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Color name
HEX #DD329F

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD329F it is the complementary color #22CD60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD329F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD329F shade: #E2329A, #F344AD, #FF56C0, #FF68D3 and #FF7AE6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD329F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD329F shade: #DD329F, #CC208C, #BB0E79, #AA0066 and #990053

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD329F shade: #DD319F, #DD3170, #DD3142 and #DD3131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD329F shade: #DD319F, #DD31CD, #BF31DD, #9031DD and #6231DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD329F shade matches the following richer shades: #DD319F and #F11DA4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD329F shade: #DD319F, #CA449A, #B75894, #A36B8F and #907E8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD329F shade: #BE31DD, #DD31CF, #DD31A1, #DD3173 and #DD3145

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD329F shade: #A11A70, #C52089, #DD319F, #E354AF and #E978C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD329F shade: #DD329F, #DD9031 and #31DDD5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD329F shade: #DD329F, #A1DD31 and #31A1DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD329F shade: #DD329F, #DD9031, #31DD6D and #317FDD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD329F shade: #DD329F, #DDC431, #31DD6D and #314BDD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 28 / 13

HEX #DD329F

RGB 221 50 159

HSL 321.75, 0.72%, 0.53%

LAB 52.01, 72.63, -19.39

 

Complementary color

CMYK 83 / 0 / 53 / 20

HEX #22CD60

RGB 34 205 96

HSL 141.75, 0.72%, 0.47%

LAB 72.79, -64.07, 42.46

 

CMYK 0 / 78 / 32 / 11

HEX #E2329A

RGB 226 50 154

HSL 324.55, 0.75%, 0.54%

LAB 52.71, 73.26, -15.28

 

CMYK 0 / 72 / 29 / 5

HEX #F344AD

RGB 243 68 173

HSL 324, 0.88%, 0.61%

LAB 58.23, 74.22, -17.76

 

CMYK 0 / 66 / 25 / 0

HEX #FF56C0

RGB 255 86 192

HSL 322.37, 1%, 0.67%

LAB 63.11, 73.33, -21.07

 

CMYK 0 / 59 / 17 / 0

HEX #FF68D3

RGB 255 104 211

HSL 317.48, 1%, 0.7%

LAB 66.42, 68.73, -26.73

 

CMYK 0 / 52 / 10 / 0

HEX #FF7AE6

RGB 255 122 230

HSL 311.28, 1%, 0.74%

LAB 70.1, 63.63, -31.62

 

CMYK 0 / 77 / 28 / 13

HEX #DD329F

RGB 221 50 159

HSL 321.75, 0.72%, 0.53%

LAB 52.01, 72.63, -19.39

 

CMYK 0 / 84 / 31 / 20

HEX #CC208C

RGB 204 32 140

HSL 322.33, 0.73%, 0.46%

LAB 46.66, 70.91, -16.46

 

CMYK 0 / 93 / 35 / 27

HEX #BB0E79

RGB 187 14 121

HSL 322.89, 0.86%, 0.39%

LAB 41.63, 68.09, -12.77

 

CMYK 0 / 100 / 40 / 33

HEX #AA0066

RGB 170 0 102

HSL 324, 1%, 0.33%

LAB 36.94, 64.04, -8.22

 

CMYK 0 / 100 / 46 / 40

HEX #990053

RGB 153 0 83

HSL 327.45, 1%, 0.3%

LAB 32.69, 58.49, -2.64

 

CMYK 0 / 78 / 28 / 13

HEX #DD319F

RGB 221 49 159

HSL 321.63, 0.72%, 0.53%

LAB 51.92, 72.91, -19.53

 

CMYK 0 / 78 / 49 / 13

HEX #DD3170

RGB 221 49 112

HSL 338.02, 0.72%, 0.53%

LAB 50.38, 68.26, 6.41

 

CMYK 0 / 78 / 70 / 13

HEX #DD3142

RGB 221 49 66

HSL 354.07, 0.72%, 0.53%

LAB 49.45, 65.36, 32.95

 

CMYK 0 / 78 / 78 / 13

HEX #DD3131

RGB 221 49 49

HSL 0, 0.72%, 0.53%

LAB 49.24, 64.7, 42.42

 

CMYK 0 / 78 / 28 / 13

HEX #DD319F

RGB 221 49 159

HSL 321.63, 0.72%, 0.53%

LAB 51.92, 72.91, -19.53

 

CMYK 0 / 78 / 7 / 13

HEX #DD31CD

RGB 221 49 205

HSL 305.58, 0.72%, 0.53%

LAB 54, 78.91, -43.08

 

CMYK 14 / 78 / 0 / 13

HEX #BF31DD

RGB 191 49 221

HSL 289.53, 0.72%, 0.53%

LAB 50.09, 75.67, -58.75

 

CMYK 35 / 78 / 0 / 13

HEX #9031DD

RGB 144 49 221

HSL 273.14, 0.72%, 0.53%

LAB 43.28, 67.6, -70.1

 

CMYK 56 / 78 / 0 / 13

HEX #6231DD

RGB 98 49 221

HSL 257.09, 0.72%, 0.53%

LAB 37.87, 61.12, -79.19

 

CMYK 0 / 78 / 28 / 13

HEX #DD319F

RGB 221 49 159

HSL 321.63, 0.72%, 0.53%

LAB 51.92, 72.91, -19.53

 

CMYK 0 / 88 / 32 / 5

HEX #F11DA4

RGB 241 29 164

HSL 321.79, 0.88%, 0.53%

LAB 54.3, 82.05, -18.52

 

CMYK 0 / 78 / 28 / 13

HEX #DD319F

RGB 221 49 159

HSL 321.63, 0.72%, 0.53%

LAB 51.92, 72.91, -19.53

 

