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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD3157 it is the complementary color #22CEA8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD3157. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD3157 shade: #E23152, #F34365, #FF5578, #FF678B and #FF799E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD3157. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD3157 shade: #DD3157, #CC1F44, #BB0D31, #AA001E and #99000B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD3157 shade: #DD3157 and #DD3131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD3157 shade: #DD3157, #DD3186, #DD31B4, #D831DD and #AA31DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD3157 shade matches the following richer shades: #DD3157 and #F11D4C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD3157 shade: #DD3157, #CA4462, #B7586D, #A36B77 and #907E82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD3157 shade: #DD31B5, #DD3187, #DD3159, #DD3731 and #DD6531

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD3157 shade: #A11A38, #C52045, #DD3157, #E35474 and #E97891

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD3157 shade: #DD3157, #DDD831 and #319EDD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD3157 shade: #DD3157, #59DD31 and #3159DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD3157 shade: #DD3157, #DDD831, #31DDB5 and #3137DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD3157 shade: #DD3157, #AFDD31, #31DDB5 and #5F31DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 61 / 13

HEX #DD3157

RGB 221 49 87

HSL 346.74, 0.72%, 0.53%

LAB 49.81, 66.48, 20.82

 

Complementary color

CMYK 83 / 0 / 18 / 19

HEX #22CEA8

RGB 34 206 168

HSL 166.74, 0.72%, 0.47%

LAB 74.39, -49.93, 7.3

 

CMYK 0 / 78 / 64 / 11

HEX #E23152

RGB 226 49 82

HSL 348.81, 0.75%, 0.54%

LAB 50.66, 67.57, 25.13

 

CMYK 0 / 72 / 58 / 5

HEX #F34365

RGB 243 67 101

HSL 348.41, 0.88%, 0.61%

LAB 56.1, 68.01, 21.54

 

CMYK 0 / 67 / 53 / 0

HEX #FF5578

RGB 255 85 120

HSL 347.65, 1%, 0.67%

LAB 60.88, 66.45, 17.25

 

CMYK 0 / 60 / 45 / 0

HEX #FF678B

RGB 255 103 139

HSL 345.79, 1%, 0.7%

LAB 64.02, 60.73, 10.65

 

CMYK 0 / 53 / 38 / 0

HEX #FF799E

RGB 255 121 158

HSL 343.43, 1%, 0.74%

LAB 67.58, 54.5, 4.9

 

CMYK 0 / 78 / 61 / 13

HEX #DD3157

RGB 221 49 87

HSL 346.74, 0.72%, 0.53%

LAB 49.81, 66.48, 20.82

 

CMYK 0 / 85 / 67 / 20

HEX #CC1F44

RGB 204 31 68

HSL 347.17, 0.74%, 0.46%

LAB 44.57, 65.31, 24.99

 

CMYK 0 / 93 / 74 / 27

HEX #BB0D31

RGB 187 13 49

HSL 347.59, 0.87%, 0.39%

LAB 39.71, 63.08, 29.97

 

CMYK 0 / 100 / 82 / 33

HEX #AA001E

RGB 170 0 30

HSL 349.41, 1%, 0.33%

LAB 35.28, 59.63, 35.56

 

CMYK 0 / 100 / 93 / 40

HEX #99000B

RGB 153 0 11

HSL 355.69, 1%, 0.3%

LAB 31.34, 54.86, 40.69

 

CMYK 0 / 78 / 61 / 13

HEX #DD3157

RGB 221 49 87

HSL 346.74, 0.72%, 0.53%

LAB 49.81, 66.48, 20.82

 

CMYK 0 / 78 / 78 / 13

HEX #DD3131

RGB 221 49 49

HSL 0, 0.72%, 0.53%

LAB 49.24, 64.7, 42.42

 

CMYK 0 / 78 / 61 / 13

HEX #DD3157

RGB 221 49 87

HSL 346.74, 0.72%, 0.53%

LAB 49.81, 66.48, 20.82

 

CMYK 0 / 78 / 39 / 13

HEX #DD3186

RGB 221 49 134

HSL 330.35, 0.72%, 0.53%

LAB 51.02, 70.23, -5.96

 

CMYK 0 / 78 / 19 / 13

HEX #DD31B4

RGB 221 49 180

HSL 314.3, 0.72%, 0.53%

LAB 52.8, 75.48, -30.51

 

CMYK 2 / 78 / 0 / 13

HEX #D831DD

RGB 216 49 221

HSL 298.26, 0.72%, 0.53%

LAB 54.04, 80.33, -52.19

 

CMYK 23 / 78 / 0 / 13

HEX #AA31DD

RGB 170 49 221

HSL 282.21, 0.72%, 0.53%

LAB 46.93, 71.93, -64.01

 

CMYK 0 / 78 / 61 / 13

HEX #DD3157

RGB 221 49 87

HSL 346.74, 0.72%, 0.53%

LAB 49.81, 66.48, 20.82

 

CMYK 0 / 88 / 68 / 5

HEX #F11D4C

RGB 241 29 76

HSL 346.7, 0.88%, 0.53%

LAB 51.95, 75.51, 30.97

 

CMYK 0 / 78 / 61 / 13

HEX #DD3157

RGB 221 49 87

HSL 346.74, 0.72%, 0.53%

LAB 49.81, 66.48, 20.82

 

CMYK 0 / 66 / 51 / 21

HEX #CA4462

RGB 202 68 98

HSL 346.57, 0.56%, 0.53%

LAB 48.97, 55.11, 12.45

 

