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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD5E98 it is the complementary color #22A167. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD5E98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD5E98 shade: #E25E93, #F370A6, #FF82B9, #FF94CC and #FFA6DF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD5E98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD5E98 shade: #DD5E98, #CC4C85, #BB3A72, #AA285F and #99164C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD5E98 shade: #DD5F98, #DD5F76 and #DD5F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD5E98 shade: #DD5F98, #DD5FBA, #DD5FDC, #BB5FDD and #995FDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD5E98 shade matches the following richer shades: #DD5F98, #EC4F97 and #FC3F95

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD5E98 shade: #DD5F98, #CD6E9A, #BD7E9B, #AE8E9C and #9E9D9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD5E98 shade: #DD5FDD, #DD5FBB, #DD5F99, #DD5F78 and #DD675F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD5E98 shade: #C0286E, #D53D82, #DD5F98, #E481AE and #EBA3C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD5E98 shade: #DD5E98, #DDBB5F and #5FCCDD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD5E98 shade: #DD5E98, #99DD5F and #5F99DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD5E98 shade: #DD5E98, #DDBB5F, #5FDDA2 and #5F80DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD5E98 shade: #DD5E98, #D8DD5F, #5FDDA2 and #635FDD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 31 / 13

HEX #DD5E98

RGB 221 94 152

HSL 332.6, 0.65%, 0.62%

LAB 57.7, 55.43, -6.7

 

Complementary color

CMYK 79 / 0 / 36 / 37

HEX #22A167

RGB 34 161 103

HSL 152.6, 0.65%, 0.38%

LAB 58.8, -47.17, 20.91

 

CMYK 0 / 58 / 35 / 11

HEX #E25E93

RGB 226 94 147

HSL 335.91, 0.69%, 0.63%

LAB 58.3, 56.39, -2.8

 

CMYK 0 / 54 / 32 / 5

HEX #F370A6

RGB 243 112 166

HSL 335.27, 0.85%, 0.7%

LAB 64.48, 55.76, -4.37

 

CMYK 0 / 49 / 27 / 0

HEX #FF82B9

RGB 255 130 185

HSL 333.6, 1%, 0.75%

LAB 69.98, 53.42, -6.77

 

CMYK 0 / 42 / 20 / 0

HEX #FF94CC

RGB 255 148 204

HSL 328.6, 1%, 0.79%

LAB 74.06, 47.13, -11.25

 

CMYK 0 / 35 / 13 / 0

HEX #FFA6DF

RGB 255 166 223

HSL 321.57, 1%, 0.83%

LAB 78.38, 40.81, -15.16

 

CMYK 0 / 57 / 31 / 13

HEX #DD5E98

RGB 221 94 152

HSL 332.6, 0.65%, 0.62%

LAB 57.7, 55.43, -6.7

 

CMYK 0 / 63 / 35 / 20

HEX #CC4C85

RGB 204 76 133

HSL 333.28, 0.56%, 0.55%

LAB 51.5, 55.89, -4.98

 

CMYK 0 / 69 / 39 / 27

HEX #BB3A72

RGB 187 58 114

HSL 333.95, 0.53%, 0.48%

LAB 45.37, 56.03, -2.85

 

CMYK 0 / 76 / 44 / 33

HEX #AA285F

RGB 170 40 95

HSL 334.62, 0.62%, 0.41%

LAB 39.39, 55.63, -0.13

 

CMYK 0 / 86 / 50 / 40

HEX #99164C

RGB 153 22 76

HSL 335.27, 0.75%, 0.34%

LAB 33.71, 54.31, 3.43

 

CMYK 0 / 57 / 31 / 13

HEX #DD5F98

RGB 221 95 152

HSL 332.86, 0.65%, 0.62%

LAB 57.87, 54.97, -6.44

 

CMYK 0 / 57 / 47 / 13

HEX #DD5F76

RGB 221 95 118

HSL 349.05, 0.65%, 0.62%

LAB 56.94, 51.27, 12.11

 