CMYK 0 / 66 / 24 / 21

HEX #CA449A

RGB 202 68 154

HSL 321.49, 0.56%, 0.53%

LAB 50.72, 61.2, -18.69

 

CMYK 0 / 52 / 19 / 28

HEX #B75894

RGB 183 88 148

HSL 322.11, 0.4%, 0.53%

LAB 50.9, 45.75, -15.12

 

CMYK 0 / 34 / 12 / 36

HEX #A36B8F

RGB 163 107 143

HSL 321.43, 0.23%, 0.53%

LAB 52.16, 27.94, -10.52

 

CMYK 0 / 13 / 4 / 44

HEX #907E8A

RGB 144 126 138

HSL 320, 0.08%, 0.53%

LAB 54.75, 9.1, -3.95

 

CMYK 14 / 78 / 0 / 13

HEX #BE31DD

RGB 190 49 221

HSL 289.19, 0.72%, 0.53%

LAB 49.93, 75.49, -59

 

CMYK 0 / 78 / 6 / 13

HEX #DD31CF

RGB 221 49 207

HSL 304.88, 0.72%, 0.53%

LAB 54.11, 79.2, -44.07

 

CMYK 0 / 78 / 27 / 13

HEX #DD31A1

RGB 221 49 161

HSL 320.93, 0.72%, 0.53%

LAB 52, 73.14, -20.59

 

CMYK 0 / 78 / 48 / 13

HEX #DD3173

RGB 221 49 115

HSL 336.98, 0.72%, 0.53%

LAB 50.46, 68.51, 4.7

 

CMYK 0 / 78 / 69 / 13

HEX #DD3145

RGB 221 49 69

HSL 353.02, 0.72%, 0.53%

LAB 49.49, 65.5, 31.24

 

CMYK 0 / 84 / 30 / 37

HEX #A11A70

RGB 161 26 112

HSL 321.78, 0.72%, 0.37%

LAB 36.9, 59.06, -14.79

 

CMYK 0 / 84 / 30 / 23

HEX #C52089

RGB 197 32 137

HSL 321.82, 0.72%, 0.45%

LAB 45.23, 68.98, -16.94

 

CMYK 0 / 78 / 28 / 13

HEX #DD319F

RGB 221 49 159

HSL 321.63, 0.72%, 0.53%

LAB 51.92, 72.91, -19.53

 

CMYK 0 / 63 / 23 / 11

HEX #E354AF

RGB 227 84 175

HSL 321.82, 0.72%, 0.61%

LAB 57.81, 64.44, -19.79

 

CMYK 0 / 48 / 18 / 9

HEX #E978C0

RGB 233 120 192

HSL 321.77, 0.72%, 0.69%

LAB 65.41, 52.29, -17.87

 

CMYK 0 / 77 / 28 / 13

HEX #DD329F

RGB 221 50 159

HSL 321.75, 0.72%, 0.53%

LAB 52.01, 72.63, -19.39

 

CMYK 0 / 35 / 78 / 13

HEX #DD9031

RGB 221 144 49

HSL 33.14, 0.72%, 0.53%

LAB 66.17, 21.6, 59.18

 

CMYK 78 / 0 / 4 / 13

HEX #31DDD5

RGB 49 221 213

HSL 177.21, 0.72%, 0.53%

LAB 80.28, -43.01, -8.19

 

CMYK 0 / 77 / 28 / 13

HEX #DD329F

RGB 221 50 159

HSL 321.75, 0.72%, 0.53%

LAB 52.01, 72.63, -19.39

 

CMYK 27 / 0 / 78 / 13

HEX #A1DD31

RGB 161 221 49

HSL 80.93, 0.72%, 0.53%

LAB 81.57, -42.44, 71.74

 

CMYK 78 / 27 / 0 / 13

HEX #31A1DD

RGB 49 161 221

HSL 200.93, 0.72%, 0.53%

LAB 62.81, -10.77, -39.19

 

CMYK 0 / 77 / 28 / 13

HEX #DD329F

RGB 221 50 159

HSL 321.75, 0.72%, 0.53%

LAB 52.01, 72.63, -19.39

 

CMYK 0 / 35 / 78 / 13

HEX #DD9031

RGB 221 144 49

HSL 33.14, 0.72%, 0.53%

LAB 66.17, 21.6, 59.18

 

CMYK 78 / 0 / 51 / 13

HEX #31DD6D

RGB 49 221 109

HSL 140.93, 0.72%, 0.53%

LAB 78.15, -65.84, 42.85

 

CMYK 78 / 43 / 0 / 13

HEX #317FDD

RGB 49 127 221

HSL 212.79, 0.72%, 0.53%

LAB 53.01, 9.12, -54.71

 

CMYK 0 / 77 / 28 / 13

HEX #DD329F

RGB 221 50 159

HSL 321.75, 0.72%, 0.53%

LAB 52.01, 72.63, -19.39

 

CMYK 0 / 11 / 78 / 13

HEX #DDC431

RGB 221 196 49

HSL 51.28, 0.72%, 0.53%

LAB 79.08, -5.91, 71.09

 

CMYK 78 / 0 / 51 / 13

HEX #31DD6D

RGB 49 221 109

HSL 140.93, 0.72%, 0.53%

LAB 78.15, -65.84, 42.85

 

CMYK 78 / 66 / 0 / 13

HEX #314BDD

RGB 49 75 221

HSL 230.93, 0.72%, 0.53%

LAB 39.42, 41.91, -76.75

 

Description

Color code: HEX #DD329F | qconv.com Color code: HEX #DD329F | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 50 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 50 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 28 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 28% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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