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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD79B8 it is the complementary color #228647. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD79B8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD79B8 shade: #E279B3, #F38BC6, #FF9DD9, #FFAFEC and #FFC1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD79B8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD79B8 shade: #DD79B8, #CC67A5, #BB5592, #AA437F and #99316C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD79B8 shade: #DD78B8, #DD789D, #DD7882 and #DD7878

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD79B8 shade: #DD78B8, #DD78D3, #CC78DD, #B178DD and #9678DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD79B8 shade matches the following richer shades: #DD78B8, #EB6BBC and #F95DBF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD79B8 shade: #DD78B8, #D086B4, #C294B1, #B4A1AD and #A7AFAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD79B8 shade: #CD78DD, #DD78D3, #DD78B8, #DD789D and #DD7882

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD79B8 shade: #CD3695, #D557A7, #DD78B8, #E699C9 and #EEBADB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD79B8 shade: #DD79B8, #DDB278 and #78DDDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD79B8 shade: #DD79B8, #B8DD78 and #78B8DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD79B8 shade: #DD79B8, #DDB278, #78DD9D and #78A4DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD79B8 shade: #DD79B8, #DDD078, #78DD9D and #7886DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 17 / 13

HEX #DD79B8

RGB 221 121 184

HSL 322.2, 0.6%, 0.67%

LAB 63.76, 46.79, -15.99

 

Complementary color

CMYK 75 / 0 / 47 / 47

HEX #228647

RGB 34 134 71

HSL 142.2, 0.6%, 0.33%

LAB 49.31, -42.95, 25.93

 

CMYK 0 / 46 / 21 / 11

HEX #E279B3

RGB 226 121 179

HSL 326.86, 0.64%, 0.68%

LAB 64.24, 47.66, -12.37

 

CMYK 0 / 43 / 19 / 5

HEX #F38BC6

RGB 243 139 198

HSL 325.96, 0.81%, 0.75%

LAB 70.59, 46.89, -13.28

 

CMYK 0 / 38 / 15 / 0

HEX #FF9DD9

RGB 255 157 217

HSL 323.27, 1%, 0.81%

LAB 76.3, 44.5, -15.02

 

CMYK 0 / 31 / 7 / 0

HEX #FFAFEC

RGB 255 175 236

HSL 314.25, 1%, 0.84%

LAB 80.73, 38.26, -18.65

 

CMYK 0 / 24 / 0 / 0

HEX #FFC1FF

RGB 255 193 255

HSL 300, 1%, 0.88%

LAB 85.31, 32.15, -21.87

 

CMYK 0 / 45 / 17 / 13

HEX #DD79B8

RGB 221 121 184

HSL 322.2, 0.6%, 0.67%

LAB 63.76, 46.79, -15.99

 

CMYK 0 / 50 / 19 / 20

HEX #CC67A5

RGB 204 103 165

HSL 323.17, 0.5%, 0.6%

LAB 57.32, 47.53, -15.06

 

CMYK 0 / 55 / 22 / 27

HEX #BB5592

RGB 187 85 146

HSL 324.12, 0.43%, 0.53%

LAB 50.85, 48.2, -13.96

 

CMYK 0 / 61 / 25 / 33

HEX #AA437F

RGB 170 67 127

HSL 325.05, 0.43%, 0.46%

LAB 44.37, 48.72, -12.6

 

CMYK 0 / 68 / 29 / 40

HEX #99316C

RGB 153 49 108

HSL 325.96, 0.51%, 0.4%

LAB 37.93, 48.91, -10.84

 

CMYK 0 / 46 / 17 / 13

HEX #DD78B8

RGB 221 120 184

HSL 321.98, 0.6%, 0.67%

LAB 63.56, 47.3, -16.29

 

CMYK 0 / 46 / 29 / 13

HEX #DD789D

RGB 221 120 157

HSL 338.02, 0.6%, 0.67%

LAB 62.71, 43.44, -2.18

 

