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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD3078 it is the complementary color #22CF87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD3078. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD3078 shade: #E23073, #F34286, #FF5499, #FF66AC and #FF78BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD3078. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD3078 shade: #DD3078, #CC1E65, #BB0C52, #AA003F and #99002C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD3078 shade: #DD3179, #DD314A and #DD3131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD3078 shade: #DD3179, #DD31A7, #DD31D6, #B731DD and #8831DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD3078 shade matches the following richer shades: #DD3179 and #F11D75

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD3078 shade: #DD3179, #CA447C, #B7587F, #A36B82 and #907E86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD3078 shade: #DD31D5, #DD31A7, #DD3179, #DD314B and #DD4531

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD3078 shade: #A11A53, #C52065, #DD3179, #E35490 and #E978A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD3078 shade: #DD3078, #DDB831 and #31BEDD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD3078 shade: #DD3078, #79DD31 and #3179DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD3078 shade: #DD3078, #DDB831, #31DD96 and #3156DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD3078 shade: #DD3078, #CFDD31, #31DD96 and #3F31DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 46 / 13

HEX #DD3078

RGB 221 48 120

HSL 335.03, 0.72%, 0.53%

LAB 50.5, 69.21, 1.73

 

Complementary color

CMYK 84 / 0 / 35 / 19

HEX #22CF87

RGB 34 207 135

HSL 155.03, 0.72%, 0.47%

LAB 74.01, -57.88, 24.33

 

CMYK 0 / 79 / 49 / 11

HEX #E23073

RGB 226 48 115

HSL 337.42, 0.75%, 0.54%

LAB 51.29, 70.09, 6.02

 

CMYK 0 / 73 / 45 / 5

HEX #F34286

RGB 243 66 134

HSL 336.95, 0.88%, 0.61%

LAB 56.75, 70.87, 2.91

 

CMYK 0 / 67 / 40 / 0

HEX #FF5499

RGB 255 84 153

HSL 335.79, 1%, 0.66%

LAB 61.57, 69.71, -0.96

 

CMYK 0 / 60 / 33 / 0

HEX #FF66AC

RGB 255 102 172

HSL 332.55, 1%, 0.7%

LAB 64.76, 64.58, -7.19

 

CMYK 0 / 53 / 25 / 0

HEX #FF78BF

RGB 255 120 191

HSL 328.44, 1%, 0.74%

LAB 68.35, 58.94, -12.57

 

CMYK 0 / 78 / 46 / 13

HEX #DD3078

RGB 221 48 120

HSL 335.03, 0.72%, 0.53%

LAB 50.5, 69.21, 1.73

 

CMYK 0 / 85 / 50 / 20

HEX #CC1E65

RGB 204 30 101

HSL 335.52, 0.74%, 0.46%

LAB 45.23, 67.65, 5.37

 

CMYK 0 / 94 / 56 / 27

HEX #BB0C52

RGB 187 12 82

HSL 336, 0.88%, 0.39%

LAB 40.31, 64.98, 9.89

 

CMYK 0 / 100 / 63 / 33

HEX #AA003F

RGB 170 0 63

HSL 337.76, 1%, 0.33%

LAB 35.8, 61.03, 15.38

 

CMYK 0 / 100 / 71 / 40

HEX #99002C

RGB 153 0 44

HSL 342.75, 1%, 0.3%

LAB 31.7, 55.85, 21.78

 

CMYK 0 / 78 / 45 / 13

HEX #DD3179

RGB 221 49 121

HSL 334.88, 0.72%, 0.53%

LAB 50.63, 69.02, 1.31

 

CMYK 0 / 78 / 67 / 13

HEX #DD314A

RGB 221 49 74

HSL 351.28, 0.72%, 0.53%

LAB 49.57, 65.75, 28.36

 

CMYK 0 / 78 / 78 / 13

HEX #DD3131

RGB 221 49 49

HSL 0, 0.72%, 0.53%

LAB 49.24, 64.7, 42.42

 

CMYK 0 / 78 / 45 / 13

HEX #DD3179

RGB 221 49 121

HSL 334.88, 0.72%, 0.53%

LAB 50.63, 69.02, 1.31

 

CMYK 0 / 78 / 24 / 13

HEX #DD31A7

RGB 221 49 167

HSL 318.84, 0.72%, 0.53%

LAB 52.24, 73.85, -23.76

 

CMYK 0 / 78 / 3 / 13

HEX #DD31D6

RGB 221 49 214

HSL 302.44, 0.72%, 0.53%

LAB 54.47, 80.23, -47.48

 

CMYK 17 / 78 / 0 / 13

HEX #B731DD

RGB 183 49 221

HSL 286.74, 0.72%, 0.53%

LAB 48.86, 74.22, -60.78

 

CMYK 38 / 78 / 0 / 13

HEX #8831DD

RGB 136 49 221

HSL 270.35, 0.72%, 0.53%

LAB 42.23, 66.35, -71.86

 

CMYK 0 / 78 / 45 / 13

HEX #DD3179

RGB 221 49 121

HSL 334.88, 0.72%, 0.53%

LAB 50.63, 69.02, 1.31

 

CMYK 0 / 88 / 51 / 5

HEX #F11D75

RGB 241 29 117

HSL 335.09, 0.88%, 0.53%

LAB 52.8, 77.91, 7.35

 

CMYK 0 / 78 / 45 / 13

HEX #DD3179

RGB 221 49 121

HSL 334.88, 0.72%, 0.53%

LAB 50.63, 69.02, 1.31

 

