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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD6F0B it is the complementary color #2290F4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD6F0B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD6F0B shade: #E26F06, #F38119, #FF932C, #FFA53F and #FFB752

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD6F0B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD6F0B shade: #DD6F0B, #CC5D00, #BB4B00, #AA3900 and #992700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD6F0B shade: #DB6E0A, #DB350A and #DB0A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD6F0B shade: #DB6E0A, #DBA60A, #D8DB0A, #A0DB0A and #67DB0A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD6F0B shade matches the following richer shades: #DB6E0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD6F0B shade: #DB6E0A, #C96F1D, #B6702F, #A37042 and #917155

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD6F0B shade: #DB0A18, #DB340A, #DB6C0A, #DBA30A and #DBDB0A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD6F0B shade: #8C4607, #B45A08, #DB6E0A, #F4821B and #F69842

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD6F0B shade: #DD6F0B, #50DB0A and #180ADB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD6F0B shade: #DD6F0B, #0ADB6C and #6C0ADB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD6F0B shade: #DD6F0B, #50DB0A, #0A7ADB and #960ADB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD6F0B shade: #DD6F0B, #11DB0A, #0A7ADB and #D40ADB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 95 / 13

HEX #DD6F0B

RGB 221 111 11

HSL 28.57, 0.91%, 0.45%

LAB 58.76, 38.07, 64.65

 

Complementary color

CMYK 86 / 41 / 0 / 4

HEX #2290F4

RGB 34 144 244

HSL 208.57, 0.91%, 0.55%

LAB 58.81, 6.09, -58.26

 

CMYK 0 / 51 / 97 / 11

HEX #E26F06

RGB 226 111 6

HSL 28.64, 0.95%, 0.45%

LAB 59.48, 40, 66.33

 

CMYK 0 / 47 / 90 / 5

HEX #F38119

RGB 243 129 25

HSL 28.62, 0.9%, 0.53%

LAB 65.61, 37.88, 67.82

 

CMYK 0 / 42 / 83 / 0

HEX #FF932C

RGB 255 147 44

HSL 29.29, 1%, 0.59%

LAB 71.08, 33.91, 67.07

 

CMYK 0 / 35 / 75 / 0

HEX #FFA53F

RGB 255 165 63

HSL 31.88, 1%, 0.62%

LAB 75.16, 25.23, 63.63

 

CMYK 0 / 28 / 68 / 0

HEX #FFB752

RGB 255 183 82

HSL 35.03, 1%, 0.66%

LAB 79.46, 16.71, 59.95

 

CMYK 0 / 50 / 95 / 13

HEX #DD6F0B

RGB 221 111 11

HSL 28.57, 0.91%, 0.45%

LAB 58.76, 38.07, 64.65

 

CMYK 0 / 54 / 100 / 20

HEX #CC5D00

RGB 204 93 0

HSL 27.35, 1%, 0.4%

LAB 52.58, 40.28, 61.63

 

CMYK 0 / 60 / 100 / 27

HEX #BB4B00

RGB 187 75 0

HSL 24.06, 1%, 0.37%

LAB 46.44, 42.48, 56.73

 

CMYK 0 / 66 / 100 / 33

HEX #AA3900

RGB 170 57 0

HSL 20.12, 1%, 0.33%

LAB 40.36, 44.4, 51.9

 

CMYK 0 / 75 / 100 / 40

HEX #992700

RGB 153 39 0

HSL 15.29, 1%, 0.3%

LAB 34.44, 45.76, 47.13

 

CMYK 0 / 50 / 95 / 14

HEX #DB6E0A

RGB 219 110 10

HSL 28.71, 0.91%, 0.45%

LAB 58.26, 37.77, 64.35

 

CMYK 0 / 76 / 95 / 14

HEX #DB350A

RGB 219 53 10

HSL 12.34, 0.91%, 0.45%

LAB 49.04, 62.11, 58.68

 

CMYK 0 / 95 / 95 / 14

HEX #DB0A0A

RGB 219 10 10

HSL 0, 0.91%, 0.45%

LAB 46.04, 70.64, 57.06

 

CMYK 0 / 50 / 95 / 14

HEX #DB6E0A

RGB 219 110 10

HSL 28.71, 0.91%, 0.45%

LAB 58.26, 37.77, 64.35

 

CMYK 0 / 24 / 95 / 14

HEX #DBA60A

RGB 219 166 10

HSL 44.78, 0.91%, 0.45%

LAB 71.11, 8.06, 73.25

 

CMYK 1 / 0 / 95 / 14

HEX #D8DB0A

RGB 216 219 10

HSL 60.86, 0.91%, 0.45%

LAB 84.63, -20.39, 83.09

 

CMYK 27 / 0 / 95 / 14

HEX #A0DB0A

RGB 160 219 10

HSL 76.94, 0.91%, 0.45%

LAB 80.83, -43.03, 78.52

 

CMYK 53 / 0 / 95 / 14

HEX #67DB0A

RGB 103 219 10

HSL 93.3, 0.91%, 0.45%

LAB 78.21, -61.98, 75.33

 

CMYK 0 / 50 / 95 / 14

HEX #DB6E0A

RGB 219 110 10

HSL 28.71, 0.91%, 0.45%

LAB 58.26, 37.77, 64.35

 

CMYK 0 / 50 / 95 / 14

HEX #DB6E0A

RGB 219 110 10

HSL 28.71, 0.91%, 0.45%

LAB 58.26, 37.77, 64.35

 