CMYK 0 / 46 / 41 / 13

HEX #DD7882

RGB 221 120 130

HSL 354.06, 0.6%, 0.67%

LAB 62.01, 40.19, 12.28

 

CMYK 0 / 46 / 46 / 13

HEX #DD7878

RGB 221 120 120

HSL 0, 0.6%, 0.67%

LAB 61.79, 39.15, 17.69

 

CMYK 0 / 46 / 17 / 13

HEX #DD78B8

RGB 221 120 184

HSL 321.98, 0.6%, 0.67%

LAB 63.56, 47.3, -16.29

 

CMYK 0 / 46 / 5 / 13

HEX #DD78D3

RGB 221 120 211

HSL 305.94, 0.6%, 0.67%

LAB 64.57, 51.7, -29.96

 

CMYK 8 / 46 / 0 / 13

HEX #CC78DD

RGB 204 120 221

HSL 289.9, 0.6%, 0.67%

LAB 62.92, 48.57, -38.28

 

CMYK 20 / 46 / 0 / 13

HEX #B178DD

RGB 177 120 221

HSL 273.86, 0.6%, 0.67%

LAB 59.89, 40.91, -43.25

 

CMYK 32 / 46 / 0 / 13

HEX #9678DD

RGB 150 120 221

HSL 257.82, 0.6%, 0.67%

LAB 57.21, 33.53, -47.66

 

CMYK 0 / 46 / 17 / 13

HEX #DD78B8

RGB 221 120 184

HSL 321.98, 0.6%, 0.67%

LAB 63.56, 47.3, -16.29

 

CMYK 0 / 54 / 20 / 8

HEX #EB6BBC

RGB 235 107 188

HSL 322.03, 0.76%, 0.67%

LAB 63.18, 58.5, -18.96

 

CMYK 0 / 63 / 23 / 2

HEX #F95DBF

RGB 249 93 191

HSL 322.31, 0.93%, 0.67%

LAB 63.12, 68.92, -20.57

 

CMYK 0 / 46 / 17 / 13

HEX #DD78B8

RGB 221 120 184

HSL 321.98, 0.6%, 0.67%

LAB 63.56, 47.3, -16.29

 

CMYK 0 / 36 / 13 / 18

HEX #D086B4

RGB 208 134 180

HSL 322.7, 0.44%, 0.67%

LAB 64.77, 35.03, -12.37

 

CMYK 0 / 24 / 9 / 24

HEX #C294B1

RGB 194 148 177

HSL 322.17, 0.27%, 0.67%

LAB 66.38, 21.99, -8.42

 

CMYK 0 / 11 / 4 / 29

HEX #B4A1AD

RGB 180 161 173

HSL 322.11, 0.11%, 0.67%

LAB 68.18, 9.07, -3.68

 

CMYK 5 / 0 / 3 / 31

HEX #A7AFAA

RGB 167 175 170

HSL 142.5, 0.05%, 0.67%

LAB 70.72, -3.76, 1.58

 

CMYK 7 / 46 / 0 / 13

HEX #CD78DD

RGB 205 120 221

HSL 290.5, 0.6%, 0.67%

LAB 63.04, 48.86, -38.09

 

CMYK 0 / 46 / 5 / 13

HEX #DD78D3

RGB 221 120 211

HSL 305.94, 0.6%, 0.67%

LAB 64.57, 51.7, -29.96

 

CMYK 0 / 46 / 17 / 13

HEX #DD78B8

RGB 221 120 184

HSL 321.98, 0.6%, 0.67%

LAB 63.56, 47.3, -16.29

 

CMYK 0 / 46 / 29 / 13

HEX #DD789D

RGB 221 120 157

HSL 338.02, 0.6%, 0.67%

LAB 62.71, 43.44, -2.18

 

CMYK 0 / 46 / 41 / 13

HEX #DD7882

RGB 221 120 130

HSL 354.06, 0.6%, 0.67%

LAB 62.01, 40.19, 12.28

 

