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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD3ECE it is the complementary color #22C131. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD3ECE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD3ECE shade: #E23EC9, #F350DC, #FF62EF, #FF74FF and #FF86FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD3ECE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD3ECE shade: #DD3ECE, #CC2CBB, #BB1AA8, #AA0895 and #990082

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD3ECE shade: #DD3CCD, #DD3CA2, #DD3C77, #DD3C4B and #DD3C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD3ECE shade: #DD3CCD, #C03CDD, #953CDD, #6A3CDD and #3E3CDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD3ECE shade matches the following richer shades: #DD3CCD and #EF29DC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD3ECE shade: #DD3CCD, #CA4EBE, #B761AF, #A574A0 and #928691

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD3ECE shade: #943CDD, #BF3CDD, #DD3CCF, #DD3CA4 and #DD3C7A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD3ECE shade: #A81E9B, #CB24BC, #DD3CCD, #E35FD6 and #E982DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD3ECE shade: #DD3ECE, #DD693C and #3CDDAA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD3ECE shade: #DD3ECE, #CFDD3C and #3CCFDD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD3ECE shade: #DD3ECE, #DD693C, #3CDD49 and #3CAFDD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD3ECE shade: #DD3ECE, #DD9A3C, #3CDD49 and #3C7FDD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 7 / 13

HEX #DD3ECE

RGB 221 62 206

HSL 305.66, 0.7%, 0.55%

LAB 55.35, 75.33, -41.52

 

Complementary color

CMYK 82 / 0 / 75 / 24

HEX #22C131

RGB 34 193 49

HSL 125.66, 0.7%, 0.45%

LAB 68.53, -65.58, 57.65

 

CMYK 0 / 73 / 11 / 11

HEX #E23EC9

RGB 226 62 201

HSL 309.15, 0.74%, 0.56%

LAB 55.92, 75.71, -37.72

 

CMYK 0 / 67 / 9 / 5

HEX #F350DC

RGB 243 80 220

HSL 308.47, 0.87%, 0.63%

LAB 61.62, 76.33, -39.37

 

CMYK 0 / 62 / 6 / 0

HEX #FF62EF

RGB 255 98 239

HSL 306.11, 1%, 0.69%

LAB 66.69, 75.29, -41.89

 

CMYK 0 / 55 / 0 / 0

HEX #FF74FF

RGB 255 116 255

HSL 300, 1%, 0.73%

LAB 70.16, 70.36, -45.25

 

CMYK 0 / 47 / 0 / 0

HEX #FF86FF

RGB 255 134 255

HSL 300, 1%, 0.76%

LAB 73.24, 62.13, -40.43

 

CMYK 0 / 72 / 7 / 13

HEX #DD3ECE

RGB 221 62 206

HSL 305.66, 0.7%, 0.55%

LAB 55.35, 75.33, -41.52

 

CMYK 0 / 78 / 8 / 20

HEX #CC2CBB

RGB 204 44 187

HSL 306.38, 0.65%, 0.49%

LAB 49.77, 74.11, -39.55

 

CMYK 0 / 86 / 10 / 27

HEX #BB1AA8

RGB 187 26 168

HSL 307.08, 0.76%, 0.42%

LAB 44.42, 71.99, -37.01

 

CMYK 0 / 95 / 12 / 33

HEX #AA0895

RGB 170 8 149

HSL 307.78, 0.91%, 0.35%

LAB 39.39, 68.64, -33.72

 

CMYK 0 / 100 / 15 / 40

HEX #990082

RGB 153 0 130

HSL 309.02, 1%, 0.3%

LAB 34.77, 63.79, -29.53

 

CMYK 0 / 73 / 7 / 13

HEX #DD3CCD

RGB 221 60 205

HSL 305.96, 0.7%, 0.55%

LAB 55.08, 75.81, -41.37

 

CMYK 0 / 73 / 27 / 13

HEX #DD3CA2

RGB 221 60 162

HSL 321.99, 0.7%, 0.55%

LAB 53.18, 70.01, -19.37

 

