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Color name
HEX #DD3D15

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD3D15 it is the complementary color #22C2EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD3D15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD3D15 shade: #E23D10, #F34F23, #FF6136, #FF7349 and #FF855C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD3D15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD3D15 shade: #DD3D15, #CC2B02, #BB1900, #AA0700 and #990000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD3D15 shade: #DB3C14 and #DB1414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD3D15 shade: #DB3C14, #DB7214, #DBA714, #DADB14 and #A4DB14

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD3D15 shade matches the following richer shades: #DB3C14 and #EF3101

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD3D15 shade: #DB3C14, #C84828, #B5533B, #A15F4F and #8E6B62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD3D15 shade: #DB1457, #DB1422, #DB3C14, #DB7114 and #DBA614

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD3D15 shade: #90270D, #B63211, #DB3C14, #EC532D and #EF7253

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD3D15 shade: #DD3D15, #8CDB14 and #143CDB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD3D15 shade: #DD3D15, #14DB3C and #3C14DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD3D15 shade: #DD3D15, #8CDB14, #14B4DB and #6414DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD3D15 shade: #DD3D15, #50DB14, #14B4DB and #A014DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 90 / 13

HEX #DD3D15

RGB 221 61 21

HSL 12, 0.83%, 0.47%

LAB 50.41, 60.22, 56.43

 

Complementary color

CMYK 85 / 17 / 0 / 8

HEX #22C2EA

RGB 34 194 234

HSL 192, 0.83%, 0.53%

LAB 72.8, -25.06, -30.81

 

CMYK 0 / 73 / 93 / 11

HEX #E23D10

RGB 226 61 16

HSL 12.86, 0.87%, 0.47%

LAB 51.32, 61.71, 59.09

 

CMYK 0 / 67 / 86 / 5

HEX #F34F23

RGB 243 79 35

HSL 12.69, 0.9%, 0.55%

LAB 56.85, 60.88, 57.71

 

CMYK 0 / 62 / 79 / 0

HEX #FF6136

RGB 255 97 54

HSL 12.84, 1%, 0.61%

LAB 61.72, 58.08, 54.41

 

CMYK 0 / 55 / 71 / 0

HEX #FF7349

RGB 255 115 73

HSL 13.85, 1%, 0.64%

LAB 64.96, 50.77, 48.45

 

CMYK 0 / 48 / 64 / 0

HEX #FF855C

RGB 255 133 92

HSL 15.09, 1%, 0.68%

LAB 68.61, 43.07, 42.82

 

CMYK 0 / 72 / 90 / 13

HEX #DD3D15

RGB 221 61 21

HSL 12, 0.83%, 0.47%

LAB 50.41, 60.22, 56.43

 

CMYK 0 / 79 / 99 / 20

HEX #CC2B02

RGB 204 43 2

HSL 12.18, 0.98%, 0.4%

LAB 45.04, 60.54, 57.18

 

CMYK 0 / 87 / 100 / 27

HEX #BB1900

RGB 187 25 0

HSL 8.02, 1%, 0.37%

LAB 40.02, 60.06, 53.67

 

CMYK 0 / 96 / 100 / 33

HEX #AA0700

RGB 170 7 0

HSL 2.47, 1%, 0.33%

LAB 35.4, 58.25, 49.57

 

CMYK 0 / 100 / 100 / 40

HEX #990000

RGB 153 0 0

HSL 0, 1%, 0.3%

LAB 31.28, 54.71, 45.14

 

CMYK 0 / 73 / 91 / 14

HEX #DB3C14

RGB 219 60 20

HSL 12.06, 0.83%, 0.47%

LAB 49.91, 59.92, 56.26

 

CMYK 0 / 91 / 91 / 14

HEX #DB1414

RGB 219 20 20

HSL 0, 0.83%, 0.47%

LAB 46.46, 69.65, 53.92

 

CMYK 0 / 73 / 91 / 14

HEX #DB3C14

RGB 219 60 20

HSL 12.06, 0.83%, 0.47%

LAB 49.91, 59.92, 56.26

 

CMYK 0 / 48 / 91 / 14

HEX #DB7214

RGB 219 114 20

HSL 28.34, 0.83%, 0.47%

LAB 59.11, 35.85, 62.8

 

CMYK 0 / 24 / 91 / 14

HEX #DBA714

RGB 219 167 20

HSL 44.32, 0.83%, 0.47%

LAB 71.38, 7.65, 71.95

 

CMYK 0 / 0 / 91 / 14

HEX #DADB14

RGB 218 219 20

HSL 60.3, 0.83%, 0.47%

LAB 84.8, -19.43, 82.19

 

CMYK 25 / 0 / 91 / 14

HEX #A4DB14

RGB 164 219 20

HSL 76.58, 0.83%, 0.47%

LAB 81.07, -41.35, 77.66

 

CMYK 0 / 73 / 91 / 14

HEX #DB3C14

RGB 219 60 20

HSL 12.06, 0.83%, 0.47%

LAB 49.91, 59.92, 56.26

 

CMYK 0 / 79 / 100 / 6

HEX #EF3101

RGB 239 49 1

HSL 12.1, 0.99%, 0.47%

LAB 52.45, 69.04, 64.72

 

CMYK 0 / 73 / 91 / 14

HEX #DB3C14

RGB 219 60 20

HSL 12.06, 0.83%, 0.47%

LAB 49.91, 59.92, 56.26

 

CMYK 0 / 64 / 80 / 22

HEX #C84828

RGB 200 72 40

HSL 12, 0.67%, 0.47%

LAB 48.34, 49.38, 44.99

 