CMYK 0 / 74 / 27 / 20

HEX #CD3695

RGB 205 54 149

HSL 322.25, 0.6%, 0.51%

LAB 49.24, 66.35, -17.93

 

CMYK 0 / 59 / 22 / 16

HEX #D557A7

RGB 213 87 167

HSL 321.9, 0.6%, 0.59%

LAB 55.84, 58.12, -18.36

 

CMYK 0 / 46 / 17 / 13

HEX #DD78B8

RGB 221 120 184

HSL 321.98, 0.6%, 0.67%

LAB 63.56, 47.3, -16.29

 

CMYK 0 / 33 / 13 / 10

HEX #E699C9

RGB 230 153 201

HSL 322.6, 0.61%, 0.75%

LAB 72.11, 35.78, -12.82

 

CMYK 0 / 22 / 8 / 7

HEX #EEBADB

RGB 238 186 219

HSL 321.92, 0.6%, 0.83%

LAB 80.97, 23.92, -9.32

 

CMYK 0 / 45 / 17 / 13

HEX #DD79B8

RGB 221 121 184

HSL 322.2, 0.6%, 0.67%

LAB 63.76, 46.79, -15.99

 

CMYK 0 / 19 / 46 / 13

HEX #DDB278

RGB 221 178 120

HSL 34.46, 0.6%, 0.67%

LAB 75.18, 8.24, 35.47

 

CMYK 46 / 0 / 1 / 13

HEX #78DDDA

RGB 120 221 218

HSL 178.22, 0.6%, 0.67%

LAB 82.25, -30.21, -7.71

 

CMYK 0 / 45 / 17 / 13

HEX #DD79B8

RGB 221 121 184

HSL 322.2, 0.6%, 0.67%

LAB 63.76, 46.79, -15.99

 

CMYK 17 / 0 / 46 / 13

HEX #B8DD78

RGB 184 221 120

HSL 81.98, 0.6%, 0.67%

LAB 83.58, -28.26, 45.42

 

CMYK 46 / 17 / 0 / 13

HEX #78B8DD

RGB 120 184 221

HSL 201.98, 0.6%, 0.67%

LAB 71.89, -10.69, -24.94

 

CMYK 0 / 45 / 17 / 13

HEX #DD79B8

RGB 221 121 184

HSL 322.2, 0.6%, 0.67%

LAB 63.76, 46.79, -15.99

 

CMYK 0 / 19 / 46 / 13

HEX #DDB278

RGB 221 178 120

HSL 34.46, 0.6%, 0.67%

LAB 75.18, 8.24, 35.47

 

CMYK 46 / 0 / 29 / 13

HEX #78DD9D

RGB 120 221 157

HSL 141.98, 0.6%, 0.67%

LAB 80.82, -43.6, 22.47

 

CMYK 46 / 26 / 0 / 13

HEX #78A4DD

RGB 120 164 221

HSL 213.86, 0.6%, 0.67%

LAB 66.34, 0.28, -33.49

 

CMYK 0 / 45 / 17 / 13

HEX #DD79B8

RGB 221 121 184

HSL 322.2, 0.6%, 0.67%

LAB 63.76, 46.79, -15.99

 

CMYK 0 / 6 / 46 / 13

HEX #DDD078

RGB 221 208 120

HSL 52.28, 0.6%, 0.67%

LAB 82.83, -7.4, 45.11

 

CMYK 46 / 0 / 29 / 13

HEX #78DD9D

RGB 120 221 157

HSL 141.98, 0.6%, 0.67%

LAB 80.82, -43.6, 22.47

 

CMYK 46 / 39 / 0 / 13

HEX #7886DD

RGB 120 134 221

HSL 231.68, 0.6%, 0.67%

LAB 58.29, 17.65, -46.11

 

Description

Color code: HEX #DD79B8 | qconv.com Color code: HEX #DD79B8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 121 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 121 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 17 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 17% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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