CMYK 0 / 52 / 40 / 28

HEX #B7586D

RGB 183 88 109

HSL 346.74, 0.4%, 0.53%

LAB 49.68, 40.55, 6.37

 

CMYK 0 / 34 / 27 / 36

HEX #A36B77

RGB 163 107 119

HSL 347.14, 0.23%, 0.53%

LAB 51.42, 24.06, 2.56

 

CMYK 0 / 13 / 10 / 44

HEX #907E82

RGB 144 126 130

HSL 346.67, 0.08%, 0.53%

LAB 54.51, 7.6, 0.36

 

CMYK 0 / 78 / 18 / 13

HEX #DD31B5

RGB 221 49 181

HSL 313.95, 0.72%, 0.53%

LAB 52.85, 75.61, -31.03

 

CMYK 0 / 78 / 39 / 13

HEX #DD3187

RGB 221 49 135

HSL 330, 0.72%, 0.53%

LAB 51.06, 70.33, -6.51

 

CMYK 0 / 78 / 60 / 13

HEX #DD3159

RGB 221 49 89

HSL 346.05, 0.72%, 0.53%

LAB 49.85, 66.61, 19.66

 

CMYK 0 / 75 / 78 / 13

HEX #DD3731

RGB 221 55 49

HSL 2.09, 0.72%, 0.53%

LAB 49.89, 62.88, 43.1

 

CMYK 0 / 54 / 78 / 13

HEX #DD6531

RGB 221 101 49

HSL 18.14, 0.72%, 0.53%

LAB 56.98, 43.91, 50.29

 

CMYK 0 / 84 / 65 / 37

HEX #A11A38

RGB 161 26 56

HSL 346.67, 0.72%, 0.37%

LAB 35.21, 54.1, 18.78

 

CMYK 0 / 84 / 65 / 23

HEX #C52045

RGB 197 32 69

HSL 346.55, 0.72%, 0.45%

LAB 43.26, 63.28, 22.41

 

CMYK 0 / 78 / 61 / 13

HEX #DD3157

RGB 221 49 87

HSL 346.74, 0.72%, 0.53%

LAB 49.81, 66.48, 20.82

 

CMYK 0 / 63 / 49 / 11

HEX #E35474

RGB 227 84 116

HSL 346.57, 0.72%, 0.61%

LAB 56.02, 57.91, 12.14

 

CMYK 0 / 48 / 38 / 9

HEX #E97891

RGB 233 120 145

HSL 346.73, 0.72%, 0.69%

LAB 64, 46.11, 6.75

 

CMYK 0 / 78 / 61 / 13

HEX #DD3157

RGB 221 49 87

HSL 346.74, 0.72%, 0.53%

LAB 49.81, 66.48, 20.82

 

CMYK 0 / 2 / 78 / 13

HEX #DDD831

RGB 221 216 49

HSL 58.26, 0.72%, 0.53%

LAB 84.33, -15.99, 75.78

 

CMYK 78 / 29 / 0 / 13

HEX #319EDD

RGB 49 158 221

HSL 201.98, 0.72%, 0.53%

LAB 61.94, -9.1, -40.56

 

CMYK 0 / 78 / 61 / 13

HEX #DD3157

RGB 221 49 87

HSL 346.74, 0.72%, 0.53%

LAB 49.81, 66.48, 20.82

 

CMYK 60 / 0 / 78 / 13

HEX #59DD31

RGB 89 221 49

HSL 106.05, 0.72%, 0.53%

LAB 78.5, -64.88, 67.76

 

CMYK 78 / 60 / 0 / 13

HEX #3159DD

RGB 49 89 221

HSL 226.05, 0.72%, 0.53%

LAB 42.79, 33.14, -71.23

 

CMYK 0 / 78 / 61 / 13

HEX #DD3157

RGB 221 49 87

HSL 346.74, 0.72%, 0.53%

LAB 49.81, 66.48, 20.82

 

CMYK 0 / 2 / 78 / 13

HEX #DDD831

RGB 221 216 49

HSL 58.26, 0.72%, 0.53%

LAB 84.33, -15.99, 75.78

 

CMYK 78 / 0 / 18 / 13

HEX #31DDB5

RGB 49 221 181

HSL 166.05, 0.72%, 0.53%

LAB 79.44, -51.44, 7.63

 

CMYK 78 / 75 / 0 / 13

HEX #3137DD

RGB 49 55 221

HSL 237.91, 0.72%, 0.53%

LAB 35.21, 53.5, -83.69

 

CMYK 0 / 78 / 61 / 13

HEX #DD3157

RGB 221 49 87

HSL 346.74, 0.72%, 0.53%

LAB 49.81, 66.48, 20.82

 

CMYK 21 / 0 / 78 / 13

HEX #AFDD31

RGB 175 221 49

HSL 76.05, 0.72%, 0.53%

LAB 82.4, -37.11, 72.81

 

CMYK 78 / 0 / 18 / 13

HEX #31DDB5

RGB 49 221 181

HSL 166.05, 0.72%, 0.53%

LAB 79.44, -51.44, 7.63

 

CMYK 57 / 78 / 0 / 13

HEX #5F31DD

RGB 95 49 221

HSL 256.05, 0.72%, 0.53%

LAB 37.57, 60.77, -79.68

 

Description

Color code: HEX #DD3157 | qconv.com Color code: HEX #DD3157 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 49 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 49 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 61 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 61% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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