMYK 0 / 44 / 61 / 11

HEX #E27F58

RGB 226 127 88

HSL 16.96, 0.7%, 0.62%

LAB 63.39, 34.73, 37.7

 

CMYK 0 / 40 / 56 / 5

HEX #F3916B

RGB 243 145 107

HSL 16.76, 0.85%, 0.69%

LAB 69.73, 33.4, 35.89

 

CMYK 0 / 36 / 51 / 0

HEX #FFA37E

RGB 255 163 126

HSL 17.21, 1%, 0.75%

LAB 75.43, 30.27, 33.35

 

CMYK 0 / 29 / 43 / 0

HEX #FFB591

RGB 255 181 145

HSL 19.64, 1%, 0.78%

LAB 79.81, 22.67, 29.04

 

CMYK 0 / 22 / 36 / 0

HEX #FFC7A4

RGB 255 199 164

HSL 23.08, 1%, 0.82%

LAB 84.37, 15.34, 25.17

 

CMYK 0 / 43 / 58 / 13

HEX #DD7F5D

RGB 221 127 93

HSL 15.94, 0.65%, 0.62%

LAB 62.79, 33.13, 34.12

 

CMYK 0 / 47 / 64 / 20

HEX #CC6D4A

RGB 204 109 74

HSL 16.15, 0.56%, 0.55%

LAB 56.36, 34.52, 36.06

 

CMYK 0 / 51 / 71 / 27

HEX #BB5B37

RGB 187 91 55

HSL 16.36, 0.55%, 0.47%

LAB 49.89, 36.05, 38.18

 

CMYK 0 / 57 / 79 / 33

HEX #AA4924

RGB 170 73 36

HSL 16.57, 0.65%, 0.4%

LAB 43.42, 37.67, 40.42

 

CMYK 0 / 64 / 89 / 40

HEX #993711

RGB 153 55 17

HSL 16.76, 0.8%, 0.33%

LAB 37.01, 39.3, 42.38

 

CMYK 0 / 42 / 57 / 13

HEX #DD815F

RGB 221 129 95

HSL 16.19, 0.65%, 0.62%

LAB 63.26, 32.23, 33.61

 

CMYK 0 / 57 / 57 / 13

HEX #DD5F5F

RGB 221 95 95

HSL 0, 0.65%, 0.62%

LAB 56.47, 49.32, 24.88

 

CMYK 0 / 42 / 57 / 13

HEX #DD815F

RGB 221 129 95

HSL 16.19, 0.65%, 0.62%

LAB 63.26, 32.23, 33.61

 

CMYK 0 / 26 / 57 / 13

HEX #DDA35F

RGB 221 163 95

HSL 32.38, 0.65%, 0.62%

LAB 71.14, 14.04, 43.32

 

CMYK 0 / 11 / 57 / 13

HEX #DDC55F

RGB 221 197 95

HSL 48.57, 0.65%, 0.62%

LAB 79.69, -3.9, 53.36

 

CMYK 4 / 0 / 57 / 13

HEX #D4DD5F

RGB 212 221 95

HSL 64.29, 0.65%, 0.62%

LAB 85.27, -19.66, 59.48

 

CMYK 19 / 0 / 57 / 13

HEX #B2DD5F

RGB 178 221 95

HSL 80.48, 0.65%, 0.62%

LAB 82.92, -33, 56.19

 

CMYK 0 / 42 / 57 / 13

HEX #DD815F

RGB 221 129 95

HSL 16.19, 0.65%, 0.62%

LAB 63.26, 32.23, 33.61

 

CMYK 0 / 49 / 67 / 7

HEX #ED794F

RGB 237 121 79

HSL 15.95, 0.81%, 0.62%

LAB 63.54, 41.49, 43.03

 

CMYK 0 / 55 / 75 / 1

HEX #FC7240

RGB 252 114 64

HSL 15.96, 0.97%, 0.62%

LAB 64.24, 49.76, 52.02

 

CMYK 0 / 42 / 57 / 13

HEX #DD815F

RGB 221 129 95

HSL 16.19, 0.65%, 0.62%

LAB 63.26, 32.23, 33.61

 

CMYK 0 / 34 / 46 / 20

HEX #CD886F

RGB 205 136 111

HSL 15.96, 0.48%, 0.62%

LAB 63.12, 23.54, 24.22

 

CMYK 0 / 25 / 34 / 25

HEX #BE8F7E

RGB 190 143 126

HSL 15.94, 0.33%, 0.62%

LAB 63.42, 15.43, 15.96

 

CMYK 0 / 13 / 18 / 32

HEX #AE978E

RGB 174 151 142

HSL 16.88, 0.16%, 0.62%

LAB 64.23, 7.04, 7.87

 