CMYK 0 / 73 / 46 / 13

HEX #DD3C77

RGB 221 60 119

HSL 338.01, 0.7%, 0.55%

LAB 51.76, 65.49, 4.16

 

CMYK 0 / 73 / 66 / 13

HEX #DD3C4B

RGB 221 60 75

HSL 354.41, 0.7%, 0.55%

LAB 50.82, 62.36, 29.32

 

CMYK 0 / 73 / 73 / 13

HEX #DD3C3C

RGB 221 60 60

HSL 0, 0.7%, 0.55%

LAB 50.61, 61.65, 37.77

 

CMYK 0 / 73 / 7 / 13

HEX #DD3CCD

RGB 221 60 205

HSL 305.96, 0.7%, 0.55%

LAB 55.08, 75.81, -41.37

 

CMYK 13 / 73 / 0 / 13

HEX #C03CDD

RGB 192 60 221

HSL 289.19, 0.7%, 0.55%

LAB 51.45, 72.39, -56.55

 

CMYK 33 / 73 / 0 / 13

HEX #953CDD

RGB 149 60 221

HSL 273.17, 0.7%, 0.55%

LAB 45.42, 64.21, -66.6

 

CMYK 52 / 73 / 0 / 13

HEX #6A3CDD

RGB 106 60 221

HSL 257.14, 0.7%, 0.55%

LAB 40.44, 57.13, -74.93

 

CMYK 72 / 73 / 0 / 13

HEX #3E3CDD

RGB 62 60 221

HSL 240.75, 0.7%, 0.55%

LAB 36.89, 51.83, -80.9

 

CMYK 0 / 73 / 7 / 13

HEX #DD3CCD

RGB 221 60 205

HSL 305.96, 0.7%, 0.55%

LAB 55.08, 75.81, -41.37

 

CMYK 0 / 83 / 8 / 6

HEX #EF29DC

RGB 239 41 220

HSL 305.76, 0.86%, 0.55%

LAB 57.18, 86.34, -46.41

 

CMYK 0 / 73 / 7 / 13

HEX #DD3CCD

RGB 221 60 205

HSL 305.96, 0.7%, 0.55%

LAB 55.08, 75.81, -41.37

 

CMYK 0 / 61 / 6 / 21

HEX #CA4EBE

RGB 202 78 190

HSL 305.81, 0.54%, 0.55%

LAB 53.73, 62.45, -35.09

 

CMYK 0 / 47 / 4 / 28

HEX #B761AF

RGB 183 97 175

HSL 305.58, 0.37%, 0.55%

LAB 53.72, 45.65, -26.63

 

CMYK 0 / 30 / 3 / 35

HEX #A574A0

RGB 165 116 160

HSL 306.12, 0.21%, 0.55%

LAB 55.1, 26.65, -15.99

 

CMYK 0 / 8 / 1 / 43

HEX #928691

RGB 146 134 145

HSL 305, 0.05%, 0.55%

LAB 57.28, 6.6, -4.25

 

CMYK 33 / 73 / 0 / 13

HEX #943CDD

RGB 148 60 221

HSL 272.8, 0.7%, 0.55%

LAB 45.29, 64.03, -66.81

 

CMYK 14 / 73 / 0 / 13

HEX #BF3CDD

RGB 191 60 221

HSL 288.82, 0.7%, 0.55%

LAB 51.3, 72.19, -56.8

 

CMYK 0 / 73 / 6 / 13

HEX #DD3CCF

RGB 221 60 207

HSL 305.22, 0.7%, 0.55%

LAB 55.18, 76.1, -42.36

 

CMYK 0 / 73 / 26 / 13

HEX #DD3CA4

RGB 221 60 164

HSL 321.24, 0.7%, 0.55%

LAB 53.26, 70.25, -20.43

 

CMYK 0 / 73 / 45 / 13

HEX #DD3C7A

RGB 221 60 122

HSL 336.89, 0.7%, 0.55%

LAB 51.85, 65.76, 2.48

 

