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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD3248 it is the complementary color #22CDB7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD3248. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD3248 shade: #E23243, #F34456, #FF5669, #FF687C and #FF7A8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD3248. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD3248 shade: #DD3248, #CC2035, #BB0E22, #AA000F and #990000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD3248 shade: #DD3147 and #DD3131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD3248 shade: #DD3147, #DD3176, #DD31A4, #DD31D3 and #BA31DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD3248 shade matches the following richer shades: #DD3147 and #F11D39

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD3248 shade: #DD3147, #CA4455, #B75864, #A36B72 and #907E81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD3248 shade: #DD31A4, #DD3176, #DD3148, #DD4831 and #DD7631

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD3248 shade: #A11A2C, #C52035, #DD3147, #E35467 and #E97886

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD3248 shade: #DD3248, #D2DD31 and #318DDD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD3248 shade: #DD3248, #48DD31 and #3148DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD3248 shade: #DD3248, #D2DD31, #31DDC6 and #3C31DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD3248 shade: #DD3248, #9EDD31, #31DDC6 and #7031DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 67 / 13

HEX #DD3248

RGB 221 50 72

HSL 352.28, 0.72%, 0.53%

LAB 49.64, 65.36, 29.64

 

Complementary color

CMYK 83 / 0 / 11 / 20

HEX #22CDB7

RGB 34 205 183

HSL 172.28, 0.72%, 0.47%

LAB 74.46, -45.59, -0.68

 

CMYK 0 / 78 / 70 / 11

HEX #E23243

RGB 226 50 67

HSL 354.2, 0.75%, 0.54%

LAB 50.52, 66.54, 33.87

 

CMYK 0 / 72 / 65 / 5

HEX #F34456

RGB 243 68 86

HSL 353.83, 0.88%, 0.61%

LAB 55.95, 66.77, 30.16

 

CMYK 0 / 66 / 59 / 0

HEX #FF5669

RGB 255 86 105

HSL 353.25, 1%, 0.67%

LAB 60.72, 65.01, 25.73

 

CMYK 0 / 59 / 51 / 0

HEX #FF687C

RGB 255 104 124

HSL 352.05, 1%, 0.7%

LAB 63.85, 58.99, 19.01

 

CMYK 0 / 52 / 44 / 0

HEX #FF7A8F

RGB 255 122 143

HSL 350.53, 1%, 0.74%

LAB 67.4, 52.47, 13.13

 

CMYK 0 / 77 / 67 / 13

HEX #DD3248

RGB 221 50 72

HSL 352.28, 0.72%, 0.53%

LAB 49.64, 65.36, 29.64

 

CMYK 0 / 84 / 74 / 20

HEX #CC2035

RGB 204 32 53

HSL 352.67, 0.73%, 0.46%

LAB 44.42, 64.42, 33.9

 

CMYK 0 / 93 / 82 / 27

HEX #BB0E22

RGB 187 14 34

HSL 353.06, 0.86%, 0.39%

LAB 39.57, 62.45, 38.73

 

CMYK 0 / 100 / 91 / 33

HEX #AA000F

RGB 170 0 15

HSL 354.71, 1%, 0.33%

LAB 35.16, 59.31, 43.34

 

CMYK 0 / 100 / 100 / 40

HEX #990000

RGB 153 0 0

HSL 0, 1%, 0.3%

LAB 31.28, 54.71, 45.14

 

CMYK 0 / 78 / 68 / 13

HEX #DD3147

RGB 221 49 71

HSL 352.33, 0.72%, 0.53%

LAB 49.52, 65.6, 30.09

 

CMYK 0 / 78 / 78 / 13

HEX #DD3131

RGB 221 49 49

HSL 0, 0.72%, 0.53%

LAB 49.24, 64.7, 42.42

 

CMYK 0 / 78 / 68 / 13

HEX #DD3147

RGB 221 49 71

HSL 352.33, 0.72%, 0.53%

LAB 49.52, 65.6, 30.09

 

CMYK 0 / 78 / 47 / 13

HEX #DD3176

RGB 221 49 118

HSL 335.93, 0.72%, 0.53%

LAB 50.54, 68.76, 3

 

CMYK 0 / 78 / 26 / 13

HEX #DD31A4

RGB 221 49 164

HSL 319.88, 0.72%, 0.53%

LAB 52.12, 73.49, -22.18

 

CMYK 0 / 78 / 5 / 13

HEX #DD31D3

RGB 221 49 211

HSL 303.49, 0.72%, 0.53%

LAB 54.31, 79.79, -46.02

 

CMYK 16 / 78 / 0 / 13

HEX #BA31DD

RGB 186 49 221

HSL 287.79, 0.72%, 0.53%

LAB 49.32, 74.76, -60.02

 

CMYK 0 / 78 / 68 / 13

HEX #DD3147

RGB 221 49 71

HSL 352.33, 0.72%, 0.53%

LAB 49.52, 65.6, 30.09

 

CMYK 0 / 88 / 76 / 5

HEX #F11D39

RGB 241 29 57

HSL 352.08, 0.88%, 0.53%

LAB 51.7, 74.78, 41.75

 

CMYK 0 / 78 / 68 / 13

HEX #DD3147

RGB 221 49 71

HSL 352.33, 0.72%, 0.53%

LAB 49.52, 65.6, 30.09

 

CMYK 0 / 66 / 58 / 21

HEX #CA4455

RGB 202 68 85

HSL 352.39, 0.56%, 0.53%

LAB 48.69, 54.09, 19.93

 

