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Color name
HEX #DD5F5A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD5F5A it is the complementary color #22A0A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD5F5A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD5F5A shade: #E25F55, #F37168, #FF837B, #FF958E and #FFA7A1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD5F5A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD5F5A shade: #DD5F5A, #CC4D47, #BB3B34, #AA2921 and #99170E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD5F5A shade: #DD5F5A and #DD5A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD5F5A shade: #DD5F5A, #DD825A, #DDA65A, #DDC95A and #CEDD5A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD5F5A shade matches the following richer shades: #DD5F5A, #ED504A and #FD413A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD5F5A shade: #DD5F5A, #CD6E6A, #BD7D7A, #AD8C8A and #9D9A9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD5F5A shade: #DD5A9C, #DD5A79, #DD5E5A, #DD815A and #DDA45A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD5F5A shade: #BE2D27, #D63E38, #DD5F5A, #E4807C and #EBA19E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD5F5A shade: #DD5F5A, #BFDD5A and #5A8ADD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD5F5A shade: #DD5F5A, #5ADD5E and #5E5ADD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD5F5A shade: #DD5F5A, #BFDD5A, #5AD9DD and #795ADD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD5F5A shade: #DD5F5A, #97DD5A, #5AD9DD and #A05ADD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 59 / 13

HEX #DD5F5A

RGB 221 95 90

HSL 2.29, 0.66%, 0.61%

LAB 56.38, 48.96, 27.65

 

Complementary color

CMYK 79 / 3 / 0 / 35

HEX #22A0A5

RGB 34 160 165

HSL 182.29, 0.66%, 0.39%

LAB 60.07, -30.37, -12.07

 

CMYK 0 / 58 / 62 / 11

HEX #E25F55

RGB 226 95 85

HSL 4.26, 0.71%, 0.61%

LAB 57.08, 50.38, 31.56

 

CMYK 0 / 53 / 57 / 5

HEX #F37168

RGB 243 113 104

HSL 3.88, 0.85%, 0.68%

LAB 63.23, 49.24, 29.21

 

CMYK 0 / 49 / 52 / 0

HEX #FF837B

RGB 255 131 123

HSL 3.64, 1%, 0.74%

LAB 68.7, 46.3, 26.12

 

CMYK 0 / 42 / 44 / 0

HEX #FF958E

RGB 255 149 142

HSL 3.72, 1%, 0.78%

LAB 72.7, 39, 21.04

 

CMYK 0 / 35 / 37 / 0

HEX #FFA7A1

RGB 255 167 161

HSL 3.83, 1%, 0.82%

LAB 76.96, 31.74, 16.55

 

CMYK 0 / 57 / 59 / 13

HEX #DD5F5A

RGB 221 95 90

HSL 2.29, 0.66%, 0.61%

LAB 56.38, 48.96, 27.65

 

CMYK 0 / 62 / 65 / 20

HEX #CC4D47

RGB 204 77 71

HSL 2.71, 0.57%, 0.54%

LAB 50.22, 50, 30.26

 

CMYK 0 / 68 / 72 / 27

HEX #BB3B34

RGB 187 59 52

HSL 3.11, 0.56%, 0.47%

LAB 44.15, 50.86, 33.32

 

CMYK 0 / 76 / 81 / 33

HEX #AA2921

RGB 170 41 33

HSL 3.5, 0.67%, 0.4%

LAB 38.27, 51.3, 36.84

 

CMYK 0 / 85 / 91 / 40

HEX #99170E

RGB 153 23 14

HSL 3.88, 0.83%, 0.33%

LAB 32.74, 50.95, 40.35

 

CMYK 0 / 57 / 59 / 13

HEX #DD5F5A

RGB 221 95 90

HSL 2.29, 0.66%, 0.61%

LAB 56.38, 48.96, 27.65

 

CMYK 0 / 59 / 59 / 13

HEX #DD5A5A

RGB 221 90 90

HSL 0, 0.66%, 0.61%

LAB 55.51, 51.26, 26.52

 

CMYK 0 / 57 / 59 / 13

HEX #DD5F5A

RGB 221 95 90

HSL 2.29, 0.66%, 0.61%

LAB 56.38, 48.96, 27.65

 

CMYK 0 / 41 / 59 / 13

HEX #DD825A

RGB 221 130 90

HSL 18.32, 0.66%, 0.61%

LAB 63.41, 31.32, 36.51

 

CMYK 0 / 25 / 59 / 13

HEX #DDA65A

RGB 221 166 90

HSL 34.81, 0.66%, 0.61%

LAB 71.81, 12.05, 46.62

 

CMYK 0 / 9 / 59 / 13

HEX #DDC95A

RGB 221 201 90

HSL 50.84, 0.66%, 0.61%

LAB 80.67, -6.32, 56.76

 

CMYK 7 / 0 / 59 / 13

HEX #CEDD5A

RGB 206 221 90

HSL 66.87, 0.66%, 0.61%

LAB 84.78, -22.44, 60.97

 

CMYK 0 / 57 / 59 / 13

HEX #DD5F5A

RGB 221 95 90

HSL 2.29, 0.66%, 0.61%

LAB 56.38, 48.96, 27.65

 

CMYK 0 / 66 / 69 / 7

HEX #ED504A

RGB 237 80 74

HSL 2.21, 0.82%, 0.61%

LAB 56.32, 59.9, 37.25

 

CMYK 0 / 74 / 77 / 1

HEX #FD413A

RGB 253 65 58

HSL 2.15, 0.98%, 0.61%

LAB 57.04, 69.47, 47.58

 

CMYK 0 / 57 / 59 / 13

HEX #DD5F5A

RGB 221 95 90

HSL 2.29, 0.66%, 0.61%

LAB 56.38, 48.96, 27.65

 