CMYK 0 / 57 / 41 / 13

HEX #DD5F83

RGB 221 95 131

HSL 342.86, 0.65%, 0.62%

LAB 57.27, 52.57, 4.95

 

CMYK 0 / 57 / 56 / 13

HEX #DD5F61

RGB 221 95 97

HSL 359.05, 0.65%, 0.62%

LAB 56.51, 49.47, 23.77

 

CMYK 0 / 43 / 57 / 13

HEX #DD7F5F

RGB 221 127 95

HSL 15.24, 0.65%, 0.62%

LAB 62.82, 33.28, 33.07

 

CMYK 0 / 28 / 57 / 13

HEX #DDA05F

RGB 221 160 95

HSL 30.95, 0.65%, 0.62%

LAB 70.41, 15.65, 42.44

 

CMYK 0 / 12 / 57 / 13

HEX #DDC25F

RGB 221 194 95

HSL 47.14, 0.65%, 0.62%

LAB 78.92, -2.35, 52.47

 

CMYK 0 / 58 / 79 / 24

HEX #C15129

RGB 193 81 41

HSL 15.79, 0.65%, 0.46%

LAB 48.74, 42.74, 44.49

 

CMYK 0 / 52 / 71 / 16

HEX #D6663D

RGB 214 102 61

HSL 16.08, 0.65%, 0.54%

LAB 56.22, 41.26, 43.21

 

CMYK 0 / 42 / 57 / 13

HEX #DD815F

RGB 221 129 95

HSL 16.19, 0.65%, 0.62%

LAB 63.26, 32.23, 33.61

 

CMYK 0 / 32 / 43 / 11

HEX #E49B81

RGB 228 155 129

HSL 15.76, 0.65%, 0.7%

LAB 70.54, 24.27, 24.7

 

CMYK 0 / 23 / 31 / 7

HEX #ECB6A3

RGB 236 182 163

HSL 15.62, 0.66%, 0.78%

LAB 78.42, 16.94, 17.2

 

CMYK 0 / 43 / 58 / 13

HEX #DD7F5D

RGB 221 127 93

HSL 15.94, 0.65%, 0.62%

LAB 62.79, 33.13, 34.12

 

CMYK 26 / 0 / 57 / 13

HEX #A4DD5F

RGB 164 221 95

HSL 87.14, 0.65%, 0.62%

LAB 82.07, -38.2, 55

 

CMYK 57 / 48 / 0 / 13

HEX #5F72DD

RGB 95 114 221

HSL 230.95, 0.65%, 0.62%

LAB 51.48, 24.22, -57.04

 

CMYK 0 / 43 / 58 / 13

HEX #DD7F5D

RGB 221 127 93

HSL 15.94, 0.65%, 0.62%

LAB 62.79, 33.13, 34.12

 

CMYK 57 / 0 / 43 / 13

HEX #5FDD7F

RGB 95 221 127

HSL 135.24, 0.65%, 0.62%

LAB 79.43, -54.99, 35.84

 

CMYK 43 / 57 / 0 / 13

HEX #7F5FDD

RGB 127 95 221

HSL 255.24, 0.65%, 0.62%

LAB 49.4, 42.26, -60.27

 

CMYK 0 / 43 / 58 / 13

HEX #DD7F5D

RGB 221 127 93

HSL 15.94, 0.65%, 0.62%

LAB 62.79, 33.13, 34.12

 

CMYK 26 / 0 / 57 / 13

HEX #A4DD5F

RGB 164 221 95

HSL 87.14, 0.65%, 0.62%

LAB 82.07, -38.2, 55

 

CMYK 57 / 14 / 0 / 13

HEX #5FBEDD

RGB 95 190 221

HSL 194.76, 0.65%, 0.62%

LAB 72.55, -19.3, -24.03

 

CMYK 31 / 57 / 0 / 13

HEX #985FDD

RGB 152 95 221

HSL 267.14, 0.65%, 0.62%

LAB 51.93, 47.99, -56.07

 

CMYK 0 / 43 / 58 / 13

HEX #DD7F5D

RGB 221 127 93

HSL 15.94, 0.65%, 0.62%

LAB 62.79, 33.13, 34.12

 

CMYK 43 / 0 / 57 / 13

HEX #7FDD5F

RGB 127 221 95

HSL 104.76, 0.65%, 0.62%

LAB 80.21, -50.68, 52.37

 

CMYK 57 / 14 / 0 / 13

HEX #5FBEDD

RGB 95 190 221

HSL 194.76, 0.65%, 0.62%

LAB 72.55, -19.3, -24.03

 

CMYK 14 / 57 / 0 / 13

HEX #BE5FDD

RGB 190 95 221

HSL 285.24, 0.65%, 0.62%

LAB 56.44, 57.33, -48.61

 

Description

Color code: HEX #DD7F5D | qconv.com Color code: HEX #DD7F5D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 127 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 127 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 58 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 58% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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