CMYK 0 / 66 / 39 / 21

HEX #CA447C

RGB 202 68 124

HSL 334.93, 0.56%, 0.53%

LAB 49.67, 57.6, -2.3

 

CMYK 0 / 52 / 31 / 28

HEX #B7587F

RGB 183 88 127

HSL 335.37, 0.4%, 0.53%

LAB 50.19, 42.76, -3.68

 

CMYK 0 / 34 / 20 / 36

HEX #A36B82

RGB 163 107 130

HSL 335.36, 0.23%, 0.53%

LAB 51.74, 25.76, -3.48

 

CMYK 0 / 13 / 7 / 44

HEX #907E86

RGB 144 126 134

HSL 333.33, 0.08%, 0.53%

LAB 54.63, 8.34, -1.8

 

CMYK 0 / 78 / 4 / 13

HEX #DD31D5

RGB 221 49 213

HSL 302.79, 0.72%, 0.53%

LAB 54.42, 80.08, -46.99

 

CMYK 0 / 78 / 24 / 13

HEX #DD31A7

RGB 221 49 167

HSL 318.84, 0.72%, 0.53%

LAB 52.24, 73.85, -23.76

 

CMYK 0 / 78 / 45 / 13

HEX #DD3179

RGB 221 49 121

HSL 334.88, 0.72%, 0.53%

LAB 50.63, 69.02, 1.31

 

CMYK 0 / 78 / 66 / 13

HEX #DD314B

RGB 221 49 75

HSL 350.93, 0.72%, 0.53%

LAB 49.59, 65.8, 27.78

 

CMYK 0 / 69 / 78 / 13

HEX #DD4531

RGB 221 69 49

HSL 6.98, 0.72%, 0.53%

LAB 51.67, 57.97, 44.93

 

CMYK 0 / 84 / 48 / 37

HEX #A11A53

RGB 161 26 83

HSL 334.67, 0.72%, 0.37%

LAB 35.87, 56.07, 2.2

 

CMYK 0 / 84 / 49 / 23

HEX #C52065

RGB 197 32 101

HSL 334.91, 0.72%, 0.45%

LAB 44.01, 65.47, 3.44

 

CMYK 0 / 78 / 45 / 13

HEX #DD3179

RGB 221 49 121

HSL 334.88, 0.72%, 0.53%

LAB 50.63, 69.02, 1.31

 

CMYK 0 / 63 / 37 / 11

HEX #E35490

RGB 227 84 144

HSL 334.83, 0.72%, 0.61%

LAB 56.77, 60.68, -3.29

 

CMYK 0 / 48 / 28 / 9

HEX #E978A7

RGB 233 120 167

HSL 335.04, 0.72%, 0.69%

LAB 64.6, 48.8, -4.92

 

CMYK 0 / 78 / 46 / 13

HEX #DD3078

RGB 221 48 120

HSL 335.03, 0.72%, 0.53%

LAB 50.5, 69.21, 1.73

 

CMYK 0 / 17 / 78 / 13

HEX #DDB831

RGB 221 184 49

HSL 47.09, 0.72%, 0.53%

LAB 75.99, 0.3, 68.29

 

CMYK 78 / 14 / 0 / 13

HEX #31BEDD

RGB 49 190 221

HSL 190.81, 0.72%, 0.53%

LAB 71.35, -26.05, -25.96

 

CMYK 0 / 78 / 46 / 13

HEX #DD3078

RGB 221 48 120

HSL 335.03, 0.72%, 0.53%

LAB 50.5, 69.21, 1.73

 

CMYK 45 / 0 / 78 / 13

HEX #79DD31

RGB 121 221 49

HSL 94.88, 0.72%, 0.53%

LAB 79.61, -56.16, 69.21

 

CMYK 78 / 45 / 0 / 13

HEX #3179DD

RGB 49 121 221

HSL 214.88, 0.72%, 0.53%

LAB 51.32, 12.83, -57.41

 

CMYK 0 / 78 / 46 / 13

HEX #DD3078

RGB 221 48 120

HSL 335.03, 0.72%, 0.53%

LAB 50.5, 69.21, 1.73

 

CMYK 0 / 17 / 78 / 13

HEX #DDB831

RGB 221 184 49

HSL 47.09, 0.72%, 0.53%

LAB 75.99, 0.3, 68.29

 

CMYK 78 / 0 / 32 / 13

HEX #31DD96

RGB 49 221 150

HSL 155.23, 0.72%, 0.53%

LAB 78.79, -58.49, 23.03

 

CMYK 78 / 61 / 0 / 13

HEX #3156DD

RGB 49 86 221

HSL 227.09, 0.72%, 0.53%

LAB 42.04, 35.04, -72.45

 

CMYK 0 / 78 / 46 / 13

HEX #DD3078

RGB 221 48 120

HSL 335.03, 0.72%, 0.53%

LAB 50.5, 69.21, 1.73

 

CMYK 6 / 0 / 78 / 13

HEX #CFDD31

RGB 207 221 49

HSL 64.88, 0.72%, 0.53%

LAB 84.59, -24.25, 75.6

 

CMYK 78 / 0 / 32 / 13

HEX #31DD96

RGB 49 221 150

HSL 155.23, 0.72%, 0.53%

LAB 78.79, -58.49, 23.03

 

CMYK 71 / 78 / 0 / 13

HEX #3F31DD

RGB 63 49 221

HSL 244.88, 0.72%, 0.53%

LAB 34.95, 57.6, -84.1

 

Description

Color code: HEX #DD3078 | qconv.com Color code: HEX #DD3078 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 48 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 48 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 46 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 46% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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