CMYK 0 / 57 / 57 / 13

HEX #DD5F5F

RGB 221 95 95

HSL 0, 0.65%, 0.62%

LAB 56.47, 49.32, 24.88

 

CMYK 0 / 57 / 31 / 13

HEX #DD5F98

RGB 221 95 152

HSL 332.86, 0.65%, 0.62%

LAB 57.87, 54.97, -6.44

 

CMYK 0 / 57 / 16 / 13

HEX #DD5FBA

RGB 221 95 186

HSL 316.67, 0.65%, 0.62%

LAB 59.07, 59.59, -24.28

 

CMYK 0 / 57 / 0 / 13

HEX #DD5FDC

RGB 221 95 220

HSL 300.48, 0.65%, 0.62%

LAB 60.54, 65.01, -41.3

 

CMYK 15 / 57 / 0 / 13

HEX #BB5FDD

RGB 187 95 221

HSL 283.81, 0.65%, 0.62%

LAB 56.06, 56.57, -49.24

 

CMYK 31 / 57 / 0 / 13

HEX #995FDD

RGB 153 95 221

HSL 267.62, 0.65%, 0.62%

LAB 52.04, 48.23, -55.89

 

CMYK 0 / 57 / 31 / 13

HEX #DD5F98

RGB 221 95 152

HSL 332.86, 0.65%, 0.62%

LAB 57.87, 54.97, -6.44

 

CMYK 0 / 67 / 36 / 7

HEX #EC4F97

RGB 236 79 151

HSL 332.48, 0.81%, 0.62%

LAB 57.71, 66.03, -5.83

 

CMYK 0 / 75 / 41 / 1

HEX #FC3F95

RGB 252 63 149

HSL 332.7, 0.97%, 0.62%

LAB 58.43, 75.52, -3.29

 

CMYK 0 / 57 / 31 / 13

HEX #DD5F98

RGB 221 95 152

HSL 332.86, 0.65%, 0.62%

LAB 57.87, 54.97, -6.44

 

CMYK 0 / 46 / 25 / 20

HEX #CD6E9A

RGB 205 110 154

HSL 332.21, 0.49%, 0.62%

LAB 58.47, 42.7, -6.95

 

CMYK 0 / 33 / 18 / 26

HEX #BD7E9B

RGB 189 126 155

HSL 332.38, 0.32%, 0.62%

LAB 59.99, 28.67, -5.5

 

CMYK 0 / 18 / 10 / 32

HEX #AE8E9C

RGB 174 142 156

HSL 333.75, 0.16%, 0.62%

LAB 62.29, 14.42, -2.85

 

CMYK 0 / 1 / 0 / 38

HEX #9E9D9E

RGB 158 157 158

HSL 300, 0.01%, 0.62%

LAB 64.84, 0.56, -0.4

 

CMYK 0 / 57 / 0 / 13

HEX #DD5FDD

RGB 221 95 221

HSL 300, 0.65%, 0.62%

LAB 60.58, 65.18, -41.78

 

CMYK 0 / 57 / 15 / 13

HEX #DD5FBB

RGB 221 95 187

HSL 316.19, 0.65%, 0.62%

LAB 59.11, 59.74, -24.8

 

CMYK 0 / 57 / 31 / 13

HEX #DD5F99

RGB 221 95 153

HSL 332.38, 0.65%, 0.62%

LAB 57.9, 55.1, -6.98

 

CMYK 0 / 57 / 46 / 13

HEX #DD5F78

RGB 221 95 120

HSL 348.1, 0.65%, 0.62%

LAB 56.99, 51.46, 11.01

 

CMYK 0 / 53 / 57 / 13

HEX #DD675F

RGB 221 103 95

HSL 3.81, 0.65%, 0.62%

LAB 57.94, 45.5, 26.81

 

