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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD6823 it is the complementary color #2297DC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD6823. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD6823 shade: #E2681E, #F37A31, #FF8C44, #FF9E57 and #FFB06A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD6823. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD6823 shade: #DD6823, #CC5610, #BB4400, #AA3200 and #992000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD6823 shade: #DD6722, #DD3522 and #DD2222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD6823 shade: #DD6722, #DD9A22, #DDCC22, #BBDD22 and #89DD22

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD6823 shade matches the following richer shades: #DD6722 and #F1620E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD6823 shade: #DD6722, #C86D37, #B3724C, #9F7760 and #8A7D75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD6823 shade: #DD2241, #DD3522, #DD6722, #DD9822 and #DDCA22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD6823 shade: #954617, #B9571D, #DD6722, #E28046 and #E8996A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD6823 shade: #DD6823, #73DD22 and #2229DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD6823 shade: #DD6823, #22DD67 and #6722DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD6823 shade: #DD6823, #73DD22, #2298DD and #8C22DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD6823 shade: #DD6823, #3BDD22, #2298DD and #C422DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 84 / 13

HEX #DD6823

RGB 221 104 35

HSL 22.26, 0.73%, 0.5%

LAB 57.46, 42, 56.78

 

Complementary color

CMYK 85 / 31 / 0 / 14

HEX #2297DC

RGB 34 151 220

HSL 202.26, 0.73%, 0.5%

LAB 59.56, -6.87, -43.76

 

CMYK 0 / 54 / 87 / 11

HEX #E2681E

RGB 226 104 30

HSL 22.65, 0.77%, 0.5%

LAB 58.19, 43.8, 59.54

 

CMYK 0 / 50 / 80 / 5

HEX #F37A31

RGB 243 122 49

HSL 22.58, 0.89%, 0.57%

LAB 64.32, 41.98, 58.48

 

CMYK 0 / 45 / 73 / 0

HEX #FF8C44

RGB 255 140 68

HSL 23.1, 1%, 0.63%

LAB 69.78, 38.32, 56.03

 

CMYK 0 / 38 / 66 / 0

HEX #FF9E57

RGB 255 158 87

HSL 25.36, 1%, 0.67%

LAB 73.81, 30.04, 51.4

 

CMYK 0 / 31 / 58 / 0

HEX #FFB06A

RGB 255 176 106

HSL 28.19, 1%, 0.71%

LAB 78.08, 21.88, 47.02

 

CMYK 0 / 53 / 84 / 13

HEX #DD6823

RGB 221 104 35

HSL 22.26, 0.73%, 0.5%

LAB 57.46, 42, 56.78

 

CMYK 0 / 58 / 92 / 20

HEX #CC5610

RGB 204 86 16

HSL 22.34, 0.85%, 0.43%

LAB 51.3, 43.87, 57.24

 

CMYK 0 / 64 / 100 / 27

HEX #BB4400

RGB 187 68 0

HSL 21.82, 1%, 0.37%

LAB 45.22, 45.71, 56.08

 

CMYK 0 / 71 / 100 / 33

HEX #AA3200

RGB 170 50 0

HSL 17.65, 1%, 0.33%

LAB 39.29, 47.32, 51.37

 

CMYK 0 / 79 / 100 / 40

HEX #992000

RGB 153 32 0

HSL 12.55, 1%, 0.3%

LAB 33.57, 48.18, 46.63

 

CMYK 0 / 53 / 85 / 13

HEX #DD6722

RGB 221 103 34

HSL 22.14, 0.73%, 0.5%

LAB 57.26, 42.47, 56.99

 

CMYK 0 / 76 / 85 / 13

HEX #DD3522

RGB 221 53 34

HSL 6.1, 0.73%, 0.5%

LAB 49.54, 63.09, 50.39

 

CMYK 0 / 85 / 85 / 13

HEX #DD2222

RGB 221 34 34

HSL 0, 0.73%, 0.5%

LAB 47.79, 68.02, 48.87

 

CMYK 0 / 53 / 85 / 13

HEX #DD6722

RGB 221 103 34

HSL 22.14, 0.73%, 0.5%

LAB 57.26, 42.47, 56.99

 

CMYK 0 / 30 / 85 / 13

HEX #DD9A22

RGB 221 154 34

HSL 38.5, 0.73%, 0.5%

LAB 68.46, 15.77, 66.4

 

CMYK 0 / 8 / 85 / 13

HEX #DDCC22

RGB 221 204 34

HSL 54.55, 0.73%, 0.5%

LAB 81.11, -10.43, 76.86

 

CMYK 15 / 0 / 85 / 13

HEX #BBDD22

RGB 187 221 34

HSL 70.91, 0.73%, 0.5%

LAB 83.12, -32.88, 77.48

 

CMYK 38 / 0 / 85 / 13

HEX #89DD22

RGB 137 221 34

HSL 86.95, 0.73%, 0.5%

LAB 80.26, -51.62, 73.9

 

CMYK 0 / 53 / 85 / 13

HEX #DD6722

RGB 221 103 34

HSL 22.14, 0.73%, 0.5%

LAB 57.26, 42.47, 56.99

 

CMYK 0 / 59 / 94 / 5

HEX #F1620E

RGB 241 98 14

HSL 22.2, 0.89%, 0.5%

LAB 59.4, 51.92, 65.99

 

CMYK 0 / 53 / 85 / 13

HEX #DD6722

RGB 221 103 34

HSL 22.14, 0.73%, 0.5%

LAB 57.26, 42.47, 56.99

 