CMYK 0 / 52 / 45 / 28

HEX #B75864

RGB 183 88 100

HSL 352.42, 0.4%, 0.53%

LAB 49.46, 39.58, 11.45

 

CMYK 0 / 34 / 30 / 36

HEX #A36B72

RGB 163 107 114

HSL 352.5, 0.23%, 0.53%

LAB 51.29, 23.34, 5.33

 

CMYK 0 / 13 / 10 / 44

HEX #907E81

RGB 144 126 129

HSL 350, 0.08%, 0.53%

LAB 54.49, 7.42, 0.9

 

CMYK 0 / 78 / 26 / 13

HEX #DD31A4

RGB 221 49 164

HSL 319.88, 0.72%, 0.53%

LAB 52.12, 73.49, -22.18

 

CMYK 0 / 78 / 47 / 13

HEX #DD3176

RGB 221 49 118

HSL 335.93, 0.72%, 0.53%

LAB 50.54, 68.76, 3

 

CMYK 0 / 78 / 67 / 13

HEX #DD3148

RGB 221 49 72

HSL 351.98, 0.72%, 0.53%

LAB 49.54, 65.65, 29.51

 

CMYK 0 / 67 / 78 / 13

HEX #DD4831

RGB 221 72 49

HSL 8.02, 0.72%, 0.53%

LAB 52.09, 56.81, 45.37

 

CMYK 0 / 47 / 78 / 13

HEX #DD7631

RGB 221 118 49

HSL 24.07, 0.72%, 0.53%

LAB 60.38, 35.36, 53.63

 

CMYK 0 / 84 / 73 / 37

HEX #A11A2C

RGB 161 26 44

HSL 352, 0.72%, 0.37%

LAB 35, 53.48, 26.18

 

CMYK 0 / 84 / 73 / 23

HEX #C52035

RGB 197 32 53

HSL 352.36, 0.72%, 0.45%

LAB 43, 62.51, 31.9

 

CMYK 0 / 78 / 68 / 13

HEX #DD3147

RGB 221 49 71

HSL 352.33, 0.72%, 0.53%

LAB 49.52, 65.6, 30.09

 

CMYK 0 / 63 / 55 / 11

HEX #E35467

RGB 227 84 103

HSL 352.03, 0.72%, 0.61%

LAB 55.74, 56.85, 19.41

 

CMYK 0 / 48 / 42 / 9

HEX #E97886

RGB 233 120 134

HSL 352.57, 0.72%, 0.69%

LAB 63.74, 44.92, 12.65

 

CMYK 0 / 77 / 67 / 13

HEX #DD3248

RGB 221 50 72

HSL 352.28, 0.72%, 0.53%

LAB 49.64, 65.36, 29.64

 

CMYK 5 / 0 / 78 / 13

HEX #D2DD31

RGB 210 221 49

HSL 63.84, 0.72%, 0.53%

LAB 84.81, -23.01, 75.88

 

CMYK 78 / 36 / 0 / 13

HEX #318DDD

RGB 49 141 221

HSL 207.91, 0.72%, 0.53%

LAB 57, 0.68, -48.35

 

CMYK 0 / 77 / 67 / 13

HEX #DD3248

RGB 221 50 72

HSL 352.28, 0.72%, 0.53%

LAB 49.64, 65.36, 29.64

 

CMYK 67 / 0 / 78 / 13

HEX #48DD31

RGB 72 221 49

HSL 111.98, 0.72%, 0.53%

LAB 78.06, -68.5, 67.19

 

CMYK 78 / 67 / 0 / 13

HEX #3148DD

RGB 49 72 221

HSL 231.98, 0.72%, 0.53%

LAB 38.74, 43.74, -77.87

 

CMYK 0 / 77 / 67 / 13

HEX #DD3248

RGB 221 50 72

HSL 352.28, 0.72%, 0.53%

LAB 49.64, 65.36, 29.64

 

CMYK 5 / 0 / 78 / 13

HEX #D2DD31

RGB 210 221 49

HSL 63.84, 0.72%, 0.53%

LAB 84.81, -23.01, 75.88

 

CMYK 78 / 0 / 10 / 13

HEX #31DDC6

RGB 49 221 198

HSL 171.98, 0.72%, 0.53%

LAB 79.87, -47.09, -0.8

 

CMYK 73 / 78 / 0 / 13

HEX #3C31DD

RGB 60 49 221

HSL 243.84, 0.72%, 0.53%

LAB 34.76, 57.37, -84.42

 

CMYK 0 / 77 / 67 / 13

HEX #DD3248

RGB 221 50 72

HSL 352.28, 0.72%, 0.53%

LAB 49.64, 65.36, 29.64

 

CMYK 29 / 0 / 78 / 13

HEX #9EDD31

RGB 158 221 49

HSL 81.98, 0.72%, 0.53%

LAB 81.4, -43.56, 71.52

 

CMYK 78 / 0 / 10 / 13

HEX #31DDC6

RGB 49 221 198

HSL 171.98, 0.72%, 0.53%

LAB 79.87, -47.09, -0.8

 

CMYK 49 / 78 / 0 / 13

HEX #7031DD

RGB 112 49 221

HSL 261.98, 0.72%, 0.53%

LAB 39.35, 62.9, -76.7

 

Description

Color code: HEX #DD3248 | qconv.com Color code: HEX #DD3248 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 50 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 50 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 67 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 67% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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