CMYK 0 / 82 / 8 / 34

HEX #A81E9B

RGB 168 30 155

HSL 305.65, 0.7%, 0.39%

LAB 40.61, 65.45, -35.47

 

CMYK 0 / 82 / 7 / 20

HEX #CB24BC

RGB 203 36 188

HSL 305.39, 0.7%, 0.47%

LAB 48.99, 75.96, -41.38

 

CMYK 0 / 73 / 7 / 13

HEX #DD3CCD

RGB 221 60 205

HSL 305.96, 0.7%, 0.55%

LAB 55.08, 75.81, -41.37

 

CMYK 0 / 58 / 6 / 11

HEX #E35FD6

RGB 227 95 214

HSL 305.91, 0.7%, 0.63%

LAB 61.11, 65.56, -36.97

 

CMYK 0 / 44 / 4 / 9

HEX #E982DF

RGB 233 130 223

HSL 305.83, 0.7%, 0.71%

LAB 68.47, 52.31, -30.49

 

CMYK 0 / 72 / 7 / 13

HEX #DD3ECE

RGB 221 62 206

HSL 305.66, 0.7%, 0.55%

LAB 55.35, 75.33, -41.52

 

CMYK 0 / 52 / 73 / 13

HEX #DD693C

RGB 221 105 60

HSL 16.77, 0.7%, 0.55%

LAB 57.85, 42.4, 45.8

 

CMYK 73 / 0 / 23 / 13

HEX #3CDDAA

RGB 60 221 170

HSL 160.99, 0.7%, 0.55%

LAB 79.37, -52.79, 13.38

 

CMYK 0 / 72 / 7 / 13

HEX #DD3ECE

RGB 221 62 206

HSL 305.66, 0.7%, 0.55%

LAB 55.35, 75.33, -41.52

 

CMYK 6 / 0 / 73 / 13

HEX #CFDD3C

RGB 207 221 60

HSL 65.22, 0.7%, 0.55%

LAB 84.64, -23.8, 72.29

 

CMYK 73 / 6 / 0 / 13

HEX #3CCFDD

RGB 60 207 221

HSL 185.22, 0.7%, 0.55%

LAB 76.56, -33.14, -18.02

 

CMYK 0 / 72 / 7 / 13

HEX #DD3ECE

RGB 221 62 206

HSL 305.66, 0.7%, 0.55%

LAB 55.35, 75.33, -41.52

 

CMYK 0 / 52 / 73 / 13

HEX #DD693C

RGB 221 105 60

HSL 16.77, 0.7%, 0.55%

LAB 57.85, 42.4, 45.8

 

CMYK 73 / 0 / 67 / 13

HEX #3CDD49

RGB 60 221 73

HSL 124.84, 0.7%, 0.55%

LAB 77.97, -68.72, 58.63

 

CMYK 73 / 21 / 0 / 13

HEX #3CAFDD

RGB 60 175 221

HSL 197.14, 0.7%, 0.55%

LAB 67.16, -17.08, -32.41

 

CMYK 0 / 72 / 7 / 13

HEX #DD3ECE

RGB 221 62 206

HSL 305.66, 0.7%, 0.55%

LAB 55.35, 75.33, -41.52

 

CMYK 0 / 30 / 73 / 13

HEX #DD9A3C

RGB 221 154 60

HSL 35.03, 0.7%, 0.55%

LAB 68.61, 16.7, 57.05

 

CMYK 73 / 0 / 67 / 13

HEX #3CDD49

RGB 60 221 73

HSL 124.84, 0.7%, 0.55%

LAB 77.97, -68.72, 58.63

 

CMYK 73 / 43 / 0 / 13

HEX #3C7FDD

RGB 60 127 221

HSL 215.03, 0.7%, 0.55%

LAB 53.34, 10.44, -54.16

 

Description

Color code: HEX #DD3ECE | qconv.com Color code: HEX #DD3ECE | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 62 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 62 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 7 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 7% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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