CMYK 0 / 46 / 73 / 22

HEX #C86D37

RGB 200 109 55

HSL 22.34, 0.57%, 0.5%

LAB 55.58, 31.83, 44.97

 

CMYK 0 / 36 / 58 / 30

HEX #B3724C

RGB 179 114 76

HSL 22.14, 0.4%, 0.5%

LAB 54.18, 21.73, 31.53

 

CMYK 0 / 25 / 40 / 38

HEX #9F7760

RGB 159 119 96

HSL 21.9, 0.25%, 0.5%

LAB 53.39, 12.49, 18.73

 

CMYK 0 / 9 / 15 / 46

HEX #8A7D75

RGB 138 125 117

HSL 22.86, 0.08%, 0.5%

LAB 53.34, 3.53, 6.15

 

CMYK 0 / 85 / 71 / 13

HEX #DD2241

RGB 221 34 65

HSL 350.05, 0.73%, 0.5%

LAB 48.13, 69.02, 31.96

 

CMYK 0 / 76 / 85 / 13

HEX #DD3522

RGB 221 53 34

HSL 6.1, 0.73%, 0.5%

LAB 49.54, 63.09, 50.39

 

CMYK 0 / 53 / 85 / 13

HEX #DD6722

RGB 221 103 34

HSL 22.14, 0.73%, 0.5%

LAB 57.26, 42.47, 56.99

 

CMYK 0 / 31 / 85 / 13

HEX #DD9822

RGB 221 152 34

HSL 37.86, 0.73%, 0.5%

LAB 67.98, 16.84, 66

 

CMYK 0 / 9 / 85 / 13

HEX #DDCA22

RGB 221 202 34

HSL 53.9, 0.73%, 0.5%

LAB 80.59, -9.42, 76.43

 

CMYK 0 / 53 / 85 / 42

HEX #954617

RGB 149 70 23

HSL 22.38, 0.73%, 0.34%

LAB 39.3, 30.28, 41.49

 

CMYK 0 / 53 / 84 / 27

HEX #B9571D

RGB 185 87 29

HSL 22.31, 0.73%, 0.42%

LAB 48.54, 36.26, 49.29

 

CMYK 0 / 53 / 85 / 13

HEX #DD6722

RGB 221 103 34

HSL 22.14, 0.73%, 0.5%

LAB 57.26, 42.47, 56.99

 

CMYK 0 / 43 / 69 / 11

HEX #E28046

RGB 226 128 70

HSL 22.31, 0.73%, 0.58%

LAB 63.38, 33.11, 47.05

 

CMYK 0 / 34 / 54 / 9

HEX #E8996A

RGB 232 153 106

HSL 22.38, 0.73%, 0.66%

LAB 70.16, 24.76, 36.69

 

CMYK 0 / 53 / 84 / 13

HEX #DD6823

RGB 221 104 35

HSL 22.26, 0.73%, 0.5%

LAB 57.46, 42, 56.78

 

CMYK 48 / 0 / 85 / 13

HEX #73DD22

RGB 115 221 34

HSL 94.01, 0.73%, 0.5%

LAB 79.31, -58.65, 72.71

 

CMYK 85 / 81 / 0 / 13

HEX #2229DD

RGB 34 41 221

HSL 237.75, 0.73%, 0.5%

LAB 32.14, 59.7, -88.81

 

CMYK 0 / 53 / 84 / 13

HEX #DD6823

RGB 221 104 35

HSL 22.26, 0.73%, 0.5%

LAB 57.46, 42, 56.78

 

CMYK 85 / 0 / 53 / 13

HEX #22DD67

RGB 34 221 103

HSL 142.14, 0.73%, 0.5%

LAB 77.89, -68.25, 45.35

 

CMYK 53 / 85 / 0 / 13

HEX #6722DD

RGB 103 34 221

HSL 262.14, 0.73%, 0.5%

LAB 36.46, 67.35, -81.49

 

CMYK 0 / 53 / 84 / 13

HEX #DD6823

RGB 221 104 35

HSL 22.26, 0.73%, 0.5%

LAB 57.46, 42, 56.78

 

CMYK 48 / 0 / 85 / 13

HEX #73DD22

RGB 115 221 34

HSL 94.01, 0.73%, 0.5%

LAB 79.31, -58.65, 72.71

 

CMYK 85 / 31 / 0 / 13

HEX #2298DD

RGB 34 152 221

HSL 202.14, 0.73%, 0.5%

LAB 59.9, -7.07, -43.78

 

CMYK 37 / 85 / 0 / 13

HEX #8C22DD

RGB 140 34 221

HSL 274.01, 0.73%, 0.5%

LAB 41.12, 71.73, -73.65

 

CMYK 0 / 53 / 84 / 13

HEX #DD6823

RGB 221 104 35

HSL 22.26, 0.73%, 0.5%

LAB 57.46, 42, 56.78

 

CMYK 73 / 0 / 85 / 13

HEX #3BDD22

RGB 59 221 34

HSL 111.98, 0.73%, 0.5%

LAB 77.73, -71.53, 70.7

 

CMYK 85 / 31 / 0 / 13

HEX #2298DD

RGB 34 152 221

HSL 202.14, 0.73%, 0.5%

LAB 59.9, -7.07, -43.78

 

CMYK 11 / 85 / 0 / 13

HEX #C422DD

RGB 196 34 221

HSL 291.98, 0.73%, 0.5%

LAB 49.62, 80.22, -59.47

 

Description

Color code: HEX #DD6823 | qconv.com Color code: HEX #DD6823 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 104 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 104 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 84 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 84% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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