CMYK 0 / 79 / 43 / 25

HEX #C0286E

RGB 192 40 110

HSL 332.37, 0.66%, 0.45%

LAB 44.02, 62.99, -2.26

 

CMYK 0 / 71 / 39 / 16

HEX #D53D82

RGB 213 61 130

HSL 332.76, 0.64%, 0.54%

LAB 50.8, 63.99, -4.04

 

CMYK 0 / 57 / 31 / 13

HEX #DD5F98

RGB 221 95 152

HSL 332.86, 0.65%, 0.62%

LAB 57.87, 54.97, -6.44

 

CMYK 0 / 43 / 24 / 11

HEX #E481AE

RGB 228 129 174

HSL 332.73, 0.65%, 0.7%

LAB 65.94, 43.54, -6.97

 

CMYK 0 / 31 / 17 / 8

HEX #EBA3C4

RGB 235 163 196

HSL 332.5, 0.64%, 0.78%

LAB 74.73, 31.38, -6.11

 

CMYK 0 / 57 / 31 / 13

HEX #DD5E98

RGB 221 94 152

HSL 332.6, 0.65%, 0.62%

LAB 57.7, 55.43, -6.7

 

CMYK 0 / 15 / 57 / 13

HEX #DDBB5F

RGB 221 187 95

HSL 43.81, 0.65%, 0.62%

LAB 77.12, 1.3, 50.4

 

CMYK 57 / 8 / 0 / 13

HEX #5FCCDD

RGB 95 204 221

HSL 188.1, 0.65%, 0.62%

LAB 76.58, -26.36, -17.9

 

CMYK 0 / 57 / 31 / 13

HEX #DD5E98

RGB 221 94 152

HSL 332.6, 0.65%, 0.62%

LAB 57.7, 55.43, -6.7

 

CMYK 31 / 0 / 57 / 13

HEX #99DD5F

RGB 153 221 95

HSL 92.38, 0.65%, 0.62%

LAB 81.46, -42.12, 54.14

 

CMYK 57 / 31 / 0 / 13

HEX #5F99DD

RGB 95 153 221

HSL 212.38, 0.65%, 0.62%

LAB 62.03, 0.9, -40.31

 

CMYK 0 / 57 / 31 / 13

HEX #DD5E98

RGB 221 94 152

HSL 332.6, 0.65%, 0.62%

LAB 57.7, 55.43, -6.7

 

CMYK 0 / 15 / 57 / 13

HEX #DDBB5F

RGB 221 187 95

HSL 43.81, 0.65%, 0.62%

LAB 77.12, 1.3, 50.4

 

CMYK 57 / 0 / 27 / 13

HEX #5FDDA2

RGB 95 221 162

HSL 151.9, 0.65%, 0.62%

LAB 80.04, -48.57, 18.65

 

CMYK 57 / 42 / 0 / 13

HEX #5F80DD

RGB 95 128 221

HSL 224.29, 0.65%, 0.62%

LAB 55.17, 15.68, -51.15

 

CMYK 0 / 57 / 31 / 13

HEX #DD5E98

RGB 221 94 152

HSL 332.6, 0.65%, 0.62%

LAB 57.7, 55.43, -6.7

 

CMYK 2 / 0 / 57 / 13

HEX #D8DD5F

RGB 216 221 95

HSL 62.38, 0.65%, 0.62%

LAB 85.57, -18.05, 59.9

 

CMYK 57 / 0 / 27 / 13

HEX #5FDDA2

RGB 95 221 162

HSL 151.9, 0.65%, 0.62%

LAB 80.04, -48.57, 18.65

 

CMYK 55 / 57 / 0 / 13

HEX #635FDD

RGB 99 95 221

HSL 241.9, 0.65%, 0.62%

LAB 47.05, 36.57, -64.18

 

Description

Color code: HEX #DD5E98 | qconv.com Color code: HEX #DD5E98 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 94 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 94 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 31 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 31% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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