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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD7832 it is the complementary color #2287CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD7832. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD7832 shade: #E2782D, #F38A40, #FF9C53, #FFAE66 and #FFC079

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD7832. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD7832 shade: #DD7832, #CC661F, #BB540C, #AA4200 and #993000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD7832 shade: #DD7831, #DD4931 and #DD3131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD7832 shade: #DD7831, #DDA631, #DDD531, #B8DD31 and #89DD31

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD7832 shade matches the following richer shades: #DD7831 and #F1741D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD7832 shade: #DD7831, #CA7B44, #B77F58, #A3826B and #90867E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD7832 shade: #DD3148, #DD4831, #DD7631, #DDA431 and #DDD231

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD7832 shade: #A1521A, #C56420, #DD7831, #E38F54 and #E9A678

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD7832 shade: #DD7832, #76DD31 and #3131DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD7832 shade: #DD7832, #31DD76 and #7631DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD7832 shade: #DD7832, #76DD31, #3198DD and #9831DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD7832 shade: #DD7832, #42DD31, #3198DD and #CC31DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 77 / 13

HEX #DD7832

RGB 221 120 50

HSL 24.56, 0.72%, 0.53%

LAB 60.81, 34.36, 53.61

 

Complementary color

CMYK 83 / 34 / 0 / 20

HEX #2287CD

RGB 34 135 205

HSL 204.56, 0.72%, 0.47%

LAB 54.11, -3.1, -43.95

 

CMYK 0 / 47 / 80 / 11

HEX #E2782D

RGB 226 120 45

HSL 24.86, 0.76%, 0.53%

LAB 61.47, 36.19, 56.63

 

CMYK 0 / 43 / 74 / 5

HEX #F38A40

RGB 243 138 64

HSL 24.8, 0.88%, 0.6%

LAB 67.73, 34.43, 55.24

 

CMYK 0 / 39 / 67 / 0

HEX #FF9C53

RGB 255 156 83

HSL 25.47, 1%, 0.66%

LAB 73.33, 30.85, 52.79

 

CMYK 0 / 32 / 60 / 0

HEX #FFAE66

RGB 255 174 102

HSL 28.24, 1%, 0.7%

LAB 77.57, 22.64, 48.4

 

CMYK 0 / 25 / 53 / 0

HEX #FFC079

RGB 255 192 121

HSL 31.79, 1%, 0.74%

LAB 82.02, 14.68, 44.31

 

CMYK 0 / 46 / 77 / 13

HEX #DD7832

RGB 221 120 50

HSL 24.56, 0.72%, 0.53%

LAB 60.81, 34.36, 53.61

 

CMYK 0 / 50 / 85 / 20

HEX #CC661F

RGB 204 102 31

HSL 24.62, 0.74%, 0.46%

LAB 54.49, 36.22, 54.76

 

CMYK 0 / 55 / 94 / 27

HEX #BB540C

RGB 187 84 12

HSL 24.69, 0.88%, 0.39%

LAB 48.17, 38.23, 54.84

 

CMYK 0 / 61 / 100 / 33

HEX #AA4200

RGB 170 66 0

HSL 23.29, 1%, 0.33%

LAB 41.91, 40.28, 52.71

 

CMYK 0 / 69 / 100 / 40

HEX #993000

RGB 153 48 0

HSL 18.82, 1%, 0.3%

LAB 35.76, 42.15, 47.83

 

CMYK 0 / 46 / 78 / 13

HEX #DD7831

RGB 221 120 49

HSL 24.77, 0.72%, 0.53%

LAB 60.81, 34.32, 54.04

 

CMYK 0 / 67 / 78 / 13

HEX #DD4931

RGB 221 73 49

HSL 8.37, 0.72%, 0.53%

LAB 52.24, 56.41, 45.52

 

CMYK 0 / 78 / 78 / 13

HEX #DD3131

RGB 221 49 49

HSL 0, 0.72%, 0.53%

LAB 49.24, 64.7, 42.42

 

CMYK 0 / 46 / 78 / 13

HEX #DD7831

RGB 221 120 49

HSL 24.77, 0.72%, 0.53%

LAB 60.81, 34.32, 54.04

 

CMYK 0 / 25 / 78 / 13

HEX #DDA631

RGB 221 166 49

HSL 40.81, 0.72%, 0.53%

LAB 71.46, 9.82, 64.13

 

CMYK 0 / 4 / 78 / 13

HEX #DDD531

RGB 221 213 49

HSL 57.21, 0.72%, 0.53%

LAB 83.54, -14.5, 75.08

 

CMYK 17 / 0 / 78 / 13

HEX #B8DD31

RGB 184 221 49

HSL 72.91, 0.72%, 0.53%

LAB 82.98, -33.57, 73.55

 

CMYK 38 / 0 / 78 / 13

HEX #89DD31

RGB 137 221 49

HSL 89.3, 0.72%, 0.53%

LAB 80.32, -51, 70.13

 

CMYK 0 / 46 / 78 / 13

HEX #DD7831

RGB 221 120 49

HSL 24.77, 0.72%, 0.53%

LAB 60.81, 34.32, 54.04

 

CMYK 0 / 52 / 88 / 5

HEX #F1741D

RGB 241 116 29

HSL 24.62, 0.88%, 0.53%

LAB 62.74, 43.66, 64.4

 

CMYK 0 / 46 / 78 / 13

HEX #DD7831

RGB 221 120 49

HSL 24.77, 0.72%, 0.53%

LAB 60.81, 34.32, 54.04

 