CMYK 0 / 54 / 67 / 29

HEX #B5533B

RGB 181 83 59

HSL 11.8, 0.51%, 0.47%

LAB 47.4, 38.03, 32.87

 

CMYK 0 / 41 / 51 / 37

HEX #A15F4F

RGB 161 95 79

HSL 11.71, 0.34%, 0.47%

LAB 47.4, 25.12, 20.65

 

CMYK 0 / 25 / 31 / 44

HEX #8E6B62

RGB 142 107 98

HSL 12.27, 0.18%, 0.47%

LAB 48.45, 12.59, 10.45

 

CMYK 0 / 91 / 60 / 14

HEX #DB1457

RGB 219 20 87

HSL 339.8, 0.83%, 0.47%

LAB 47.3, 72.01, 17.39

 

CMYK 0 / 91 / 84 / 14

HEX #DB1422

RGB 219 20 34

HSL 355.78, 0.83%, 0.47%

LAB 46.55, 69.9, 47.63

 

CMYK 0 / 73 / 91 / 14

HEX #DB3C14

RGB 219 60 20

HSL 12.06, 0.83%, 0.47%

LAB 49.91, 59.92, 56.26

 

CMYK 0 / 48 / 91 / 14

HEX #DB7114

RGB 219 113 20

HSL 28.04, 0.83%, 0.47%

LAB 58.9, 36.37, 62.65

 

CMYK 0 / 24 / 91 / 14

HEX #DBA614

RGB 219 166 20

HSL 44.02, 0.83%, 0.47%

LAB 71.13, 8.19, 71.76

 

CMYK 0 / 73 / 91 / 44

HEX #90270D

RGB 144 39 13

HSL 11.91, 0.83%, 0.31%

LAB 32.72, 42.9, 39.96

 

CMYK 0 / 73 / 91 / 29

HEX #B63211

RGB 182 50 17

HSL 12, 0.83%, 0.39%

LAB 41.64, 51.58, 48.28

 

CMYK 0 / 73 / 91 / 14

HEX #DB3C14

RGB 219 60 20

HSL 12.06, 0.83%, 0.47%

LAB 49.91, 59.92, 56.26

 

CMYK 0 / 65 / 81 / 7

HEX #EC532D

RGB 236 83 45

HSL 11.94, 0.83%, 0.55%

LAB 56.3, 57.23, 52.35

 

CMYK 0 / 52 / 65 / 6

HEX #EF7253

RGB 239 114 83

HSL 11.92, 0.83%, 0.63%

LAB 62.52, 45.93, 39.77

 

CMYK 0 / 72 / 90 / 13

HEX #DD3D15

RGB 221 61 21

HSL 12, 0.83%, 0.47%

LAB 50.41, 60.22, 56.43

 

CMYK 36 / 0 / 91 / 14

HEX #8CDB14

RGB 140 219 20

HSL 83.82, 0.83%, 0.47%

LAB 79.78, -50.16, 76.07

 

CMYK 91 / 73 / 0 / 14

HEX #143CDB

RGB 20 60 219

HSL 227.94, 0.83%, 0.47%

LAB 34.99, 48.53, -82.94

 

CMYK 0 / 72 / 90 / 13

HEX #DD3D15

RGB 221 61 21

HSL 12, 0.83%, 0.47%

LAB 50.41, 60.22, 56.43

 

CMYK 91 / 0 / 73 / 14

HEX #14DB3C

RGB 20 219 60

HSL 132.06, 0.83%, 0.47%

LAB 76.76, -73.46, 62.08

 

CMYK 73 / 91 / 0 / 14

HEX #3C14DB

RGB 60 20 219

HSL 252.06, 0.83%, 0.47%

LAB 30.82, 67.79, -89.81

 

CMYK 0 / 72 / 90 / 13

HEX #DD3D15

RGB 221 61 21

HSL 12, 0.83%, 0.47%

LAB 50.41, 60.22, 56.43

 

CMYK 36 / 0 / 91 / 14

HEX #8CDB14

RGB 140 219 20

HSL 83.82, 0.83%, 0.47%

LAB 79.78, -50.16, 76.07

 

CMYK 91 / 18 / 0 / 14

HEX #14B4DB

RGB 20 180 219

HSL 191.76, 0.83%, 0.47%

LAB 67.95, -23.73, -30.13

 

CMYK 54 / 91 / 0 / 14

HEX #6414DB

RGB 100 20 219

HSL 264.12, 0.83%, 0.47%

LAB 34.65, 70.36, -83.34

 

CMYK 0 / 72 / 90 / 13

HEX #DD3D15

RGB 221 61 21

HSL 12, 0.83%, 0.47%

LAB 50.41, 60.22, 56.43

 

CMYK 63 / 0 / 91 / 14

HEX #50DB14

RGB 80 219 20

HSL 101.91, 0.83%, 0.47%

LAB 77.53, -67.45, 73.3

 

CMYK 91 / 18 / 0 / 14

HEX #14B4DB

RGB 20 180 219

HSL 191.76, 0.83%, 0.47%

LAB 67.95, -23.73, -30.13

 

CMYK 27 / 91 / 0 / 14

HEX #A014DB

RGB 160 20 219

HSL 282.21, 0.83%, 0.47%

LAB 42.9, 76.97, -69.49

 

Description

Color code: HEX #DD3D15 | qconv.com Color code: HEX #DD3D15 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 61 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 61 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 90 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 90% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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