CMYK 0 / 45 / 86 / 21

HEX #C96F1D

RGB 201 111 29

HSL 28.6, 0.75%, 0.45%

LAB 55.96, 30.22, 56.55

 

CMYK 0 / 38 / 74 / 29

HEX #B6702F

RGB 182 112 47

HSL 28.89, 0.59%, 0.45%

LAB 53.75, 22.26, 46.16

 

CMYK 0 / 31 / 60 / 36

HEX #A37042

RGB 163 112 66

HSL 28.45, 0.42%, 0.45%

LAB 51.57, 15.18, 33.39

 

CMYK 0 / 22 / 41 / 43

HEX #917155

RGB 145 113 85

HSL 28, 0.26%, 0.45%

LAB 50.08, 8.66, 20.36

 

CMYK 0 / 95 / 89 / 14

HEX #DB0A18

RGB 219 10 24

HSL 355.98, 0.91%, 0.45%

LAB 46.1, 70.81, 52.01

 

CMYK 0 / 76 / 95 / 14

HEX #DB340A

RGB 219 52 10

HSL 12.06, 0.91%, 0.45%

LAB 48.93, 62.42, 58.61

 

CMYK 0 / 51 / 95 / 14

HEX #DB6C0A

RGB 219 108 10

HSL 28.13, 0.91%, 0.45%

LAB 57.85, 38.78, 64.09

 

CMYK 0 / 26 / 95 / 14

HEX #DBA30A

RGB 219 163 10

HSL 43.92, 0.91%, 0.45%

LAB 70.37, 9.66, 72.71

 

CMYK 0 / 0 / 95 / 14

HEX #DBDB0A

RGB 219 219 10

HSL 60, 0.91%, 0.45%

LAB 84.87, -19.12, 83.37

 

CMYK 0 / 50 / 95 / 45

HEX #8C4607

RGB 140 70 7

HSL 28.42, 0.9%, 0.29%

LAB 37.79, 26.05, 45.47

 

CMYK 0 / 50 / 96 / 29

HEX #B45A08

RGB 180 90 8

HSL 28.6, 0.91%, 0.37%

LAB 48.3, 32.24, 55.34

 

CMYK 0 / 50 / 95 / 14

HEX #DB6E0A

RGB 219 110 10

HSL 28.71, 0.91%, 0.45%

LAB 58.26, 37.77, 64.35

 

CMYK 0 / 47 / 89 / 4

HEX #F4821B

RGB 244 130 27

HSL 28.48, 0.91%, 0.53%

LAB 65.96, 37.81, 67.62

 

CMYK 0 / 38 / 73 / 4

HEX #F69842

RGB 246 152 66

HSL 28.67, 0.91%, 0.61%

LAB 71.18, 28.46, 58.01

 

CMYK 0 / 50 / 95 / 13

HEX #DD6F0B

RGB 221 111 11

HSL 28.57, 0.91%, 0.45%

LAB 58.76, 38.07, 64.65

 

CMYK 63 / 0 / 95 / 14

HEX #50DB0A

RGB 80 219 10

HSL 99.9, 0.91%, 0.45%

LAB 77.51, -67.66, 74.47

 

CMYK 89 / 95 / 0 / 14

HEX #180ADB

RGB 24 10 219

HSL 244.02, 0.91%, 0.45%

LAB 28.18, 68.95, -94.26

 

CMYK 0 / 50 / 95 / 13

HEX #DD6F0B

RGB 221 111 11

HSL 28.57, 0.91%, 0.45%

LAB 58.76, 38.07, 64.65

 

CMYK 95 / 0 / 51 / 14

HEX #0ADB6C

RGB 10 219 108

HSL 148.13, 0.91%, 0.45%

LAB 77.17, -68.24, 42.04

 

CMYK 51 / 95 / 0 / 14

HEX #6C0ADB

RGB 108 10 219

HSL 268.13, 0.91%, 0.45%

LAB 35.04, 72.75, -82.66

 

CMYK 0 / 50 / 95 / 13

HEX #DD6F0B

RGB 221 111 11

HSL 28.57, 0.91%, 0.45%

LAB 58.76, 38.07, 64.65

 

CMYK 63 / 0 / 95 / 14

HEX #50DB0A

RGB 80 219 10

HSL 99.9, 0.91%, 0.45%

LAB 77.51, -67.66, 74.47

 

CMYK 95 / 44 / 0 / 14

HEX #0A7ADB

RGB 10 122 219

HSL 207.85, 0.91%, 0.45%

LAB 50.8, 8.82, -57.16

 

CMYK 32 / 95 / 0 / 14

HEX #960ADB

RGB 150 10 219

HSL 280.19, 0.91%, 0.45%

LAB 40.92, 77.01, -72.78

 

CMYK 0 / 50 / 95 / 13

HEX #DD6F0B

RGB 221 111 11

HSL 28.57, 0.91%, 0.45%

LAB 58.76, 38.07, 64.65

 

CMYK 92 / 0 / 95 / 14

HEX #11DB0A

RGB 17 219 10

HSL 117.99, 0.91%, 0.45%

LAB 76.56, -75.99, 73.3

 

CMYK 95 / 44 / 0 / 14

HEX #0A7ADB

RGB 10 122 219

HSL 207.85, 0.91%, 0.45%

LAB 50.8, 8.82, -57.16

 

CMYK 3 / 95 / 0 / 14

HEX #D40ADB

RGB 212 10 219

HSL 297.99, 0.91%, 0.45%

LAB 51.07, 85.75, -55.85

 

Description

Color code: HEX #DD6F0B | qconv.com Color code: HEX #DD6F0B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 111 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 111 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 95 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 95% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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