CMYK 0 / 39 / 66 / 21

HEX #CA7B44

RGB 202 123 68

HSL 24.63, 0.56%, 0.53%

LAB 59.1, 25.86, 42.38

 

CMYK 0 / 31 / 52 / 28

HEX #B77F58

RGB 183 127 88

HSL 24.63, 0.4%, 0.53%

LAB 57.99, 17.22, 29.8

 

CMYK 0 / 20 / 34 / 36

HEX #A3826B

RGB 163 130 107

HSL 24.64, 0.23%, 0.53%

LAB 56.89, 9.3, 17.26

 

CMYK 0 / 7 / 13 / 44

HEX #90867E

RGB 144 134 126

HSL 26.67, 0.08%, 0.53%

LAB 56.57, 2.31, 5.65

 

CMYK 0 / 78 / 67 / 13

HEX #DD3148

RGB 221 49 72

HSL 351.98, 0.72%, 0.53%

LAB 49.54, 65.65, 29.51

 

CMYK 0 / 67 / 78 / 13

HEX #DD4831

RGB 221 72 49

HSL 8.02, 0.72%, 0.53%

LAB 52.09, 56.81, 45.37

 

CMYK 0 / 47 / 78 / 13

HEX #DD7631

RGB 221 118 49

HSL 24.07, 0.72%, 0.53%

LAB 60.38, 35.36, 53.63

 

CMYK 0 / 26 / 78 / 13

HEX #DDA431

RGB 221 164 49

HSL 40.12, 0.72%, 0.53%

LAB 70.97, 10.88, 63.68

 

CMYK 0 / 5 / 78 / 13

HEX #DDD231

RGB 221 210 49

HSL 56.16, 0.72%, 0.53%

LAB 82.75, -13.01, 74.37

 

CMYK 0 / 49 / 84 / 37

HEX #A1521A

RGB 161 82 26

HSL 24.89, 0.72%, 0.37%

LAB 43.78, 28.94, 44.92

 

CMYK 0 / 49 / 84 / 23

HEX #C56420

RGB 197 100 32

HSL 24.73, 0.72%, 0.45%

LAB 53.05, 34.46, 52.73

 

CMYK 0 / 46 / 78 / 13

HEX #DD7831

RGB 221 120 49

HSL 24.77, 0.72%, 0.53%

LAB 60.81, 34.32, 54.04

 

CMYK 0 / 37 / 63 / 11

HEX #E38F54

RGB 227 143 84

HSL 24.76, 0.72%, 0.61%

LAB 66.99, 26.43, 44.14

 

CMYK 0 / 29 / 48 / 9

HEX #E9A678

RGB 233 166 120

HSL 24.42, 0.72%, 0.69%

LAB 73.51, 19.48, 33.57

 

CMYK 0 / 46 / 77 / 13

HEX #DD7832

RGB 221 120 50

HSL 24.56, 0.72%, 0.53%

LAB 60.81, 34.36, 53.61

 

CMYK 47 / 0 / 78 / 13

HEX #76DD31

RGB 118 221 49

HSL 95.93, 0.72%, 0.53%

LAB 79.49, -57.08, 69.05

 

CMYK 78 / 78 / 0 / 13

HEX #3131DD

RGB 49 49 221

HSL 240, 0.72%, 0.53%

LAB 34.13, 56.61, -85.49

 

CMYK 0 / 46 / 77 / 13

HEX #DD7832

RGB 221 120 50

HSL 24.56, 0.72%, 0.53%

LAB 60.81, 34.36, 53.61

 

CMYK 78 / 0 / 47 / 13

HEX #31DD76

RGB 49 221 118

HSL 144.07, 0.72%, 0.53%

LAB 78.27, -64.43, 38.62

 

CMYK 47 / 78 / 0 / 13

HEX #7631DD

RGB 118 49 221

HSL 264.07, 0.72%, 0.53%

LAB 40.03, 63.71, -75.55

 

CMYK 0 / 46 / 77 / 13

HEX #DD7832

RGB 221 120 50

HSL 24.56, 0.72%, 0.53%

LAB 60.81, 34.36, 53.61

 

CMYK 47 / 0 / 78 / 13

HEX #76DD31

RGB 118 221 49

HSL 95.93, 0.72%, 0.53%

LAB 79.49, -57.08, 69.05

 

CMYK 78 / 31 / 0 / 13

HEX #3198DD

RGB 49 152 221

HSL 204.07, 0.72%, 0.53%

LAB 60.19, -5.71, -43.31

 

CMYK 31 / 78 / 0 / 13

HEX #9831DD

RGB 152 49 221

HSL 275.93, 0.72%, 0.53%

LAB 44.37, 68.89, -68.29

 

CMYK 0 / 46 / 77 / 13

HEX #DD7832

RGB 221 120 50

HSL 24.56, 0.72%, 0.53%

LAB 60.81, 34.36, 53.61

 

CMYK 70 / 0 / 78 / 13

HEX #42DD31

RGB 66 221 49

HSL 114.07, 0.72%, 0.53%

LAB 77.93, -69.59, 67.02

 

CMYK 78 / 31 / 0 / 13

HEX #3198DD

RGB 49 152 221

HSL 204.07, 0.72%, 0.53%

LAB 60.19, -5.71, -43.31

 

CMYK 8 / 78 / 0 / 13

HEX #CC31DD

RGB 204 49 221

HSL 294.07, 0.72%, 0.53%

LAB 52.12, 78.07, -55.37

 

Description

Color code: HEX #DD7832 | qconv.com Color code: HEX #DD7832 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 120 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 120 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 77 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 77% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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