CMYK 0 / 46 / 48 / 20

HEX #CD6E6A

RGB 205 110 106

HSL 2.42, 0.5%, 0.61%

LAB 57.24, 36.98, 19.15

 

CMYK 0 / 34 / 35 / 26

HEX #BD7D7A

RGB 189 125 122

HSL 2.69, 0.34%, 0.61%

LAB 58.87, 24.5, 11.87

 

CMYK 0 / 19 / 20 / 32

HEX #AD8C8A

RGB 173 140 138

HSL 3.43, 0.18%, 0.61%

LAB 61.2, 12.16, 5.78

 

CMYK 0 / 2 / 2 / 38

HEX #9D9A9A

RGB 157 154 154

HSL 0, 0.02%, 0.61%

LAB 63.85, 1.09, 0.38

 

CMYK 0 / 59 / 29 / 13

HEX #DD5A9C

RGB 221 90 156

HSL 329.77, 0.66%, 0.61%

LAB 57.16, 57.71, -9.84

 

CMYK 0 / 59 / 45 / 13

HEX #DD5A79

RGB 221 90 121

HSL 345.8, 0.66%, 0.61%

LAB 56.15, 53.84, 9.24

 

CMYK 0 / 57 / 59 / 13

HEX #DD5E5A

RGB 221 94 90

HSL 1.83, 0.66%, 0.61%

LAB 56.2, 49.42, 27.42

 

CMYK 0 / 42 / 59 / 13

HEX #DD815A

RGB 221 129 90

HSL 17.86, 0.66%, 0.61%

LAB 63.19, 31.85, 36.24

 

CMYK 0 / 26 / 59 / 13

HEX #DDA45A

RGB 221 164 90

HSL 33.89, 0.66%, 0.61%

LAB 71.32, 13.13, 46.04

 

CMYK 0 / 76 / 79 / 25

HEX #BE2D27

RGB 190 45 39

HSL 2.38, 0.66%, 0.45%

LAB 42.72, 56.39, 39.29

 

CMYK 0 / 71 / 74 / 16

HEX #D63E38

RGB 214 62 56

HSL 2.28, 0.66%, 0.53%

LAB 49.53, 58.62, 38.47

 

CMYK 0 / 57 / 59 / 13

HEX #DD5F5A

RGB 221 95 90

HSL 2.29, 0.66%, 0.61%

LAB 56.38, 48.96, 27.65

 

CMYK 0 / 44 / 46 / 11

HEX #E4807C

RGB 228 128 124

HSL 2.31, 0.66%, 0.69%

LAB 64.47, 38.01, 19.24

 

CMYK 0 / 31 / 33 / 8

HEX #EBA19E

RGB 235 161 158

HSL 2.34, 0.66%, 0.77%

LAB 73.3, 27.09, 12.72

 

CMYK 0 / 57 / 59 / 13

HEX #DD5F5A

RGB 221 95 90

HSL 2.29, 0.66%, 0.61%

LAB 56.38, 48.96, 27.65

 

CMYK 14 / 0 / 59 / 13

HEX #BFDD5A

RGB 191 221 90

HSL 73.74, 0.66%, 0.61%

LAB 83.72, -28.39, 59.5

 

CMYK 59 / 38 / 0 / 13

HEX #5A8ADD

RGB 90 138 221

HSL 218.02, 0.66%, 0.61%

LAB 57.63, 8.69, -47.26

 

CMYK 0 / 57 / 59 / 13

HEX #DD5F5A

RGB 221 95 90

HSL 2.29, 0.66%, 0.61%

LAB 56.38, 48.96, 27.65

 

CMYK 59 / 0 / 57 / 13

HEX #5ADD5E

RGB 90 221 94

HSL 121.83, 0.66%, 0.61%

LAB 78.87, -60.73, 50.91

 

CMYK 57 / 59 / 0 / 13

HEX #5E5ADD

RGB 94 90 221

HSL 241.83, 0.66%, 0.61%

LAB 45.51, 38.67, -66.69

 

CMYK 0 / 57 / 59 / 13

HEX #DD5F5A

RGB 221 95 90

HSL 2.29, 0.66%, 0.61%

LAB 56.38, 48.96, 27.65

 

CMYK 14 / 0 / 59 / 13

HEX #BFDD5A

RGB 191 221 90

HSL 73.74, 0.66%, 0.61%

LAB 83.72, -28.39, 59.5

 

CMYK 59 / 2 / 0 / 13

HEX #5AD9DD

RGB 90 217 221

HSL 181.83, 0.66%, 0.61%

LAB 80.19, -33.53, -12.49

 

CMYK 45 / 59 / 0 / 13

HEX #795ADD

RGB 121 90 221

HSL 254.2, 0.66%, 0.61%

LAB 47.75, 43.83, -62.96

 

CMYK 0 / 57 / 59 / 13

HEX #DD5F5A

RGB 221 95 90

HSL 2.29, 0.66%, 0.61%

LAB 56.38, 48.96, 27.65

 

CMYK 32 / 0 / 59 / 13

HEX #97DD5A

RGB 151 221 90

HSL 92.06, 0.66%, 0.61%

LAB 81.31, -43.29, 56.14

 

CMYK 59 / 2 / 0 / 13

HEX #5AD9DD

RGB 90 217 221

HSL 181.83, 0.66%, 0.61%

LAB 80.19, -33.53, -12.49

 

CMYK 28 / 59 / 0 / 13

HEX #A05ADD

RGB 160 90 221

HSL 272.06, 0.66%, 0.61%

LAB 51.84, 52.5, -56.15

 

Description

Color code: HEX #DD5F5A | qconv.com Color code: HEX #DD5F5A | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 95 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 95 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 59 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 59% 13% C M Y K

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Provide designers and agencies with accurate color values.

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