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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD5224 it is the complementary color #22ADDB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD5224. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD5224 shade: #E2521F, #F36432, #FF7645, #FF8858 and #FF9A6B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD5224. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD5224 shade: #DD5224, #CC4011, #BB2E00, #AA1C00 and #990A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD5224 shade: #DD5122 and #DD2222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD5224 shade: #DD5122, #DD8322, #DDB522, #D2DD22 and #A0DD22

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD5224 shade matches the following richer shades: #DD5122 and #F1460E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD5224 shade: #DD5122, #C85B37, #B3654C, #9F7060 and #8A7A75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD5224 shade: #DD225A, #DD2229, #DD4E22, #DD8022 and #DDB122

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD5224 shade: #953717, #B9441D, #DD5122, #E26D46 and #E8896A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD5224 shade: #DD5224, #8CDD22 and #2241DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD5224 shade: #DD5224, #22DD4E and #4E22DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD5224 shade: #DD5224, #8CDD22, #22B1DD and #7322DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD5224 shade: #DD5224, #54DD22, #22B1DD and #AB22DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 84 / 13

HEX #DD5224

RGB 221 82 36

HSL 14.92, 0.73%, 0.5%

LAB 53.53, 52.27, 52.96

 

Complementary color

CMYK 84 / 21 / 0 / 14

HEX #22ADDB

RGB 34 173 219

HSL 194.92, 0.73%, 0.5%

LAB 66.01, -19.28, -33.12

 

CMYK 0 / 64 / 86 / 11

HEX #E2521F

RGB 226 82 31

HSL 15.69, 0.77%, 0.5%

LAB 54.35, 53.89, 56.07

 

CMYK 0 / 59 / 79 / 5

HEX #F36432

RGB 243 100 50

HSL 15.54, 0.89%, 0.57%

LAB 60.25, 52.47, 54.19

 

CMYK 0 / 54 / 73 / 0

HEX #FF7645

RGB 255 118 69

HSL 15.81, 1%, 0.64%

LAB 65.47, 49.18, 51.01

 

CMYK 0 / 47 / 65 / 0

HEX #FF8858

RGB 255 136 88

HSL 17.25, 1%, 0.67%

LAB 69.16, 41.34, 45.55

 

CMYK 0 / 40 / 58 / 0

HEX #FF9A6B

RGB 255 154 107

HSL 19.05, 1%, 0.71%

LAB 73.18, 33.41, 40.52

 

CMYK 0 / 63 / 84 / 13

HEX #DD5224

RGB 221 82 36

HSL 14.92, 0.73%, 0.5%

LAB 53.53, 52.27, 52.96

 

CMYK 0 / 69 / 92 / 20

HEX #CC4011

RGB 204 64 17

HSL 15.08, 0.85%, 0.43%

LAB 47.68, 53.53, 54.43

 

CMYK 0 / 75 / 100 / 27

HEX #BB2E00

RGB 187 46 0

HSL 14.76, 1%, 0.37%

LAB 42.03, 54.39, 54.52

 

CMYK 0 / 84 / 100 / 33

HEX #AA1C00

RGB 170 28 0

HSL 9.88, 1%, 0.33%

LAB 36.7, 54.52, 50.2

 

CMYK 0 / 93 / 100 / 40

HEX #990A00

RGB 153 10 0

HSL 3.92, 1%, 0.3%

LAB 31.78, 53.27, 45.49

 

CMYK 0 / 63 / 85 / 13

HEX #DD5122

RGB 221 81 34

HSL 15.08, 0.73%, 0.5%

LAB 53.35, 52.66, 53.67

 

CMYK 0 / 85 / 85 / 13

HEX #DD2222

RGB 221 34 34

HSL 0, 0.73%, 0.5%

LAB 47.79, 68.02, 48.87

 

CMYK 0 / 63 / 85 / 13

HEX #DD5122

RGB 221 81 34

HSL 15.08, 0.73%, 0.5%

LAB 53.35, 52.66, 53.67

 

CMYK 0 / 41 / 85 / 13

HEX #DD8322

RGB 221 131 34

HSL 31.12, 0.73%, 0.5%

LAB 63.11, 28.07, 61.93

 

CMYK 0 / 18 / 85 / 13

HEX #DDB522

RGB 221 181 34

HSL 47.17, 0.73%, 0.5%

LAB 75.16, 1.41, 71.95

 

CMYK 5 / 0 / 85 / 13

HEX #D2DD22

RGB 210 221 34

HSL 63.53, 0.73%, 0.5%

LAB 84.76, -23.47, 79.5

 

CMYK 28 / 0 / 85 / 13

HEX #A0DD22

RGB 160 221 34

HSL 79.57, 0.73%, 0.5%

LAB 81.46, -43.38, 75.4

 

CMYK 0 / 63 / 85 / 13

HEX #DD5122

RGB 221 81 34

HSL 15.08, 0.73%, 0.5%

LAB 53.35, 52.66, 53.67

 

CMYK 0 / 71 / 94 / 5

HEX #F1460E

RGB 241 70 14

HSL 14.8, 0.89%, 0.5%

LAB 55.19, 63.25, 63.39

 

CMYK 0 / 63 / 85 / 13

HEX #DD5122

RGB 221 81 34

HSL 15.08, 0.73%, 0.5%

LAB 53.35, 52.66, 53.67

 

CMYK 0 / 55 / 73 / 22

HEX #C85B37

RGB 200 91 55

HSL 14.9, 0.57%, 0.5%

LAB 51.88, 41.1, 40.96

 

CMYK 0 / 44 / 58 / 30

HEX #B3654C

RGB 179 101 76

HSL 14.56, 0.4%, 0.5%

LAB 51.17, 28.91, 27.76

 

CMYK 0 / 30 / 40 / 38

HEX #9F7060

RGB 159 112 96

HSL 15.24, 0.25%, 0.5%

LAB 51.61, 16.5, 16.31

 

CMYK 0 / 12 / 15 / 46

HEX #8A7A75

RGB 138 122 117

HSL 14.29, 0.08%, 0.5%

LAB 52.52, 5.26, 4.98

 

CMYK 0 / 85 / 59 / 13

HEX #DD225A

RGB 221 34 90

HSL 342.03, 0.73%, 0.5%

LAB 48.58, 70.33, 17.34

 

CMYK 0 / 85 / 81 / 13

HEX #DD2229

RGB 221 34 41

HSL 357.75, 0.73%, 0.5%

LAB 47.85, 68.19, 45.34

 

CMYK 0 / 65 / 85 / 13

HEX #DD4E22

RGB 221 78 34

HSL 14.12, 0.73%, 0.5%

LAB 52.88, 53.93, 53.26

 

CMYK 0 / 42 / 85 / 13

HEX #DD8022

RGB 221 128 34

HSL 30.16, 0.73%, 0.5%

LAB 62.45, 29.66, 61.37

 

CMYK 0 / 20 / 85 / 13

HEX #DDB122

RGB 221 177 34

HSL 45.88, 0.73%, 0.5%

LAB 74.15, 3.52, 71.11

 

CMYK 0 / 63 / 85 / 42

HEX #953717

RGB 149 55 23

HSL 15.24, 0.73%, 0.34%

LAB 36.34, 37.94, 38.82

 

CMYK 0 / 63 / 84 / 27

HEX #B9441D

RGB 185 68 29

HSL 15, 0.73%, 0.42%

LAB 44.99, 45.46, 46.18

 

CMYK 0 / 63 / 85 / 13

HEX #DD5122

RGB 221 81 34

HSL 15.08, 0.73%, 0.5%

LAB 53.35, 52.66, 53.67

 

CMYK 0 / 52 / 69 / 11

HEX #E26D46

RGB 226 109 70

HSL 15, 0.73%, 0.58%

LAB 59.48, 42.8, 42.65

 

CMYK 0 / 41 / 54 / 9

HEX #E8896A

RGB 232 137 106

HSL 14.76, 0.73%, 0.66%

LAB 66.59, 33.22, 32.14

 

CMYK 0 / 63 / 84 / 13

HEX #DD5224

RGB 221 82 36

HSL 14.92, 0.73%, 0.5%

LAB 53.53, 52.27, 52.96

 

CMYK 37 / 0 / 85 / 13

HEX #8CDD22

RGB 140 221 34

HSL 85.99, 0.73%, 0.5%

LAB 80.41, -50.59, 74.08

 

CMYK 85 / 71 / 0 / 13

HEX #2241DD

RGB 34 65 221

HSL 230.05, 0.73%, 0.5%

LAB 36.63, 46.9, -81.36

 

CMYK 0 / 63 / 84 / 13

HEX #DD5224

RGB 221 82 36

HSL 14.92, 0.73%, 0.5%

LAB 53.53, 52.27, 52.96

 

CMYK 85 / 0 / 65 / 13

HEX #22DD4E

RGB 34 221 78

HSL 134.12, 0.73%, 0.5%

LAB 77.64, -71.36, 56.15

 

CMYK 65 / 85 / 0 / 13

HEX #4E22DD

RGB 78 34 221

HSL 254.12, 0.73%, 0.5%

LAB 33.95, 65.11, -85.72

 

CMYK 0 / 63 / 84 / 13

HEX #DD5224

RGB 221 82 36

HSL 14.92, 0.73%, 0.5%

LAB 53.53, 52.27, 52.96

 

CMYK 37 / 0 / 85 / 13

HEX #8CDD22

RGB 140 221 34

HSL 85.99, 0.73%, 0.5%

LAB 80.41, -50.59, 74.08

 

CMYK 85 / 20 / 0 / 13

HEX #22B1DD

RGB 34 177 221

HSL 194.12, 0.73%, 0.5%

LAB 67.28, -20.69, -32.25

 

CMYK 48 / 85 / 0 / 13

HEX #7322DD

RGB 115 34 221

HSL 265.99, 0.73%, 0.5%

LAB 37.86, 68.64, -79.13

 

CMYK 0 / 63 / 84 / 13

HEX #DD5224

RGB 221 82 36

HSL 14.92, 0.73%, 0.5%

LAB 53.53, 52.27, 52.96

 

CMYK 62 / 0 / 85 / 13

HEX #54DD22

RGB 84 221 34

HSL 103.96, 0.73%, 0.5%

LAB 78.29, -66.76, 71.42

 

CMYK 85 / 20 / 0 / 13

HEX #22B1DD

RGB 34 177 221

HSL 194.12, 0.73%, 0.5%

LAB 67.28, -20.69, -32.25

 

CMYK 23 / 85 / 0 / 13

HEX #AB22DD

RGB 171 34 221

HSL 283.96, 0.73%, 0.5%

LAB 45.66, 76.21, -66.05

 

Description

Color code: HEX #DD5224 | qconv.com Color code: HEX #DD5224 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 82 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 82 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 84 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 84% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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